I’ve been in contact with the Artist, Hans Viets, for several months - I tried to help Hans Viets in touch with Fred Stonehouse  (because both are living in Milwaukee right now and Hans admires Stonehouse’s work - and if you look at his work below, you’ll see why), but with no success (so far as I know).
Anyway, I’ll be meeting with Hans Viets and his wife when they move back to NYC later this summer and will interview him for ArtNewYorkCity.com. I like his work - take a look at a recent piece, quite large for him (since most of what is on his site are smaller works):
I was at a Photography opening last night, next door at the Brooklyn Artists Gym Gallary - I made a video of the event (below).
One thing about YouTube - they have some automation that goes though and takes off content when they think it’s copyrighted…somehow, that must have happened because I used the word “collection” in my video title. I did not change it so it might happen again - in which case I’ll have to edit this post (again).
I spent all afternoon and most of the evening painting at Brooklyn Artists Gym; decided to do a large painting based on my study of trees in Paul Cezanne’s back yard, the one I did the first day I arrived in Aix-en-Provence 3 weeks ago today.
Here’s the painting - it’s done in Oil Pastel on Canvas and is something like 3 feet by 4 feet in size.
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You know the study for this painting was Cezanne’s Back Yard, but the painting drew, somewhat, on the ideas I got back in Paris a couple of days before when I saw an exhibition of Pierre Klossowski at the Centre Pompidou. Besides liking the drawings on paper (canvas to me) I found out that Pierre Klossowski was the brother of the painter Balthus. While the sexual symbolism is not my thing - the feeling and quality of Klossowski’s work is my thing and decided, then and there, I would buy an expensive book (in French, no less) based on the exhibition, and find a way to use that insight in my painting when I got back to the New York.  And this painting of Cezanne’s Back Yard was my first attempt and using crayon, or Oil Pastel, on Canvas.
While my inspiration may have started with Klossowski, it was mostly about my time in Cezanne’s last studio in Aix.  And here’s the movie I made just as got done working on this large painting - my hands all “green” with oily pastels, have drunk 4 glasses of Red Wine at an opening that happened at BAG last night - where I freely moved back and forth to the studio area and to the photography opening.