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		<pubDate>Sat, 06 Dec 2008 18:17:58 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art Collective]]></category>
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		<description><![CDATA[Buy Iressa Without Prescription, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in New York City than ..... www.NYC-ARTS.org and www.NYCkidsARTS.org, Iressa in us. Buy Iressa online without prescription, I took a look at NYC-Arts.org and it looks [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Iressa Without Prescription</b>, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in <a class="zem_slink" title="New York City" rel="geolocation" href="http://maps.google.com/maps?ll=40.7166666667,-74.0&amp;spn=0.1,0.1&amp;q=40.7166666667,-74.0%20%28New%20York%20City%29&amp;t=h">New York City</a> than ..... <a href="http://www.NYC-ARTS.org">www.NYC-ARTS.org</a> and <a href="http://www.NYCkidsARTS.org">www.NYCkidsARTS.org</a>, <b>Iressa in us</b>.  <b>Buy Iressa online without prescription</b>, I took a look at NYC-Arts.org and it looks good!  Now, I do think they need to add a <a class="zem_slink" title="Social network service" rel="wikipedia" href="http://en.wikipedia.org/wiki/Social_network_service">Social Networking</a> aspect to the site, <b>Iressa craiglist</b>, <b>Iressa price, coupon</b>, and I will speak to Joe Harrell, the Director of Marketing for the Alliance of the Arts, <b>Iressa paypal</b>, <b>Iressa gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, here in New York, about that, <b>sale Iressa</b>.  <b>Iressa in canada</b>, But the sites, as they look now, <b>Iressa from canadian pharmacy</b>, <b>Iressa discount</b>, are first class - they look good.  In fact, what I'd do, <b>delivered overnight Iressa</b>, <b>Buy cheap Iressa no rx</b>, if I ran those sites, is add the content from Artcards.cc and also have artists, <b>cod online Iressa</b>, <b>Online buying Iressa hcl</b>, like me, go out and cover shows and post them to an accompying blog - that feeds into the NYC-Arts.org site - that would generate a lot more content, <b>order Iressa no prescription</b>.  <b>Iressa prices</b>, Not sure what to say about the kids site - I have a son, but he's almost 16 years old - and I think a kids site has a different demographic than me - (unless I'm trying to reach out to kids and their parents - in which case, <b>where can i order Iressa without prescription</b>, <b>Buy generic Iressa</b>, maybe it's relevent).  At any rate - these are Art Sites about our community - here in New York City - and they ougth to be supported.</p>
<p>Here's the information about NYC-ARTS.org and NYCkidsARTS.org from recent press release:</p>
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<blockquote><br />
<p align="right">FOR IMMEDIATE RELEASE</p><br />
<p align="center"><strong>Alliance</strong><strong> for the Arts Launches NYC-ARTS.org and NYCkidsARTS.org in Beta Testing</strong></p><br />
NEW YORK - November 25, 2008 - The Alliance for the Arts has launched the beta versions of its new NYC-ARTS.org and NYC<em>kids</em>ARTS.org, the most complete, customizable and dynamic source of information on New York's cultural institutions, <b>Buy Iressa Without Prescription</b>. Curated by people who know the scene, <b>buying Iressa online over the counter</b>, <b>Where can i buy cheapest Iressa online</b>, NYC ARTS provides an inside view of New York's cultural life.</p>
<p>The NYC ARTS Web sites have launched during <a class="zem_slink" title="Software testing" rel="wikipedia" href="http://en.wikipedia.org/wiki/Software_testing">beta testing</a>, <b>free Iressa samples</b>.  <b>Iressa in mexico</b>, The public is invited to participate in testing by submitting feedback through the "Send your feedback" button at the bottom of every page.</p>
<p><strong>NYC-ARTS.org</strong></p>
<p>Locals and tourists will find in-depth information on cultural organizations and their events, <b>Iressa pills</b>, <b>Online buy Iressa without a prescription</b>, programs and activities.</p>
<p><strong>NYCkidsARTS.org </strong> <b>Buy Iressa Without Prescription</b>, Educators and parents will find the most comprehensive information on cultural activities for children, including arts <a class="zem_slink" title="Education" rel="wikipedia" href="http://en.wikipedia.org/wiki/Education">education</a> programs that support teaching in many subject areas.</p>
<p><strong>Alliance</strong><strong> for the Arts Research  Center</strong></p>
<p>The research tools in the Alliance for the Arts Research Center will provide easy access to accurate quantitative data on the nonprofit cultural sector in New York City, <b>buy Iressa no prescription</b>.  <b>Buy Iressa online with no prescription</b>, In the increasingly competitive entertainment environment, NYC ARTS and NYC<em>kids</em>ARTS ensure that New York City's arts organizations stand out in the clutter of choices, <b>Iressa san diego</b>.  <b>Buy Iressa from mexico</b>, The NYC ARTS brand is a powerful promotional identity both for large cultural institutions that command high visibility and smaller groups with less promotional muscle. Unlike commercial cultural listings that have a narrow focus, <b>order Iressa from mexican pharmacy</b>, <b>Buy Iressa without a prescription</b>, these sites give all arts groups equal opportunity to promote their programs and attract visitors. The power of the NYC ARTS sites extends beyond the walls of the Web sites with weekly e-mail updates, interest-specific <a class="zem_slink" title="RSS" rel="wikipedia" href="http://en.wikipedia.org/wiki/RSS">RSS feeds</a> and connections to social networking sites such as <a class="zem_slink" title="Facebook" rel="homepage" href="http://facebook.com">Facebook</a> and <a class="zem_slink" title="Twitter" rel="homepage" href="http://twitter.com">Twitter</a>, <b>Buy Iressa Without Prescription</b>.</p>
<p>Cultural consumers need a strong brand to help them navigate the rich and diverse resources of New York City's five boroughs, <b>Iressa prescriptions</b>.  <b>Iressa trusted pharmacy reviews</b>, Through recommendations, curated collections and other features such as "Events ending soon, <b>Iressa to buy</b>, <b>Buy Iressa from canada</b>, " the sites will be proactive in directing individuals to cultural opportunities they might otherwise overlook.</p>
<p>The City of New York is the major underwriter of NYC ARTS, <b>Iressa for sale</b>.  <b>Iressa in usa</b>, Because the system supports hundreds of cultural organizations and their events in all five of the city's boroughs-in effect shoring up the cultural infrastructure-the City of New York has invested .5 million in capital dollars for the first release of the system.  <b>Buy Iressa Without Prescription</b>, It has also pledged additional enhancement funds for future releases of NYC ARTS.</p>
<p>New York's philanthropic community has joined the City as investors in this project, <b>where to buy Iressa</b>.  <b>Iressa in australia</b>, Local foundations and corporations supported the research and development of NYC ARTS.</p>
<p><strong>About the Alliance for the Arts</strong></p>
<p>The Alliance for the Arts serves the entire cultural community through research and advocacy and serves the public through cultural guides and calendars, <b>where can i buy Iressa online</b>.  <b>Where to buy Iressa</b>, Through its NYC ARTS guides and calendars, the Alliance promotes New   York cultural institutions, <b>Iressa tablets</b>.  <b>Purchase Iressa online no prescription</b>, Through its research studies highlighting the importance of the arts to the economy and to education, the Alliance helps government and civic leaders understand the importance of cultural organizations to New York City, <b>Iressa in uk</b>.  <b>Saturday delivery Iressa</b>, More information on the Alliance's work can be found at the new www.AllianceforArts.org.</p>
<p><strong>Contact: </strong></p>
<p>Joe Harrell, <b>order Iressa online overnight delivery no prescription</b>, <b>Rx free Iressa</b>, Director of Marketing &amp; Product Management</p>
<p>Alliance for the Arts</p>
<p>jharrell@allianceforarts.org</p>
<p>(212) 947-6340</blockquote><br />
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		<link>http://www.artnewyorkcity.com/2008/10/05/yet-more-thoughts-about-painting-when-its-hard-to-paint/</link>
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		<pubDate>Sun, 05 Oct 2008 05:23:12 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/?p=1187</guid>
		<description><![CDATA[Buy Imitrex Without Prescription, One of my friends and I talked about Art this afternoon, and the issues surrounding being an artist and she encouraged me to write the gist of our conversation down, because it reminded her of exactly the issues she's going though being an artist but not making a living at it. [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imitrex Without Prescription</b>, One of my friends and I talked about Art this afternoon, and the issues surrounding being an artist and she encouraged me to write the gist of our conversation down, because it reminded her of exactly the issues she's going though being an artist but not making a living at it.</p>
<p>It reminds me that quite often lately, <b>Next day Imitrex</b>, friends have responded to my thoughts about Social Media and Art, as well, and it seems to me when people, <b>real brand Imitrex online</b>, independent of one another are saying similar things there is probably some truth in it.  <b>Buying Imitrex online over the counter</b>, For example, my friend Valeria mentioned this post from my Webmetricsguru.com blog that was republished in Social Media Today - <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50232">Social Media Measurement of Attention / Engagement - some more thoughts about it</a> as a post that she wish she had written herself.   Others responded to a slightly earlier post on <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50132">Making a Case for Social Media - are we doing a poor job of Marketing Social Media?</a> and my friend Jared Freedman thought <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50175">my Formula for Virtual Friending - what’s a virtual connection worth. Some ideas - a start, <b>Imitrex prices</b>, at least</a> had some inspiring information - even if the formulae, <b>Purchase Imitrex</b>, he thought, was too complicated.</p>
<p>So, <b>Imitrex trusted pharmacy reviews</b>, with those examples in mind, <b>Imitrex in australia</b>, when my friend Janice, asked me to write down this information, which I normally would not - I figured...., <b>buy cheap Imitrex</b>. why not, <b>Buy Imitrex Without Prescription</b>.</p>
<p>Recently I've been in a dilemma about painting and my own work - I started painting again, <b>Where can i order Imitrex without prescription</b>, after stopping for a long time, a few years ago after going though a difficult time (I won't go into what spurred my decision); I felt I had to paint just to keep myself from exploding.</p>
<p>After a while, <b>Imitrex craiglist</b>, though, <b>Where can i buy Imitrex online</b>, I noticed I was stuck again, that I was unwilling to really experiment that much with new materials and techniques, that I often went to paint being unprepared, <b>purchase Imitrex online</b>, having no real problem or show, <b>Imitrex for sale</b>, or anything to work on - just a feeling that I'm paying for a studio space, I ought to go.   When I got to the studio space, I often struggled to get anything going and often enjoyed talking to artists as much, <b>Imitrex overseas</b>, and sometimes, <b>Buy Imitrex online no prescription</b>, more than actually painting.</p>
<p>Painting itself, was an uneven affair, <b>Imitrex discount</b>, inspiration is often hit or miss - and I noticed that I got bored quickly.  When I began painting again, <b>Buy cheap Imitrex</b>, I worked much quicker, but I still felt stuck with my concept and often had a hard time with creating work that might be inconvenient for me (setting up <a class="zem_slink" title="Oil painting" rel="wikipedia" href="http://en.wikipedia.org/wiki/Oil_painting">oil paints</a> and cleaning them up, buying, <b>cod online Imitrex</b>, stretching and storing canvas, <b>Imitrex in japan</b>, was just the beginning.</p>
<p>Also, while at an opening tonight at Brooklyn Artists Gym, <b>buy Imitrex from mexico</b>, the show was not well hung and lacked any real curator, <b>Online buying Imitrex hcl</b>, and hardly anything really attracted me that I wanted to look at it - I chalked that up to my belief that work needs to speak to you first - just because an artist puts something out on a wall in fount of us does not oblige me to have to look at it.  There's so much competing for our attention now, especially now (in fact, I deal with that in the post on <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50232">Social Media Measurement of Attention / Engagement - some more thoughts about it</a> - we have only 100%, <b>order Imitrex from United States pharmacy</b>, not more than that, <b>Buy Imitrex no prescription</b>, and with everything hitting at us, competition for our attention -we need to hold back and just engage with what draws us to it - and there wasn't anything on the walls that spoke to me - so I made no real attempt to look at it closely.  <b>Buy Imitrex Without Prescription</b>, Look, as an artist - I don't think the world owes us anything - just because you do work does not mean anyone has to look at it - if anyone does look at work, likes, it loves it, its because it speaks to them, means something - otherwise, why bother.</p>
<p>I also saw that when I had my work in shows as recent as this spring (<a class="etitle" href="http://www.new.facebook.com/event.php?eid=15365066890">Art Opening in Williamsburg at Heart and Soul  Pilates</a>)</p>
<p><a href="http://www.new.facebook.com/event.php?eid=15365066890"><img src="http://profile.ak.facebook.com/object3/1916/31/s15365066890_3675.jpg" alt="" /></a> <img id="myphoto" src="http://photos-d.ak.facebook.com/photos-ak-sf2p/v240/200/0/500062770/n500062770_483459_2667.jpg" alt="" /></p>
<p>- I had no control over how my paintings were displayed, <b>Imitrex in us</b>, the lady put my Rejection painting, <b>Imitrex in uk</b>, the landscape one, above, in a dark corner of her gallery, <b>buy Imitrex online no prescription</b>, even as I was assured by her this would not happen - in the two shows I was part of this year, <b>Real brand Imitrex online</b>, my work looked invisible with the dozens of other paintings they were displayed with.</p>
<p>Object placement and lighting, so important for physical objects, <b>Imitrex tablets</b>, which is what paintings are, <b>Ordering Imitrex online</b>, was not my friend, nor were curators - and I got discouraged, as I did, <b>purchase Imitrex online no prescription</b>, many years back when I also tried to paint - but lost my way.  <b>Where can i buy cheapest Imitrex online</b>, And I found it again, a few years back, only to find that, <b>next day Imitrex</b>, having realized my own strength as an artist - that it was not the primary thing that marked my life - that I wasn't really going to make my living as an artist, <b>Buy Imitrex without prescription</b>, nor did I want to, and my work really was not meant for any kind of wide distribution - and, in fact, <b>Imitrex san diego</b>, I had more control over how many people saw my paintings, <b>Free Imitrex samples</b>, as a <a class="zem_slink" title="Blog" rel="wikipedia" href="http://en.wikipedia.org/wiki/Blog">blogger</a> with a few blogs in subjects where I've been seen as an influential, that if I wanted to get my work out and seen - I had the means and knowledge to do it myself.</p>
<p>And then when I showed my works this spring, <b>Imitrex gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, I had to frame them (which cost several hundred dollars) and drag them over to gallery spaces to they'd be shown, <b>Imitrex in usa</b>, just to go back in a few weeks/months and pick them up again.   I had no hope they'd sell, I had no real desire to sell them either - and yet I didn't have a place to hang them, and they sit in my studio bin, <b>buy cheap Imitrex no rx</b>, at Brooklyn Artists Gym, <b>Order Imitrex from mexican pharmacy</b>, where I briefly looked at them, again, today, <b>Imitrex in mexico</b>.</p>
<p>So, I was telling Janice that it's a lot of work to be an artist and at the end of the day, no one really wants the stuff - on one really cares - and that an artist needs a following - people who love the work - people who want to collect it - and people who paint and really succeed at it, like my friend Amy Crehore, feel they have to do it - there is no other way for them, <b>Buy Imitrex Without Prescription</b>.</p>
<p>But I don't feel that way about my work, <b>Order Imitrex no prescription</b>,   I don't "have" to do it, and Janice said she felt the same way about her work  - she's a vision therapist and paints on weekends - but realizes she doesn't have the time to really do that much.     But in my case, I could have done more than I did - except I'd rather go to Art Openings, <b>order Imitrex online c.o.d</b>, meet people, <b>Fast shipping Imitrex</b>, over actually locking my self up in a corner and painting.</p>
<p>And I came to terms with that - being a <a class="zem_slink" title="Painting" rel="wikipedia" href="http://en.wikipedia.org/wiki/Painting">painter</a>, and to some extent, <b>Imitrex price, coupon</b>, a <a class="zem_slink" title="Writer" rel="wikipedia" href="http://en.wikipedia.org/wiki/Writer">writer</a>, <b>Buying Imitrex online over the counter</b>, is usually a solitary persuit - you need to do it, more often than not - with your self - away from others - even while in a crowd- a certain solitude is needed - it's almost a requirement that you must, as an artist, <b>buy Imitrex from canada</b>, be alone with yourself, <b>Imitrex for sale</b>, and like it.</p>
<p>But I don't like it - I don't like being alone with myself - and yet, there are times I did enjoy it - but it was often only after I worked though my resistances, <b>Imitrex from international pharmacy</b>.</p>
<p>When the spring began, <b>Imitrex in canada</b>, and I took the steps to invest in my own work by framing some pieces, I felt the burden of not knowing where I would I would store them, and often, <b>Imitrex from canadian pharmacy</b>, I'd go to the studio and feel no enthusiasm - and yet, <b>Where can i buy Imitrex online</b>, I still did some good work I'm proud of.   But when the summer came, I just took time out and decided I'd sketch, but not paint.   I work full time as a Web Analyst, <b>Imitrex in india</b>, do a lot of freelance <a class="zem_slink" title="Web analytics" rel="wikipedia" href="http://en.wikipedia.org/wiki/Web_analytics">web analytics</a> and <a class="zem_slink" title="Search engine optimization" rel="wikipedia" href="http://en.wikipedia.org/wiki/Search_engine_optimization">SEO</a> work when it's available, <b>Buy generic Imitrex</b>, , blog, go to openings, <b>Imitrex prices</b>, tweetups, <b>Online buy Imitrex without a prescription</b>, several events in NYC and travel to conferences, and now, started a blog network, <b>where to buy Imitrex</b>, blogspeedway.com, <b>Delivered overnight Imitrex</b>, but going to the studio felt like just "one more job" and I had enough.  <b>Buy Imitrex Without Prescription</b>, And then, I tried to answer a bunch of questions ... why?  Why am I in this?  Why am I painting?  Who is this really for?  Does anyone really want it.</p>
<p>I doubted myself and my own commitment to Art, <b>buy Imitrex without a prescription</b>.</p>
<p>But, <b>Imitrex to buy online</b>, as I told this to Janice, she said that she has a lot of the same thoughts as I do, <strong>and that many artists aren't really talking about it and there is no real place to go, <b>Imitrex overseas</b>, no support really, <b>Purchase Imitrex online</b>, for artists.</strong></p>
<p>Nor did I really want to talk about it - either - but it seems like it's something that does need to be talked about.</p>
<p>It's really hard to be an artist - no one really wants your work, 99% of the time, <b>rx free Imitrex</b>, you have to finance the activity yourself, <b>Where can i order Imitrex without prescription</b>, and art, unlike a trade or profession, is not really considered integral to anything.  Sure, <b>where can i find Imitrex online</b>, we have artists, <b>Imitrex medication</b>, museums, foundations, but art, particularly painting (which has lost it's relevance over cinema and music, which are much easier for people to consume, is more of an appendage of society - something we feel guilty about - like we should have it - but hardly anyone really needs it and it's hard to evaluate - the quality issue is entirely subjective.</p>
<p>So, in going for Art, as a career, or a calling, it seems those who do and succeed are those who failed, over and over, but never gave up - and cultivated the right friends, eventually forming a following, <b>Buy Imitrex Without Prescription</b>.</p>
<p>I believe in order to succeed, you need a following - collectors (that's an art dealers job, and often a thankless task - but till you get to the point where you can hire someone to promote your work for you, you have to finance and do it yourself, along with housing it and paying taxes on it - often a thankless task.</p>
<p>And if you just do it because it gives you pleasure, your dismissed as a "dabbler" or weekend artist.</p>
<p>I wish there was  place where artists could talk about all of this stuff - but there doesn't seem to be - we're all orphaned - and that let me to ask myself what role Art had in my life.</p>
<p>What I came up with was that I had nothing really to prove to anyone but myself, and Art, for me, was a package that framed my other activities (web analytics, search, blogging and writing art critic, socializing, etc) and it didn't need to do anything else but that - how successful I was as an artist really didn't matter - all that mattered was I had a gift and I was sharing it the best way I knew how, and my passionate feelings, when channelled into Art managed to balance me out somewhat, making me a better web analyst, blogger, writer, critic, whatever..... you fill the rest in - that's what Art's role was for me, in this life.</p>
<p>And I accepted it.</p>
<p>There, as my friend suggested, I wrote it all down, as best as I could remember it - I think I got most of what I wanted to say down here, on this blog.</p>
<p>Only now, I don't know what the next step is for me ....<em> what do I do now?</em><br />
<div class="zemanta-pixie" style="margin-top: 10px; height: 15px;"><a class="zemanta-pixie-a" title="Zemified by Zemanta" href="http://reblog.zemanta.com/zemified/8b7ff2aa-ad8c-493a-b89b-b66930618765/"><img class="zemanta-pixie-img" style="border: medium none; float: right;" src="http://img.zemanta.com/reblog_e.png?x-id=8b7ff2aa-ad8c-493a-b89b-b66930618765" alt="Reblog this post [with Zemanta]" /></a></div>.</p>
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		<title>Buy Lotrel Without Prescription</title>
		<link>http://www.artnewyorkcity.com/2006/11/15/old-masters-and-young-geniuses-is-david-galensons-art-theory-true/</link>
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		<pubDate>Wed, 15 Nov 2006 05:42:09 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<description><![CDATA[Been looking at David Galenston's two books - thinking I'll purchase the latest book called Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity.Â Â Â Got interested in Buy Lotrel Without Prescription, David W. Galenson after reading a review of his ideas in the New York Times today.Â Â  In The Art of Pricing Great [...]]]></description>
			<content:encoded><![CDATA[<p> Been looking at <strong>David Galenston's</strong> two books - thinking I'll purchase the latest book called <a href="http://www.amazon.com/dp/0691121095?tag=davidgalenson-20&camp=14573&creative=329585&linkCode=as1&creativeASIN=0691121095&adid=17W28618NYJW84H6F7NV&"><strong>Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity</strong></a>.Â Â Â Got interested in <a href="http://www.davidgalenson.com/"> <b>Buy Lotrel Without Prescription</b>, David W. Galenson </a>after reading a review of his ideas in the New York Times today.Â Â </p>
<p>In <a href="http://www.nytimes.com/2006/11/15/business/15leonhardt.html?pagewanted=1"><strong>The Art of Pricing Great Art</strong></a>, <b>Lotrel pills</b>, <b>Lotrel overseas</b>, the writer, Mr, <b>where can i order Lotrel without prescription</b>.  <b>Lotrel to buy</b>, Leonhardt, expresses the following:<br />
<blockquote>"The mysterious part of the current mania lies in figuring out <strong>what exactly makes a piece of art worth  million instead of, <b>Lotrel from international pharmacy</b>, <b>Lotrel in uk</b>, say,  million.</strong> Not even people who make their living selling art claim to have much of a definition of great art, <b>order Lotrel online c.o.d</b>.  <b>Lotrel discount</b>, In fact, theyâ€™re proud not to have one, <b>cod online Lotrel</b>.  <b>Order Lotrel from mexican pharmacy</b>, â€œThatâ€™s where the market becomes magical,â€ Tobias Meyer, <b>buying Lotrel online over the counter</b>, <b>Lotrel buy</b>, Sothebyâ€™s chief auctioneer, told me."</blockquote><br />
In my <a href="http://www.webmetricsguru.com/">www.webmetricsguru.com</a> blog - I use with metrics to solve a business needÂ (<em>some times I make my own metrics - you have to be creative - you know</em>); a theory explaining value of a work of art would appeal to someone with my values and way of thinking, <b>Lotrel in india</b>.</p>
<p>There's a lot of good stuff in the Leonhardt article so I'll quote from it quite a bit, then comment at the end, <b>Buy Lotrel Without Prescription</b>.  <b>Lotrel in usa</b>, <blockquote>".....he began collecting data on the sale price of works by Warhol, <a title="More articles about Jackson Pollock." href="http://topics.nytimes.com/top/reference/timestopics/people/p/jackson_pollock/index.html?inline=nyt-per"><font color="#004276">Jackson Pollock</font></a> and other American artists, <b>purchase Lotrel</b>, <b>Buy cheap Lotrel</b>, and he discovered a pattern. <strong>Most of them produced their most valuable work either very early in their career, <b>Lotrel in canada</b>, <b>Online buy Lotrel without a prescription</b>, like Warhol, or very late, <b>Lotrel tablets</b>, <b>Buy Lotrel online without prescription</b>, like Pollock. </strong>When he expanded his research to European painters, <b>Lotrel san diego</b>, <b>Purchase Lotrel online no prescription</b>, he found the same pattern.</p>
<p>Not only that, <b>Lotrel in mexico</b>, <b>Buy Lotrel online with no prescription</b>, but the two groups tended to approach art, and to talk about it, <b>ordering Lotrel online</b>, <b>Free Lotrel samples</b>, in strikingly different ways.  <strong> <b>Buy Lotrel Without Prescription</b>, The young geniuses, like Gauguin, </strong><a title="More articles about Pablo Picasso." href="http://topics.nytimes.com/top/reference/timestopics/people/p/pablo_picasso/index.html?inline=nyt-per"><font color="#004276"><strong>Picasso</strong></font></a><strong> and </strong><a title="More articles about Vincent Van Gogh." href="http://topics.nytimes.com/top/reference/timestopics/people/v/vincent_van_gogh/index.html?inline=nyt-per"><font color="#004276"><strong>Van Gogh</strong></font></a><strong>, were conceptual innovators whose paintings broke sharply from previous work.</strong> They typically <em>had a precise goal in mind when they started a piece and didnâ€™t need long to finish it</em>. â€œAbove all, <b>Lotrel prices</b>, <b>Buy Lotrel from mexico</b>, donâ€™t sweat over a painting,â€ Gauguin once told a friend, <b>purchase Lotrel online</b>.  <b>Lotrel in japan</b>, â€œA great sentiment can be rendered immediately.â€</p>
<p>The <strong>late bloomers, on the other hand, <b>Lotrel paypal</b>, <b>Lotrel trusted pharmacy reviews</b>, arrived at their innovations gradually, through trial and error, <b>buy no prescription Lotrel online</b>, <b>Lotrel from canadian pharmacy</b>, making their major contributions late in life. They painted the same subject again and again, <b>buy Lotrel from canada</b>, <b>Lotrel prescriptions</b>, experimenting on the canvas, often reluctant to say that a painting was finished, <b>buy Lotrel online no prescription</b>.  <b>Buy Lotrel online without a prescription</b>, </strong>Consider that CÃ©zanne, who did his most valuable and celebrated work in his 60s, <b>order Lotrel no prescription</b>, <b>Rx free Lotrel</b>, signed few of his paintings.</p>
<p>Mr, <b>Buy Lotrel Without Prescription</b>. Galenson has <strong>extended the theory to novelists, <b>where can i find Lotrel online</b>, <b>Buy Lotrel online cod</b>, poets and beyond, arguing that most creative people fall on one end or the other of the spectrum, <b>where can i buy cheapest Lotrel online</b>, <b>Where can i buy Lotrel online</b>, </strong> and he has earned a fair bit of attention. Malcolm Gladwell, <b>buy cheap Lotrel no rx</b>, <b>Next day Lotrel</b>, in a <a title="Malcolm Gladwellâ€™s Speech" href="http://www.davidgalenson.com/malcolmgladwell-lecture.pdf"><font color="#004276">speech</font></a> at <a title="More articles about Columbia University." href="http://topics.nytimes.com/top/reference/timestopics/organizations/c/columbia_university/index.html?inline=nyt-org"><font color="#004276">Columbia University</font></a>, described â€œOld Masters and Young Geniuses, <b>Lotrel over the counter</b>, <b>Buy Lotrel no prescription</b>, â€ which Mr. Galenson published this year, <b>fast shipping Lotrel</b>, <b>Lotrel in us</b>, as â€œa really wonderful book.â€ Wired magazine recently <a title="Wired Magazine Profile" href="http://www.wired.com/wired/archive/14.07/genius.html?pg=2&topic=genius&topic_set"><font color="#004276">profiled</font></a> him under the headline, â€œWhat Kind of Genius Are You?â€</blockquote><br />
Maybe few artists are exactly one type or the other - I believe there is polarity in just about everything - including creativity, <b>online buying Lotrel hcl</b>.  <b>Lotrel gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, <blockquote>"......If you look through the prices from the current auction season, or walk through any major museum, <b>where to buy Lotrel</b>, <b>Delivered overnight Lotrel</b>, <strong><em>you canâ€™t help but notice that Mr.  Galenson is onto something</em></strong> <b>Buy Lotrel Without Prescription</b>, . When a still life that CÃ©zanne painted at the age of 56, <b>where to buy Lotrel</b>, <b>Lotrel in australia</b>, for instance, fetched  million at Sothebyâ€™s last week, <b>Lotrel medication</b>, <b>Over the counter Lotrel</b>, art experts cited the rarity of CÃ©zanne still lifes. The next night at Christieâ€™s, <b>buy Lotrel without a prescription</b>, <b>Lotrel for sale</b>, another CÃ©zanne still life â€” one painted when he was 34 â€” sold for just .1 million. "</blockquote><br />
<p align="left">I don't find that surprising - Cezanne's late still lifes are much more "unique" than his earlier work - when he was struggling to find himself and his style.Â  While Cezanne's early work is notable - yet he had he not evolved his later style and revolutionized art.Â  Had Paul Cezanne painted his early still lifes, <b>order Lotrel online overnight delivery no prescription</b>, <b>Buy generic Lotrel</b>, then died all of a sudden, before doing his later workÂ - we'd probably not know he existed today - he'd never become that well known for his early work.</p><br />
<p align="left">Now, <b>buy Lotrel without prescription</b>, <b>Sale Lotrel</b>, it turns out that Malcolm Gladwell (the same <a href="http://www.webmetricsguru.com/2006/04/webmasterworld_keynote_malcolm_2.html">Malcolm Gladwell </a>who <a href="http://www.knowmoremedia.com/2006/04/press_release_webmetricsgurus.html">I heard</a> at <a href="http://www.webmetricsguru.com/2006/04/webmasterworld_keynote_malcolm_2.html">Webmasterworld Pubcon X </a>in Boston, earlier this year) has come to Galenson's defense and spoke about Galenson's theory in February at Columbia.Â Â  I read Malcolm <a href="http://www.davidgalenson.com/malcolmgladwell-lecture.pdf">Gladwell's Age Before Beauty </a>all the way through and it's great!</p></p>
<p></p>
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<p align="left">"...<font face="Times-Roman">wayâ€”heâ€™s an economistâ€”the way he decides to analyse great artists is to look at the value of their paintings, <b>saturday delivery Lotrel</b>. How much money do their paintings reach at auction. Thereâ€™s a big record called the [GuideMayer] which is this big Swiss volume, which records precisely whatâ€™s paid for every painting at all the major auction houses of the year, and he basically goes through this thing, combs through it and does these very, very complicated regression analyses based on the size of the painting and when it was painted and how much was paid for it, et cetera, <b>Buy Lotrel Without Prescription</b>. And using this whole kind of thing.</font></p><br />
<p align="left"><font face="Times-Roman">He analyses the value of the paintings of famous artists. And he comes up with this really interesting conclusion, which is that, if you do that kind of analysis, looking at the value of paintings of famous artists over the course of their career, what happens is they divide quite neatly into two groups. Thereâ€™s a group of artists that do their greatest work very, very early in their career, and then their value declines, and thereâ€™s a group of artists who do their very bestÂ  </font><font face="Times-Roman">work at the very end of their career, right. The very end of life.  In <strong>other words there isnâ€™t a kind of single profile of what it means to be a successful artist; thereâ€™s two</strong>."</font></p></p>
<p><font face="Times-Roman"></font><font face="Times-Roman">"...</font><font face="Times-Roman"> <b>Buy Lotrel Without Prescription</b>, So he says, look, Pisarro peaks at forty-five, Degas at forty-six, Kandinsky at fifty-two, Georgia Oâ€™Keefe at forty-eight. Munch, on the other hand, does his best work at thirty-four, Derain at twenty-four, Braque at twenty-eight, Juan Gris at twenty-eight, and de </font><font face="Times-Roman">Chirico at twenty-six."</font><font face="Times-Roman"> </font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman">"......</font><font face="Times-Roman">Thatâ€™s very much the way that experimental artists are working, t<strong><em>heyâ€™re kind of groping towards something they canâ€™t quite define.</em></strong> Now here, by contrast, is another art historian talking about Picasso: â€œThere was not one Picasso, but ten, twenty, always different, unpredictably changing. And in this he was the opposite of a Cezanne, whose work followed that logical, reasonable course to fruition.â€<strong><em> Cezanne famously said, â€œI seek in painting.â€ What did Picasso say. He said, â€œI donâ€™t seek, I find</em></strong>.â€</font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman">"</font><font face="Times-Roman">...he looks, for example, at the abstract expressionists and points out, you know, youâ€™ve got a group of older abstract expressionists like Rothko and de Kooning and Jackson Pollockâ€”theyâ€™re all guys who peak in their fifties and in some cases in their sixties. Itâ€™s a long time to work out their method. And then youâ€™ve got this younger group, you know, Stella, Lichtenstein, Rauschenberg, Jasper Johns, Andy Warhol, who peak, on the contrary, in their twenties, and who have a radically different way of explaining their art, and of doing art and of thinking about art, and that look at the older generation of abstract expressionists and think of them as being kind of antiintellectual, as being kind of mere painters, not kind of thinkers who are possessed of an idea and a concept of how to do art, but guys who are kind of mucking around with paint."</font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"><br />
<p align="left"><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"><font face="Times-Roman" /></font><font face="Times-Roman">Ok, I agree with most of this - butÂ what ifÂ your the first type of artist -and you may have peaked early but don't want to accept that your too old to achieve anything lasting now....what do you do?Â  It's a question I don't as yet, have an answer to.</font></p></font></blockquote></p>
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		<title>Cimabue at the Frick Collection</title>
		<link>http://www.artnewyorkcity.com/2006/10/07/cimabue-at-the-frick-collection/</link>
		<comments>http://www.artnewyorkcity.com/2006/10/07/cimabue-at-the-frick-collection/#comments</comments>
		<pubDate>Sat, 07 Oct 2006 04:43:40 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<description><![CDATA[Got to go to this show of Cimabue at the FrickÂ CollectionÂ - it's the kind of show you have to see.Â  The NYTimes review by Roberta Smith tells you all you need to know, here's an excerpt: "Cimabue (about 1240-1302) is one of the Big Three â€” with Duccio and Giotto â€” who laid the groundwork [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.nytimes.com/2006/10/07/arts/design/07fric.html?pagewanted=2&ei=5089&en=8daf231b579333db&ex=1317873600&partner=rssyahoo&emc=rss"><strong>Got to go to this show of Cimabue at the FrickÂ Collection</strong>Â </a>- it's the kind of show you have to see.Â  The NYTimes review by Roberta Smith tells you all you need to know, here's an excerpt:
<blockquote>"<strong>Cimabue</strong> (about 1240-1302) is one of the <strong>Big Three â€” with Duccio and Giotto</strong> â€” who laid the groundwork for the <strong>early Italian Renaissance</strong>. His name is as weighty as it is mysterious, partly because so few of his works survive. This tiny exhibition makes his greatness crystal clear. At its center are two small works newly attributed to him, â€œThe Flagellation of Christ,â€ which the Frick acquired in 1950, and â€œThe Virgin and Child Enthroned With Two Angels,â€ a recently discovered work that is now in the collection of the National Gallery in London.
<p align="center"><a class="imagelink" title="Cimabue at the Frick Collection.bmp" href="http://www.artnewyorkcity.com/wp-content/uploads/Cimabue%20at%20the%20Frick%20Collection.bmp"><img id="image272" style="width: 343px; height: 217px" height="217" alt="Cimabue at the Frick Collection.bmp" src="http://www.artnewyorkcity.com/wp-content/uploads/Cimabue%20at%20the%20Frick%20Collection.bmp" width="343" /></a></p>
</blockquote>
<p align="left">I will try to make it over to the <a href="http://www.frick.org/">Frick Collection </a>this weekend, or next week, if I can.</p>
<p align="left">The<a href="http://www.frick.org/"> Frick Collection </a>is not someplace I go to often these days, but did when I was younger.</p>

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		<title>Why more people don&#8217;t go to Museums (in New York City)</title>
		<link>http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/#comments</comments>
		<pubDate>Thu, 28 Sep 2006 20:26:26 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[New York Public Library]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/</guid>
		<description><![CDATA[Seth Godin is the smartest marketer alive - and I always read his blog, most of the time commenting in Webmetricsguru.com; today my comment belongs in ArtNewYorkCity.com because Seth talks about why more people don't go to museums. a. the curators think the item on display is the whole thing. As a result, they slack [...]]]></description>
			<content:encoded><![CDATA[Seth Godin is the smartest marketer alive - and I always read his blog, most of the time commenting in Webmetricsguru.com; today my comment belongs in ArtNewYorkCity.com because Seth talks about <a href="http://sethgodin.typepad.com/seths_blog/2006/09/you_dont_run_a_.html">why more people don't go to museums</a>.
<blockquote><em>
a. the curators think the item on display is the whole thing. As a result, they slack off and do less than they should in creating an overall story

b. they assume that visitors are focused, interested and smart. They are rarely any of the three. As a result, the visit tends to be a glossed over one, not a deep one or a transcendent one

c. science museums in particular almost beg people NOT to think.

I can't remember the last time a museum visit made my cry, made me sad or made me angry (except at the fact that they don't try hard enough).</em></blockquote>
Besides, some people have negative associations with museums; my wife was raised in Poland where Museums were considered old, stuffy and boring!Â  I don't find Museums boring, but I understand why many do - they don't engage visitors enough (sounds like Musuems are often like bad websites that don't work well enough).
<blockquote>"<strong>They asked how long it had been since he had been to a museum.</strong>Â  But the group that liked his books spoke up pretty quickly, and first acknowledged that he was trying to needle them, but then said â€“ wait, he is part of our audience, and clearly he has thought this.Â  <strong>And if we are not listening to our audiences, then we may not be doing our jobs well at all.Â  </strong>This was bounced around for a while.Â  At the end I pulled it back towards Godinâ€™s books and asked what, if anything, they got from the books, felt like they could take back to their museums and use, or share with their bosses.Â  Even a couple of the Godin-haters mentioned things they got from them.Â  After the book club, back at the cabin we were staying in, there was a lot of talking around the fireplace about branding and stories, so it was clear the books, and the discussion, made them think."</blockquote>
Sounds like Seth Godin's books were examined by museum directors and it got them to think.Â  If you stop to think, getting people to a museum and keeping them engaged is the same exact problem as getting people to a website and engageing them enough that they stay.Â 

The solution for a website is usually better content and better design.Â  In the case of museums, it's not so much the content as the presentation and activities at the museum that encourage people to want to be there and have a positive experience.

Again, I'm not the person who has a problem with museums - I like them overall, but many don't like museums and there's probably a valid reason why.

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		<title>Art Openings in NYC &#8211; September 28th, 2006 &#8211; What I&#8217;ll cover</title>
		<link>http://www.artnewyorkcity.com/2006/09/28/art-openings-in-nyc-september-28th-2006-what-ill-cover/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/28/art-openings-in-nyc-september-28th-2006-what-ill-cover/#comments</comments>
		<pubDate>Thu, 28 Sep 2006 14:16:31 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/28/art-openings-in-nyc-september-28th-2006-what-ill-cover/</guid>
		<description><![CDATA[Been too busy the last few days to post here - a lot of important meetings - most which belong in my Webmetricsguru.com blog.Â  Did not see any good openings this week till today - nothing that really attracted me to want to show up.Â Â  But that's different today - a couple of good openings [...]]]></description>
			<content:encoded><![CDATA[Been too busy the last few days to post here - a lot of important meetings - most which belong in my <a href="http://www.webmetricsguru.com/">Webmetricsguru.com </a>blog.Â  Did not see any good openings this week till today - nothing that really attracted me to want to show up.Â Â  But that's different today - a couple of good openings happening now in NYC, in Art in New York City.

So tonight I'll try to make an opening of A<a href="http://www.pacewildenstein.com/Exhibitions/ViewExhibition.aspx?title=AlfredJensen%3aTheNumberPaintings&type=Exhbition&guid=fbd7589f-f3b2-45bd-abfc-e7d47f0984b1">lfred Jenson: The Number Paintings </a>at Pace Wildenstein Gallery.Â  Here's a little part of the writeup describing the work in this show: Alfred Jensen:Â  The Number Paintings will be on view at 545 <strong>West 22nd Street, New York from September 29 through October 28, 2006</strong>.Â  The public is invited to attend the opening on Thursday, September 28th from 6 to 8 p.m.
<blockquote>"<strong>Alfred Jensen</strong>:Â  The Number Paintings looks at how the artist used Pythagorean theory, the Mayan Calendar, and other numerical systems as well as Goetheâ€™s color theory in his work.Â  The exhibition consists of 11 paintings and 16 works on paper spanning two decades from 1960 to 1980.Â 

It was in the early 1960s that Jensen read the work of J. Eric Thompson, the pre-eminent scholar of the pre-Columbian Maya Civilization and soon thereafter, Jensen earnestly began to investigate the relationship between numbers and color through his art.Â  In his catalogue essay, William Agee discusses how Jensen pursued this investigation and how his life and art intersected. Agee remarks in his introduction that Donald Judd and Allan Kaprow, then young artists in New York, viewed an exhibition of Jensenâ€™s in 1963 and had the highest praise for it, although for different reasons. â€œIn retrospect,â€ Agee writes, â€œthis seems fitting, for Jensenâ€™s world view was based on the opposing dualities that he saw as the source and substance of life â€“ light and dark, positive and negative, male and female, life and death, among them.â€</blockquote>
I think I'll also attend the opening ofÂ Junko Komatsu, David Harry, Atsumi at <a href="http://www.caelumgallery.com/" target="_new"><font color="#3872ff">Caelum Gallery</font></a>Â W 26 street, 526, Suite 315.Â  The photographs and paintings look pretty good based on what I can see on the Caelum Gallery website.

It looks like a new gallery called MEHR is opening up with a debut exhibition (if I have it right that it's a new gallery) located at 436 West 18th Street, again between 6-8PM.Â 

That's enough for one night.Â  I'll let my readers know what I thought about these openings after I attend them (and anything else that strikes on my way toÂ or after the openings).

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		<title>More than Coffee was Served at Galerie St. Etienne</title>
		<link>http://www.artnewyorkcity.com/2006/09/20/more-than-coffee-was-served-at-galerie-st-etienne/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/20/more-than-coffee-was-served-at-galerie-st-etienne/#comments</comments>
		<pubDate>Wed, 20 Sep 2006 23:32:56 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/20/more-than-coffee-was-served-at-galerie-st-etienne/</guid>
		<description><![CDATA[Had a good time at Galerie St. Etienne last night - great show of older Austrian and German prints and drawings by many well known artists, all about Cafes, Bars and such. I also ran into a old friend Russel Nelson who I had not seen for at least 5 or 6 years, the last [...]]]></description>
			<content:encoded><![CDATA[Had a good time at Galerie St. Etienne last night - great show of older Austrian and German prints and drawings by many well known artists, all about Cafes, Bars and such.

I also ran into a old friend Russel Nelson who I had not seen for at least 5 or 6 years, the last time was at our mutual friend, Lestor Afflick's funeral back in early 2000.

I liked Otto Dix's PUB watercolor and George Grosz's Dr. Benn's Night Cafe which was a photo lithograph.Â  Gustav Klimt's Seated Woman with Hat and Veil and Woman Resting in Armchair, both from the turn of the century were small works, but really fine.Â  I was surprised there was so much good work at Galerie St. Etienne.

<a class="imagelink" title="IMG00382.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00382.JPG"><img id="image201" style="width: 164px; height: 217px" height="217" alt="IMG00382.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00382.JPG" width="164" /></a>Â Â Â  <a class="imagelink" title="IMG00384.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00384.JPG"><img id="image202" style="width: 146px; height: 207px" height="207" alt="IMG00384.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00384.JPG" width="146" /></a>

<a class="imagelink" title="IMG00386.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00386.JPG"><img id="image203" style="width: 305px; height: 204px" height="204" alt="IMG00386.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00386.JPG" width="305" /></a>

<a class="imagelink" title="IMG00383.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00383.JPG"><img id="image204" style="height: 186px" height="186" alt="IMG00383.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00383.JPG" width="148" /></a>

Go to the Galerie St. Etienne to see the rest of the works.

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		<title>Latest Work at Brooklyn Artists Gym</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/latest-work-at-brooklyn-artists-gym/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/latest-work-at-brooklyn-artists-gym/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 02:45:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/17/latest-work-at-brooklyn-artists-gym/</guid>
		<description><![CDATA[I thought I'd bring readers up to date with what I'm doing - painting when I can paint. This is a nude study I did today (I'm not really a portrait painter - or a figure painter and I don't know anatomy well - more of a colorist); I don't think of my work as [...]]]></description>
			<content:encoded><![CDATA[I thought I'd bring readers up to date with what I'm doing - painting when I can paint.
<p align="center"><a class="imagelink" title="IMG00376.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00376.JPG"><img id="image185" style="width: 225px; height: 423px" height="423" alt="IMG00376.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00376.JPG" width="225" /></a></p>
This is a nude study I did today (I'm not really a portrait painter - or a figure painter and I don't know anatomy well - more of a colorist); I don't think of my work as anything other than an expression of me.Â  Having said that - I'm happy that there is a wonderful place like Brooklyn Artists Gym that makes it affordable for people like me to have a large studio space (~4000 square feet) to paint in.Â  It's shared space, but that is not a problem as far as I can see since hardly anyone is there.Â Â 

My photo, taken with a 1.3 Megapixel cell phone camara and cut down to size by Picasa2 loses some of the subtle elements - but as an image - this is a good enough snapshot - I spent about 90 minutes on this painting which is, I think, 20 x 30, but I'm not sure of the exact size.
<p align="center"><a class="imagelink" title="IMG00226.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226.JPG"><img id="image186" style="width: 222px; height: 333px" height="333" alt="IMG00226.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226.JPG" width="222" /></a></p>
I did this window study in Oil Pastel a couple of weeks ago - maybe 3 weeks ago (or it could have been a month ago for all I know).

Â 
<p align="center"><a class="imagelink" title="IMG00380.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00380.JPG"><img id="image187" style="width: 288px; height: 244px" height="244" alt="IMG00380.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00380.JPG" width="288" /></a></p>
And here's the Brooklyn Artist Gym studio space that I paint in ...when I get over there (maybe once or twice a week if I'm lucky).

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		<title>Monkdogz Urban Art &#8211; Bob Hogge and Fellow Artists</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/monkdogz-urban-art-bob-hogge-and-fellow-artists/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/monkdogz-urban-art-bob-hogge-and-fellow-artists/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 01:57:03 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/17/monkdogz-urban-art-bob-hogge-and-fellow-artists/</guid>
		<description><![CDATA[As soon as I walked into Monkdogz the other night, Bob Hogge (in black, below)Â came up and introduced himself (it's his gallery) and offered me a drink.Â  Bob really took the time to talk to me ...how unusual!Â  Being as I like some of the work in his chelsea gallery and the feeling in the [...]]]></description>
			<content:encoded><![CDATA[<p align="left">As soon as I walked into <a href="http://www.monkdogz.com/">Monkdogz</a> the other night, Bob Hogge (in black, below)Â came up and introduced himself (it's his gallery) and offered me a drink.Â  Bob really took the time to talk to me ...<em>how unusual</em>!Â  Being as I like some of the work in <a href="http://www.monkdogz.com/chelseagallery/intro.htm">his chelsea gallery </a>and <em>the feeling in the gallery</em> - I thought I'd write it up in ArtNYC.Â Â </p>

<a href="http://www.miloart.com/Bob_Hogge.aspx">Bob Hogge</a> strikes me as someone who's been in the art world for a while - a search on Bob Hogge brings up a <a href="http://www.robertdhogge.com/page/page/1268575.htm">Robert D. Hogge </a>who invented "Xfusionistic" art - I think that's the same guy, but I'm not 100% sure.

I asked Bob Hogge if it was really true that it takes 2 years to set up a NY Art Show.Â  He said it depends; my gist is it does not take that long to get a show in his gallery if your his kind of artist - someone that is dedicated, is willing to put yourself foward. He sees his gallery and selection process as different than any other gallery...and I believe him.Â  He had some pretty good work on his walls.

I liked an artist calledÂ <a href="http://powerpainter.org/marcusvansoest/gallery"><strong>Marcus Van Soest</strong>Â </a>(he's an artist to watch) who is showing his work currently in the Monkdogz gallery....Bob Hogge told me this artist got on a plane and came right over to the gallery to ask to show his work in Monkdogz because he had read about Monddogz and Hogge for severalÂ  years.Â  Looks like the trip paid off as Marcos is one of Monkdogz collection of artists that are shown in the Chelsea gallery (Monkdogz has an online gallery that anyone can join for free).
<p align="center"><a class="imagelink" title="IMG00350.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00350.JPG"><img id="image181" style="height: 177px" height="177" alt="IMG00350.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00350.JPG" width="221" /></a>Â Â  <a class="imagelink" title="IMG00351.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00351.JPG"><img id="image182" style="width: 139px; height: 181px" height="181" alt="IMG00351.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00351.JPG" width="139" /></a></p>
Van Soest was the most original artist I have seen in Chelsea lately - powerful work.Â  There's a lot of info on him online and you can see <a href="http://powerpainter.org/node/1557">pictures </a>from the opening at Monkdogz Urban Art "Came to Believe" show last week (which I did not know about or I would have come).

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		<title>Gabriel Jones at Priska C. Juschka Fine Art</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/gabriel-jones-at-priska-c-juschka-fine-art/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/gabriel-jones-at-priska-c-juschka-fine-art/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 00:22:06 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<description><![CDATA[Since I'm going to many openings - I always sign the guest book with Marshall Sponder - ArtNewYorkCity.com - sure some people see that and start reading this blog.Â Â  Now, I did find I enjoyed the photos of Gabriel Jones at Priska C. Juschka fine art. With a gallery name like the url for this [...]]]></description>
			<content:encoded><![CDATA[Since I'm going to many openings - I always sign the guest book with Marshall Sponder - ArtNewYorkCity.com - sure some people see that and start reading this blog.Â Â 

Now, I did find I enjoyed the photos of <a href="http://www.priskajuschkafineart.com/exhibitions.php?id=55">Gabriel Jones </a>at Priska C. Juschka fine art. With a gallery name like the url for this site is not too pretty ... <a href="http://www.priskajuschkafineart.com/">www.priskajuschkafineart.com</a> ...why not just say pjfa.com or something like that - hell of a lot easier to remember.Â  Anyway...

It was worth the visit as Jones' work is powerful photography!

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		<title>Chelsea Art Reviews &#8211; Thursday, September 14th, 2006</title>
		<link>http://www.artnewyorkcity.com/2006/09/15/chelsea-art-reviews-thursday-september-14th-2006/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/15/chelsea-art-reviews-thursday-september-14th-2006/#comments</comments>
		<pubDate>Fri, 15 Sep 2006 06:29:41 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<category><![CDATA[Chelsea Art Reviews]]></category>
		<category><![CDATA[New York]]></category>
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		<description><![CDATA[I don't have time to write everything I saw tonight down - it was a lot, maybe 8 shows, mostly next to each other or in the same building at Chelsea. Here's the shows I attended tonight ( not it order of when I went) Michael Cheval at Gallery Interart Gallery; I spoke with the [...]]]></description>
			<content:encoded><![CDATA[I don't have time to write everything I saw tonight down - it was a lot, maybe 8 shows, mostly next to each other or in the same building at Chelsea.

Here's the shows I attended tonight ( not it order of when I went)

Michael Cheval at Gallery <a href="http://interartny.com/current.htm">Interart </a>Gallery; I spoke with the artist for a couple of minutes

<center><img src='http://www.artnewyorkcity.com/wp-content/Cheval108S.jpg' alt='' /></center>

Jeff Perrott at <a href="http://www.morganlehmangallery.com/" target="_new"><font color="#3872ff">Morgan Lehman Gallery</font></a>Â 10 avenue, 317, b/w 28 & 29 street - did not relate much to the work.

BAE Bien-U at <a href="http://www.galerie-poller.com/" target="_new"><font color="#3872ff">Gallerie Poller</font></a>Â W 27 street, 547, floor 2, 6-9pm - the photography was guite good - large trees.

The <a href="http://www.aperture.org/">Aperture</a>Â Foundation - Photography of Lola Alverez Bravo with a book signing by independent curator Elizabeth Ferrer.Â  I actually sat in for about 20 minutes and listed to the leacture.

Jade Townsend at <a href="http://www.artnewyorkcity.com/www.priskajuschkafineart.com">Prisika C. Juschka gallery</a>Â - installationsÂ  work.

There were a couple of more shows i went to and there were plenty of people that I ran into going from gallery to gallery and building to building.

Also spoke with Bob Hogge of <a href="http://www.monkdogz.com/">www.Monkdogz.com</a> urban art; he was very nice to me and offered me some coffee or beer as I came in.

Tired, need to go to sleep.

Marshall

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		<title>The Blab! Show &#8211; A Press Release -</title>
		<link>http://www.artnewyorkcity.com/2006/09/13/the-blab-show-a-press-release/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/13/the-blab-show-a-press-release/#comments</comments>
		<pubDate>Wed, 13 Sep 2006 04:21:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Blab! Show]]></category>
		<category><![CDATA[Copro/Nason Gallery]]></category>
		<category><![CDATA[New York]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/13/the-blab-show-a-press-release/</guid>
		<description><![CDATA[There's some news for people who want to know about the next Blab!Show (I wish they'd have one in NYC - Hint!). THE BLAB! SHOW (and book signing with CAMILLE ROSE GARCIA for her new BLAB! book, "The Magic Bottle") September 23 - October 21, 2006 OPENING RECEPTION: September 23, 8:00-11:30 pm COPRO/NASON GALLERY (at [...]]]></description>
			<content:encoded><![CDATA[There's some news for people who want to know about the next <a href="http://www.blabshow.com/">Blab!Show </a>(I wish they'd have one in NYC - Hint!).

<strong>THE BLAB! SHOW</strong>
(and book signing with CAMILLE ROSE GARCIA for her new BLAB! book, "The Magic Bottle")

September 23 - October 21, 2006
<strong>OPENING RECEPTION: September 23, 8:00-11:30 pm</strong>
<blockquote>COPRO/NASON GALLERY (at Bergamot Station)
2525 Michigan Ave T5, Santa Monica, CA 90404
GALLERY: 310-829-2156
CONTACT: Gary Pressman, Gallery Director
E-MAIL:Â  <a href="mailto:copronason@msn.com">copronason@msn.com</a>
WEBSITE: <a href="http://www.copronason.com/">www.copronason.com</a>
PREVIEW OF ARTWORK: <a href="http://www.blabshow.com/">www.blabshow.com</a></blockquote>
Copro/Nason Gallery presents â€œTHE BLAB! SHOW,â€ the second Group Art Exhibition featuring NEW work from the latest issue of BLAB! magazine (#17)â€”the leading anthology of illustration, found graphics, and sequential art.
<blockquote>Artists represented include: SHAG, GARY BASEMAN, TIM BISKUP, FRED STONEHOUSE, MARK TODD, ESTHER PEARL WATSON, LOU BROOKS, GREG CLARKE, AMY CREHORE, DREW FRIEDMAN, RYAN HESHKA, WALTER MINUS, CALEF BROWN, JOHN POUND, JONATHON ROSEN, SERGIO RUZZIER, and MANY MORE.</blockquote>
Guests include: CAMILLE ROSE GARCIA, SHAG, GARY BASEMAN, TIM BISKUP, <strong>AMY CREHORE,</strong> ESTHER PEARL WATSON, MARK TODD, CALEF BROWN, GREG CLARKE, and MONTE BEAUCHAMP.

BLAB! is the brainchild of Chicagoan <strong>Monte Beauchamp</strong>, whose work has been reviewed in: FLAUNT, VANITY FAIR, THE BELIEVER, GRAPHIS, PRINT, COMMUNICATION ARTS, AMERICAN ILLUSTRATION, and THE SOCIETY OF ILLUSTRATORS. He has received numerous design awards, including five New York Festival Awards for Excellence in Print and Television Communications. His books include: STRIKING IMAGES: Vintage Matchbook Cover Art (Chronicle), THE DEVIL IN DESIGN (Fantagraphics), THE LIFE & TIMES OF R. CRUMB (St. Martins Press), and NEW & USED BLAB! (Chronicle). He is the editor and designer of BLAB! Picto-Novelettes â€” an experimental series of illustrated storybooks published by Fantagraphics.

======================================================

I hope anyone that lives in Southern California and reads ArtNYCÂ blog attends the Blab! Show.Â  It's worth it.Â  Were I in Santa Monica I would go to it myself.

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		<title>Arnaud De Gramont&#8217;s Light Show at the Luxe Gallery</title>
		<link>http://www.artnewyorkcity.com/2006/09/11/arnaud-de-gramonts-light-show-at-the-luxe-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/11/arnaud-de-gramonts-light-show-at-the-luxe-gallery/#comments</comments>
		<pubDate>Mon, 11 Sep 2006 01:28:52 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Arnaud de Gramont]]></category>
		<category><![CDATA[Art]]></category>
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		<category><![CDATA[Luxe Gallery]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
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		<description><![CDATA[I'll probably attend this show which looks pretty interesting. Arnaud De Gramont, Light Show Luxe Gallery Midtown 24 West 57th Street, #505 212-582-4425 September 12 - October 7, 2006 Opening: Tuesday, September 12, 6:00PM - 8:00PM Web Site I'm not sure this photo relates to what Arnaud De Gramont is showing - but I'll attend [...]]]></description>
			<content:encoded><![CDATA[I'll probably attend this show which looks <em>pretty interesting</em>.
<blockquote>Arnaud De Gramont, Light Show
Luxe Gallery
Midtown
24 West 57th Street, #505
212-582-4425
September 12 - October 7, 2006
Opening: Tuesday, September 12, 6:00PM - 8:00PM
<a href="http://www.luxegallery.net/index2.asp">Web Site</a>
<a class="imagelink" title="ace_of_diamonds.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/ace_of_diamonds.jpg"><img id="image165" style="width: 247px; height: 245px" height="245" alt="ace_of_diamonds.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/ace_of_diamonds.jpg" width="247" /></a>
I'm not sure this photo relates to what Arnaud De Gramont is showing - but I'll attend anyway.</blockquote>

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		<title>Kids. Art. REAL Art &#8211; Brooklyn Artists Gym Kids Art Classes</title>
		<link>http://www.artnewyorkcity.com/2006/09/09/kids-art-real-art-brooklyn-artists-gym-kids-art-classes/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/09/kids-art-real-art-brooklyn-artists-gym-kids-art-classes/#comments</comments>
		<pubDate>Sat, 09 Sep 2006 06:18:29 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Children's Art]]></category>
		<category><![CDATA[Fine Art]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/09/kids-art-real-art-brooklyn-artists-gym-kids-art-classes/</guid>
		<description><![CDATA[The real surprise tonight was the quality of the kids' art that was shown in the hall of Brooklyn Artists Gym.Â  Before I go into the children's art - just want to put something out for discussion.Â Â  Why is it that children have the freedom and vitality in their work that we, as adults, strive [...]]]></description>
			<content:encoded><![CDATA[The real surprise tonight was the quality of the kids' art that was shown in the hall of Brooklyn Artists Gym.Â  Before I go into the children's art - just want to put something out for discussion.Â Â 

Why is it that children have the freedom and vitality in their work that we, as adults, strive so hard to achieve?Â Â  I think it's the paradox, the first will be last and the last will be first.Â 

The best art tonight wasÂ  in the hallway - it was the children's art.Â  Will any of these budding artists mature into a professional artist?Â  Only time will tell.
<p align="center"><a class="imagelink" title="IMG00307.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00307.JPG"><img id="image150" height="96" alt="IMG00307.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00307.JPG" /></a>Â Â  <a class="imagelink" title="IMG00308.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00308.JPG"><img id="image151" height="96" alt="IMG00308.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00308.JPG" /></a>Â Â  <a class="imagelink" title="IMG00304.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00304.JPG"><img id="image149" height="96" alt="IMG00304.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00304.JPG" /></a>Â Â  <a class="imagelink" title="IMG00303.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00303.JPG"><img id="image148" height="96" alt="IMG00303.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00303.JPG" /></a></p>
Â 
<p align="center"><a class="imagelink" title="IMG00310.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00310.JPG"><img id="image154" style="width: 210px; height: 292px" height="292" alt="IMG00310.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00310.JPG" width="210" /></a></p>
<p align="left">Â </p>
<p align="left">You can find out more about enrolling your kid in the fall session that starts on September 26th by calling 718-858-9069 (if you live nearby, that is).Â Â </p>
<p align="left">My interest was in how vital these works by young artists, mostly between 7 and 10 years of age, are.Â  I hope these kids are able to keep that vitality and freshness as they grow older.Â Â  It just shows me, that in many ways, our children are our teachers.</p>

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		<title>Brooklyn Artists Gym Small Works Show</title>
		<link>http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/#comments</comments>
		<pubDate>Sat, 09 Sep 2006 05:57:22 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/</guid>
		<description><![CDATA[I rent studio space at BAGÂ and hoped to put one of my small, older paintings in this show - did not get a chance to submit in time but I did attend the show's opening tonight and it was packed. Â Â Â Â  There were 50 artists in the show which is up for a week - [...]]]></description>
			<content:encoded><![CDATA[I rent studio space at <a href="http://www.brooklynartistsgym.com/">BAG</a>Â and hoped to put one of my small, older paintings in this show - did not get a chance to submit in time but I did attend the show's opening tonight and it was packed.
<p align="center"><a class="imagelink" title="IMG00288.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00288.JPG"><img id="image139" height="96" alt="IMG00288.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00288.JPG" /></a>Â Â Â Â  <a class="imagelink" title="IMG00311.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00311.JPG"><img id="image140" height="96" alt="IMG00311.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00311.JPG" /></a></p>
<p align="left">There were 50 artists in the show which is up for a week - here's two pictures (as in day and night) one indoors and the other, outside the converted warehouse that BrooklynArtistsGym.com is located in, on the 3rd floor.Â  By the way, it's a Full Moon tonight (howl) and there was a lot of light out - but not enough to make my photos come out - I had to up the color and light saturation to see anything on the second picture.</p>
<p align="left">Here's the artists that I liked the most in this show:</p>
<p align="left">Sex Series I and II by Arthur L.Frick III (it's the artist after having sex with his girlfriend)</p>
<p align="center"><a class="imagelink" title="IMG00296.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00296.JPG"><img id="image143" style="height: 101px" height="101" alt="IMG00296.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00296.JPG" width="122" /></a>Â  <a class="imagelink" title="IMG00295.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00295.JPG"><img id="image144" height="96" alt="IMG00295.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00295.JPG" /></a></p>
<p align="left">Gowanus or Third Avenue (not sure which) by Amanda Kavanagh.Â  BAG is within a couple of blocks of the Gowanus (river/inlet) and right off Third Avenue in Brooklyn, so the pictures are of scenes right next door.</p>
<p align="center"><a class="imagelink" title="IMG00301.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00301.JPG"><img id="image147" style="width: 192px; height: 161px" height="161" alt="IMG00301.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00301.JPG" width="192" /></a></p>
<p align="left">Pacific Subscape by Lisa Lebofsky had a very nice realistic yet abstract quality and I would have liked to speak with Lisa, but could not identify her (or maybe she was not present).</p>
<p align="center"><a class="imagelink" title="IMG00297.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00297.JPG"><img id="image145" style="width: 211px; height: 157px" height="157" alt="IMG00297.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00297.JPG" width="211" /></a></p>
<p align="left">Â </p>
<p align="left">The overall quality of the work was good - did not see anything that was "brakeout" quality but I have a pretty good eye for art.</p>
<p align="left">In my next post I will cover the surprise of the evening!</p>

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		<title>Joe Coleman&#8217;s Art Opening at the Tilton Gallery</title>
		<link>http://www.artnewyorkcity.com/2006/09/08/joe-colemans-art-opening-at-the-tilton-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/08/joe-colemans-art-opening-at-the-tilton-gallery/#comments</comments>
		<pubDate>Fri, 08 Sep 2006 05:47:34 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Joe Coleman]]></category>
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		<category><![CDATA[Tilton Gallery]]></category>

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		<description><![CDATA[One of the fanciest art openings I have attended, one that Amy Crehore suggested I attend (and who I dragged my son to), Joe Coleman's opening at the Tilton Gallery - was more of a "Star" event than an art opening.Â  In fact, the Tilton Gallery seems to be more of a Joe Coleman Museum [...]]]></description>
			<content:encoded><![CDATA[One of the fanciest art openings I have attended, one that <a href="http://www.amycrehore.com/">Amy Crehore </a>suggested I attend (and who I dragged my son to), <a href="http://www.nytimes.com/2006/09/03/arts/design/03stra.html?_r=1&ref=arts&oref=slogin">Joe Coleman's opening at the Tilton Gallery </a>- was more of a "Star" event than an art opening.Â  In fact, the Tilton Gallery seems to be more of a Joe Coleman Museum - shown in darkened rooms with each painting highlighted so it seemed to pop out of the wall.Â  Nothing was left to chance for this opening - and it was well attended!
<p align="center"><a class="imagelink" title="IMG00267.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00267.JPG"><img id="image134" style="height: 230px" height="230" alt="IMG00267.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00267.JPG" width="279" /></a></p>
<p align="center">In the Realms of the Unreal (Henry Darger), 1998Â  Acrylic and Mixed Media on panel, 24 5/16" x 30 5/15"</p>
<p align="left">I took pictures, or had Adam take pictures for me, but the room was so dark, nothing much came out.Â  It was clear that Joe Coleman has "arrived" - and no doubt will be collected by every major museum - if he hasn't already been.Â Â  Before I talk about Joe</p>
<p align="left">Coleman's work (I also wrote about Joe Coleman a couple of days ago in <a title="Permanent Link to Joe Coleman Gets a Retrospective at the Tilton Gallery in Manhattan" href="http://www.artnewyorkcity.com/2006/09/03/joe-coleman-gets-a-retrospective-at-the-tilton-gallery-in-manhattan/" rel="bookmark">Joe Coleman Gets a Retrospective at the Tilton Gallery in Manhattan</a>), here's a couple more pictures.</p>
<p align="center"><a class="imagelink" title="IMG00274.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG"><img id="image135" height="96" alt="IMG00274.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG" /></a>Â Â Â  <a class="imagelink" title="IMG00273.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00273.JPG"><img id="image136" height="96" alt="IMG00273.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00273.JPG" /></a></p>
<p align="left">I had my son take a picture of me against a couple of Coleman's paintings that were suggestive of themes I can relate to like The Dream of Sigmund Freud (1993) and the Victory of Hell (1995) (above right photo); I believe that's also the painting I am standing in next to, but it's not that clear in the photo.</p>
<p align="left">I also spotted <a href="http://clickz.com/showPage.html?page=clickz_contact&id=3622545&story=3623349">Rebecca Lieb </a>of ClickZ at Joe Coleman's opening but did not get to speak to her - <em>writing for ClickZ is by invitation only</em> ....and I did not get my invite <em>(yet).</em>Â  I run into Rebecca at various Search Engine Strategies and also at the first Online Video Conference last June (where I also recorded a Podcast - for anyone who cares to listen - <a href="http://www.zoom-in.com/blog/2006/07/marshall_sponder_on_web_metric.php">it's here </a>- you need iTunes to listen to it though). Maybe everyone can send Rebecca Lieb a note and tell her they'd read ClickZ if I wrote a column on Web Metrics for them...oh well, it's ok to imagine.</p>
<p align="left">Getting back to Joe Coleman's opening - there were a lot of interesting people - the type of people that you might not see at an upper east side exclusive art gala opening...biker types, people with a lot of tattoos, a lot of attractive woman (that's normal) in low cut dresses (maybe that's normal too)!</p>
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<p align="left">The paintings were ....... like a cross between comic books and Van Eyck paintings - every bit of every painting had detail, upon detail, upon detail ...almost like a fractal - that expanded onto itself.Â Â </p>
<p align="left">Composition ....that takes care of itself - Coleman is painting a Mandala - it's the same Mandala but the subjects change.Â  I found the Dream of Sigmund Freud, for example, very successful in doing something I'm trying to do - segmenting life into the various syndromes that Freud wrote about and, to some extent, invented the vocabulary for.</p>
<p align="left">Then there's paintings where the artist is painting himself, or himself and his wife, such as "Love Song, (1999). I understand that Joe Coleman got married in 2000, maybe the Love Song is part of the courtship...just guessing here.Â  Almost every painting has a lot of sex - let's face it - we all think that way ..... Coleman paints it - in grueling detail a morphs it into a morbid dance - but one you can't stop looking at....and that's the Art of it...you can't stop looking at them.Â Â  In fact, if you were to stop and really look at a Joe Coleman painting - it would take you hours to read ever little bit of text and image on any one painting - and since he spends a year working on one (he does several at one time - but it takes about a year to complete each one from start to finish) a couple of hours is not too much to ask.</p>
<p align="left">In another painting, "I am Joe's Fear of Disease", painted in 2001, Coleman sticks his hospital admission pass to Brooklyn Medical Center and the IV he was given fluids with onto the frame of the painting.</p>
<p align="left">The basis - the need to illustrate every significant thought, idea, event, feeling that's connected with the subject - and stick them all onto one painting - is not a new idea.Â  When you get close to Joe Coleman's work - it seems a combination of illustration and painting - the color pops out (the more so against darkened walls in a darkened room) and every part of the painting is executed in exacting detail.</p>
<p align="left">There's no question that Joe Coleman is a great artist; who will be well collected.Â  I think, if I were ever to interview Joe Coleman, I'd try to find out what makes him tick.....what is he trying to say....</p>
<p align="left">Another amusing detail ...in Public Enemy Number One (John Dillinger), painted in 1999, Dillinger's dick is painted, cut off, at the bottom of the painting - Coleman writes that Dilllinger's dick was collected, as was the rest of his disected body....by collectors.Â Â  I enjoyed seeing Joe Coleman's sense of humor - perverted, not doubt, but what's not perverted?Â  Maybe that's the whole of point of this.Â  Some people were looking at the images and writings on the paintings and taking them literally - and those people might be offended.</p>
<p align="left">But I was not offended, I had fun looking and reading what was on each painting - and if were not for the crowd and my son Adam, tugging at me, I'd have spent a bit more time at Tilton Gallery looking at Joe Coleman's paintings.</p>
<a class="imagelink" title="IMG00274.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG" />

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		<title>Saatchi&#8217;s first reader-curated contemporary art show!</title>
		<link>http://www.artnewyorkcity.com/2006/09/07/saatchis-first-reader-curated-contemporary-art-show/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/07/saatchis-first-reader-curated-contemporary-art-show/#comments</comments>
		<pubDate>Thu, 07 Sep 2006 05:16:40 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
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		<category><![CDATA[New York]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/07/saatchis-first-reader-curated-contemporary-art-show/</guid>
		<description><![CDATA[This may be a first! Charles Saatchi's online gallery (I wrote about it over a month ago on ArtNYC) and the Guardian newspaper are joining forces to: "...create the first reader-curated contemporary art show, featuring emerging new talent from across the globe. Your Gallery at The Guardian will take place from 24-28 October in the [...]]]></description>
			<content:encoded><![CDATA[This may be a first! Charles Saatchi's online gallery (I wrote about it over a month ago on ArtNYC) and the Guardian newspaper are joining forces to:
<blockquote>"...<strong>create the first reader-curated contemporary art show</strong>, featuring emerging new talent from across the globe. Your Gallery at The Guardian will take place from 24-28 October in the Guardian Newsroom."

"...by curating an exhibition where they choose the content. Readers can vote for their favourite work from a selection of 30 contemporary artists nominated by our judging panel. Ten will be chosen for exhibit in October."</blockquote>
Maybe that's the only glitch - how aboutÂ the top artists at Your GalleryÂ be chosen by highest number of pageviews and then were voted upon by readers - that would be much more interesting!Â  <a href="http://arts.guardian.co.uk/yourgallery/">Here's the page </a>at the Guardian where the first reader-curated contemporary art show information is posted.
<blockquote>"<font face="Arial" size="2">The Guardian and the Saatchi gallery's Your Gallery project are joining forces to create a unique contemporary art show, featuring exciting new talent from across the globe - <strong>and we want you to curate it.</strong></font><font face="Arial" size="2">We've selected a shortlist of 30 people from the thousands on display on the <a href="http://www.saatchi-gallery.co.uk/yourgallery/"><font face="Arial" color="#333399" size="2">Your Gallery</font></a></font><font face="Arial" size="2"> website. </font>

We want you to choose your <strong>three favourite artists</strong>: the 10 most popular will feature in a special show being held at the Guardian's Newsroom exhibition space on October 24-28 2006.

Here's how:

<strong>Â·</strong> <strong>Preview the shortlisted works</strong> in our <a href="http://arts.guardian.co.uk/flash/page/0,,1864683,00.html"><font color="#333399">online slideshow</font></a>

<strong>Â·</strong> <strong>Find out more</strong> about each artist by looking at the <a href="http://arts.guardian.co.uk/yourgallery/artists/"><font color="#333399">profiles page</font></a>

<strong>Â·</strong> <a href="http://arts.guardian.co.uk/competition/0,,-908,00.html"><font color="#333399">Place your vote</font></a> and be in with a chance of <strong>winning tickets</strong> to an exclusive preview of the show on October 23 2006"</blockquote>
I looked at the slide show of the thirty artists - no one I know - I hoped to find a friend in the lineup.Â 

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		<title>Lincoln Center and Brooklyn Artists Gym over the weekend</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/lincoln-center-and-brooklyn-artists-gym-over-the-weekend/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/lincoln-center-and-brooklyn-artists-gym-over-the-weekend/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 07:35:51 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/lincoln-center-and-brooklyn-artists-gym-over-the-weekend/</guid>
		<description><![CDATA[I spent part of Labor Day going over to Lincoln Center and Brooklyn Artists Gym - where I paint, when I get a chance to go over to the studio; I had my son Adam with me and he helped me Gesso some canvasses.Â Â Â  Here's some photos I took over the weekend. Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  1 Â Â Â Â Â  [...]]]></description>
			<content:encoded><![CDATA[<a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /><a class="imagelink" title="IMG00221-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG" /><a class="imagelink" title="IMG00226-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG" />I spent part of Labor Day going over to Lincoln Center and Brooklyn Artists Gym - where I paint, when I get a chance to go over to the studio; I had my son Adam with me and he helped me Gesso some canvasses.Â Â Â  Here's some photos I took over the weekend.
<p align="center"><a class="imagelink" title="IMG00174.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00174.JPG"><img id="image127" style="height: 181px" height="181" alt="IMG00174.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00174.JPG" width="261" /></a></p>
Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  1

<a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /><a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" />
<p align="center"><a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG"><img id="image128" height="96" alt="IMG00211.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /></a>Â Â Â Â Â </p>
<p align="center">2</p>
<p align="center">Â <a class="imagelink" title="IMG00219.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00219.JPG"><img id="image131" height="96" alt="IMG00219.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00219.JPG" /></a>Â Â Â </p>
<p align="center">3</p>
<p align="center">Â <a class="imagelink" title="IMG00221-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG"><img id="image129" height="96" alt="IMG00221-1.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG" /></a>Â Â </p>
<p align="center">4</p>
<p align="center">Â <a class="imagelink" title="IMG00226-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG"><img id="image130" style="width: 83px; height: 134px" height="134" alt="IMG00226-1.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG" width="83" /></a>Â Â Â </p>
Â Â Â Â Â Â Â Â 

Took picture 1 at Lincoln Center - a work of art whose name or artistÂ I could not find.

Pictures 2 and 3 my son Adam took.Â  I was particularly struck by picture 2.

Pictures 4 and 5 are my last two Oil Pastels; did #4 yesterday and #5 more than 2 weeks ago.

Click on each thumbnail to enlarge the picture.

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		<title>The Accidental Masterpiece by Michael Kimmelman</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
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		<category><![CDATA[Marsha Wooley]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</guid>
		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Everyday Scenes, Painted Every Day</title>
	<atom:link href="http://www.artnewyorkcity.com/category/art-dealers/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.artnewyorkcity.com</link>
	<description>Art NYC - Visual Arts in New York City</description>
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		<title>Art in NYC - Visual Arts in New York City &#187; Art Dealers</title>
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	<link>http://www.artnewyorkcity.com</link>
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		<title>Buy Iressa Without Prescription</title>
		<link>http://www.artnewyorkcity.com/2008/12/06/nyc-artsorg-and-nyckidsartsorg-two-sites-to-watch-and-visit/</link>
		<comments>http://www.artnewyorkcity.com/2008/12/06/nyc-artsorg-and-nyckidsartsorg-two-sites-to-watch-and-visit/#comments</comments>
		<pubDate>Sat, 06 Dec 2008 18:17:58 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/?p=1249</guid>
		<description><![CDATA[Buy Iressa Without Prescription, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in New York City than ..... www.NYC-ARTS.org and www.NYCkidsARTS.org, Iressa in us. Buy Iressa online without prescription, I took a look at NYC-Arts.org and it looks [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Iressa Without Prescription</b>, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in <a class="zem_slink" title="New York City" rel="geolocation" href="http://maps.google.com/maps?ll=40.7166666667,-74.0&amp;spn=0.1,0.1&amp;q=40.7166666667,-74.0%20%28New%20York%20City%29&amp;t=h">New York City</a> than ..... <a href="http://www.NYC-ARTS.org">www.NYC-ARTS.org</a> and <a href="http://www.NYCkidsARTS.org">www.NYCkidsARTS.org</a>, <b>Iressa in us</b>.  <b>Buy Iressa online without prescription</b>, I took a look at NYC-Arts.org and it looks good!  Now, I do think they need to add a <a class="zem_slink" title="Social network service" rel="wikipedia" href="http://en.wikipedia.org/wiki/Social_network_service">Social Networking</a> aspect to the site, <b>Iressa craiglist</b>, <b>Iressa price, coupon</b>, and I will speak to Joe Harrell, the Director of Marketing for the Alliance of the Arts, <b>Iressa paypal</b>, <b>Iressa gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, here in New York, about that, <b>sale Iressa</b>.  <b>Iressa in canada</b>, But the sites, as they look now, <b>Iressa from canadian pharmacy</b>, <b>Iressa discount</b>, are first class - they look good.  In fact, what I'd do, <b>delivered overnight Iressa</b>, <b>Buy cheap Iressa no rx</b>, if I ran those sites, is add the content from Artcards.cc and also have artists, <b>cod online Iressa</b>, <b>Online buying Iressa hcl</b>, like me, go out and cover shows and post them to an accompying blog - that feeds into the NYC-Arts.org site - that would generate a lot more content, <b>order Iressa no prescription</b>.  <b>Iressa prices</b>, Not sure what to say about the kids site - I have a son, but he's almost 16 years old - and I think a kids site has a different demographic than me - (unless I'm trying to reach out to kids and their parents - in which case, <b>where can i order Iressa without prescription</b>, <b>Buy generic Iressa</b>, maybe it's relevent).  At any rate - these are Art Sites about our community - here in New York City - and they ougth to be supported.</p>
<p>Here's the information about NYC-ARTS.org and NYCkidsARTS.org from recent press release:</p>
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<blockquote><br />
<p align="right">FOR IMMEDIATE RELEASE</p><br />
<p align="center"><strong>Alliance</strong><strong> for the Arts Launches NYC-ARTS.org and NYCkidsARTS.org in Beta Testing</strong></p><br />
NEW YORK - November 25, 2008 - The Alliance for the Arts has launched the beta versions of its new NYC-ARTS.org and NYC<em>kids</em>ARTS.org, the most complete, customizable and dynamic source of information on New York's cultural institutions, <b>Buy Iressa Without Prescription</b>. Curated by people who know the scene, <b>buying Iressa online over the counter</b>, <b>Where can i buy cheapest Iressa online</b>, NYC ARTS provides an inside view of New York's cultural life.</p>
<p>The NYC ARTS Web sites have launched during <a class="zem_slink" title="Software testing" rel="wikipedia" href="http://en.wikipedia.org/wiki/Software_testing">beta testing</a>, <b>free Iressa samples</b>.  <b>Iressa in mexico</b>, The public is invited to participate in testing by submitting feedback through the "Send your feedback" button at the bottom of every page.</p>
<p><strong>NYC-ARTS.org</strong></p>
<p>Locals and tourists will find in-depth information on cultural organizations and their events, <b>Iressa pills</b>, <b>Online buy Iressa without a prescription</b>, programs and activities.</p>
<p><strong>NYCkidsARTS.org </strong> <b>Buy Iressa Without Prescription</b>, Educators and parents will find the most comprehensive information on cultural activities for children, including arts <a class="zem_slink" title="Education" rel="wikipedia" href="http://en.wikipedia.org/wiki/Education">education</a> programs that support teaching in many subject areas.</p>
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		<pubDate>Sun, 05 Oct 2008 05:23:12 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<description><![CDATA[Buy Imitrex Without Prescription, One of my friends and I talked about Art this afternoon, and the issues surrounding being an artist and she encouraged me to write the gist of our conversation down, because it reminded her of exactly the issues she's going though being an artist but not making a living at it. [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imitrex Without Prescription</b>, One of my friends and I talked about Art this afternoon, and the issues surrounding being an artist and she encouraged me to write the gist of our conversation down, because it reminded her of exactly the issues she's going though being an artist but not making a living at it.</p>
<p>It reminds me that quite often lately, <b>Next day Imitrex</b>, friends have responded to my thoughts about Social Media and Art, as well, and it seems to me when people, <b>real brand Imitrex online</b>, independent of one another are saying similar things there is probably some truth in it.  <b>Buying Imitrex online over the counter</b>, For example, my friend Valeria mentioned this post from my Webmetricsguru.com blog that was republished in Social Media Today - <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50232">Social Media Measurement of Attention / Engagement - some more thoughts about it</a> as a post that she wish she had written herself.   Others responded to a slightly earlier post on <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50132">Making a Case for Social Media - are we doing a poor job of Marketing Social Media?</a> and my friend Jared Freedman thought <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50175">my Formula for Virtual Friending - what’s a virtual connection worth. Some ideas - a start, <b>Imitrex prices</b>, at least</a> had some inspiring information - even if the formulae, <b>Purchase Imitrex</b>, he thought, was too complicated.</p>
<p>So, <b>Imitrex trusted pharmacy reviews</b>, with those examples in mind, <b>Imitrex in australia</b>, when my friend Janice, asked me to write down this information, which I normally would not - I figured...., <b>buy cheap Imitrex</b>. why not, <b>Buy Imitrex Without Prescription</b>.</p>
<p>Recently I've been in a dilemma about painting and my own work - I started painting again, <b>Where can i order Imitrex without prescription</b>, after stopping for a long time, a few years ago after going though a difficult time (I won't go into what spurred my decision); I felt I had to paint just to keep myself from exploding.</p>
<p>After a while, <b>Imitrex craiglist</b>, though, <b>Where can i buy Imitrex online</b>, I noticed I was stuck again, that I was unwilling to really experiment that much with new materials and techniques, that I often went to paint being unprepared, <b>purchase Imitrex online</b>, having no real problem or show, <b>Imitrex for sale</b>, or anything to work on - just a feeling that I'm paying for a studio space, I ought to go.   When I got to the studio space, I often struggled to get anything going and often enjoyed talking to artists as much, <b>Imitrex overseas</b>, and sometimes, <b>Buy Imitrex online no prescription</b>, more than actually painting.</p>
<p>Painting itself, was an uneven affair, <b>Imitrex discount</b>, inspiration is often hit or miss - and I noticed that I got bored quickly.  When I began painting again, <b>Buy cheap Imitrex</b>, I worked much quicker, but I still felt stuck with my concept and often had a hard time with creating work that might be inconvenient for me (setting up <a class="zem_slink" title="Oil painting" rel="wikipedia" href="http://en.wikipedia.org/wiki/Oil_painting">oil paints</a> and cleaning them up, buying, <b>cod online Imitrex</b>, stretching and storing canvas, <b>Imitrex in japan</b>, was just the beginning.</p>
<p>Also, while at an opening tonight at Brooklyn Artists Gym, <b>buy Imitrex from mexico</b>, the show was not well hung and lacked any real curator, <b>Online buying Imitrex hcl</b>, and hardly anything really attracted me that I wanted to look at it - I chalked that up to my belief that work needs to speak to you first - just because an artist puts something out on a wall in fount of us does not oblige me to have to look at it.  There's so much competing for our attention now, especially now (in fact, I deal with that in the post on <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50232">Social Media Measurement of Attention / Engagement - some more thoughts about it</a> - we have only 100%, <b>order Imitrex from United States pharmacy</b>, not more than that, <b>Buy Imitrex no prescription</b>, and with everything hitting at us, competition for our attention -we need to hold back and just engage with what draws us to it - and there wasn't anything on the walls that spoke to me - so I made no real attempt to look at it closely.  <b>Buy Imitrex Without Prescription</b>, Look, as an artist - I don't think the world owes us anything - just because you do work does not mean anyone has to look at it - if anyone does look at work, likes, it loves it, its because it speaks to them, means something - otherwise, why bother.</p>
<p>I also saw that when I had my work in shows as recent as this spring (<a class="etitle" href="http://www.new.facebook.com/event.php?eid=15365066890">Art Opening in Williamsburg at Heart and Soul  Pilates</a>)</p>
<p><a href="http://www.new.facebook.com/event.php?eid=15365066890"><img src="http://profile.ak.facebook.com/object3/1916/31/s15365066890_3675.jpg" alt="" /></a> <img id="myphoto" src="http://photos-d.ak.facebook.com/photos-ak-sf2p/v240/200/0/500062770/n500062770_483459_2667.jpg" alt="" /></p>
<p>- I had no control over how my paintings were displayed, <b>Imitrex in us</b>, the lady put my Rejection painting, <b>Imitrex in uk</b>, the landscape one, above, in a dark corner of her gallery, <b>buy Imitrex online no prescription</b>, even as I was assured by her this would not happen - in the two shows I was part of this year, <b>Real brand Imitrex online</b>, my work looked invisible with the dozens of other paintings they were displayed with.</p>
<p>Object placement and lighting, so important for physical objects, <b>Imitrex tablets</b>, which is what paintings are, <b>Ordering Imitrex online</b>, was not my friend, nor were curators - and I got discouraged, as I did, <b>purchase Imitrex online no prescription</b>, many years back when I also tried to paint - but lost my way.  <b>Where can i buy cheapest Imitrex online</b>, And I found it again, a few years back, only to find that, <b>next day Imitrex</b>, having realized my own strength as an artist - that it was not the primary thing that marked my life - that I wasn't really going to make my living as an artist, <b>Buy Imitrex without prescription</b>, nor did I want to, and my work really was not meant for any kind of wide distribution - and, in fact, <b>Imitrex san diego</b>, I had more control over how many people saw my paintings, <b>Free Imitrex samples</b>, as a <a class="zem_slink" title="Blog" rel="wikipedia" href="http://en.wikipedia.org/wiki/Blog">blogger</a> with a few blogs in subjects where I've been seen as an influential, that if I wanted to get my work out and seen - I had the means and knowledge to do it myself.</p>
<p>And then when I showed my works this spring, <b>Imitrex gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, I had to frame them (which cost several hundred dollars) and drag them over to gallery spaces to they'd be shown, <b>Imitrex in usa</b>, just to go back in a few weeks/months and pick them up again.   I had no hope they'd sell, I had no real desire to sell them either - and yet I didn't have a place to hang them, and they sit in my studio bin, <b>buy cheap Imitrex no rx</b>, at Brooklyn Artists Gym, <b>Order Imitrex from mexican pharmacy</b>, where I briefly looked at them, again, today, <b>Imitrex in mexico</b>.</p>
<p>So, I was telling Janice that it's a lot of work to be an artist and at the end of the day, no one really wants the stuff - on one really cares - and that an artist needs a following - people who love the work - people who want to collect it - and people who paint and really succeed at it, like my friend Amy Crehore, feel they have to do it - there is no other way for them, <b>Buy Imitrex Without Prescription</b>.</p>
<p>But I don't feel that way about my work, <b>Order Imitrex no prescription</b>,   I don't "have" to do it, and Janice said she felt the same way about her work  - she's a vision therapist and paints on weekends - but realizes she doesn't have the time to really do that much.     But in my case, I could have done more than I did - except I'd rather go to Art Openings, <b>order Imitrex online c.o.d</b>, meet people, <b>Fast shipping Imitrex</b>, over actually locking my self up in a corner and painting.</p>
<p>And I came to terms with that - being a <a class="zem_slink" title="Painting" rel="wikipedia" href="http://en.wikipedia.org/wiki/Painting">painter</a>, and to some extent, <b>Imitrex price, coupon</b>, a <a class="zem_slink" title="Writer" rel="wikipedia" href="http://en.wikipedia.org/wiki/Writer">writer</a>, <b>Buying Imitrex online over the counter</b>, is usually a solitary persuit - you need to do it, more often than not - with your self - away from others - even while in a crowd- a certain solitude is needed - it's almost a requirement that you must, as an artist, <b>buy Imitrex from canada</b>, be alone with yourself, <b>Imitrex for sale</b>, and like it.</p>
<p>But I don't like it - I don't like being alone with myself - and yet, there are times I did enjoy it - but it was often only after I worked though my resistances, <b>Imitrex from international pharmacy</b>.</p>
<p>When the spring began, <b>Imitrex in canada</b>, and I took the steps to invest in my own work by framing some pieces, I felt the burden of not knowing where I would I would store them, and often, <b>Imitrex from canadian pharmacy</b>, I'd go to the studio and feel no enthusiasm - and yet, <b>Where can i buy Imitrex online</b>, I still did some good work I'm proud of.   But when the summer came, I just took time out and decided I'd sketch, but not paint.   I work full time as a Web Analyst, <b>Imitrex in india</b>, do a lot of freelance <a class="zem_slink" title="Web analytics" rel="wikipedia" href="http://en.wikipedia.org/wiki/Web_analytics">web analytics</a> and <a class="zem_slink" title="Search engine optimization" rel="wikipedia" href="http://en.wikipedia.org/wiki/Search_engine_optimization">SEO</a> work when it's available, <b>Buy generic Imitrex</b>, , blog, go to openings, <b>Imitrex prices</b>, tweetups, <b>Online buy Imitrex without a prescription</b>, several events in NYC and travel to conferences, and now, started a blog network, <b>where to buy Imitrex</b>, blogspeedway.com, <b>Delivered overnight Imitrex</b>, but going to the studio felt like just "one more job" and I had enough.  <b>Buy Imitrex Without Prescription</b>, And then, I tried to answer a bunch of questions ... why?  Why am I in this?  Why am I painting?  Who is this really for?  Does anyone really want it.</p>
<p>I doubted myself and my own commitment to Art, <b>buy Imitrex without a prescription</b>.</p>
<p>But, <b>Imitrex to buy online</b>, as I told this to Janice, she said that she has a lot of the same thoughts as I do, <strong>and that many artists aren't really talking about it and there is no real place to go, <b>Imitrex overseas</b>, no support really, <b>Purchase Imitrex online</b>, for artists.</strong></p>
<p>Nor did I really want to talk about it - either - but it seems like it's something that does need to be talked about.</p>
<p>It's really hard to be an artist - no one really wants your work, 99% of the time, <b>rx free Imitrex</b>, you have to finance the activity yourself, <b>Where can i order Imitrex without prescription</b>, and art, unlike a trade or profession, is not really considered integral to anything.  Sure, <b>where can i find Imitrex online</b>, we have artists, <b>Imitrex medication</b>, museums, foundations, but art, particularly painting (which has lost it's relevance over cinema and music, which are much easier for people to consume, is more of an appendage of society - something we feel guilty about - like we should have it - but hardly anyone really needs it and it's hard to evaluate - the quality issue is entirely subjective.</p>
<p>So, in going for Art, as a career, or a calling, it seems those who do and succeed are those who failed, over and over, but never gave up - and cultivated the right friends, eventually forming a following, <b>Buy Imitrex Without Prescription</b>.</p>
<p>I believe in order to succeed, you need a following - collectors (that's an art dealers job, and often a thankless task - but till you get to the point where you can hire someone to promote your work for you, you have to finance and do it yourself, along with housing it and paying taxes on it - often a thankless task.</p>
<p>And if you just do it because it gives you pleasure, your dismissed as a "dabbler" or weekend artist.</p>
<p>I wish there was  place where artists could talk about all of this stuff - but there doesn't seem to be - we're all orphaned - and that let me to ask myself what role Art had in my life.</p>
<p>What I came up with was that I had nothing really to prove to anyone but myself, and Art, for me, was a package that framed my other activities (web analytics, search, blogging and writing art critic, socializing, etc) and it didn't need to do anything else but that - how successful I was as an artist really didn't matter - all that mattered was I had a gift and I was sharing it the best way I knew how, and my passionate feelings, when channelled into Art managed to balance me out somewhat, making me a better web analyst, blogger, writer, critic, whatever..... you fill the rest in - that's what Art's role was for me, in this life.</p>
<p>And I accepted it.</p>
<p>There, as my friend suggested, I wrote it all down, as best as I could remember it - I think I got most of what I wanted to say down here, on this blog.</p>
<p>Only now, I don't know what the next step is for me ....<em> what do I do now?</em><br />
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		<description><![CDATA[Been looking at David Galenston's two books - thinking I'll purchase the latest book called Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity.Â Â Â Got interested in Buy Lotrel Without Prescription, David W. Galenson after reading a review of his ideas in the New York Times today.Â Â  In The Art of Pricing Great [...]]]></description>
			<content:encoded><![CDATA[<p> Been looking at <strong>David Galenston's</strong> two books - thinking I'll purchase the latest book called <a href="http://www.amazon.com/dp/0691121095?tag=davidgalenson-20&camp=14573&creative=329585&linkCode=as1&creativeASIN=0691121095&adid=17W28618NYJW84H6F7NV&"><strong>Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity</strong></a>.Â Â Â Got interested in <a href="http://www.davidgalenson.com/"> <b>Buy Lotrel Without Prescription</b>, David W. Galenson </a>after reading a review of his ideas in the New York Times today.Â Â </p>
<p>In <a href="http://www.nytimes.com/2006/11/15/business/15leonhardt.html?pagewanted=1"><strong>The Art of Pricing Great Art</strong></a>, <b>Lotrel pills</b>, <b>Lotrel overseas</b>, the writer, Mr, <b>where can i order Lotrel without prescription</b>.  <b>Lotrel to buy</b>, Leonhardt, expresses the following:<br />
<blockquote>"The mysterious part of the current mania lies in figuring out <strong>what exactly makes a piece of art worth  million instead of, <b>Lotrel from international pharmacy</b>, <b>Lotrel in uk</b>, say,  million.</strong> Not even people who make their living selling art claim to have much of a definition of great art, <b>order Lotrel online c.o.d</b>.  <b>Lotrel discount</b>, In fact, theyâ€™re proud not to have one, <b>cod online Lotrel</b>.  <b>Order Lotrel from mexican pharmacy</b>, â€œThatâ€™s where the market becomes magical,â€ Tobias Meyer, <b>buying Lotrel online over the counter</b>, <b>Lotrel buy</b>, Sothebyâ€™s chief auctioneer, told me."</blockquote><br />
In my <a href="http://www.webmetricsguru.com/">www.webmetricsguru.com</a> blog - I use with metrics to solve a business needÂ (<em>some times I make my own metrics - you have to be creative - you know</em>); a theory explaining value of a work of art would appeal to someone with my values and way of thinking, <b>Lotrel in india</b>.</p>
<p>There's a lot of good stuff in the Leonhardt article so I'll quote from it quite a bit, then comment at the end, <b>Buy Lotrel Without Prescription</b>.  <b>Lotrel in usa</b>, <blockquote>".....he began collecting data on the sale price of works by Warhol, <a title="More articles about Jackson Pollock." href="http://topics.nytimes.com/top/reference/timestopics/people/p/jackson_pollock/index.html?inline=nyt-per"><font color="#004276">Jackson Pollock</font></a> and other American artists, <b>purchase Lotrel</b>, <b>Buy cheap Lotrel</b>, and he discovered a pattern. <strong>Most of them produced their most valuable work either very early in their career, <b>Lotrel in canada</b>, <b>Online buy Lotrel without a prescription</b>, like Warhol, or very late, <b>Lotrel tablets</b>, <b>Buy Lotrel online without prescription</b>, like Pollock. </strong>When he expanded his research to European painters, <b>Lotrel san diego</b>, <b>Purchase Lotrel online no prescription</b>, he found the same pattern.</p>
<p>Not only that, <b>Lotrel in mexico</b>, <b>Buy Lotrel online with no prescription</b>, but the two groups tended to approach art, and to talk about it, <b>ordering Lotrel online</b>, <b>Free Lotrel samples</b>, in strikingly different ways.  <strong> <b>Buy Lotrel Without Prescription</b>, The young geniuses, like Gauguin, </strong><a title="More articles about Pablo Picasso." href="http://topics.nytimes.com/top/reference/timestopics/people/p/pablo_picasso/index.html?inline=nyt-per"><font color="#004276"><strong>Picasso</strong></font></a><strong> and </strong><a title="More articles about Vincent Van Gogh." href="http://topics.nytimes.com/top/reference/timestopics/people/v/vincent_van_gogh/index.html?inline=nyt-per"><font color="#004276"><strong>Van Gogh</strong></font></a><strong>, were conceptual innovators whose paintings broke sharply from previous work.</strong> They typically <em>had a precise goal in mind when they started a piece and didnâ€™t need long to finish it</em>. â€œAbove all, <b>Lotrel prices</b>, <b>Buy Lotrel from mexico</b>, donâ€™t sweat over a painting,â€ Gauguin once told a friend, <b>purchase Lotrel online</b>.  <b>Lotrel in japan</b>, â€œA great sentiment can be rendered immediately.â€</p>
<p>The <strong>late bloomers, on the other hand, <b>Lotrel paypal</b>, <b>Lotrel trusted pharmacy reviews</b>, arrived at their innovations gradually, through trial and error, <b>buy no prescription Lotrel online</b>, <b>Lotrel from canadian pharmacy</b>, making their major contributions late in life. They painted the same subject again and again, <b>buy Lotrel from canada</b>, <b>Lotrel prescriptions</b>, experimenting on the canvas, often reluctant to say that a painting was finished, <b>buy Lotrel online no prescription</b>.  <b>Buy Lotrel online without a prescription</b>, </strong>Consider that CÃ©zanne, who did his most valuable and celebrated work in his 60s, <b>order Lotrel no prescription</b>, <b>Rx free Lotrel</b>, signed few of his paintings.</p>
<p>Mr, <b>Buy Lotrel Without Prescription</b>. Galenson has <strong>extended the theory to novelists, <b>where can i find Lotrel online</b>, <b>Buy Lotrel online cod</b>, poets and beyond, arguing that most creative people fall on one end or the other of the spectrum, <b>where can i buy cheapest Lotrel online</b>, <b>Where can i buy Lotrel online</b>, </strong> and he has earned a fair bit of attention. Malcolm Gladwell, <b>buy cheap Lotrel no rx</b>, <b>Next day Lotrel</b>, in a <a title="Malcolm Gladwellâ€™s Speech" href="http://www.davidgalenson.com/malcolmgladwell-lecture.pdf"><font color="#004276">speech</font></a> at <a title="More articles about Columbia University." href="http://topics.nytimes.com/top/reference/timestopics/organizations/c/columbia_university/index.html?inline=nyt-org"><font color="#004276">Columbia University</font></a>, described â€œOld Masters and Young Geniuses, <b>Lotrel over the counter</b>, <b>Buy Lotrel no prescription</b>, â€ which Mr. Galenson published this year, <b>fast shipping Lotrel</b>, <b>Lotrel in us</b>, as â€œa really wonderful book.â€ Wired magazine recently <a title="Wired Magazine Profile" href="http://www.wired.com/wired/archive/14.07/genius.html?pg=2&topic=genius&topic_set"><font color="#004276">profiled</font></a> him under the headline, â€œWhat Kind of Genius Are You?â€</blockquote><br />
Maybe few artists are exactly one type or the other - I believe there is polarity in just about everything - including creativity, <b>online buying Lotrel hcl</b>.  <b>Lotrel gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, <blockquote>"......If you look through the prices from the current auction season, or walk through any major museum, <b>where to buy Lotrel</b>, <b>Delivered overnight Lotrel</b>, <strong><em>you canâ€™t help but notice that Mr.  Galenson is onto something</em></strong> <b>Buy Lotrel Without Prescription</b>, . When a still life that CÃ©zanne painted at the age of 56, <b>where to buy Lotrel</b>, <b>Lotrel in australia</b>, for instance, fetched  million at Sothebyâ€™s last week, <b>Lotrel medication</b>, <b>Over the counter Lotrel</b>, art experts cited the rarity of CÃ©zanne still lifes. The next night at Christieâ€™s, <b>buy Lotrel without a prescription</b>, <b>Lotrel for sale</b>, another CÃ©zanne still life â€” one painted when he was 34 â€” sold for just .1 million. "</blockquote><br />
<p align="left">I don't find that surprising - Cezanne's late still lifes are much more "unique" than his earlier work - when he was struggling to find himself and his style.Â  While Cezanne's early work is notable - yet he had he not evolved his later style and revolutionized art.Â  Had Paul Cezanne painted his early still lifes, <b>order Lotrel online overnight delivery no prescription</b>, <b>Buy generic Lotrel</b>, then died all of a sudden, before doing his later workÂ - we'd probably not know he existed today - he'd never become that well known for his early work.</p><br />
<p align="left">Now, <b>buy Lotrel without prescription</b>, <b>Sale Lotrel</b>, it turns out that Malcolm Gladwell (the same <a href="http://www.webmetricsguru.com/2006/04/webmasterworld_keynote_malcolm_2.html">Malcolm Gladwell </a>who <a href="http://www.knowmoremedia.com/2006/04/press_release_webmetricsgurus.html">I heard</a> at <a href="http://www.webmetricsguru.com/2006/04/webmasterworld_keynote_malcolm_2.html">Webmasterworld Pubcon X </a>in Boston, earlier this year) has come to Galenson's defense and spoke about Galenson's theory in February at Columbia.Â Â  I read Malcolm <a href="http://www.davidgalenson.com/malcolmgladwell-lecture.pdf">Gladwell's Age Before Beauty </a>all the way through and it's great!</p></p>
<p></p>
<p><blockquote><br />
<p align="left">"...<font face="Times-Roman">wayâ€”heâ€™s an economistâ€”the way he decides to analyse great artists is to look at the value of their paintings, <b>saturday delivery Lotrel</b>. How much money do their paintings reach at auction. Thereâ€™s a big record called the [GuideMayer] which is this big Swiss volume, which records precisely whatâ€™s paid for every painting at all the major auction houses of the year, and he basically goes through this thing, combs through it and does these very, very complicated regression analyses based on the size of the painting and when it was painted and how much was paid for it, et cetera, <b>Buy Lotrel Without Prescription</b>. And using this whole kind of thing.</font></p><br />
<p align="left"><font face="Times-Roman">He analyses the value of the paintings of famous artists. And he comes up with this really interesting conclusion, which is that, if you do that kind of analysis, looking at the value of paintings of famous artists over the course of their career, what happens is they divide quite neatly into two groups. Thereâ€™s a group of artists that do their greatest work very, very early in their career, and then their value declines, and thereâ€™s a group of artists who do their very bestÂ  </font><font face="Times-Roman">work at the very end of their career, right. The very end of life.  In <strong>other words there isnâ€™t a kind of single profile of what it means to be a successful artist; thereâ€™s two</strong>."</font></p></p>
<p><font face="Times-Roman"></font><font face="Times-Roman">"...</font><font face="Times-Roman"> <b>Buy Lotrel Without Prescription</b>, So he says, look, Pisarro peaks at forty-five, Degas at forty-six, Kandinsky at fifty-two, Georgia Oâ€™Keefe at forty-eight. Munch, on the other hand, does his best work at thirty-four, Derain at twenty-four, Braque at twenty-eight, Juan Gris at twenty-eight, and de </font><font face="Times-Roman">Chirico at twenty-six."</font><font face="Times-Roman"> </font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman">"......</font><font face="Times-Roman">Thatâ€™s very much the way that experimental artists are working, t<strong><em>heyâ€™re kind of groping towards something they canâ€™t quite define.</em></strong> Now here, by contrast, is another art historian talking about Picasso: â€œThere was not one Picasso, but ten, twenty, always different, unpredictably changing. And in this he was the opposite of a Cezanne, whose work followed that logical, reasonable course to fruition.â€<strong><em> Cezanne famously said, â€œI seek in painting.â€ What did Picasso say. He said, â€œI donâ€™t seek, I find</em></strong>.â€</font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman">"</font><font face="Times-Roman">...he looks, for example, at the abstract expressionists and points out, you know, youâ€™ve got a group of older abstract expressionists like Rothko and de Kooning and Jackson Pollockâ€”theyâ€™re all guys who peak in their fifties and in some cases in their sixties. Itâ€™s a long time to work out their method. And then youâ€™ve got this younger group, you know, Stella, Lichtenstein, Rauschenberg, Jasper Johns, Andy Warhol, who peak, on the contrary, in their twenties, and who have a radically different way of explaining their art, and of doing art and of thinking about art, and that look at the older generation of abstract expressionists and think of them as being kind of antiintellectual, as being kind of mere painters, not kind of thinkers who are possessed of an idea and a concept of how to do art, but guys who are kind of mucking around with paint."</font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"><br />
<p align="left"><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"><font face="Times-Roman" /></font><font face="Times-Roman">Ok, I agree with most of this - butÂ what ifÂ your the first type of artist -and you may have peaked early but don't want to accept that your too old to achieve anything lasting now....what do you do?Â  It's a question I don't as yet, have an answer to.</font></p></font></blockquote></p>
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		<title>Cimabue at the Frick Collection</title>
		<link>http://www.artnewyorkcity.com/2006/10/07/cimabue-at-the-frick-collection/</link>
		<comments>http://www.artnewyorkcity.com/2006/10/07/cimabue-at-the-frick-collection/#comments</comments>
		<pubDate>Sat, 07 Oct 2006 04:43:40 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Cimabue]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Frick Collection]]></category>
		<category><![CDATA[New York]]></category>

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		<description><![CDATA[Got to go to this show of Cimabue at the FrickÂ CollectionÂ - it's the kind of show you have to see.Â  The NYTimes review by Roberta Smith tells you all you need to know, here's an excerpt: "Cimabue (about 1240-1302) is one of the Big Three â€” with Duccio and Giotto â€” who laid the groundwork [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.nytimes.com/2006/10/07/arts/design/07fric.html?pagewanted=2&ei=5089&en=8daf231b579333db&ex=1317873600&partner=rssyahoo&emc=rss"><strong>Got to go to this show of Cimabue at the FrickÂ Collection</strong>Â </a>- it's the kind of show you have to see.Â  The NYTimes review by Roberta Smith tells you all you need to know, here's an excerpt:
<blockquote>"<strong>Cimabue</strong> (about 1240-1302) is one of the <strong>Big Three â€” with Duccio and Giotto</strong> â€” who laid the groundwork for the <strong>early Italian Renaissance</strong>. His name is as weighty as it is mysterious, partly because so few of his works survive. This tiny exhibition makes his greatness crystal clear. At its center are two small works newly attributed to him, â€œThe Flagellation of Christ,â€ which the Frick acquired in 1950, and â€œThe Virgin and Child Enthroned With Two Angels,â€ a recently discovered work that is now in the collection of the National Gallery in London.
<p align="center"><a class="imagelink" title="Cimabue at the Frick Collection.bmp" href="http://www.artnewyorkcity.com/wp-content/uploads/Cimabue%20at%20the%20Frick%20Collection.bmp"><img id="image272" style="width: 343px; height: 217px" height="217" alt="Cimabue at the Frick Collection.bmp" src="http://www.artnewyorkcity.com/wp-content/uploads/Cimabue%20at%20the%20Frick%20Collection.bmp" width="343" /></a></p>
</blockquote>
<p align="left">I will try to make it over to the <a href="http://www.frick.org/">Frick Collection </a>this weekend, or next week, if I can.</p>
<p align="left">The<a href="http://www.frick.org/"> Frick Collection </a>is not someplace I go to often these days, but did when I was younger.</p>

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		<title>Why more people don&#8217;t go to Museums (in New York City)</title>
		<link>http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/#comments</comments>
		<pubDate>Thu, 28 Sep 2006 20:26:26 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Museums]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Public Library]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/</guid>
		<description><![CDATA[Seth Godin is the smartest marketer alive - and I always read his blog, most of the time commenting in Webmetricsguru.com; today my comment belongs in ArtNewYorkCity.com because Seth talks about why more people don't go to museums. a. the curators think the item on display is the whole thing. As a result, they slack [...]]]></description>
			<content:encoded><![CDATA[Seth Godin is the smartest marketer alive - and I always read his blog, most of the time commenting in Webmetricsguru.com; today my comment belongs in ArtNewYorkCity.com because Seth talks about <a href="http://sethgodin.typepad.com/seths_blog/2006/09/you_dont_run_a_.html">why more people don't go to museums</a>.
<blockquote><em>
a. the curators think the item on display is the whole thing. As a result, they slack off and do less than they should in creating an overall story

b. they assume that visitors are focused, interested and smart. They are rarely any of the three. As a result, the visit tends to be a glossed over one, not a deep one or a transcendent one

c. science museums in particular almost beg people NOT to think.

I can't remember the last time a museum visit made my cry, made me sad or made me angry (except at the fact that they don't try hard enough).</em></blockquote>
Besides, some people have negative associations with museums; my wife was raised in Poland where Museums were considered old, stuffy and boring!Â  I don't find Museums boring, but I understand why many do - they don't engage visitors enough (sounds like Musuems are often like bad websites that don't work well enough).
<blockquote>"<strong>They asked how long it had been since he had been to a museum.</strong>Â  But the group that liked his books spoke up pretty quickly, and first acknowledged that he was trying to needle them, but then said â€“ wait, he is part of our audience, and clearly he has thought this.Â  <strong>And if we are not listening to our audiences, then we may not be doing our jobs well at all.Â  </strong>This was bounced around for a while.Â  At the end I pulled it back towards Godinâ€™s books and asked what, if anything, they got from the books, felt like they could take back to their museums and use, or share with their bosses.Â  Even a couple of the Godin-haters mentioned things they got from them.Â  After the book club, back at the cabin we were staying in, there was a lot of talking around the fireplace about branding and stories, so it was clear the books, and the discussion, made them think."</blockquote>
Sounds like Seth Godin's books were examined by museum directors and it got them to think.Â  If you stop to think, getting people to a museum and keeping them engaged is the same exact problem as getting people to a website and engageing them enough that they stay.Â 

The solution for a website is usually better content and better design.Â  In the case of museums, it's not so much the content as the presentation and activities at the museum that encourage people to want to be there and have a positive experience.

Again, I'm not the person who has a problem with museums - I like them overall, but many don't like museums and there's probably a valid reason why.

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		<title>Art Openings in NYC &#8211; September 28th, 2006 &#8211; What I&#8217;ll cover</title>
		<link>http://www.artnewyorkcity.com/2006/09/28/art-openings-in-nyc-september-28th-2006-what-ill-cover/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/28/art-openings-in-nyc-september-28th-2006-what-ill-cover/#comments</comments>
		<pubDate>Thu, 28 Sep 2006 14:16:31 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<description><![CDATA[Been too busy the last few days to post here - a lot of important meetings - most which belong in my Webmetricsguru.com blog.Â  Did not see any good openings this week till today - nothing that really attracted me to want to show up.Â Â  But that's different today - a couple of good openings [...]]]></description>
			<content:encoded><![CDATA[Been too busy the last few days to post here - a lot of important meetings - most which belong in my <a href="http://www.webmetricsguru.com/">Webmetricsguru.com </a>blog.Â  Did not see any good openings this week till today - nothing that really attracted me to want to show up.Â Â  But that's different today - a couple of good openings happening now in NYC, in Art in New York City.

So tonight I'll try to make an opening of A<a href="http://www.pacewildenstein.com/Exhibitions/ViewExhibition.aspx?title=AlfredJensen%3aTheNumberPaintings&type=Exhbition&guid=fbd7589f-f3b2-45bd-abfc-e7d47f0984b1">lfred Jenson: The Number Paintings </a>at Pace Wildenstein Gallery.Â  Here's a little part of the writeup describing the work in this show: Alfred Jensen:Â  The Number Paintings will be on view at 545 <strong>West 22nd Street, New York from September 29 through October 28, 2006</strong>.Â  The public is invited to attend the opening on Thursday, September 28th from 6 to 8 p.m.
<blockquote>"<strong>Alfred Jensen</strong>:Â  The Number Paintings looks at how the artist used Pythagorean theory, the Mayan Calendar, and other numerical systems as well as Goetheâ€™s color theory in his work.Â  The exhibition consists of 11 paintings and 16 works on paper spanning two decades from 1960 to 1980.Â 

It was in the early 1960s that Jensen read the work of J. Eric Thompson, the pre-eminent scholar of the pre-Columbian Maya Civilization and soon thereafter, Jensen earnestly began to investigate the relationship between numbers and color through his art.Â  In his catalogue essay, William Agee discusses how Jensen pursued this investigation and how his life and art intersected. Agee remarks in his introduction that Donald Judd and Allan Kaprow, then young artists in New York, viewed an exhibition of Jensenâ€™s in 1963 and had the highest praise for it, although for different reasons. â€œIn retrospect,â€ Agee writes, â€œthis seems fitting, for Jensenâ€™s world view was based on the opposing dualities that he saw as the source and substance of life â€“ light and dark, positive and negative, male and female, life and death, among them.â€</blockquote>
I think I'll also attend the opening ofÂ Junko Komatsu, David Harry, Atsumi at <a href="http://www.caelumgallery.com/" target="_new"><font color="#3872ff">Caelum Gallery</font></a>Â W 26 street, 526, Suite 315.Â  The photographs and paintings look pretty good based on what I can see on the Caelum Gallery website.

It looks like a new gallery called MEHR is opening up with a debut exhibition (if I have it right that it's a new gallery) located at 436 West 18th Street, again between 6-8PM.Â 

That's enough for one night.Â  I'll let my readers know what I thought about these openings after I attend them (and anything else that strikes on my way toÂ or after the openings).

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		<title>More than Coffee was Served at Galerie St. Etienne</title>
		<link>http://www.artnewyorkcity.com/2006/09/20/more-than-coffee-was-served-at-galerie-st-etienne/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/20/more-than-coffee-was-served-at-galerie-st-etienne/#comments</comments>
		<pubDate>Wed, 20 Sep 2006 23:32:56 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Art in NYC]]></category>
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		<category><![CDATA[Galerie St. Etienne]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
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		<description><![CDATA[Had a good time at Galerie St. Etienne last night - great show of older Austrian and German prints and drawings by many well known artists, all about Cafes, Bars and such. I also ran into a old friend Russel Nelson who I had not seen for at least 5 or 6 years, the last [...]]]></description>
			<content:encoded><![CDATA[Had a good time at Galerie St. Etienne last night - great show of older Austrian and German prints and drawings by many well known artists, all about Cafes, Bars and such.

I also ran into a old friend Russel Nelson who I had not seen for at least 5 or 6 years, the last time was at our mutual friend, Lestor Afflick's funeral back in early 2000.

I liked Otto Dix's PUB watercolor and George Grosz's Dr. Benn's Night Cafe which was a photo lithograph.Â  Gustav Klimt's Seated Woman with Hat and Veil and Woman Resting in Armchair, both from the turn of the century were small works, but really fine.Â  I was surprised there was so much good work at Galerie St. Etienne.

<a class="imagelink" title="IMG00382.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00382.JPG"><img id="image201" style="width: 164px; height: 217px" height="217" alt="IMG00382.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00382.JPG" width="164" /></a>Â Â Â  <a class="imagelink" title="IMG00384.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00384.JPG"><img id="image202" style="width: 146px; height: 207px" height="207" alt="IMG00384.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00384.JPG" width="146" /></a>

<a class="imagelink" title="IMG00386.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00386.JPG"><img id="image203" style="width: 305px; height: 204px" height="204" alt="IMG00386.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00386.JPG" width="305" /></a>

<a class="imagelink" title="IMG00383.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00383.JPG"><img id="image204" style="height: 186px" height="186" alt="IMG00383.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00383.JPG" width="148" /></a>

Go to the Galerie St. Etienne to see the rest of the works.

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		<title>Latest Work at Brooklyn Artists Gym</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/latest-work-at-brooklyn-artists-gym/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/latest-work-at-brooklyn-artists-gym/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 02:45:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<description><![CDATA[I thought I'd bring readers up to date with what I'm doing - painting when I can paint. This is a nude study I did today (I'm not really a portrait painter - or a figure painter and I don't know anatomy well - more of a colorist); I don't think of my work as [...]]]></description>
			<content:encoded><![CDATA[I thought I'd bring readers up to date with what I'm doing - painting when I can paint.
<p align="center"><a class="imagelink" title="IMG00376.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00376.JPG"><img id="image185" style="width: 225px; height: 423px" height="423" alt="IMG00376.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00376.JPG" width="225" /></a></p>
This is a nude study I did today (I'm not really a portrait painter - or a figure painter and I don't know anatomy well - more of a colorist); I don't think of my work as anything other than an expression of me.Â  Having said that - I'm happy that there is a wonderful place like Brooklyn Artists Gym that makes it affordable for people like me to have a large studio space (~4000 square feet) to paint in.Â  It's shared space, but that is not a problem as far as I can see since hardly anyone is there.Â Â 

My photo, taken with a 1.3 Megapixel cell phone camara and cut down to size by Picasa2 loses some of the subtle elements - but as an image - this is a good enough snapshot - I spent about 90 minutes on this painting which is, I think, 20 x 30, but I'm not sure of the exact size.
<p align="center"><a class="imagelink" title="IMG00226.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226.JPG"><img id="image186" style="width: 222px; height: 333px" height="333" alt="IMG00226.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226.JPG" width="222" /></a></p>
I did this window study in Oil Pastel a couple of weeks ago - maybe 3 weeks ago (or it could have been a month ago for all I know).

Â 
<p align="center"><a class="imagelink" title="IMG00380.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00380.JPG"><img id="image187" style="width: 288px; height: 244px" height="244" alt="IMG00380.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00380.JPG" width="288" /></a></p>
And here's the Brooklyn Artist Gym studio space that I paint in ...when I get over there (maybe once or twice a week if I'm lucky).

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		<title>Monkdogz Urban Art &#8211; Bob Hogge and Fellow Artists</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/monkdogz-urban-art-bob-hogge-and-fellow-artists/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/monkdogz-urban-art-bob-hogge-and-fellow-artists/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 01:57:03 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Bob Hogge]]></category>
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		<description><![CDATA[As soon as I walked into Monkdogz the other night, Bob Hogge (in black, below)Â came up and introduced himself (it's his gallery) and offered me a drink.Â  Bob really took the time to talk to me ...how unusual!Â  Being as I like some of the work in his chelsea gallery and the feeling in the [...]]]></description>
			<content:encoded><![CDATA[<p align="left">As soon as I walked into <a href="http://www.monkdogz.com/">Monkdogz</a> the other night, Bob Hogge (in black, below)Â came up and introduced himself (it's his gallery) and offered me a drink.Â  Bob really took the time to talk to me ...<em>how unusual</em>!Â  Being as I like some of the work in <a href="http://www.monkdogz.com/chelseagallery/intro.htm">his chelsea gallery </a>and <em>the feeling in the gallery</em> - I thought I'd write it up in ArtNYC.Â Â </p>

<a href="http://www.miloart.com/Bob_Hogge.aspx">Bob Hogge</a> strikes me as someone who's been in the art world for a while - a search on Bob Hogge brings up a <a href="http://www.robertdhogge.com/page/page/1268575.htm">Robert D. Hogge </a>who invented "Xfusionistic" art - I think that's the same guy, but I'm not 100% sure.

I asked Bob Hogge if it was really true that it takes 2 years to set up a NY Art Show.Â  He said it depends; my gist is it does not take that long to get a show in his gallery if your his kind of artist - someone that is dedicated, is willing to put yourself foward. He sees his gallery and selection process as different than any other gallery...and I believe him.Â  He had some pretty good work on his walls.

I liked an artist calledÂ <a href="http://powerpainter.org/marcusvansoest/gallery"><strong>Marcus Van Soest</strong>Â </a>(he's an artist to watch) who is showing his work currently in the Monkdogz gallery....Bob Hogge told me this artist got on a plane and came right over to the gallery to ask to show his work in Monkdogz because he had read about Monddogz and Hogge for severalÂ  years.Â  Looks like the trip paid off as Marcos is one of Monkdogz collection of artists that are shown in the Chelsea gallery (Monkdogz has an online gallery that anyone can join for free).
<p align="center"><a class="imagelink" title="IMG00350.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00350.JPG"><img id="image181" style="height: 177px" height="177" alt="IMG00350.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00350.JPG" width="221" /></a>Â Â  <a class="imagelink" title="IMG00351.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00351.JPG"><img id="image182" style="width: 139px; height: 181px" height="181" alt="IMG00351.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00351.JPG" width="139" /></a></p>
Van Soest was the most original artist I have seen in Chelsea lately - powerful work.Â  There's a lot of info on him online and you can see <a href="http://powerpainter.org/node/1557">pictures </a>from the opening at Monkdogz Urban Art "Came to Believe" show last week (which I did not know about or I would have come).

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		<title>Gabriel Jones at Priska C. Juschka Fine Art</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/gabriel-jones-at-priska-c-juschka-fine-art/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/gabriel-jones-at-priska-c-juschka-fine-art/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 00:22:06 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Chelsea]]></category>
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		<description><![CDATA[Since I'm going to many openings - I always sign the guest book with Marshall Sponder - ArtNewYorkCity.com - sure some people see that and start reading this blog.Â Â  Now, I did find I enjoyed the photos of Gabriel Jones at Priska C. Juschka fine art. With a gallery name like the url for this [...]]]></description>
			<content:encoded><![CDATA[Since I'm going to many openings - I always sign the guest book with Marshall Sponder - ArtNewYorkCity.com - sure some people see that and start reading this blog.Â Â 

Now, I did find I enjoyed the photos of <a href="http://www.priskajuschkafineart.com/exhibitions.php?id=55">Gabriel Jones </a>at Priska C. Juschka fine art. With a gallery name like the url for this site is not too pretty ... <a href="http://www.priskajuschkafineart.com/">www.priskajuschkafineart.com</a> ...why not just say pjfa.com or something like that - hell of a lot easier to remember.Â  Anyway...

It was worth the visit as Jones' work is powerful photography!

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		<title>Chelsea Art Reviews &#8211; Thursday, September 14th, 2006</title>
		<link>http://www.artnewyorkcity.com/2006/09/15/chelsea-art-reviews-thursday-september-14th-2006/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/15/chelsea-art-reviews-thursday-september-14th-2006/#comments</comments>
		<pubDate>Fri, 15 Sep 2006 06:29:41 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art Dealers]]></category>
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		<description><![CDATA[I don't have time to write everything I saw tonight down - it was a lot, maybe 8 shows, mostly next to each other or in the same building at Chelsea. Here's the shows I attended tonight ( not it order of when I went) Michael Cheval at Gallery Interart Gallery; I spoke with the [...]]]></description>
			<content:encoded><![CDATA[I don't have time to write everything I saw tonight down - it was a lot, maybe 8 shows, mostly next to each other or in the same building at Chelsea.

Here's the shows I attended tonight ( not it order of when I went)

Michael Cheval at Gallery <a href="http://interartny.com/current.htm">Interart </a>Gallery; I spoke with the artist for a couple of minutes

<center><img src='http://www.artnewyorkcity.com/wp-content/Cheval108S.jpg' alt='' /></center>

Jeff Perrott at <a href="http://www.morganlehmangallery.com/" target="_new"><font color="#3872ff">Morgan Lehman Gallery</font></a>Â 10 avenue, 317, b/w 28 & 29 street - did not relate much to the work.

BAE Bien-U at <a href="http://www.galerie-poller.com/" target="_new"><font color="#3872ff">Gallerie Poller</font></a>Â W 27 street, 547, floor 2, 6-9pm - the photography was guite good - large trees.

The <a href="http://www.aperture.org/">Aperture</a>Â Foundation - Photography of Lola Alverez Bravo with a book signing by independent curator Elizabeth Ferrer.Â  I actually sat in for about 20 minutes and listed to the leacture.

Jade Townsend at <a href="http://www.artnewyorkcity.com/www.priskajuschkafineart.com">Prisika C. Juschka gallery</a>Â - installationsÂ  work.

There were a couple of more shows i went to and there were plenty of people that I ran into going from gallery to gallery and building to building.

Also spoke with Bob Hogge of <a href="http://www.monkdogz.com/">www.Monkdogz.com</a> urban art; he was very nice to me and offered me some coffee or beer as I came in.

Tired, need to go to sleep.

Marshall

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		<title>The Blab! Show &#8211; A Press Release -</title>
		<link>http://www.artnewyorkcity.com/2006/09/13/the-blab-show-a-press-release/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/13/the-blab-show-a-press-release/#comments</comments>
		<pubDate>Wed, 13 Sep 2006 04:21:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
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		<description><![CDATA[There's some news for people who want to know about the next Blab!Show (I wish they'd have one in NYC - Hint!). THE BLAB! SHOW (and book signing with CAMILLE ROSE GARCIA for her new BLAB! book, "The Magic Bottle") September 23 - October 21, 2006 OPENING RECEPTION: September 23, 8:00-11:30 pm COPRO/NASON GALLERY (at [...]]]></description>
			<content:encoded><![CDATA[There's some news for people who want to know about the next <a href="http://www.blabshow.com/">Blab!Show </a>(I wish they'd have one in NYC - Hint!).

<strong>THE BLAB! SHOW</strong>
(and book signing with CAMILLE ROSE GARCIA for her new BLAB! book, "The Magic Bottle")

September 23 - October 21, 2006
<strong>OPENING RECEPTION: September 23, 8:00-11:30 pm</strong>
<blockquote>COPRO/NASON GALLERY (at Bergamot Station)
2525 Michigan Ave T5, Santa Monica, CA 90404
GALLERY: 310-829-2156
CONTACT: Gary Pressman, Gallery Director
E-MAIL:Â  <a href="mailto:copronason@msn.com">copronason@msn.com</a>
WEBSITE: <a href="http://www.copronason.com/">www.copronason.com</a>
PREVIEW OF ARTWORK: <a href="http://www.blabshow.com/">www.blabshow.com</a></blockquote>
Copro/Nason Gallery presents â€œTHE BLAB! SHOW,â€ the second Group Art Exhibition featuring NEW work from the latest issue of BLAB! magazine (#17)â€”the leading anthology of illustration, found graphics, and sequential art.
<blockquote>Artists represented include: SHAG, GARY BASEMAN, TIM BISKUP, FRED STONEHOUSE, MARK TODD, ESTHER PEARL WATSON, LOU BROOKS, GREG CLARKE, AMY CREHORE, DREW FRIEDMAN, RYAN HESHKA, WALTER MINUS, CALEF BROWN, JOHN POUND, JONATHON ROSEN, SERGIO RUZZIER, and MANY MORE.</blockquote>
Guests include: CAMILLE ROSE GARCIA, SHAG, GARY BASEMAN, TIM BISKUP, <strong>AMY CREHORE,</strong> ESTHER PEARL WATSON, MARK TODD, CALEF BROWN, GREG CLARKE, and MONTE BEAUCHAMP.

BLAB! is the brainchild of Chicagoan <strong>Monte Beauchamp</strong>, whose work has been reviewed in: FLAUNT, VANITY FAIR, THE BELIEVER, GRAPHIS, PRINT, COMMUNICATION ARTS, AMERICAN ILLUSTRATION, and THE SOCIETY OF ILLUSTRATORS. He has received numerous design awards, including five New York Festival Awards for Excellence in Print and Television Communications. His books include: STRIKING IMAGES: Vintage Matchbook Cover Art (Chronicle), THE DEVIL IN DESIGN (Fantagraphics), THE LIFE & TIMES OF R. CRUMB (St. Martins Press), and NEW & USED BLAB! (Chronicle). He is the editor and designer of BLAB! Picto-Novelettes â€” an experimental series of illustrated storybooks published by Fantagraphics.

======================================================

I hope anyone that lives in Southern California and reads ArtNYCÂ blog attends the Blab! Show.Â  It's worth it.Â  Were I in Santa Monica I would go to it myself.

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		<title>Arnaud De Gramont&#8217;s Light Show at the Luxe Gallery</title>
		<link>http://www.artnewyorkcity.com/2006/09/11/arnaud-de-gramonts-light-show-at-the-luxe-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/11/arnaud-de-gramonts-light-show-at-the-luxe-gallery/#comments</comments>
		<pubDate>Mon, 11 Sep 2006 01:28:52 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Arnaud de Gramont]]></category>
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		<description><![CDATA[I'll probably attend this show which looks pretty interesting. Arnaud De Gramont, Light Show Luxe Gallery Midtown 24 West 57th Street, #505 212-582-4425 September 12 - October 7, 2006 Opening: Tuesday, September 12, 6:00PM - 8:00PM Web Site I'm not sure this photo relates to what Arnaud De Gramont is showing - but I'll attend [...]]]></description>
			<content:encoded><![CDATA[I'll probably attend this show which looks <em>pretty interesting</em>.
<blockquote>Arnaud De Gramont, Light Show
Luxe Gallery
Midtown
24 West 57th Street, #505
212-582-4425
September 12 - October 7, 2006
Opening: Tuesday, September 12, 6:00PM - 8:00PM
<a href="http://www.luxegallery.net/index2.asp">Web Site</a>
<a class="imagelink" title="ace_of_diamonds.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/ace_of_diamonds.jpg"><img id="image165" style="width: 247px; height: 245px" height="245" alt="ace_of_diamonds.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/ace_of_diamonds.jpg" width="247" /></a>
I'm not sure this photo relates to what Arnaud De Gramont is showing - but I'll attend anyway.</blockquote>

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		<title>Kids. Art. REAL Art &#8211; Brooklyn Artists Gym Kids Art Classes</title>
		<link>http://www.artnewyorkcity.com/2006/09/09/kids-art-real-art-brooklyn-artists-gym-kids-art-classes/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/09/kids-art-real-art-brooklyn-artists-gym-kids-art-classes/#comments</comments>
		<pubDate>Sat, 09 Sep 2006 06:18:29 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Children's Art]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[The real surprise tonight was the quality of the kids' art that was shown in the hall of Brooklyn Artists Gym.Â  Before I go into the children's art - just want to put something out for discussion.Â Â  Why is it that children have the freedom and vitality in their work that we, as adults, strive [...]]]></description>
			<content:encoded><![CDATA[The real surprise tonight was the quality of the kids' art that was shown in the hall of Brooklyn Artists Gym.Â  Before I go into the children's art - just want to put something out for discussion.Â Â 

Why is it that children have the freedom and vitality in their work that we, as adults, strive so hard to achieve?Â Â  I think it's the paradox, the first will be last and the last will be first.Â 

The best art tonight wasÂ  in the hallway - it was the children's art.Â  Will any of these budding artists mature into a professional artist?Â  Only time will tell.
<p align="center"><a class="imagelink" title="IMG00307.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00307.JPG"><img id="image150" height="96" alt="IMG00307.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00307.JPG" /></a>Â Â  <a class="imagelink" title="IMG00308.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00308.JPG"><img id="image151" height="96" alt="IMG00308.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00308.JPG" /></a>Â Â  <a class="imagelink" title="IMG00304.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00304.JPG"><img id="image149" height="96" alt="IMG00304.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00304.JPG" /></a>Â Â  <a class="imagelink" title="IMG00303.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00303.JPG"><img id="image148" height="96" alt="IMG00303.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00303.JPG" /></a></p>
Â 
<p align="center"><a class="imagelink" title="IMG00310.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00310.JPG"><img id="image154" style="width: 210px; height: 292px" height="292" alt="IMG00310.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00310.JPG" width="210" /></a></p>
<p align="left">Â </p>
<p align="left">You can find out more about enrolling your kid in the fall session that starts on September 26th by calling 718-858-9069 (if you live nearby, that is).Â Â </p>
<p align="left">My interest was in how vital these works by young artists, mostly between 7 and 10 years of age, are.Â  I hope these kids are able to keep that vitality and freshness as they grow older.Â Â  It just shows me, that in many ways, our children are our teachers.</p>

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		<title>Brooklyn Artists Gym Small Works Show</title>
		<link>http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/#comments</comments>
		<pubDate>Sat, 09 Sep 2006 05:57:22 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Brooklyn Artists Gym]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/</guid>
		<description><![CDATA[I rent studio space at BAGÂ and hoped to put one of my small, older paintings in this show - did not get a chance to submit in time but I did attend the show's opening tonight and it was packed. Â Â Â Â  There were 50 artists in the show which is up for a week - [...]]]></description>
			<content:encoded><![CDATA[I rent studio space at <a href="http://www.brooklynartistsgym.com/">BAG</a>Â and hoped to put one of my small, older paintings in this show - did not get a chance to submit in time but I did attend the show's opening tonight and it was packed.
<p align="center"><a class="imagelink" title="IMG00288.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00288.JPG"><img id="image139" height="96" alt="IMG00288.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00288.JPG" /></a>Â Â Â Â  <a class="imagelink" title="IMG00311.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00311.JPG"><img id="image140" height="96" alt="IMG00311.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00311.JPG" /></a></p>
<p align="left">There were 50 artists in the show which is up for a week - here's two pictures (as in day and night) one indoors and the other, outside the converted warehouse that BrooklynArtistsGym.com is located in, on the 3rd floor.Â  By the way, it's a Full Moon tonight (howl) and there was a lot of light out - but not enough to make my photos come out - I had to up the color and light saturation to see anything on the second picture.</p>
<p align="left">Here's the artists that I liked the most in this show:</p>
<p align="left">Sex Series I and II by Arthur L.Frick III (it's the artist after having sex with his girlfriend)</p>
<p align="center"><a class="imagelink" title="IMG00296.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00296.JPG"><img id="image143" style="height: 101px" height="101" alt="IMG00296.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00296.JPG" width="122" /></a>Â  <a class="imagelink" title="IMG00295.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00295.JPG"><img id="image144" height="96" alt="IMG00295.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00295.JPG" /></a></p>
<p align="left">Gowanus or Third Avenue (not sure which) by Amanda Kavanagh.Â  BAG is within a couple of blocks of the Gowanus (river/inlet) and right off Third Avenue in Brooklyn, so the pictures are of scenes right next door.</p>
<p align="center"><a class="imagelink" title="IMG00301.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00301.JPG"><img id="image147" style="width: 192px; height: 161px" height="161" alt="IMG00301.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00301.JPG" width="192" /></a></p>
<p align="left">Pacific Subscape by Lisa Lebofsky had a very nice realistic yet abstract quality and I would have liked to speak with Lisa, but could not identify her (or maybe she was not present).</p>
<p align="center"><a class="imagelink" title="IMG00297.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00297.JPG"><img id="image145" style="width: 211px; height: 157px" height="157" alt="IMG00297.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00297.JPG" width="211" /></a></p>
<p align="left">Â </p>
<p align="left">The overall quality of the work was good - did not see anything that was "brakeout" quality but I have a pretty good eye for art.</p>
<p align="left">In my next post I will cover the surprise of the evening!</p>

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		<title>Joe Coleman&#8217;s Art Opening at the Tilton Gallery</title>
		<link>http://www.artnewyorkcity.com/2006/09/08/joe-colemans-art-opening-at-the-tilton-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/08/joe-colemans-art-opening-at-the-tilton-gallery/#comments</comments>
		<pubDate>Fri, 08 Sep 2006 05:47:34 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Joe Coleman]]></category>
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		<category><![CDATA[Tilton Gallery]]></category>

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		<description><![CDATA[One of the fanciest art openings I have attended, one that Amy Crehore suggested I attend (and who I dragged my son to), Joe Coleman's opening at the Tilton Gallery - was more of a "Star" event than an art opening.Â  In fact, the Tilton Gallery seems to be more of a Joe Coleman Museum [...]]]></description>
			<content:encoded><![CDATA[One of the fanciest art openings I have attended, one that <a href="http://www.amycrehore.com/">Amy Crehore </a>suggested I attend (and who I dragged my son to), <a href="http://www.nytimes.com/2006/09/03/arts/design/03stra.html?_r=1&ref=arts&oref=slogin">Joe Coleman's opening at the Tilton Gallery </a>- was more of a "Star" event than an art opening.Â  In fact, the Tilton Gallery seems to be more of a Joe Coleman Museum - shown in darkened rooms with each painting highlighted so it seemed to pop out of the wall.Â  Nothing was left to chance for this opening - and it was well attended!
<p align="center"><a class="imagelink" title="IMG00267.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00267.JPG"><img id="image134" style="height: 230px" height="230" alt="IMG00267.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00267.JPG" width="279" /></a></p>
<p align="center">In the Realms of the Unreal (Henry Darger), 1998Â  Acrylic and Mixed Media on panel, 24 5/16" x 30 5/15"</p>
<p align="left">I took pictures, or had Adam take pictures for me, but the room was so dark, nothing much came out.Â  It was clear that Joe Coleman has "arrived" - and no doubt will be collected by every major museum - if he hasn't already been.Â Â  Before I talk about Joe</p>
<p align="left">Coleman's work (I also wrote about Joe Coleman a couple of days ago in <a title="Permanent Link to Joe Coleman Gets a Retrospective at the Tilton Gallery in Manhattan" href="http://www.artnewyorkcity.com/2006/09/03/joe-coleman-gets-a-retrospective-at-the-tilton-gallery-in-manhattan/" rel="bookmark">Joe Coleman Gets a Retrospective at the Tilton Gallery in Manhattan</a>), here's a couple more pictures.</p>
<p align="center"><a class="imagelink" title="IMG00274.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG"><img id="image135" height="96" alt="IMG00274.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG" /></a>Â Â Â  <a class="imagelink" title="IMG00273.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00273.JPG"><img id="image136" height="96" alt="IMG00273.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00273.JPG" /></a></p>
<p align="left">I had my son take a picture of me against a couple of Coleman's paintings that were suggestive of themes I can relate to like The Dream of Sigmund Freud (1993) and the Victory of Hell (1995) (above right photo); I believe that's also the painting I am standing in next to, but it's not that clear in the photo.</p>
<p align="left">I also spotted <a href="http://clickz.com/showPage.html?page=clickz_contact&id=3622545&story=3623349">Rebecca Lieb </a>of ClickZ at Joe Coleman's opening but did not get to speak to her - <em>writing for ClickZ is by invitation only</em> ....and I did not get my invite <em>(yet).</em>Â  I run into Rebecca at various Search Engine Strategies and also at the first Online Video Conference last June (where I also recorded a Podcast - for anyone who cares to listen - <a href="http://www.zoom-in.com/blog/2006/07/marshall_sponder_on_web_metric.php">it's here </a>- you need iTunes to listen to it though). Maybe everyone can send Rebecca Lieb a note and tell her they'd read ClickZ if I wrote a column on Web Metrics for them...oh well, it's ok to imagine.</p>
<p align="left">Getting back to Joe Coleman's opening - there were a lot of interesting people - the type of people that you might not see at an upper east side exclusive art gala opening...biker types, people with a lot of tattoos, a lot of attractive woman (that's normal) in low cut dresses (maybe that's normal too)!</p>
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<p align="left">The paintings were ....... like a cross between comic books and Van Eyck paintings - every bit of every painting had detail, upon detail, upon detail ...almost like a fractal - that expanded onto itself.Â Â </p>
<p align="left">Composition ....that takes care of itself - Coleman is painting a Mandala - it's the same Mandala but the subjects change.Â  I found the Dream of Sigmund Freud, for example, very successful in doing something I'm trying to do - segmenting life into the various syndromes that Freud wrote about and, to some extent, invented the vocabulary for.</p>
<p align="left">Then there's paintings where the artist is painting himself, or himself and his wife, such as "Love Song, (1999). I understand that Joe Coleman got married in 2000, maybe the Love Song is part of the courtship...just guessing here.Â  Almost every painting has a lot of sex - let's face it - we all think that way ..... Coleman paints it - in grueling detail a morphs it into a morbid dance - but one you can't stop looking at....and that's the Art of it...you can't stop looking at them.Â Â  In fact, if you were to stop and really look at a Joe Coleman painting - it would take you hours to read ever little bit of text and image on any one painting - and since he spends a year working on one (he does several at one time - but it takes about a year to complete each one from start to finish) a couple of hours is not too much to ask.</p>
<p align="left">In another painting, "I am Joe's Fear of Disease", painted in 2001, Coleman sticks his hospital admission pass to Brooklyn Medical Center and the IV he was given fluids with onto the frame of the painting.</p>
<p align="left">The basis - the need to illustrate every significant thought, idea, event, feeling that's connected with the subject - and stick them all onto one painting - is not a new idea.Â  When you get close to Joe Coleman's work - it seems a combination of illustration and painting - the color pops out (the more so against darkened walls in a darkened room) and every part of the painting is executed in exacting detail.</p>
<p align="left">There's no question that Joe Coleman is a great artist; who will be well collected.Â  I think, if I were ever to interview Joe Coleman, I'd try to find out what makes him tick.....what is he trying to say....</p>
<p align="left">Another amusing detail ...in Public Enemy Number One (John Dillinger), painted in 1999, Dillinger's dick is painted, cut off, at the bottom of the painting - Coleman writes that Dilllinger's dick was collected, as was the rest of his disected body....by collectors.Â Â  I enjoyed seeing Joe Coleman's sense of humor - perverted, not doubt, but what's not perverted?Â  Maybe that's the whole of point of this.Â  Some people were looking at the images and writings on the paintings and taking them literally - and those people might be offended.</p>
<p align="left">But I was not offended, I had fun looking and reading what was on each painting - and if were not for the crowd and my son Adam, tugging at me, I'd have spent a bit more time at Tilton Gallery looking at Joe Coleman's paintings.</p>
<a class="imagelink" title="IMG00274.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG" />

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		<title>Saatchi&#8217;s first reader-curated contemporary art show!</title>
		<link>http://www.artnewyorkcity.com/2006/09/07/saatchis-first-reader-curated-contemporary-art-show/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/07/saatchis-first-reader-curated-contemporary-art-show/#comments</comments>
		<pubDate>Thu, 07 Sep 2006 05:16:40 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<description><![CDATA[This may be a first! Charles Saatchi's online gallery (I wrote about it over a month ago on ArtNYC) and the Guardian newspaper are joining forces to: "...create the first reader-curated contemporary art show, featuring emerging new talent from across the globe. Your Gallery at The Guardian will take place from 24-28 October in the [...]]]></description>
			<content:encoded><![CDATA[This may be a first! Charles Saatchi's online gallery (I wrote about it over a month ago on ArtNYC) and the Guardian newspaper are joining forces to:
<blockquote>"...<strong>create the first reader-curated contemporary art show</strong>, featuring emerging new talent from across the globe. Your Gallery at The Guardian will take place from 24-28 October in the Guardian Newsroom."

"...by curating an exhibition where they choose the content. Readers can vote for their favourite work from a selection of 30 contemporary artists nominated by our judging panel. Ten will be chosen for exhibit in October."</blockquote>
Maybe that's the only glitch - how aboutÂ the top artists at Your GalleryÂ be chosen by highest number of pageviews and then were voted upon by readers - that would be much more interesting!Â  <a href="http://arts.guardian.co.uk/yourgallery/">Here's the page </a>at the Guardian where the first reader-curated contemporary art show information is posted.
<blockquote>"<font face="Arial" size="2">The Guardian and the Saatchi gallery's Your Gallery project are joining forces to create a unique contemporary art show, featuring exciting new talent from across the globe - <strong>and we want you to curate it.</strong></font><font face="Arial" size="2">We've selected a shortlist of 30 people from the thousands on display on the <a href="http://www.saatchi-gallery.co.uk/yourgallery/"><font face="Arial" color="#333399" size="2">Your Gallery</font></a></font><font face="Arial" size="2"> website. </font>

We want you to choose your <strong>three favourite artists</strong>: the 10 most popular will feature in a special show being held at the Guardian's Newsroom exhibition space on October 24-28 2006.

Here's how:

<strong>Â·</strong> <strong>Preview the shortlisted works</strong> in our <a href="http://arts.guardian.co.uk/flash/page/0,,1864683,00.html"><font color="#333399">online slideshow</font></a>

<strong>Â·</strong> <strong>Find out more</strong> about each artist by looking at the <a href="http://arts.guardian.co.uk/yourgallery/artists/"><font color="#333399">profiles page</font></a>

<strong>Â·</strong> <a href="http://arts.guardian.co.uk/competition/0,,-908,00.html"><font color="#333399">Place your vote</font></a> and be in with a chance of <strong>winning tickets</strong> to an exclusive preview of the show on October 23 2006"</blockquote>
I looked at the slide show of the thirty artists - no one I know - I hoped to find a friend in the lineup.Â 

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		<title>Lincoln Center and Brooklyn Artists Gym over the weekend</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/lincoln-center-and-brooklyn-artists-gym-over-the-weekend/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/lincoln-center-and-brooklyn-artists-gym-over-the-weekend/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 07:35:51 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
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		<description><![CDATA[I spent part of Labor Day going over to Lincoln Center and Brooklyn Artists Gym - where I paint, when I get a chance to go over to the studio; I had my son Adam with me and he helped me Gesso some canvasses.Â Â Â  Here's some photos I took over the weekend. Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  1 Â Â Â Â Â  [...]]]></description>
			<content:encoded><![CDATA[<a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /><a class="imagelink" title="IMG00221-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG" /><a class="imagelink" title="IMG00226-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG" />I spent part of Labor Day going over to Lincoln Center and Brooklyn Artists Gym - where I paint, when I get a chance to go over to the studio; I had my son Adam with me and he helped me Gesso some canvasses.Â Â Â  Here's some photos I took over the weekend.
<p align="center"><a class="imagelink" title="IMG00174.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00174.JPG"><img id="image127" style="height: 181px" height="181" alt="IMG00174.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00174.JPG" width="261" /></a></p>
Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  1

<a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /><a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" />
<p align="center"><a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG"><img id="image128" height="96" alt="IMG00211.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /></a>Â Â Â Â Â </p>
<p align="center">2</p>
<p align="center">Â <a class="imagelink" title="IMG00219.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00219.JPG"><img id="image131" height="96" alt="IMG00219.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00219.JPG" /></a>Â Â Â </p>
<p align="center">3</p>
<p align="center">Â <a class="imagelink" title="IMG00221-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG"><img id="image129" height="96" alt="IMG00221-1.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG" /></a>Â Â </p>
<p align="center">4</p>
<p align="center">Â <a class="imagelink" title="IMG00226-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG"><img id="image130" style="width: 83px; height: 134px" height="134" alt="IMG00226-1.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG" width="83" /></a>Â Â Â </p>
Â Â Â Â Â Â Â Â 

Took picture 1 at Lincoln Center - a work of art whose name or artistÂ I could not find.

Pictures 2 and 3 my son Adam took.Â  I was particularly struck by picture 2.

Pictures 4 and 5 are my last two Oil Pastels; did #4 yesterday and #5 more than 2 weeks ago.

Click on each thumbnail to enlarge the picture.

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		<title>The Accidental Masterpiece by Michael Kimmelman</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</guid>
		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Everyday Scenes, Painted Every Day</title>
		<link>http://www.artnewyorkcity.com/2008/12/06/nyc-artsorg-and-nyckidsartsorg-two-sites-to-watch-and-visit/</link>
		<comments>http://www.artnewyorkcity.com/2008/12/06/nyc-artsorg-and-nyckidsartsorg-two-sites-to-watch-and-visit/#comments</comments>
		<pubDate>Sat, 06 Dec 2008 18:17:58 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art Collective]]></category>
		<category><![CDATA[Art Collectors]]></category>
		<category><![CDATA[Art Communities]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art Event]]></category>
		<category><![CDATA[Art Openings]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Art influentials]]></category>
		<category><![CDATA[art opening]]></category>
		<category><![CDATA[art supplies]]></category>
		<category><![CDATA[Arts Research Center]]></category>
		<category><![CDATA[Arts The Alliance]]></category>
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		<category><![CDATA[New York]]></category>
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		<category><![CDATA[Twitter]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/?p=1249</guid>
		<description><![CDATA[Buy Iressa Without Prescription, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in New York City than ..... www.NYC-ARTS.org and www.NYCkidsARTS.org, Iressa in us. Buy Iressa online without prescription, I took a look at NYC-Arts.org and it looks [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Iressa Without Prescription</b>, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in <a class="zem_slink" title="New York City" rel="geolocation" href="http://maps.google.com/maps?ll=40.7166666667,-74.0&amp;spn=0.1,0.1&amp;q=40.7166666667,-74.0%20%28New%20York%20City%29&amp;t=h">New York City</a> than ..... <a href="http://www.NYC-ARTS.org">www.NYC-ARTS.org</a> and <a href="http://www.NYCkidsARTS.org">www.NYCkidsARTS.org</a>, <b>Iressa in us</b>.  <b>Buy Iressa online without prescription</b>, I took a look at NYC-Arts.org and it looks good!  Now, I do think they need to add a <a class="zem_slink" title="Social network service" rel="wikipedia" href="http://en.wikipedia.org/wiki/Social_network_service">Social Networking</a> aspect to the site, <b>Iressa craiglist</b>, <b>Iressa price, coupon</b>, and I will speak to Joe Harrell, the Director of Marketing for the Alliance of the Arts, <b>Iressa paypal</b>, <b>Iressa gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, here in New York, about that, <b>sale Iressa</b>.  <b>Iressa in canada</b>, But the sites, as they look now, <b>Iressa from canadian pharmacy</b>, <b>Iressa discount</b>, are first class - they look good.  In fact, what I'd do, <b>delivered overnight Iressa</b>, <b>Buy cheap Iressa no rx</b>, if I ran those sites, is add the content from Artcards.cc and also have artists, <b>cod online Iressa</b>, <b>Online buying Iressa hcl</b>, like me, go out and cover shows and post them to an accompying blog - that feeds into the NYC-Arts.org site - that would generate a lot more content, <b>order Iressa no prescription</b>.  <b>Iressa prices</b>, Not sure what to say about the kids site - I have a son, but he's almost 16 years old - and I think a kids site has a different demographic than me - (unless I'm trying to reach out to kids and their parents - in which case, <b>where can i order Iressa without prescription</b>, <b>Buy generic Iressa</b>, maybe it's relevent).  At any rate - these are Art Sites about our community - here in New York City - and they ougth to be supported.</p>
<p>Here's the information about NYC-ARTS.org and NYCkidsARTS.org from recent press release:</p>
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<blockquote><br />
<p align="right">FOR IMMEDIATE RELEASE</p><br />
<p align="center"><strong>Alliance</strong><strong> for the Arts Launches NYC-ARTS.org and NYCkidsARTS.org in Beta Testing</strong></p><br />
NEW YORK - November 25, 2008 - The Alliance for the Arts has launched the beta versions of its new NYC-ARTS.org and NYC<em>kids</em>ARTS.org, the most complete, customizable and dynamic source of information on New York's cultural institutions, <b>Buy Iressa Without Prescription</b>. Curated by people who know the scene, <b>buying Iressa online over the counter</b>, <b>Where can i buy cheapest Iressa online</b>, NYC ARTS provides an inside view of New York's cultural life.</p>
<p>The NYC ARTS Web sites have launched during <a class="zem_slink" title="Software testing" rel="wikipedia" href="http://en.wikipedia.org/wiki/Software_testing">beta testing</a>, <b>free Iressa samples</b>.  <b>Iressa in mexico</b>, The public is invited to participate in testing by submitting feedback through the "Send your feedback" button at the bottom of every page.</p>
<p><strong>NYC-ARTS.org</strong></p>
<p>Locals and tourists will find in-depth information on cultural organizations and their events, <b>Iressa pills</b>, <b>Online buy Iressa without a prescription</b>, programs and activities.</p>
<p><strong>NYCkidsARTS.org </strong> <b>Buy Iressa Without Prescription</b>, Educators and parents will find the most comprehensive information on cultural activities for children, including arts <a class="zem_slink" title="Education" rel="wikipedia" href="http://en.wikipedia.org/wiki/Education">education</a> programs that support teaching in many subject areas.</p>
<p><strong>Alliance</strong><strong> for the Arts Research  Center</strong></p>
<p>The research tools in the Alliance for the Arts Research Center will provide easy access to accurate quantitative data on the nonprofit cultural sector in New York City, <b>buy Iressa no prescription</b>.  <b>Buy Iressa online with no prescription</b>, In the increasingly competitive entertainment environment, NYC ARTS and NYC<em>kids</em>ARTS ensure that New York City's arts organizations stand out in the clutter of choices, <b>Iressa san diego</b>.  <b>Buy Iressa from mexico</b>, The NYC ARTS brand is a powerful promotional identity both for large cultural institutions that command high visibility and smaller groups with less promotional muscle. Unlike commercial cultural listings that have a narrow focus, <b>order Iressa from mexican pharmacy</b>, <b>Buy Iressa without a prescription</b>, these sites give all arts groups equal opportunity to promote their programs and attract visitors. The power of the NYC ARTS sites extends beyond the walls of the Web sites with weekly e-mail updates, interest-specific <a class="zem_slink" title="RSS" rel="wikipedia" href="http://en.wikipedia.org/wiki/RSS">RSS feeds</a> and connections to social networking sites such as <a class="zem_slink" title="Facebook" rel="homepage" href="http://facebook.com">Facebook</a> and <a class="zem_slink" title="Twitter" rel="homepage" href="http://twitter.com">Twitter</a>, <b>Buy Iressa Without Prescription</b>.</p>
<p>Cultural consumers need a strong brand to help them navigate the rich and diverse resources of New York City's five boroughs, <b>Iressa prescriptions</b>.  <b>Iressa trusted pharmacy reviews</b>, Through recommendations, curated collections and other features such as "Events ending soon, <b>Iressa to buy</b>, <b>Buy Iressa from canada</b>, " the sites will be proactive in directing individuals to cultural opportunities they might otherwise overlook.</p>
<p>The City of New York is the major underwriter of NYC ARTS, <b>Iressa for sale</b>.  <b>Iressa in usa</b>, Because the system supports hundreds of cultural organizations and their events in all five of the city's boroughs-in effect shoring up the cultural infrastructure-the City of New York has invested $1.5 million in capital dollars for the first release of the system.  <b>Buy Iressa Without Prescription</b>, It has also pledged additional enhancement funds for future releases of NYC ARTS.</p>
<p>New York's philanthropic community has joined the City as investors in this project, <b>where to buy Iressa</b>.  <b>Iressa in australia</b>, Local foundations and corporations supported the research and development of NYC ARTS.</p>
<p><strong>About the Alliance for the Arts</strong></p>
<p>The Alliance for the Arts serves the entire cultural community through research and advocacy and serves the public through cultural guides and calendars, <b>where can i buy Iressa online</b>.  <b>Where to buy Iressa</b>, Through its NYC ARTS guides and calendars, the Alliance promotes New   York cultural institutions, <b>Iressa tablets</b>.  <b>Purchase Iressa online no prescription</b>, Through its research studies highlighting the importance of the arts to the economy and to education, the Alliance helps government and civic leaders understand the importance of cultural organizations to New York City, <b>Iressa in uk</b>.  <b>Saturday delivery Iressa</b>, More information on the Alliance's work can be found at the new www.AllianceforArts.org.</p>
<p><strong>Contact: </strong></p>
<p>Joe Harrell, <b>order Iressa online overnight delivery no prescription</b>, <b>Rx free Iressa</b>, Director of Marketing &amp; Product Management</p>
<p>Alliance for the Arts</p>
<p>jharrell@allianceforarts.org</p>
<p>(212) 947-6340</blockquote><br />
Again, what I think is needed is Social Networking that supports and encourages community - and I'll help where I can, <b>Iressa in india</b>, <b>Iressa medication</b>, being of this community - we want to not just have engagement - but encourage it with <a href="http://www.webmetricsguru.com/archives/2008/12/social-media-for-engagement/">Social Media for Engagement.</a><br />
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		<title>Art in NYC - Visual Arts in New York City &#187; Art Dealers</title>
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		<link>http://www.artnewyorkcity.com/2008/12/06/nyc-artsorg-and-nyckidsartsorg-two-sites-to-watch-and-visit/</link>
		<comments>http://www.artnewyorkcity.com/2008/12/06/nyc-artsorg-and-nyckidsartsorg-two-sites-to-watch-and-visit/#comments</comments>
		<pubDate>Sat, 06 Dec 2008 18:17:58 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/?p=1249</guid>
		<description><![CDATA[Buy Iressa Without Prescription, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in New York City than ..... www.NYC-ARTS.org and www.NYCkidsARTS.org, Iressa in us. Buy Iressa online without prescription, I took a look at NYC-Arts.org and it looks [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Iressa Without Prescription</b>, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in <a class="zem_slink" title="New York City" rel="geolocation" href="http://maps.google.com/maps?ll=40.7166666667,-74.0&amp;spn=0.1,0.1&amp;q=40.7166666667,-74.0%20%28New%20York%20City%29&amp;t=h">New York City</a> than ..... <a href="http://www.NYC-ARTS.org">www.NYC-ARTS.org</a> and <a href="http://www.NYCkidsARTS.org">www.NYCkidsARTS.org</a>, <b>Iressa in us</b>.  <b>Buy Iressa online without prescription</b>, I took a look at NYC-Arts.org and it looks good!  Now, I do think they need to add a <a class="zem_slink" title="Social network service" rel="wikipedia" href="http://en.wikipedia.org/wiki/Social_network_service">Social Networking</a> aspect to the site, <b>Iressa craiglist</b>, <b>Iressa price, coupon</b>, and I will speak to Joe Harrell, the Director of Marketing for the Alliance of the Arts, <b>Iressa paypal</b>, <b>Iressa gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, here in New York, about that, <b>sale Iressa</b>.  <b>Iressa in canada</b>, But the sites, as they look now, <b>Iressa from canadian pharmacy</b>, <b>Iressa discount</b>, are first class - they look good.  In fact, what I'd do, <b>delivered overnight Iressa</b>, <b>Buy cheap Iressa no rx</b>, if I ran those sites, is add the content from Artcards.cc and also have artists, <b>cod online Iressa</b>, <b>Online buying Iressa hcl</b>, like me, go out and cover shows and post them to an accompying blog - that feeds into the NYC-Arts.org site - that would generate a lot more content, <b>order Iressa no prescription</b>.  <b>Iressa prices</b>, Not sure what to say about the kids site - I have a son, but he's almost 16 years old - and I think a kids site has a different demographic than me - (unless I'm trying to reach out to kids and their parents - in which case, <b>where can i order Iressa without prescription</b>, <b>Buy generic Iressa</b>, maybe it's relevent).  At any rate - these are Art Sites about our community - here in New York City - and they ougth to be supported.</p>
<p>Here's the information about NYC-ARTS.org and NYCkidsARTS.org from recent press release:</p>
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<blockquote><br />
<p align="right">FOR IMMEDIATE RELEASE</p><br />
<p align="center"><strong>Alliance</strong><strong> for the Arts Launches NYC-ARTS.org and NYCkidsARTS.org in Beta Testing</strong></p><br />
NEW YORK - November 25, 2008 - The Alliance for the Arts has launched the beta versions of its new NYC-ARTS.org and NYC<em>kids</em>ARTS.org, the most complete, customizable and dynamic source of information on New York's cultural institutions, <b>Buy Iressa Without Prescription</b>. Curated by people who know the scene, <b>buying Iressa online over the counter</b>, <b>Where can i buy cheapest Iressa online</b>, NYC ARTS provides an inside view of New York's cultural life.</p>
<p>The NYC ARTS Web sites have launched during <a class="zem_slink" title="Software testing" rel="wikipedia" href="http://en.wikipedia.org/wiki/Software_testing">beta testing</a>, <b>free Iressa samples</b>.  <b>Iressa in mexico</b>, The public is invited to participate in testing by submitting feedback through the "Send your feedback" button at the bottom of every page.</p>
<p><strong>NYC-ARTS.org</strong></p>
<p>Locals and tourists will find in-depth information on cultural organizations and their events, <b>Iressa pills</b>, <b>Online buy Iressa without a prescription</b>, programs and activities.</p>
<p><strong>NYCkidsARTS.org </strong> <b>Buy Iressa Without Prescription</b>, Educators and parents will find the most comprehensive information on cultural activities for children, including arts <a class="zem_slink" title="Education" rel="wikipedia" href="http://en.wikipedia.org/wiki/Education">education</a> programs that support teaching in many subject areas.</p>
<p><strong>Alliance</strong><strong> for the Arts Research  Center</strong></p>
<p>The research tools in the Alliance for the Arts Research Center will provide easy access to accurate quantitative data on the nonprofit cultural sector in New York City, <b>buy Iressa no prescription</b>.  <b>Buy Iressa online with no prescription</b>, In the increasingly competitive entertainment environment, NYC ARTS and NYC<em>kids</em>ARTS ensure that New York City's arts organizations stand out in the clutter of choices, <b>Iressa san diego</b>.  <b>Buy Iressa from mexico</b>, The NYC ARTS brand is a powerful promotional identity both for large cultural institutions that command high visibility and smaller groups with less promotional muscle. Unlike commercial cultural listings that have a narrow focus, <b>order Iressa from mexican pharmacy</b>, <b>Buy Iressa without a prescription</b>, these sites give all arts groups equal opportunity to promote their programs and attract visitors. The power of the NYC ARTS sites extends beyond the walls of the Web sites with weekly e-mail updates, interest-specific <a class="zem_slink" title="RSS" rel="wikipedia" href="http://en.wikipedia.org/wiki/RSS">RSS feeds</a> and connections to social networking sites such as <a class="zem_slink" title="Facebook" rel="homepage" href="http://facebook.com">Facebook</a> and <a class="zem_slink" title="Twitter" rel="homepage" href="http://twitter.com">Twitter</a>, <b>Buy Iressa Without Prescription</b>.</p>
<p>Cultural consumers need a strong brand to help them navigate the rich and diverse resources of New York City's five boroughs, <b>Iressa prescriptions</b>.  <b>Iressa trusted pharmacy reviews</b>, Through recommendations, curated collections and other features such as "Events ending soon, <b>Iressa to buy</b>, <b>Buy Iressa from canada</b>, " the sites will be proactive in directing individuals to cultural opportunities they might otherwise overlook.</p>
<p>The City of New York is the major underwriter of NYC ARTS, <b>Iressa for sale</b>.  <b>Iressa in usa</b>, Because the system supports hundreds of cultural organizations and their events in all five of the city's boroughs-in effect shoring up the cultural infrastructure-the City of New York has invested .5 million in capital dollars for the first release of the system.  <b>Buy Iressa Without Prescription</b>, It has also pledged additional enhancement funds for future releases of NYC ARTS.</p>
<p>New York's philanthropic community has joined the City as investors in this project, <b>where to buy Iressa</b>.  <b>Iressa in australia</b>, Local foundations and corporations supported the research and development of NYC ARTS.</p>
<p><strong>About the Alliance for the Arts</strong></p>
<p>The Alliance for the Arts serves the entire cultural community through research and advocacy and serves the public through cultural guides and calendars, <b>where can i buy Iressa online</b>.  <b>Where to buy Iressa</b>, Through its NYC ARTS guides and calendars, the Alliance promotes New   York cultural institutions, <b>Iressa tablets</b>.  <b>Purchase Iressa online no prescription</b>, Through its research studies highlighting the importance of the arts to the economy and to education, the Alliance helps government and civic leaders understand the importance of cultural organizations to New York City, <b>Iressa in uk</b>.  <b>Saturday delivery Iressa</b>, More information on the Alliance's work can be found at the new www.AllianceforArts.org.</p>
<p><strong>Contact: </strong></p>
<p>Joe Harrell, <b>order Iressa online overnight delivery no prescription</b>, <b>Rx free Iressa</b>, Director of Marketing &amp; Product Management</p>
<p>Alliance for the Arts</p>
<p>jharrell@allianceforarts.org</p>
<p>(212) 947-6340</blockquote><br />
Again, what I think is needed is Social Networking that supports and encourages community - and I'll help where I can, <b>Iressa in india</b>, <b>Iressa medication</b>, being of this community - we want to not just have engagement - but encourage it with <a href="http://www.webmetricsguru.com/archives/2008/12/social-media-for-engagement/">Social Media for Engagement.</a><br />
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		<pubDate>Sun, 05 Oct 2008 05:23:12 +0000</pubDate>
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		<description><![CDATA[Buy Imitrex Without Prescription, One of my friends and I talked about Art this afternoon, and the issues surrounding being an artist and she encouraged me to write the gist of our conversation down, because it reminded her of exactly the issues she's going though being an artist but not making a living at it. [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imitrex Without Prescription</b>, One of my friends and I talked about Art this afternoon, and the issues surrounding being an artist and she encouraged me to write the gist of our conversation down, because it reminded her of exactly the issues she's going though being an artist but not making a living at it.</p>
<p>It reminds me that quite often lately, <b>Next day Imitrex</b>, friends have responded to my thoughts about Social Media and Art, as well, and it seems to me when people, <b>real brand Imitrex online</b>, independent of one another are saying similar things there is probably some truth in it.  <b>Buying Imitrex online over the counter</b>, For example, my friend Valeria mentioned this post from my Webmetricsguru.com blog that was republished in Social Media Today - <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50232">Social Media Measurement of Attention / Engagement - some more thoughts about it</a> as a post that she wish she had written herself.   Others responded to a slightly earlier post on <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50132">Making a Case for Social Media - are we doing a poor job of Marketing Social Media?</a> and my friend Jared Freedman thought <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50175">my Formula for Virtual Friending - what’s a virtual connection worth. Some ideas - a start, <b>Imitrex prices</b>, at least</a> had some inspiring information - even if the formulae, <b>Purchase Imitrex</b>, he thought, was too complicated.</p>
<p>So, <b>Imitrex trusted pharmacy reviews</b>, with those examples in mind, <b>Imitrex in australia</b>, when my friend Janice, asked me to write down this information, which I normally would not - I figured...., <b>buy cheap Imitrex</b>. why not, <b>Buy Imitrex Without Prescription</b>.</p>
<p>Recently I've been in a dilemma about painting and my own work - I started painting again, <b>Where can i order Imitrex without prescription</b>, after stopping for a long time, a few years ago after going though a difficult time (I won't go into what spurred my decision); I felt I had to paint just to keep myself from exploding.</p>
<p>After a while, <b>Imitrex craiglist</b>, though, <b>Where can i buy Imitrex online</b>, I noticed I was stuck again, that I was unwilling to really experiment that much with new materials and techniques, that I often went to paint being unprepared, <b>purchase Imitrex online</b>, having no real problem or show, <b>Imitrex for sale</b>, or anything to work on - just a feeling that I'm paying for a studio space, I ought to go.   When I got to the studio space, I often struggled to get anything going and often enjoyed talking to artists as much, <b>Imitrex overseas</b>, and sometimes, <b>Buy Imitrex online no prescription</b>, more than actually painting.</p>
<p>Painting itself, was an uneven affair, <b>Imitrex discount</b>, inspiration is often hit or miss - and I noticed that I got bored quickly.  When I began painting again, <b>Buy cheap Imitrex</b>, I worked much quicker, but I still felt stuck with my concept and often had a hard time with creating work that might be inconvenient for me (setting up <a class="zem_slink" title="Oil painting" rel="wikipedia" href="http://en.wikipedia.org/wiki/Oil_painting">oil paints</a> and cleaning them up, buying, <b>cod online Imitrex</b>, stretching and storing canvas, <b>Imitrex in japan</b>, was just the beginning.</p>
<p>Also, while at an opening tonight at Brooklyn Artists Gym, <b>buy Imitrex from mexico</b>, the show was not well hung and lacked any real curator, <b>Online buying Imitrex hcl</b>, and hardly anything really attracted me that I wanted to look at it - I chalked that up to my belief that work needs to speak to you first - just because an artist puts something out on a wall in fount of us does not oblige me to have to look at it.  There's so much competing for our attention now, especially now (in fact, I deal with that in the post on <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50232">Social Media Measurement of Attention / Engagement - some more thoughts about it</a> - we have only 100%, <b>order Imitrex from United States pharmacy</b>, not more than that, <b>Buy Imitrex no prescription</b>, and with everything hitting at us, competition for our attention -we need to hold back and just engage with what draws us to it - and there wasn't anything on the walls that spoke to me - so I made no real attempt to look at it closely.  <b>Buy Imitrex Without Prescription</b>, Look, as an artist - I don't think the world owes us anything - just because you do work does not mean anyone has to look at it - if anyone does look at work, likes, it loves it, its because it speaks to them, means something - otherwise, why bother.</p>
<p>I also saw that when I had my work in shows as recent as this spring (<a class="etitle" href="http://www.new.facebook.com/event.php?eid=15365066890">Art Opening in Williamsburg at Heart and Soul  Pilates</a>)</p>
<p><a href="http://www.new.facebook.com/event.php?eid=15365066890"><img src="http://profile.ak.facebook.com/object3/1916/31/s15365066890_3675.jpg" alt="" /></a> <img id="myphoto" src="http://photos-d.ak.facebook.com/photos-ak-sf2p/v240/200/0/500062770/n500062770_483459_2667.jpg" alt="" /></p>
<p>- I had no control over how my paintings were displayed, <b>Imitrex in us</b>, the lady put my Rejection painting, <b>Imitrex in uk</b>, the landscape one, above, in a dark corner of her gallery, <b>buy Imitrex online no prescription</b>, even as I was assured by her this would not happen - in the two shows I was part of this year, <b>Real brand Imitrex online</b>, my work looked invisible with the dozens of other paintings they were displayed with.</p>
<p>Object placement and lighting, so important for physical objects, <b>Imitrex tablets</b>, which is what paintings are, <b>Ordering Imitrex online</b>, was not my friend, nor were curators - and I got discouraged, as I did, <b>purchase Imitrex online no prescription</b>, many years back when I also tried to paint - but lost my way.  <b>Where can i buy cheapest Imitrex online</b>, And I found it again, a few years back, only to find that, <b>next day Imitrex</b>, having realized my own strength as an artist - that it was not the primary thing that marked my life - that I wasn't really going to make my living as an artist, <b>Buy Imitrex without prescription</b>, nor did I want to, and my work really was not meant for any kind of wide distribution - and, in fact, <b>Imitrex san diego</b>, I had more control over how many people saw my paintings, <b>Free Imitrex samples</b>, as a <a class="zem_slink" title="Blog" rel="wikipedia" href="http://en.wikipedia.org/wiki/Blog">blogger</a> with a few blogs in subjects where I've been seen as an influential, that if I wanted to get my work out and seen - I had the means and knowledge to do it myself.</p>
<p>And then when I showed my works this spring, <b>Imitrex gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, I had to frame them (which cost several hundred dollars) and drag them over to gallery spaces to they'd be shown, <b>Imitrex in usa</b>, just to go back in a few weeks/months and pick them up again.   I had no hope they'd sell, I had no real desire to sell them either - and yet I didn't have a place to hang them, and they sit in my studio bin, <b>buy cheap Imitrex no rx</b>, at Brooklyn Artists Gym, <b>Order Imitrex from mexican pharmacy</b>, where I briefly looked at them, again, today, <b>Imitrex in mexico</b>.</p>
<p>So, I was telling Janice that it's a lot of work to be an artist and at the end of the day, no one really wants the stuff - on one really cares - and that an artist needs a following - people who love the work - people who want to collect it - and people who paint and really succeed at it, like my friend Amy Crehore, feel they have to do it - there is no other way for them, <b>Buy Imitrex Without Prescription</b>.</p>
<p>But I don't feel that way about my work, <b>Order Imitrex no prescription</b>,   I don't "have" to do it, and Janice said she felt the same way about her work  - she's a vision therapist and paints on weekends - but realizes she doesn't have the time to really do that much.     But in my case, I could have done more than I did - except I'd rather go to Art Openings, <b>order Imitrex online c.o.d</b>, meet people, <b>Fast shipping Imitrex</b>, over actually locking my self up in a corner and painting.</p>
<p>And I came to terms with that - being a <a class="zem_slink" title="Painting" rel="wikipedia" href="http://en.wikipedia.org/wiki/Painting">painter</a>, and to some extent, <b>Imitrex price, coupon</b>, a <a class="zem_slink" title="Writer" rel="wikipedia" href="http://en.wikipedia.org/wiki/Writer">writer</a>, <b>Buying Imitrex online over the counter</b>, is usually a solitary persuit - you need to do it, more often than not - with your self - away from others - even while in a crowd- a certain solitude is needed - it's almost a requirement that you must, as an artist, <b>buy Imitrex from canada</b>, be alone with yourself, <b>Imitrex for sale</b>, and like it.</p>
<p>But I don't like it - I don't like being alone with myself - and yet, there are times I did enjoy it - but it was often only after I worked though my resistances, <b>Imitrex from international pharmacy</b>.</p>
<p>When the spring began, <b>Imitrex in canada</b>, and I took the steps to invest in my own work by framing some pieces, I felt the burden of not knowing where I would I would store them, and often, <b>Imitrex from canadian pharmacy</b>, I'd go to the studio and feel no enthusiasm - and yet, <b>Where can i buy Imitrex online</b>, I still did some good work I'm proud of.   But when the summer came, I just took time out and decided I'd sketch, but not paint.   I work full time as a Web Analyst, <b>Imitrex in india</b>, do a lot of freelance <a class="zem_slink" title="Web analytics" rel="wikipedia" href="http://en.wikipedia.org/wiki/Web_analytics">web analytics</a> and <a class="zem_slink" title="Search engine optimization" rel="wikipedia" href="http://en.wikipedia.org/wiki/Search_engine_optimization">SEO</a> work when it's available, <b>Buy generic Imitrex</b>, , blog, go to openings, <b>Imitrex prices</b>, tweetups, <b>Online buy Imitrex without a prescription</b>, several events in NYC and travel to conferences, and now, started a blog network, <b>where to buy Imitrex</b>, blogspeedway.com, <b>Delivered overnight Imitrex</b>, but going to the studio felt like just "one more job" and I had enough.  <b>Buy Imitrex Without Prescription</b>, And then, I tried to answer a bunch of questions ... why?  Why am I in this?  Why am I painting?  Who is this really for?  Does anyone really want it.</p>
<p>I doubted myself and my own commitment to Art, <b>buy Imitrex without a prescription</b>.</p>
<p>But, <b>Imitrex to buy online</b>, as I told this to Janice, she said that she has a lot of the same thoughts as I do, <strong>and that many artists aren't really talking about it and there is no real place to go, <b>Imitrex overseas</b>, no support really, <b>Purchase Imitrex online</b>, for artists.</strong></p>
<p>Nor did I really want to talk about it - either - but it seems like it's something that does need to be talked about.</p>
<p>It's really hard to be an artist - no one really wants your work, 99% of the time, <b>rx free Imitrex</b>, you have to finance the activity yourself, <b>Where can i order Imitrex without prescription</b>, and art, unlike a trade or profession, is not really considered integral to anything.  Sure, <b>where can i find Imitrex online</b>, we have artists, <b>Imitrex medication</b>, museums, foundations, but art, particularly painting (which has lost it's relevance over cinema and music, which are much easier for people to consume, is more of an appendage of society - something we feel guilty about - like we should have it - but hardly anyone really needs it and it's hard to evaluate - the quality issue is entirely subjective.</p>
<p>So, in going for Art, as a career, or a calling, it seems those who do and succeed are those who failed, over and over, but never gave up - and cultivated the right friends, eventually forming a following, <b>Buy Imitrex Without Prescription</b>.</p>
<p>I believe in order to succeed, you need a following - collectors (that's an art dealers job, and often a thankless task - but till you get to the point where you can hire someone to promote your work for you, you have to finance and do it yourself, along with housing it and paying taxes on it - often a thankless task.</p>
<p>And if you just do it because it gives you pleasure, your dismissed as a "dabbler" or weekend artist.</p>
<p>I wish there was  place where artists could talk about all of this stuff - but there doesn't seem to be - we're all orphaned - and that let me to ask myself what role Art had in my life.</p>
<p>What I came up with was that I had nothing really to prove to anyone but myself, and Art, for me, was a package that framed my other activities (web analytics, search, blogging and writing art critic, socializing, etc) and it didn't need to do anything else but that - how successful I was as an artist really didn't matter - all that mattered was I had a gift and I was sharing it the best way I knew how, and my passionate feelings, when channelled into Art managed to balance me out somewhat, making me a better web analyst, blogger, writer, critic, whatever..... you fill the rest in - that's what Art's role was for me, in this life.</p>
<p>And I accepted it.</p>
<p>There, as my friend suggested, I wrote it all down, as best as I could remember it - I think I got most of what I wanted to say down here, on this blog.</p>
<p>Only now, I don't know what the next step is for me ....<em> what do I do now?</em><br />
<div class="zemanta-pixie" style="margin-top: 10px; height: 15px;"><a class="zemanta-pixie-a" title="Zemified by Zemanta" href="http://reblog.zemanta.com/zemified/8b7ff2aa-ad8c-493a-b89b-b66930618765/"><img class="zemanta-pixie-img" style="border: medium none; float: right;" src="http://img.zemanta.com/reblog_e.png?x-id=8b7ff2aa-ad8c-493a-b89b-b66930618765" alt="Reblog this post [with Zemanta]" /></a></div>.</p>
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		<title>Buy Lotrel Without Prescription</title>
		<link>http://www.artnewyorkcity.com/2006/11/15/old-masters-and-young-geniuses-is-david-galensons-art-theory-true/</link>
		<comments>http://www.artnewyorkcity.com/2006/11/15/old-masters-and-young-geniuses-is-david-galensons-art-theory-true/#comments</comments>
		<pubDate>Wed, 15 Nov 2006 05:42:09 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Andy Warhol]]></category>
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		<description><![CDATA[Been looking at David Galenston's two books - thinking I'll purchase the latest book called Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity.Â Â Â Got interested in Buy Lotrel Without Prescription, David W. Galenson after reading a review of his ideas in the New York Times today.Â Â  In The Art of Pricing Great [...]]]></description>
			<content:encoded><![CDATA[<p> Been looking at <strong>David Galenston's</strong> two books - thinking I'll purchase the latest book called <a href="http://www.amazon.com/dp/0691121095?tag=davidgalenson-20&camp=14573&creative=329585&linkCode=as1&creativeASIN=0691121095&adid=17W28618NYJW84H6F7NV&"><strong>Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity</strong></a>.Â Â Â Got interested in <a href="http://www.davidgalenson.com/"> <b>Buy Lotrel Without Prescription</b>, David W. Galenson </a>after reading a review of his ideas in the New York Times today.Â Â </p>
<p>In <a href="http://www.nytimes.com/2006/11/15/business/15leonhardt.html?pagewanted=1"><strong>The Art of Pricing Great Art</strong></a>, <b>Lotrel pills</b>, <b>Lotrel overseas</b>, the writer, Mr, <b>where can i order Lotrel without prescription</b>.  <b>Lotrel to buy</b>, Leonhardt, expresses the following:<br />
<blockquote>"The mysterious part of the current mania lies in figuring out <strong>what exactly makes a piece of art worth  million instead of, <b>Lotrel from international pharmacy</b>, <b>Lotrel in uk</b>, say,  million.</strong> Not even people who make their living selling art claim to have much of a definition of great art, <b>order Lotrel online c.o.d</b>.  <b>Lotrel discount</b>, In fact, theyâ€™re proud not to have one, <b>cod online Lotrel</b>.  <b>Order Lotrel from mexican pharmacy</b>, â€œThatâ€™s where the market becomes magical,â€ Tobias Meyer, <b>buying Lotrel online over the counter</b>, <b>Lotrel buy</b>, Sothebyâ€™s chief auctioneer, told me."</blockquote><br />
In my <a href="http://www.webmetricsguru.com/">www.webmetricsguru.com</a> blog - I use with metrics to solve a business needÂ (<em>some times I make my own metrics - you have to be creative - you know</em>); a theory explaining value of a work of art would appeal to someone with my values and way of thinking, <b>Lotrel in india</b>.</p>
<p>There's a lot of good stuff in the Leonhardt article so I'll quote from it quite a bit, then comment at the end, <b>Buy Lotrel Without Prescription</b>.  <b>Lotrel in usa</b>, <blockquote>".....he began collecting data on the sale price of works by Warhol, <a title="More articles about Jackson Pollock." href="http://topics.nytimes.com/top/reference/timestopics/people/p/jackson_pollock/index.html?inline=nyt-per"><font color="#004276">Jackson Pollock</font></a> and other American artists, <b>purchase Lotrel</b>, <b>Buy cheap Lotrel</b>, and he discovered a pattern. <strong>Most of them produced their most valuable work either very early in their career, <b>Lotrel in canada</b>, <b>Online buy Lotrel without a prescription</b>, like Warhol, or very late, <b>Lotrel tablets</b>, <b>Buy Lotrel online without prescription</b>, like Pollock. </strong>When he expanded his research to European painters, <b>Lotrel san diego</b>, <b>Purchase Lotrel online no prescription</b>, he found the same pattern.</p>
<p>Not only that, <b>Lotrel in mexico</b>, <b>Buy Lotrel online with no prescription</b>, but the two groups tended to approach art, and to talk about it, <b>ordering Lotrel online</b>, <b>Free Lotrel samples</b>, in strikingly different ways.  <strong> <b>Buy Lotrel Without Prescription</b>, The young geniuses, like Gauguin, </strong><a title="More articles about Pablo Picasso." href="http://topics.nytimes.com/top/reference/timestopics/people/p/pablo_picasso/index.html?inline=nyt-per"><font color="#004276"><strong>Picasso</strong></font></a><strong> and </strong><a title="More articles about Vincent Van Gogh." href="http://topics.nytimes.com/top/reference/timestopics/people/v/vincent_van_gogh/index.html?inline=nyt-per"><font color="#004276"><strong>Van Gogh</strong></font></a><strong>, were conceptual innovators whose paintings broke sharply from previous work.</strong> They typically <em>had a precise goal in mind when they started a piece and didnâ€™t need long to finish it</em>. â€œAbove all, <b>Lotrel prices</b>, <b>Buy Lotrel from mexico</b>, donâ€™t sweat over a painting,â€ Gauguin once told a friend, <b>purchase Lotrel online</b>.  <b>Lotrel in japan</b>, â€œA great sentiment can be rendered immediately.â€</p>
<p>The <strong>late bloomers, on the other hand, <b>Lotrel paypal</b>, <b>Lotrel trusted pharmacy reviews</b>, arrived at their innovations gradually, through trial and error, <b>buy no prescription Lotrel online</b>, <b>Lotrel from canadian pharmacy</b>, making their major contributions late in life. They painted the same subject again and again, <b>buy Lotrel from canada</b>, <b>Lotrel prescriptions</b>, experimenting on the canvas, often reluctant to say that a painting was finished, <b>buy Lotrel online no prescription</b>.  <b>Buy Lotrel online without a prescription</b>, </strong>Consider that CÃ©zanne, who did his most valuable and celebrated work in his 60s, <b>order Lotrel no prescription</b>, <b>Rx free Lotrel</b>, signed few of his paintings.</p>
<p>Mr, <b>Buy Lotrel Without Prescription</b>. Galenson has <strong>extended the theory to novelists, <b>where can i find Lotrel online</b>, <b>Buy Lotrel online cod</b>, poets and beyond, arguing that most creative people fall on one end or the other of the spectrum, <b>where can i buy cheapest Lotrel online</b>, <b>Where can i buy Lotrel online</b>, </strong> and he has earned a fair bit of attention. Malcolm Gladwell, <b>buy cheap Lotrel no rx</b>, <b>Next day Lotrel</b>, in a <a title="Malcolm Gladwellâ€™s Speech" href="http://www.davidgalenson.com/malcolmgladwell-lecture.pdf"><font color="#004276">speech</font></a> at <a title="More articles about Columbia University." href="http://topics.nytimes.com/top/reference/timestopics/organizations/c/columbia_university/index.html?inline=nyt-org"><font color="#004276">Columbia University</font></a>, described â€œOld Masters and Young Geniuses, <b>Lotrel over the counter</b>, <b>Buy Lotrel no prescription</b>, â€ which Mr. Galenson published this year, <b>fast shipping Lotrel</b>, <b>Lotrel in us</b>, as â€œa really wonderful book.â€ Wired magazine recently <a title="Wired Magazine Profile" href="http://www.wired.com/wired/archive/14.07/genius.html?pg=2&topic=genius&topic_set"><font color="#004276">profiled</font></a> him under the headline, â€œWhat Kind of Genius Are You?â€</blockquote><br />
Maybe few artists are exactly one type or the other - I believe there is polarity in just about everything - including creativity, <b>online buying Lotrel hcl</b>.  <b>Lotrel gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, <blockquote>"......If you look through the prices from the current auction season, or walk through any major museum, <b>where to buy Lotrel</b>, <b>Delivered overnight Lotrel</b>, <strong><em>you canâ€™t help but notice that Mr.  Galenson is onto something</em></strong> <b>Buy Lotrel Without Prescription</b>, . When a still life that CÃ©zanne painted at the age of 56, <b>where to buy Lotrel</b>, <b>Lotrel in australia</b>, for instance, fetched  million at Sothebyâ€™s last week, <b>Lotrel medication</b>, <b>Over the counter Lotrel</b>, art experts cited the rarity of CÃ©zanne still lifes. The next night at Christieâ€™s, <b>buy Lotrel without a prescription</b>, <b>Lotrel for sale</b>, another CÃ©zanne still life â€” one painted when he was 34 â€” sold for just .1 million. "</blockquote><br />
<p align="left">I don't find that surprising - Cezanne's late still lifes are much more "unique" than his earlier work - when he was struggling to find himself and his style.Â  While Cezanne's early work is notable - yet he had he not evolved his later style and revolutionized art.Â  Had Paul Cezanne painted his early still lifes, <b>order Lotrel online overnight delivery no prescription</b>, <b>Buy generic Lotrel</b>, then died all of a sudden, before doing his later workÂ - we'd probably not know he existed today - he'd never become that well known for his early work.</p><br />
<p align="left">Now, <b>buy Lotrel without prescription</b>, <b>Sale Lotrel</b>, it turns out that Malcolm Gladwell (the same <a href="http://www.webmetricsguru.com/2006/04/webmasterworld_keynote_malcolm_2.html">Malcolm Gladwell </a>who <a href="http://www.knowmoremedia.com/2006/04/press_release_webmetricsgurus.html">I heard</a> at <a href="http://www.webmetricsguru.com/2006/04/webmasterworld_keynote_malcolm_2.html">Webmasterworld Pubcon X </a>in Boston, earlier this year) has come to Galenson's defense and spoke about Galenson's theory in February at Columbia.Â Â  I read Malcolm <a href="http://www.davidgalenson.com/malcolmgladwell-lecture.pdf">Gladwell's Age Before Beauty </a>all the way through and it's great!</p></p>
<p></p>
<p><blockquote><br />
<p align="left">"...<font face="Times-Roman">wayâ€”heâ€™s an economistâ€”the way he decides to analyse great artists is to look at the value of their paintings, <b>saturday delivery Lotrel</b>. How much money do their paintings reach at auction. Thereâ€™s a big record called the [GuideMayer] which is this big Swiss volume, which records precisely whatâ€™s paid for every painting at all the major auction houses of the year, and he basically goes through this thing, combs through it and does these very, very complicated regression analyses based on the size of the painting and when it was painted and how much was paid for it, et cetera, <b>Buy Lotrel Without Prescription</b>. And using this whole kind of thing.</font></p><br />
<p align="left"><font face="Times-Roman">He analyses the value of the paintings of famous artists. And he comes up with this really interesting conclusion, which is that, if you do that kind of analysis, looking at the value of paintings of famous artists over the course of their career, what happens is they divide quite neatly into two groups. Thereâ€™s a group of artists that do their greatest work very, very early in their career, and then their value declines, and thereâ€™s a group of artists who do their very bestÂ  </font><font face="Times-Roman">work at the very end of their career, right. The very end of life.  In <strong>other words there isnâ€™t a kind of single profile of what it means to be a successful artist; thereâ€™s two</strong>."</font></p></p>
<p><font face="Times-Roman"></font><font face="Times-Roman">"...</font><font face="Times-Roman"> <b>Buy Lotrel Without Prescription</b>, So he says, look, Pisarro peaks at forty-five, Degas at forty-six, Kandinsky at fifty-two, Georgia Oâ€™Keefe at forty-eight. Munch, on the other hand, does his best work at thirty-four, Derain at twenty-four, Braque at twenty-eight, Juan Gris at twenty-eight, and de </font><font face="Times-Roman">Chirico at twenty-six."</font><font face="Times-Roman"> </font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman">"......</font><font face="Times-Roman">Thatâ€™s very much the way that experimental artists are working, t<strong><em>heyâ€™re kind of groping towards something they canâ€™t quite define.</em></strong> Now here, by contrast, is another art historian talking about Picasso: â€œThere was not one Picasso, but ten, twenty, always different, unpredictably changing. And in this he was the opposite of a Cezanne, whose work followed that logical, reasonable course to fruition.â€<strong><em> Cezanne famously said, â€œI seek in painting.â€ What did Picasso say. He said, â€œI donâ€™t seek, I find</em></strong>.â€</font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman">"</font><font face="Times-Roman">...he looks, for example, at the abstract expressionists and points out, you know, youâ€™ve got a group of older abstract expressionists like Rothko and de Kooning and Jackson Pollockâ€”theyâ€™re all guys who peak in their fifties and in some cases in their sixties. Itâ€™s a long time to work out their method. And then youâ€™ve got this younger group, you know, Stella, Lichtenstein, Rauschenberg, Jasper Johns, Andy Warhol, who peak, on the contrary, in their twenties, and who have a radically different way of explaining their art, and of doing art and of thinking about art, and that look at the older generation of abstract expressionists and think of them as being kind of antiintellectual, as being kind of mere painters, not kind of thinkers who are possessed of an idea and a concept of how to do art, but guys who are kind of mucking around with paint."</font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"><br />
<p align="left"><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"><font face="Times-Roman" /></font><font face="Times-Roman">Ok, I agree with most of this - butÂ what ifÂ your the first type of artist -and you may have peaked early but don't want to accept that your too old to achieve anything lasting now....what do you do?Â  It's a question I don't as yet, have an answer to.</font></p></font></blockquote></p>
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		<title>Cimabue at the Frick Collection</title>
		<link>http://www.artnewyorkcity.com/2006/10/07/cimabue-at-the-frick-collection/</link>
		<comments>http://www.artnewyorkcity.com/2006/10/07/cimabue-at-the-frick-collection/#comments</comments>
		<pubDate>Sat, 07 Oct 2006 04:43:40 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Cimabue]]></category>
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		<category><![CDATA[New York]]></category>

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		<description><![CDATA[Got to go to this show of Cimabue at the FrickÂ CollectionÂ - it's the kind of show you have to see.Â  The NYTimes review by Roberta Smith tells you all you need to know, here's an excerpt: "Cimabue (about 1240-1302) is one of the Big Three â€” with Duccio and Giotto â€” who laid the groundwork [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.nytimes.com/2006/10/07/arts/design/07fric.html?pagewanted=2&ei=5089&en=8daf231b579333db&ex=1317873600&partner=rssyahoo&emc=rss"><strong>Got to go to this show of Cimabue at the FrickÂ Collection</strong>Â </a>- it's the kind of show you have to see.Â  The NYTimes review by Roberta Smith tells you all you need to know, here's an excerpt:
<blockquote>"<strong>Cimabue</strong> (about 1240-1302) is one of the <strong>Big Three â€” with Duccio and Giotto</strong> â€” who laid the groundwork for the <strong>early Italian Renaissance</strong>. His name is as weighty as it is mysterious, partly because so few of his works survive. This tiny exhibition makes his greatness crystal clear. At its center are two small works newly attributed to him, â€œThe Flagellation of Christ,â€ which the Frick acquired in 1950, and â€œThe Virgin and Child Enthroned With Two Angels,â€ a recently discovered work that is now in the collection of the National Gallery in London.
<p align="center"><a class="imagelink" title="Cimabue at the Frick Collection.bmp" href="http://www.artnewyorkcity.com/wp-content/uploads/Cimabue%20at%20the%20Frick%20Collection.bmp"><img id="image272" style="width: 343px; height: 217px" height="217" alt="Cimabue at the Frick Collection.bmp" src="http://www.artnewyorkcity.com/wp-content/uploads/Cimabue%20at%20the%20Frick%20Collection.bmp" width="343" /></a></p>
</blockquote>
<p align="left">I will try to make it over to the <a href="http://www.frick.org/">Frick Collection </a>this weekend, or next week, if I can.</p>
<p align="left">The<a href="http://www.frick.org/"> Frick Collection </a>is not someplace I go to often these days, but did when I was younger.</p>

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		<title>Why more people don&#8217;t go to Museums (in New York City)</title>
		<link>http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/#comments</comments>
		<pubDate>Thu, 28 Sep 2006 20:26:26 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/</guid>
		<description><![CDATA[Seth Godin is the smartest marketer alive - and I always read his blog, most of the time commenting in Webmetricsguru.com; today my comment belongs in ArtNewYorkCity.com because Seth talks about why more people don't go to museums. a. the curators think the item on display is the whole thing. As a result, they slack [...]]]></description>
			<content:encoded><![CDATA[Seth Godin is the smartest marketer alive - and I always read his blog, most of the time commenting in Webmetricsguru.com; today my comment belongs in ArtNewYorkCity.com because Seth talks about <a href="http://sethgodin.typepad.com/seths_blog/2006/09/you_dont_run_a_.html">why more people don't go to museums</a>.
<blockquote><em>
a. the curators think the item on display is the whole thing. As a result, they slack off and do less than they should in creating an overall story

b. they assume that visitors are focused, interested and smart. They are rarely any of the three. As a result, the visit tends to be a glossed over one, not a deep one or a transcendent one

c. science museums in particular almost beg people NOT to think.

I can't remember the last time a museum visit made my cry, made me sad or made me angry (except at the fact that they don't try hard enough).</em></blockquote>
Besides, some people have negative associations with museums; my wife was raised in Poland where Museums were considered old, stuffy and boring!Â  I don't find Museums boring, but I understand why many do - they don't engage visitors enough (sounds like Musuems are often like bad websites that don't work well enough).
<blockquote>"<strong>They asked how long it had been since he had been to a museum.</strong>Â  But the group that liked his books spoke up pretty quickly, and first acknowledged that he was trying to needle them, but then said â€“ wait, he is part of our audience, and clearly he has thought this.Â  <strong>And if we are not listening to our audiences, then we may not be doing our jobs well at all.Â  </strong>This was bounced around for a while.Â  At the end I pulled it back towards Godinâ€™s books and asked what, if anything, they got from the books, felt like they could take back to their museums and use, or share with their bosses.Â  Even a couple of the Godin-haters mentioned things they got from them.Â  After the book club, back at the cabin we were staying in, there was a lot of talking around the fireplace about branding and stories, so it was clear the books, and the discussion, made them think."</blockquote>
Sounds like Seth Godin's books were examined by museum directors and it got them to think.Â  If you stop to think, getting people to a museum and keeping them engaged is the same exact problem as getting people to a website and engageing them enough that they stay.Â 

The solution for a website is usually better content and better design.Â  In the case of museums, it's not so much the content as the presentation and activities at the museum that encourage people to want to be there and have a positive experience.

Again, I'm not the person who has a problem with museums - I like them overall, but many don't like museums and there's probably a valid reason why.

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		<title>Art Openings in NYC &#8211; September 28th, 2006 &#8211; What I&#8217;ll cover</title>
		<link>http://www.artnewyorkcity.com/2006/09/28/art-openings-in-nyc-september-28th-2006-what-ill-cover/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/28/art-openings-in-nyc-september-28th-2006-what-ill-cover/#comments</comments>
		<pubDate>Thu, 28 Sep 2006 14:16:31 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/28/art-openings-in-nyc-september-28th-2006-what-ill-cover/</guid>
		<description><![CDATA[Been too busy the last few days to post here - a lot of important meetings - most which belong in my Webmetricsguru.com blog.Â  Did not see any good openings this week till today - nothing that really attracted me to want to show up.Â Â  But that's different today - a couple of good openings [...]]]></description>
			<content:encoded><![CDATA[Been too busy the last few days to post here - a lot of important meetings - most which belong in my <a href="http://www.webmetricsguru.com/">Webmetricsguru.com </a>blog.Â  Did not see any good openings this week till today - nothing that really attracted me to want to show up.Â Â  But that's different today - a couple of good openings happening now in NYC, in Art in New York City.

So tonight I'll try to make an opening of A<a href="http://www.pacewildenstein.com/Exhibitions/ViewExhibition.aspx?title=AlfredJensen%3aTheNumberPaintings&type=Exhbition&guid=fbd7589f-f3b2-45bd-abfc-e7d47f0984b1">lfred Jenson: The Number Paintings </a>at Pace Wildenstein Gallery.Â  Here's a little part of the writeup describing the work in this show: Alfred Jensen:Â  The Number Paintings will be on view at 545 <strong>West 22nd Street, New York from September 29 through October 28, 2006</strong>.Â  The public is invited to attend the opening on Thursday, September 28th from 6 to 8 p.m.
<blockquote>"<strong>Alfred Jensen</strong>:Â  The Number Paintings looks at how the artist used Pythagorean theory, the Mayan Calendar, and other numerical systems as well as Goetheâ€™s color theory in his work.Â  The exhibition consists of 11 paintings and 16 works on paper spanning two decades from 1960 to 1980.Â 

It was in the early 1960s that Jensen read the work of J. Eric Thompson, the pre-eminent scholar of the pre-Columbian Maya Civilization and soon thereafter, Jensen earnestly began to investigate the relationship between numbers and color through his art.Â  In his catalogue essay, William Agee discusses how Jensen pursued this investigation and how his life and art intersected. Agee remarks in his introduction that Donald Judd and Allan Kaprow, then young artists in New York, viewed an exhibition of Jensenâ€™s in 1963 and had the highest praise for it, although for different reasons. â€œIn retrospect,â€ Agee writes, â€œthis seems fitting, for Jensenâ€™s world view was based on the opposing dualities that he saw as the source and substance of life â€“ light and dark, positive and negative, male and female, life and death, among them.â€</blockquote>
I think I'll also attend the opening ofÂ Junko Komatsu, David Harry, Atsumi at <a href="http://www.caelumgallery.com/" target="_new"><font color="#3872ff">Caelum Gallery</font></a>Â W 26 street, 526, Suite 315.Â  The photographs and paintings look pretty good based on what I can see on the Caelum Gallery website.

It looks like a new gallery called MEHR is opening up with a debut exhibition (if I have it right that it's a new gallery) located at 436 West 18th Street, again between 6-8PM.Â 

That's enough for one night.Â  I'll let my readers know what I thought about these openings after I attend them (and anything else that strikes on my way toÂ or after the openings).

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		<title>More than Coffee was Served at Galerie St. Etienne</title>
		<link>http://www.artnewyorkcity.com/2006/09/20/more-than-coffee-was-served-at-galerie-st-etienne/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/20/more-than-coffee-was-served-at-galerie-st-etienne/#comments</comments>
		<pubDate>Wed, 20 Sep 2006 23:32:56 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/20/more-than-coffee-was-served-at-galerie-st-etienne/</guid>
		<description><![CDATA[Had a good time at Galerie St. Etienne last night - great show of older Austrian and German prints and drawings by many well known artists, all about Cafes, Bars and such. I also ran into a old friend Russel Nelson who I had not seen for at least 5 or 6 years, the last [...]]]></description>
			<content:encoded><![CDATA[Had a good time at Galerie St. Etienne last night - great show of older Austrian and German prints and drawings by many well known artists, all about Cafes, Bars and such.

I also ran into a old friend Russel Nelson who I had not seen for at least 5 or 6 years, the last time was at our mutual friend, Lestor Afflick's funeral back in early 2000.

I liked Otto Dix's PUB watercolor and George Grosz's Dr. Benn's Night Cafe which was a photo lithograph.Â  Gustav Klimt's Seated Woman with Hat and Veil and Woman Resting in Armchair, both from the turn of the century were small works, but really fine.Â  I was surprised there was so much good work at Galerie St. Etienne.

<a class="imagelink" title="IMG00382.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00382.JPG"><img id="image201" style="width: 164px; height: 217px" height="217" alt="IMG00382.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00382.JPG" width="164" /></a>Â Â Â  <a class="imagelink" title="IMG00384.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00384.JPG"><img id="image202" style="width: 146px; height: 207px" height="207" alt="IMG00384.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00384.JPG" width="146" /></a>

<a class="imagelink" title="IMG00386.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00386.JPG"><img id="image203" style="width: 305px; height: 204px" height="204" alt="IMG00386.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00386.JPG" width="305" /></a>

<a class="imagelink" title="IMG00383.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00383.JPG"><img id="image204" style="height: 186px" height="186" alt="IMG00383.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00383.JPG" width="148" /></a>

Go to the Galerie St. Etienne to see the rest of the works.

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		<title>Latest Work at Brooklyn Artists Gym</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/latest-work-at-brooklyn-artists-gym/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/latest-work-at-brooklyn-artists-gym/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 02:45:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/17/latest-work-at-brooklyn-artists-gym/</guid>
		<description><![CDATA[I thought I'd bring readers up to date with what I'm doing - painting when I can paint. This is a nude study I did today (I'm not really a portrait painter - or a figure painter and I don't know anatomy well - more of a colorist); I don't think of my work as [...]]]></description>
			<content:encoded><![CDATA[I thought I'd bring readers up to date with what I'm doing - painting when I can paint.
<p align="center"><a class="imagelink" title="IMG00376.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00376.JPG"><img id="image185" style="width: 225px; height: 423px" height="423" alt="IMG00376.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00376.JPG" width="225" /></a></p>
This is a nude study I did today (I'm not really a portrait painter - or a figure painter and I don't know anatomy well - more of a colorist); I don't think of my work as anything other than an expression of me.Â  Having said that - I'm happy that there is a wonderful place like Brooklyn Artists Gym that makes it affordable for people like me to have a large studio space (~4000 square feet) to paint in.Â  It's shared space, but that is not a problem as far as I can see since hardly anyone is there.Â Â 

My photo, taken with a 1.3 Megapixel cell phone camara and cut down to size by Picasa2 loses some of the subtle elements - but as an image - this is a good enough snapshot - I spent about 90 minutes on this painting which is, I think, 20 x 30, but I'm not sure of the exact size.
<p align="center"><a class="imagelink" title="IMG00226.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226.JPG"><img id="image186" style="width: 222px; height: 333px" height="333" alt="IMG00226.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226.JPG" width="222" /></a></p>
I did this window study in Oil Pastel a couple of weeks ago - maybe 3 weeks ago (or it could have been a month ago for all I know).

Â 
<p align="center"><a class="imagelink" title="IMG00380.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00380.JPG"><img id="image187" style="width: 288px; height: 244px" height="244" alt="IMG00380.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00380.JPG" width="288" /></a></p>
And here's the Brooklyn Artist Gym studio space that I paint in ...when I get over there (maybe once or twice a week if I'm lucky).

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		<title>Monkdogz Urban Art &#8211; Bob Hogge and Fellow Artists</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/monkdogz-urban-art-bob-hogge-and-fellow-artists/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/monkdogz-urban-art-bob-hogge-and-fellow-artists/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 01:57:03 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/17/monkdogz-urban-art-bob-hogge-and-fellow-artists/</guid>
		<description><![CDATA[As soon as I walked into Monkdogz the other night, Bob Hogge (in black, below)Â came up and introduced himself (it's his gallery) and offered me a drink.Â  Bob really took the time to talk to me ...how unusual!Â  Being as I like some of the work in his chelsea gallery and the feeling in the [...]]]></description>
			<content:encoded><![CDATA[<p align="left">As soon as I walked into <a href="http://www.monkdogz.com/">Monkdogz</a> the other night, Bob Hogge (in black, below)Â came up and introduced himself (it's his gallery) and offered me a drink.Â  Bob really took the time to talk to me ...<em>how unusual</em>!Â  Being as I like some of the work in <a href="http://www.monkdogz.com/chelseagallery/intro.htm">his chelsea gallery </a>and <em>the feeling in the gallery</em> - I thought I'd write it up in ArtNYC.Â Â </p>

<a href="http://www.miloart.com/Bob_Hogge.aspx">Bob Hogge</a> strikes me as someone who's been in the art world for a while - a search on Bob Hogge brings up a <a href="http://www.robertdhogge.com/page/page/1268575.htm">Robert D. Hogge </a>who invented "Xfusionistic" art - I think that's the same guy, but I'm not 100% sure.

I asked Bob Hogge if it was really true that it takes 2 years to set up a NY Art Show.Â  He said it depends; my gist is it does not take that long to get a show in his gallery if your his kind of artist - someone that is dedicated, is willing to put yourself foward. He sees his gallery and selection process as different than any other gallery...and I believe him.Â  He had some pretty good work on his walls.

I liked an artist calledÂ <a href="http://powerpainter.org/marcusvansoest/gallery"><strong>Marcus Van Soest</strong>Â </a>(he's an artist to watch) who is showing his work currently in the Monkdogz gallery....Bob Hogge told me this artist got on a plane and came right over to the gallery to ask to show his work in Monkdogz because he had read about Monddogz and Hogge for severalÂ  years.Â  Looks like the trip paid off as Marcos is one of Monkdogz collection of artists that are shown in the Chelsea gallery (Monkdogz has an online gallery that anyone can join for free).
<p align="center"><a class="imagelink" title="IMG00350.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00350.JPG"><img id="image181" style="height: 177px" height="177" alt="IMG00350.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00350.JPG" width="221" /></a>Â Â  <a class="imagelink" title="IMG00351.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00351.JPG"><img id="image182" style="width: 139px; height: 181px" height="181" alt="IMG00351.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00351.JPG" width="139" /></a></p>
Van Soest was the most original artist I have seen in Chelsea lately - powerful work.Â  There's a lot of info on him online and you can see <a href="http://powerpainter.org/node/1557">pictures </a>from the opening at Monkdogz Urban Art "Came to Believe" show last week (which I did not know about or I would have come).

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		<title>Gabriel Jones at Priska C. Juschka Fine Art</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/gabriel-jones-at-priska-c-juschka-fine-art/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/gabriel-jones-at-priska-c-juschka-fine-art/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 00:22:06 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<description><![CDATA[Since I'm going to many openings - I always sign the guest book with Marshall Sponder - ArtNewYorkCity.com - sure some people see that and start reading this blog.Â Â  Now, I did find I enjoyed the photos of Gabriel Jones at Priska C. Juschka fine art. With a gallery name like the url for this [...]]]></description>
			<content:encoded><![CDATA[Since I'm going to many openings - I always sign the guest book with Marshall Sponder - ArtNewYorkCity.com - sure some people see that and start reading this blog.Â Â 

Now, I did find I enjoyed the photos of <a href="http://www.priskajuschkafineart.com/exhibitions.php?id=55">Gabriel Jones </a>at Priska C. Juschka fine art. With a gallery name like the url for this site is not too pretty ... <a href="http://www.priskajuschkafineart.com/">www.priskajuschkafineart.com</a> ...why not just say pjfa.com or something like that - hell of a lot easier to remember.Â  Anyway...

It was worth the visit as Jones' work is powerful photography!

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		<title>Chelsea Art Reviews &#8211; Thursday, September 14th, 2006</title>
		<link>http://www.artnewyorkcity.com/2006/09/15/chelsea-art-reviews-thursday-september-14th-2006/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/15/chelsea-art-reviews-thursday-september-14th-2006/#comments</comments>
		<pubDate>Fri, 15 Sep 2006 06:29:41 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art Dealers]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/15/chelsea-art-reviews-thursday-september-14th-2006/</guid>
		<description><![CDATA[I don't have time to write everything I saw tonight down - it was a lot, maybe 8 shows, mostly next to each other or in the same building at Chelsea. Here's the shows I attended tonight ( not it order of when I went) Michael Cheval at Gallery Interart Gallery; I spoke with the [...]]]></description>
			<content:encoded><![CDATA[I don't have time to write everything I saw tonight down - it was a lot, maybe 8 shows, mostly next to each other or in the same building at Chelsea.

Here's the shows I attended tonight ( not it order of when I went)

Michael Cheval at Gallery <a href="http://interartny.com/current.htm">Interart </a>Gallery; I spoke with the artist for a couple of minutes

<center><img src='http://www.artnewyorkcity.com/wp-content/Cheval108S.jpg' alt='' /></center>

Jeff Perrott at <a href="http://www.morganlehmangallery.com/" target="_new"><font color="#3872ff">Morgan Lehman Gallery</font></a>Â 10 avenue, 317, b/w 28 & 29 street - did not relate much to the work.

BAE Bien-U at <a href="http://www.galerie-poller.com/" target="_new"><font color="#3872ff">Gallerie Poller</font></a>Â W 27 street, 547, floor 2, 6-9pm - the photography was guite good - large trees.

The <a href="http://www.aperture.org/">Aperture</a>Â Foundation - Photography of Lola Alverez Bravo with a book signing by independent curator Elizabeth Ferrer.Â  I actually sat in for about 20 minutes and listed to the leacture.

Jade Townsend at <a href="http://www.artnewyorkcity.com/www.priskajuschkafineart.com">Prisika C. Juschka gallery</a>Â - installationsÂ  work.

There were a couple of more shows i went to and there were plenty of people that I ran into going from gallery to gallery and building to building.

Also spoke with Bob Hogge of <a href="http://www.monkdogz.com/">www.Monkdogz.com</a> urban art; he was very nice to me and offered me some coffee or beer as I came in.

Tired, need to go to sleep.

Marshall

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		<title>The Blab! Show &#8211; A Press Release -</title>
		<link>http://www.artnewyorkcity.com/2006/09/13/the-blab-show-a-press-release/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/13/the-blab-show-a-press-release/#comments</comments>
		<pubDate>Wed, 13 Sep 2006 04:21:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/13/the-blab-show-a-press-release/</guid>
		<description><![CDATA[There's some news for people who want to know about the next Blab!Show (I wish they'd have one in NYC - Hint!). THE BLAB! SHOW (and book signing with CAMILLE ROSE GARCIA for her new BLAB! book, "The Magic Bottle") September 23 - October 21, 2006 OPENING RECEPTION: September 23, 8:00-11:30 pm COPRO/NASON GALLERY (at [...]]]></description>
			<content:encoded><![CDATA[There's some news for people who want to know about the next <a href="http://www.blabshow.com/">Blab!Show </a>(I wish they'd have one in NYC - Hint!).

<strong>THE BLAB! SHOW</strong>
(and book signing with CAMILLE ROSE GARCIA for her new BLAB! book, "The Magic Bottle")

September 23 - October 21, 2006
<strong>OPENING RECEPTION: September 23, 8:00-11:30 pm</strong>
<blockquote>COPRO/NASON GALLERY (at Bergamot Station)
2525 Michigan Ave T5, Santa Monica, CA 90404
GALLERY: 310-829-2156
CONTACT: Gary Pressman, Gallery Director
E-MAIL:Â  <a href="mailto:copronason@msn.com">copronason@msn.com</a>
WEBSITE: <a href="http://www.copronason.com/">www.copronason.com</a>
PREVIEW OF ARTWORK: <a href="http://www.blabshow.com/">www.blabshow.com</a></blockquote>
Copro/Nason Gallery presents â€œTHE BLAB! SHOW,â€ the second Group Art Exhibition featuring NEW work from the latest issue of BLAB! magazine (#17)â€”the leading anthology of illustration, found graphics, and sequential art.
<blockquote>Artists represented include: SHAG, GARY BASEMAN, TIM BISKUP, FRED STONEHOUSE, MARK TODD, ESTHER PEARL WATSON, LOU BROOKS, GREG CLARKE, AMY CREHORE, DREW FRIEDMAN, RYAN HESHKA, WALTER MINUS, CALEF BROWN, JOHN POUND, JONATHON ROSEN, SERGIO RUZZIER, and MANY MORE.</blockquote>
Guests include: CAMILLE ROSE GARCIA, SHAG, GARY BASEMAN, TIM BISKUP, <strong>AMY CREHORE,</strong> ESTHER PEARL WATSON, MARK TODD, CALEF BROWN, GREG CLARKE, and MONTE BEAUCHAMP.

BLAB! is the brainchild of Chicagoan <strong>Monte Beauchamp</strong>, whose work has been reviewed in: FLAUNT, VANITY FAIR, THE BELIEVER, GRAPHIS, PRINT, COMMUNICATION ARTS, AMERICAN ILLUSTRATION, and THE SOCIETY OF ILLUSTRATORS. He has received numerous design awards, including five New York Festival Awards for Excellence in Print and Television Communications. His books include: STRIKING IMAGES: Vintage Matchbook Cover Art (Chronicle), THE DEVIL IN DESIGN (Fantagraphics), THE LIFE & TIMES OF R. CRUMB (St. Martins Press), and NEW & USED BLAB! (Chronicle). He is the editor and designer of BLAB! Picto-Novelettes â€” an experimental series of illustrated storybooks published by Fantagraphics.

======================================================

I hope anyone that lives in Southern California and reads ArtNYCÂ blog attends the Blab! Show.Â  It's worth it.Â  Were I in Santa Monica I would go to it myself.

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		<title>Arnaud De Gramont&#8217;s Light Show at the Luxe Gallery</title>
		<link>http://www.artnewyorkcity.com/2006/09/11/arnaud-de-gramonts-light-show-at-the-luxe-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/11/arnaud-de-gramonts-light-show-at-the-luxe-gallery/#comments</comments>
		<pubDate>Mon, 11 Sep 2006 01:28:52 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Arnaud de Gramont]]></category>
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		<category><![CDATA[Luxe Gallery]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/11/arnaud-de-gramonts-light-show-at-the-luxe-gallery/</guid>
		<description><![CDATA[I'll probably attend this show which looks pretty interesting. Arnaud De Gramont, Light Show Luxe Gallery Midtown 24 West 57th Street, #505 212-582-4425 September 12 - October 7, 2006 Opening: Tuesday, September 12, 6:00PM - 8:00PM Web Site I'm not sure this photo relates to what Arnaud De Gramont is showing - but I'll attend [...]]]></description>
			<content:encoded><![CDATA[I'll probably attend this show which looks <em>pretty interesting</em>.
<blockquote>Arnaud De Gramont, Light Show
Luxe Gallery
Midtown
24 West 57th Street, #505
212-582-4425
September 12 - October 7, 2006
Opening: Tuesday, September 12, 6:00PM - 8:00PM
<a href="http://www.luxegallery.net/index2.asp">Web Site</a>
<a class="imagelink" title="ace_of_diamonds.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/ace_of_diamonds.jpg"><img id="image165" style="width: 247px; height: 245px" height="245" alt="ace_of_diamonds.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/ace_of_diamonds.jpg" width="247" /></a>
I'm not sure this photo relates to what Arnaud De Gramont is showing - but I'll attend anyway.</blockquote>

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		<title>Kids. Art. REAL Art &#8211; Brooklyn Artists Gym Kids Art Classes</title>
		<link>http://www.artnewyorkcity.com/2006/09/09/kids-art-real-art-brooklyn-artists-gym-kids-art-classes/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/09/kids-art-real-art-brooklyn-artists-gym-kids-art-classes/#comments</comments>
		<pubDate>Sat, 09 Sep 2006 06:18:29 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Children's Art]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/09/kids-art-real-art-brooklyn-artists-gym-kids-art-classes/</guid>
		<description><![CDATA[The real surprise tonight was the quality of the kids' art that was shown in the hall of Brooklyn Artists Gym.Â  Before I go into the children's art - just want to put something out for discussion.Â Â  Why is it that children have the freedom and vitality in their work that we, as adults, strive [...]]]></description>
			<content:encoded><![CDATA[The real surprise tonight was the quality of the kids' art that was shown in the hall of Brooklyn Artists Gym.Â  Before I go into the children's art - just want to put something out for discussion.Â Â 

Why is it that children have the freedom and vitality in their work that we, as adults, strive so hard to achieve?Â Â  I think it's the paradox, the first will be last and the last will be first.Â 

The best art tonight wasÂ  in the hallway - it was the children's art.Â  Will any of these budding artists mature into a professional artist?Â  Only time will tell.
<p align="center"><a class="imagelink" title="IMG00307.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00307.JPG"><img id="image150" height="96" alt="IMG00307.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00307.JPG" /></a>Â Â  <a class="imagelink" title="IMG00308.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00308.JPG"><img id="image151" height="96" alt="IMG00308.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00308.JPG" /></a>Â Â  <a class="imagelink" title="IMG00304.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00304.JPG"><img id="image149" height="96" alt="IMG00304.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00304.JPG" /></a>Â Â  <a class="imagelink" title="IMG00303.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00303.JPG"><img id="image148" height="96" alt="IMG00303.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00303.JPG" /></a></p>
Â 
<p align="center"><a class="imagelink" title="IMG00310.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00310.JPG"><img id="image154" style="width: 210px; height: 292px" height="292" alt="IMG00310.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00310.JPG" width="210" /></a></p>
<p align="left">Â </p>
<p align="left">You can find out more about enrolling your kid in the fall session that starts on September 26th by calling 718-858-9069 (if you live nearby, that is).Â Â </p>
<p align="left">My interest was in how vital these works by young artists, mostly between 7 and 10 years of age, are.Â  I hope these kids are able to keep that vitality and freshness as they grow older.Â Â  It just shows me, that in many ways, our children are our teachers.</p>

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		<title>Brooklyn Artists Gym Small Works Show</title>
		<link>http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/#comments</comments>
		<pubDate>Sat, 09 Sep 2006 05:57:22 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Brooklyn Artists Gym]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/</guid>
		<description><![CDATA[I rent studio space at BAGÂ and hoped to put one of my small, older paintings in this show - did not get a chance to submit in time but I did attend the show's opening tonight and it was packed. Â Â Â Â  There were 50 artists in the show which is up for a week - [...]]]></description>
			<content:encoded><![CDATA[I rent studio space at <a href="http://www.brooklynartistsgym.com/">BAG</a>Â and hoped to put one of my small, older paintings in this show - did not get a chance to submit in time but I did attend the show's opening tonight and it was packed.
<p align="center"><a class="imagelink" title="IMG00288.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00288.JPG"><img id="image139" height="96" alt="IMG00288.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00288.JPG" /></a>Â Â Â Â  <a class="imagelink" title="IMG00311.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00311.JPG"><img id="image140" height="96" alt="IMG00311.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00311.JPG" /></a></p>
<p align="left">There were 50 artists in the show which is up for a week - here's two pictures (as in day and night) one indoors and the other, outside the converted warehouse that BrooklynArtistsGym.com is located in, on the 3rd floor.Â  By the way, it's a Full Moon tonight (howl) and there was a lot of light out - but not enough to make my photos come out - I had to up the color and light saturation to see anything on the second picture.</p>
<p align="left">Here's the artists that I liked the most in this show:</p>
<p align="left">Sex Series I and II by Arthur L.Frick III (it's the artist after having sex with his girlfriend)</p>
<p align="center"><a class="imagelink" title="IMG00296.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00296.JPG"><img id="image143" style="height: 101px" height="101" alt="IMG00296.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00296.JPG" width="122" /></a>Â  <a class="imagelink" title="IMG00295.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00295.JPG"><img id="image144" height="96" alt="IMG00295.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00295.JPG" /></a></p>
<p align="left">Gowanus or Third Avenue (not sure which) by Amanda Kavanagh.Â  BAG is within a couple of blocks of the Gowanus (river/inlet) and right off Third Avenue in Brooklyn, so the pictures are of scenes right next door.</p>
<p align="center"><a class="imagelink" title="IMG00301.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00301.JPG"><img id="image147" style="width: 192px; height: 161px" height="161" alt="IMG00301.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00301.JPG" width="192" /></a></p>
<p align="left">Pacific Subscape by Lisa Lebofsky had a very nice realistic yet abstract quality and I would have liked to speak with Lisa, but could not identify her (or maybe she was not present).</p>
<p align="center"><a class="imagelink" title="IMG00297.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00297.JPG"><img id="image145" style="width: 211px; height: 157px" height="157" alt="IMG00297.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00297.JPG" width="211" /></a></p>
<p align="left">Â </p>
<p align="left">The overall quality of the work was good - did not see anything that was "brakeout" quality but I have a pretty good eye for art.</p>
<p align="left">In my next post I will cover the surprise of the evening!</p>

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		<title>Joe Coleman&#8217;s Art Opening at the Tilton Gallery</title>
		<link>http://www.artnewyorkcity.com/2006/09/08/joe-colemans-art-opening-at-the-tilton-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/08/joe-colemans-art-opening-at-the-tilton-gallery/#comments</comments>
		<pubDate>Fri, 08 Sep 2006 05:47:34 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Joe Coleman]]></category>
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		<category><![CDATA[Tilton Gallery]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/08/joe-colemans-art-opening-at-the-tilton-gallery/</guid>
		<description><![CDATA[One of the fanciest art openings I have attended, one that Amy Crehore suggested I attend (and who I dragged my son to), Joe Coleman's opening at the Tilton Gallery - was more of a "Star" event than an art opening.Â  In fact, the Tilton Gallery seems to be more of a Joe Coleman Museum [...]]]></description>
			<content:encoded><![CDATA[One of the fanciest art openings I have attended, one that <a href="http://www.amycrehore.com/">Amy Crehore </a>suggested I attend (and who I dragged my son to), <a href="http://www.nytimes.com/2006/09/03/arts/design/03stra.html?_r=1&ref=arts&oref=slogin">Joe Coleman's opening at the Tilton Gallery </a>- was more of a "Star" event than an art opening.Â  In fact, the Tilton Gallery seems to be more of a Joe Coleman Museum - shown in darkened rooms with each painting highlighted so it seemed to pop out of the wall.Â  Nothing was left to chance for this opening - and it was well attended!
<p align="center"><a class="imagelink" title="IMG00267.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00267.JPG"><img id="image134" style="height: 230px" height="230" alt="IMG00267.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00267.JPG" width="279" /></a></p>
<p align="center">In the Realms of the Unreal (Henry Darger), 1998Â  Acrylic and Mixed Media on panel, 24 5/16" x 30 5/15"</p>
<p align="left">I took pictures, or had Adam take pictures for me, but the room was so dark, nothing much came out.Â  It was clear that Joe Coleman has "arrived" - and no doubt will be collected by every major museum - if he hasn't already been.Â Â  Before I talk about Joe</p>
<p align="left">Coleman's work (I also wrote about Joe Coleman a couple of days ago in <a title="Permanent Link to Joe Coleman Gets a Retrospective at the Tilton Gallery in Manhattan" href="http://www.artnewyorkcity.com/2006/09/03/joe-coleman-gets-a-retrospective-at-the-tilton-gallery-in-manhattan/" rel="bookmark">Joe Coleman Gets a Retrospective at the Tilton Gallery in Manhattan</a>), here's a couple more pictures.</p>
<p align="center"><a class="imagelink" title="IMG00274.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG"><img id="image135" height="96" alt="IMG00274.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG" /></a>Â Â Â  <a class="imagelink" title="IMG00273.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00273.JPG"><img id="image136" height="96" alt="IMG00273.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00273.JPG" /></a></p>
<p align="left">I had my son take a picture of me against a couple of Coleman's paintings that were suggestive of themes I can relate to like The Dream of Sigmund Freud (1993) and the Victory of Hell (1995) (above right photo); I believe that's also the painting I am standing in next to, but it's not that clear in the photo.</p>
<p align="left">I also spotted <a href="http://clickz.com/showPage.html?page=clickz_contact&id=3622545&story=3623349">Rebecca Lieb </a>of ClickZ at Joe Coleman's opening but did not get to speak to her - <em>writing for ClickZ is by invitation only</em> ....and I did not get my invite <em>(yet).</em>Â  I run into Rebecca at various Search Engine Strategies and also at the first Online Video Conference last June (where I also recorded a Podcast - for anyone who cares to listen - <a href="http://www.zoom-in.com/blog/2006/07/marshall_sponder_on_web_metric.php">it's here </a>- you need iTunes to listen to it though). Maybe everyone can send Rebecca Lieb a note and tell her they'd read ClickZ if I wrote a column on Web Metrics for them...oh well, it's ok to imagine.</p>
<p align="left">Getting back to Joe Coleman's opening - there were a lot of interesting people - the type of people that you might not see at an upper east side exclusive art gala opening...biker types, people with a lot of tattoos, a lot of attractive woman (that's normal) in low cut dresses (maybe that's normal too)!</p>
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<p align="left">The paintings were ....... like a cross between comic books and Van Eyck paintings - every bit of every painting had detail, upon detail, upon detail ...almost like a fractal - that expanded onto itself.Â Â </p>
<p align="left">Composition ....that takes care of itself - Coleman is painting a Mandala - it's the same Mandala but the subjects change.Â  I found the Dream of Sigmund Freud, for example, very successful in doing something I'm trying to do - segmenting life into the various syndromes that Freud wrote about and, to some extent, invented the vocabulary for.</p>
<p align="left">Then there's paintings where the artist is painting himself, or himself and his wife, such as "Love Song, (1999). I understand that Joe Coleman got married in 2000, maybe the Love Song is part of the courtship...just guessing here.Â  Almost every painting has a lot of sex - let's face it - we all think that way ..... Coleman paints it - in grueling detail a morphs it into a morbid dance - but one you can't stop looking at....and that's the Art of it...you can't stop looking at them.Â Â  In fact, if you were to stop and really look at a Joe Coleman painting - it would take you hours to read ever little bit of text and image on any one painting - and since he spends a year working on one (he does several at one time - but it takes about a year to complete each one from start to finish) a couple of hours is not too much to ask.</p>
<p align="left">In another painting, "I am Joe's Fear of Disease", painted in 2001, Coleman sticks his hospital admission pass to Brooklyn Medical Center and the IV he was given fluids with onto the frame of the painting.</p>
<p align="left">The basis - the need to illustrate every significant thought, idea, event, feeling that's connected with the subject - and stick them all onto one painting - is not a new idea.Â  When you get close to Joe Coleman's work - it seems a combination of illustration and painting - the color pops out (the more so against darkened walls in a darkened room) and every part of the painting is executed in exacting detail.</p>
<p align="left">There's no question that Joe Coleman is a great artist; who will be well collected.Â  I think, if I were ever to interview Joe Coleman, I'd try to find out what makes him tick.....what is he trying to say....</p>
<p align="left">Another amusing detail ...in Public Enemy Number One (John Dillinger), painted in 1999, Dillinger's dick is painted, cut off, at the bottom of the painting - Coleman writes that Dilllinger's dick was collected, as was the rest of his disected body....by collectors.Â Â  I enjoyed seeing Joe Coleman's sense of humor - perverted, not doubt, but what's not perverted?Â  Maybe that's the whole of point of this.Â  Some people were looking at the images and writings on the paintings and taking them literally - and those people might be offended.</p>
<p align="left">But I was not offended, I had fun looking and reading what was on each painting - and if were not for the crowd and my son Adam, tugging at me, I'd have spent a bit more time at Tilton Gallery looking at Joe Coleman's paintings.</p>
<a class="imagelink" title="IMG00274.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG" />

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		<title>Saatchi&#8217;s first reader-curated contemporary art show!</title>
		<link>http://www.artnewyorkcity.com/2006/09/07/saatchis-first-reader-curated-contemporary-art-show/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/07/saatchis-first-reader-curated-contemporary-art-show/#comments</comments>
		<pubDate>Thu, 07 Sep 2006 05:16:40 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<description><![CDATA[This may be a first! Charles Saatchi's online gallery (I wrote about it over a month ago on ArtNYC) and the Guardian newspaper are joining forces to: "...create the first reader-curated contemporary art show, featuring emerging new talent from across the globe. Your Gallery at The Guardian will take place from 24-28 October in the [...]]]></description>
			<content:encoded><![CDATA[This may be a first! Charles Saatchi's online gallery (I wrote about it over a month ago on ArtNYC) and the Guardian newspaper are joining forces to:
<blockquote>"...<strong>create the first reader-curated contemporary art show</strong>, featuring emerging new talent from across the globe. Your Gallery at The Guardian will take place from 24-28 October in the Guardian Newsroom."

"...by curating an exhibition where they choose the content. Readers can vote for their favourite work from a selection of 30 contemporary artists nominated by our judging panel. Ten will be chosen for exhibit in October."</blockquote>
Maybe that's the only glitch - how aboutÂ the top artists at Your GalleryÂ be chosen by highest number of pageviews and then were voted upon by readers - that would be much more interesting!Â  <a href="http://arts.guardian.co.uk/yourgallery/">Here's the page </a>at the Guardian where the first reader-curated contemporary art show information is posted.
<blockquote>"<font face="Arial" size="2">The Guardian and the Saatchi gallery's Your Gallery project are joining forces to create a unique contemporary art show, featuring exciting new talent from across the globe - <strong>and we want you to curate it.</strong></font><font face="Arial" size="2">We've selected a shortlist of 30 people from the thousands on display on the <a href="http://www.saatchi-gallery.co.uk/yourgallery/"><font face="Arial" color="#333399" size="2">Your Gallery</font></a></font><font face="Arial" size="2"> website. </font>

We want you to choose your <strong>three favourite artists</strong>: the 10 most popular will feature in a special show being held at the Guardian's Newsroom exhibition space on October 24-28 2006.

Here's how:

<strong>Â·</strong> <strong>Preview the shortlisted works</strong> in our <a href="http://arts.guardian.co.uk/flash/page/0,,1864683,00.html"><font color="#333399">online slideshow</font></a>

<strong>Â·</strong> <strong>Find out more</strong> about each artist by looking at the <a href="http://arts.guardian.co.uk/yourgallery/artists/"><font color="#333399">profiles page</font></a>

<strong>Â·</strong> <a href="http://arts.guardian.co.uk/competition/0,,-908,00.html"><font color="#333399">Place your vote</font></a> and be in with a chance of <strong>winning tickets</strong> to an exclusive preview of the show on October 23 2006"</blockquote>
I looked at the slide show of the thirty artists - no one I know - I hoped to find a friend in the lineup.Â 

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		<title>Lincoln Center and Brooklyn Artists Gym over the weekend</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/lincoln-center-and-brooklyn-artists-gym-over-the-weekend/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/lincoln-center-and-brooklyn-artists-gym-over-the-weekend/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 07:35:51 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
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		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Lincoln Center]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/lincoln-center-and-brooklyn-artists-gym-over-the-weekend/</guid>
		<description><![CDATA[I spent part of Labor Day going over to Lincoln Center and Brooklyn Artists Gym - where I paint, when I get a chance to go over to the studio; I had my son Adam with me and he helped me Gesso some canvasses.Â Â Â  Here's some photos I took over the weekend. Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  1 Â Â Â Â Â  [...]]]></description>
			<content:encoded><![CDATA[<a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /><a class="imagelink" title="IMG00221-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG" /><a class="imagelink" title="IMG00226-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG" />I spent part of Labor Day going over to Lincoln Center and Brooklyn Artists Gym - where I paint, when I get a chance to go over to the studio; I had my son Adam with me and he helped me Gesso some canvasses.Â Â Â  Here's some photos I took over the weekend.
<p align="center"><a class="imagelink" title="IMG00174.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00174.JPG"><img id="image127" style="height: 181px" height="181" alt="IMG00174.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00174.JPG" width="261" /></a></p>
Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  1

<a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /><a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" />
<p align="center"><a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG"><img id="image128" height="96" alt="IMG00211.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /></a>Â Â Â Â Â </p>
<p align="center">2</p>
<p align="center">Â <a class="imagelink" title="IMG00219.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00219.JPG"><img id="image131" height="96" alt="IMG00219.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00219.JPG" /></a>Â Â Â </p>
<p align="center">3</p>
<p align="center">Â <a class="imagelink" title="IMG00221-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG"><img id="image129" height="96" alt="IMG00221-1.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG" /></a>Â Â </p>
<p align="center">4</p>
<p align="center">Â <a class="imagelink" title="IMG00226-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG"><img id="image130" style="width: 83px; height: 134px" height="134" alt="IMG00226-1.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG" width="83" /></a>Â Â Â </p>
Â Â Â Â Â Â Â Â 

Took picture 1 at Lincoln Center - a work of art whose name or artistÂ I could not find.

Pictures 2 and 3 my son Adam took.Â  I was particularly struck by picture 2.

Pictures 4 and 5 are my last two Oil Pastels; did #4 yesterday and #5 more than 2 weeks ago.

Click on each thumbnail to enlarge the picture.

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		<title>The Accidental Masterpiece by Michael Kimmelman</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Everyday Scenes, Painted Every Day</title>
		<link>http://www.artnewyorkcity.com/2008/10/05/yet-more-thoughts-about-painting-when-its-hard-to-paint/</link>
		<comments>http://www.artnewyorkcity.com/2008/10/05/yet-more-thoughts-about-painting-when-its-hard-to-paint/#comments</comments>
		<pubDate>Sun, 05 Oct 2008 05:23:12 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/?p=1187</guid>
		<description><![CDATA[Buy Imitrex Without Prescription, One of my friends and I talked about Art this afternoon, and the issues surrounding being an artist and she encouraged me to write the gist of our conversation down, because it reminded her of exactly the issues she's going though being an artist but not making a living at it. [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imitrex Without Prescription</b>, One of my friends and I talked about Art this afternoon, and the issues surrounding being an artist and she encouraged me to write the gist of our conversation down, because it reminded her of exactly the issues she's going though being an artist but not making a living at it.</p>
<p>It reminds me that quite often lately, <b>Next day Imitrex</b>, friends have responded to my thoughts about Social Media and Art, as well, and it seems to me when people, <b>real brand Imitrex online</b>, independent of one another are saying similar things there is probably some truth in it.  <b>Buying Imitrex online over the counter</b>, For example, my friend Valeria mentioned this post from my Webmetricsguru.com blog that was republished in Social Media Today - <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50232">Social Media Measurement of Attention / Engagement - some more thoughts about it</a> as a post that she wish she had written herself.   Others responded to a slightly earlier post on <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50132">Making a Case for Social Media - are we doing a poor job of Marketing Social Media?</a> and my friend Jared Freedman thought <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50175">my Formula for Virtual Friending - what’s a virtual connection worth. Some ideas - a start, <b>Imitrex prices</b>, at least</a> had some inspiring information - even if the formulae, <b>Purchase Imitrex</b>, he thought, was too complicated.</p>
<p>So, <b>Imitrex trusted pharmacy reviews</b>, with those examples in mind, <b>Imitrex in australia</b>, when my friend Janice, asked me to write down this information, which I normally would not - I figured...., <b>buy cheap Imitrex</b>. why not, <b>Buy Imitrex Without Prescription</b>.</p>
<p>Recently I've been in a dilemma about painting and my own work - I started painting again, <b>Where can i order Imitrex without prescription</b>, after stopping for a long time, a few years ago after going though a difficult time (I won't go into what spurred my decision); I felt I had to paint just to keep myself from exploding.</p>
<p>After a while, <b>Imitrex craiglist</b>, though, <b>Where can i buy Imitrex online</b>, I noticed I was stuck again, that I was unwilling to really experiment that much with new materials and techniques, that I often went to paint being unprepared, <b>purchase Imitrex online</b>, having no real problem or show, <b>Imitrex for sale</b>, or anything to work on - just a feeling that I'm paying for a studio space, I ought to go.   When I got to the studio space, I often struggled to get anything going and often enjoyed talking to artists as much, <b>Imitrex overseas</b>, and sometimes, <b>Buy Imitrex online no prescription</b>, more than actually painting.</p>
<p>Painting itself, was an uneven affair, <b>Imitrex discount</b>, inspiration is often hit or miss - and I noticed that I got bored quickly.  When I began painting again, <b>Buy cheap Imitrex</b>, I worked much quicker, but I still felt stuck with my concept and often had a hard time with creating work that might be inconvenient for me (setting up <a class="zem_slink" title="Oil painting" rel="wikipedia" href="http://en.wikipedia.org/wiki/Oil_painting">oil paints</a> and cleaning them up, buying, <b>cod online Imitrex</b>, stretching and storing canvas, <b>Imitrex in japan</b>, was just the beginning.</p>
<p>Also, while at an opening tonight at Brooklyn Artists Gym, <b>buy Imitrex from mexico</b>, the show was not well hung and lacked any real curator, <b>Online buying Imitrex hcl</b>, and hardly anything really attracted me that I wanted to look at it - I chalked that up to my belief that work needs to speak to you first - just because an artist puts something out on a wall in fount of us does not oblige me to have to look at it.  There's so much competing for our attention now, especially now (in fact, I deal with that in the post on <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50232">Social Media Measurement of Attention / Engagement - some more thoughts about it</a> - we have only 100%, <b>order Imitrex from United States pharmacy</b>, not more than that, <b>Buy Imitrex no prescription</b>, and with everything hitting at us, competition for our attention -we need to hold back and just engage with what draws us to it - and there wasn't anything on the walls that spoke to me - so I made no real attempt to look at it closely.  <b>Buy Imitrex Without Prescription</b>, Look, as an artist - I don't think the world owes us anything - just because you do work does not mean anyone has to look at it - if anyone does look at work, likes, it loves it, its because it speaks to them, means something - otherwise, why bother.</p>
<p>I also saw that when I had my work in shows as recent as this spring (<a class="etitle" href="http://www.new.facebook.com/event.php?eid=15365066890">Art Opening in Williamsburg at Heart and Soul  Pilates</a>)</p>
<p><a href="http://www.new.facebook.com/event.php?eid=15365066890"><img src="http://profile.ak.facebook.com/object3/1916/31/s15365066890_3675.jpg" alt="" /></a> <img id="myphoto" src="http://photos-d.ak.facebook.com/photos-ak-sf2p/v240/200/0/500062770/n500062770_483459_2667.jpg" alt="" /></p>
<p>- I had no control over how my paintings were displayed, <b>Imitrex in us</b>, the lady put my Rejection painting, <b>Imitrex in uk</b>, the landscape one, above, in a dark corner of her gallery, <b>buy Imitrex online no prescription</b>, even as I was assured by her this would not happen - in the two shows I was part of this year, <b>Real brand Imitrex online</b>, my work looked invisible with the dozens of other paintings they were displayed with.</p>
<p>Object placement and lighting, so important for physical objects, <b>Imitrex tablets</b>, which is what paintings are, <b>Ordering Imitrex online</b>, was not my friend, nor were curators - and I got discouraged, as I did, <b>purchase Imitrex online no prescription</b>, many years back when I also tried to paint - but lost my way.  <b>Where can i buy cheapest Imitrex online</b>, And I found it again, a few years back, only to find that, <b>next day Imitrex</b>, having realized my own strength as an artist - that it was not the primary thing that marked my life - that I wasn't really going to make my living as an artist, <b>Buy Imitrex without prescription</b>, nor did I want to, and my work really was not meant for any kind of wide distribution - and, in fact, <b>Imitrex san diego</b>, I had more control over how many people saw my paintings, <b>Free Imitrex samples</b>, as a <a class="zem_slink" title="Blog" rel="wikipedia" href="http://en.wikipedia.org/wiki/Blog">blogger</a> with a few blogs in subjects where I've been seen as an influential, that if I wanted to get my work out and seen - I had the means and knowledge to do it myself.</p>
<p>And then when I showed my works this spring, <b>Imitrex gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, I had to frame them (which cost several hundred dollars) and drag them over to gallery spaces to they'd be shown, <b>Imitrex in usa</b>, just to go back in a few weeks/months and pick them up again.   I had no hope they'd sell, I had no real desire to sell them either - and yet I didn't have a place to hang them, and they sit in my studio bin, <b>buy cheap Imitrex no rx</b>, at Brooklyn Artists Gym, <b>Order Imitrex from mexican pharmacy</b>, where I briefly looked at them, again, today, <b>Imitrex in mexico</b>.</p>
<p>So, I was telling Janice that it's a lot of work to be an artist and at the end of the day, no one really wants the stuff - on one really cares - and that an artist needs a following - people who love the work - people who want to collect it - and people who paint and really succeed at it, like my friend Amy Crehore, feel they have to do it - there is no other way for them, <b>Buy Imitrex Without Prescription</b>.</p>
<p>But I don't feel that way about my work, <b>Order Imitrex no prescription</b>,   I don't "have" to do it, and Janice said she felt the same way about her work  - she's a vision therapist and paints on weekends - but realizes she doesn't have the time to really do that much.     But in my case, I could have done more than I did - except I'd rather go to Art Openings, <b>order Imitrex online c.o.d</b>, meet people, <b>Fast shipping Imitrex</b>, over actually locking my self up in a corner and painting.</p>
<p>And I came to terms with that - being a <a class="zem_slink" title="Painting" rel="wikipedia" href="http://en.wikipedia.org/wiki/Painting">painter</a>, and to some extent, <b>Imitrex price, coupon</b>, a <a class="zem_slink" title="Writer" rel="wikipedia" href="http://en.wikipedia.org/wiki/Writer">writer</a>, <b>Buying Imitrex online over the counter</b>, is usually a solitary persuit - you need to do it, more often than not - with your self - away from others - even while in a crowd- a certain solitude is needed - it's almost a requirement that you must, as an artist, <b>buy Imitrex from canada</b>, be alone with yourself, <b>Imitrex for sale</b>, and like it.</p>
<p>But I don't like it - I don't like being alone with myself - and yet, there are times I did enjoy it - but it was often only after I worked though my resistances, <b>Imitrex from international pharmacy</b>.</p>
<p>When the spring began, <b>Imitrex in canada</b>, and I took the steps to invest in my own work by framing some pieces, I felt the burden of not knowing where I would I would store them, and often, <b>Imitrex from canadian pharmacy</b>, I'd go to the studio and feel no enthusiasm - and yet, <b>Where can i buy Imitrex online</b>, I still did some good work I'm proud of.   But when the summer came, I just took time out and decided I'd sketch, but not paint.   I work full time as a Web Analyst, <b>Imitrex in india</b>, do a lot of freelance <a class="zem_slink" title="Web analytics" rel="wikipedia" href="http://en.wikipedia.org/wiki/Web_analytics">web analytics</a> and <a class="zem_slink" title="Search engine optimization" rel="wikipedia" href="http://en.wikipedia.org/wiki/Search_engine_optimization">SEO</a> work when it's available, <b>Buy generic Imitrex</b>, , blog, go to openings, <b>Imitrex prices</b>, tweetups, <b>Online buy Imitrex without a prescription</b>, several events in NYC and travel to conferences, and now, started a blog network, <b>where to buy Imitrex</b>, blogspeedway.com, <b>Delivered overnight Imitrex</b>, but going to the studio felt like just "one more job" and I had enough.  <b>Buy Imitrex Without Prescription</b>, And then, I tried to answer a bunch of questions ... why?  Why am I in this?  Why am I painting?  Who is this really for?  Does anyone really want it.</p>
<p>I doubted myself and my own commitment to Art, <b>buy Imitrex without a prescription</b>.</p>
<p>But, <b>Imitrex to buy online</b>, as I told this to Janice, she said that she has a lot of the same thoughts as I do, <strong>and that many artists aren't really talking about it and there is no real place to go, <b>Imitrex overseas</b>, no support really, <b>Purchase Imitrex online</b>, for artists.</strong></p>
<p>Nor did I really want to talk about it - either - but it seems like it's something that does need to be talked about.</p>
<p>It's really hard to be an artist - no one really wants your work, 99% of the time, <b>rx free Imitrex</b>, you have to finance the activity yourself, <b>Where can i order Imitrex without prescription</b>, and art, unlike a trade or profession, is not really considered integral to anything.  Sure, <b>where can i find Imitrex online</b>, we have artists, <b>Imitrex medication</b>, museums, foundations, but art, particularly painting (which has lost it's relevance over cinema and music, which are much easier for people to consume, is more of an appendage of society - something we feel guilty about - like we should have it - but hardly anyone really needs it and it's hard to evaluate - the quality issue is entirely subjective.</p>
<p>So, in going for Art, as a career, or a calling, it seems those who do and succeed are those who failed, over and over, but never gave up - and cultivated the right friends, eventually forming a following, <b>Buy Imitrex Without Prescription</b>.</p>
<p>I believe in order to succeed, you need a following - collectors (that's an art dealers job, and often a thankless task - but till you get to the point where you can hire someone to promote your work for you, you have to finance and do it yourself, along with housing it and paying taxes on it - often a thankless task.</p>
<p>And if you just do it because it gives you pleasure, your dismissed as a "dabbler" or weekend artist.</p>
<p>I wish there was  place where artists could talk about all of this stuff - but there doesn't seem to be - we're all orphaned - and that let me to ask myself what role Art had in my life.</p>
<p>What I came up with was that I had nothing really to prove to anyone but myself, and Art, for me, was a package that framed my other activities (web analytics, search, blogging and writing art critic, socializing, etc) and it didn't need to do anything else but that - how successful I was as an artist really didn't matter - all that mattered was I had a gift and I was sharing it the best way I knew how, and my passionate feelings, when channelled into Art managed to balance me out somewhat, making me a better web analyst, blogger, writer, critic, whatever..... you fill the rest in - that's what Art's role was for me, in this life.</p>
<p>And I accepted it.</p>
<p>There, as my friend suggested, I wrote it all down, as best as I could remember it - I think I got most of what I wanted to say down here, on this blog.</p>
<p>Only now, I don't know what the next step is for me ....<em> what do I do now?</em><br />
<div class="zemanta-pixie" style="margin-top: 10px; height: 15px;"><a class="zemanta-pixie-a" title="Zemified by Zemanta" href="http://reblog.zemanta.com/zemified/8b7ff2aa-ad8c-493a-b89b-b66930618765/"><img class="zemanta-pixie-img" style="border: medium none; float: right;" src="http://img.zemanta.com/reblog_e.png?x-id=8b7ff2aa-ad8c-493a-b89b-b66930618765" alt="Reblog this post [with Zemanta]" /></a></div>.</p>
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		<pubDate>Sat, 06 Dec 2008 18:17:58 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
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		<description><![CDATA[Buy Iressa Without Prescription, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in New York City than ..... www.NYC-ARTS.org and www.NYCkidsARTS.org, Iressa in us. Buy Iressa online without prescription, I took a look at NYC-Arts.org and it looks [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Iressa Without Prescription</b>, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in <a class="zem_slink" title="New York City" rel="geolocation" href="http://maps.google.com/maps?ll=40.7166666667,-74.0&amp;spn=0.1,0.1&amp;q=40.7166666667,-74.0%20%28New%20York%20City%29&amp;t=h">New York City</a> than ..... <a href="http://www.NYC-ARTS.org">www.NYC-ARTS.org</a> and <a href="http://www.NYCkidsARTS.org">www.NYCkidsARTS.org</a>, <b>Iressa in us</b>.  <b>Buy Iressa online without prescription</b>, I took a look at NYC-Arts.org and it looks good!  Now, I do think they need to add a <a class="zem_slink" title="Social network service" rel="wikipedia" href="http://en.wikipedia.org/wiki/Social_network_service">Social Networking</a> aspect to the site, <b>Iressa craiglist</b>, <b>Iressa price, coupon</b>, and I will speak to Joe Harrell, the Director of Marketing for the Alliance of the Arts, <b>Iressa paypal</b>, <b>Iressa gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, here in New York, about that, <b>sale Iressa</b>.  <b>Iressa in canada</b>, But the sites, as they look now, <b>Iressa from canadian pharmacy</b>, <b>Iressa discount</b>, are first class - they look good.  In fact, what I'd do, <b>delivered overnight Iressa</b>, <b>Buy cheap Iressa no rx</b>, if I ran those sites, is add the content from Artcards.cc and also have artists, <b>cod online Iressa</b>, <b>Online buying Iressa hcl</b>, like me, go out and cover shows and post them to an accompying blog - that feeds into the NYC-Arts.org site - that would generate a lot more content, <b>order Iressa no prescription</b>.  <b>Iressa prices</b>, Not sure what to say about the kids site - I have a son, but he's almost 16 years old - and I think a kids site has a different demographic than me - (unless I'm trying to reach out to kids and their parents - in which case, <b>where can i order Iressa without prescription</b>, <b>Buy generic Iressa</b>, maybe it's relevent).  At any rate - these are Art Sites about our community - here in New York City - and they ougth to be supported.</p>
<p>Here's the information about NYC-ARTS.org and NYCkidsARTS.org from recent press release:</p>
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<p align="right">FOR IMMEDIATE RELEASE</p><br />
<p align="center"><strong>Alliance</strong><strong> for the Arts Launches NYC-ARTS.org and NYCkidsARTS.org in Beta Testing</strong></p><br />
NEW YORK - November 25, 2008 - The Alliance for the Arts has launched the beta versions of its new NYC-ARTS.org and NYC<em>kids</em>ARTS.org, the most complete, customizable and dynamic source of information on New York's cultural institutions, <b>Buy Iressa Without Prescription</b>. Curated by people who know the scene, <b>buying Iressa online over the counter</b>, <b>Where can i buy cheapest Iressa online</b>, NYC ARTS provides an inside view of New York's cultural life.</p>
<p>The NYC ARTS Web sites have launched during <a class="zem_slink" title="Software testing" rel="wikipedia" href="http://en.wikipedia.org/wiki/Software_testing">beta testing</a>, <b>free Iressa samples</b>.  <b>Iressa in mexico</b>, The public is invited to participate in testing by submitting feedback through the "Send your feedback" button at the bottom of every page.</p>
<p><strong>NYC-ARTS.org</strong></p>
<p>Locals and tourists will find in-depth information on cultural organizations and their events, <b>Iressa pills</b>, <b>Online buy Iressa without a prescription</b>, programs and activities.</p>
<p><strong>NYCkidsARTS.org </strong> <b>Buy Iressa Without Prescription</b>, Educators and parents will find the most comprehensive information on cultural activities for children, including arts <a class="zem_slink" title="Education" rel="wikipedia" href="http://en.wikipedia.org/wiki/Education">education</a> programs that support teaching in many subject areas.</p>
<p><strong>Alliance</strong><strong> for the Arts Research  Center</strong></p>
<p>The research tools in the Alliance for the Arts Research Center will provide easy access to accurate quantitative data on the nonprofit cultural sector in New York City, <b>buy Iressa no prescription</b>.  <b>Buy Iressa online with no prescription</b>, In the increasingly competitive entertainment environment, NYC ARTS and NYC<em>kids</em>ARTS ensure that New York City's arts organizations stand out in the clutter of choices, <b>Iressa san diego</b>.  <b>Buy Iressa from mexico</b>, The NYC ARTS brand is a powerful promotional identity both for large cultural institutions that command high visibility and smaller groups with less promotional muscle. Unlike commercial cultural listings that have a narrow focus, <b>order Iressa from mexican pharmacy</b>, <b>Buy Iressa without a prescription</b>, these sites give all arts groups equal opportunity to promote their programs and attract visitors. The power of the NYC ARTS sites extends beyond the walls of the Web sites with weekly e-mail updates, interest-specific <a class="zem_slink" title="RSS" rel="wikipedia" href="http://en.wikipedia.org/wiki/RSS">RSS feeds</a> and connections to social networking sites such as <a class="zem_slink" title="Facebook" rel="homepage" href="http://facebook.com">Facebook</a> and <a class="zem_slink" title="Twitter" rel="homepage" href="http://twitter.com">Twitter</a>, <b>Buy Iressa Without Prescription</b>.</p>
<p>Cultural consumers need a strong brand to help them navigate the rich and diverse resources of New York City's five boroughs, <b>Iressa prescriptions</b>.  <b>Iressa trusted pharmacy reviews</b>, Through recommendations, curated collections and other features such as "Events ending soon, <b>Iressa to buy</b>, <b>Buy Iressa from canada</b>, " the sites will be proactive in directing individuals to cultural opportunities they might otherwise overlook.</p>
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<p>New York's philanthropic community has joined the City as investors in this project, <b>where to buy Iressa</b>.  <b>Iressa in australia</b>, Local foundations and corporations supported the research and development of NYC ARTS.</p>
<p><strong>About the Alliance for the Arts</strong></p>
<p>The Alliance for the Arts serves the entire cultural community through research and advocacy and serves the public through cultural guides and calendars, <b>where can i buy Iressa online</b>.  <b>Where to buy Iressa</b>, Through its NYC ARTS guides and calendars, the Alliance promotes New   York cultural institutions, <b>Iressa tablets</b>.  <b>Purchase Iressa online no prescription</b>, Through its research studies highlighting the importance of the arts to the economy and to education, the Alliance helps government and civic leaders understand the importance of cultural organizations to New York City, <b>Iressa in uk</b>.  <b>Saturday delivery Iressa</b>, More information on the Alliance's work can be found at the new www.AllianceforArts.org.</p>
<p><strong>Contact: </strong></p>
<p>Joe Harrell, <b>order Iressa online overnight delivery no prescription</b>, <b>Rx free Iressa</b>, Director of Marketing &amp; Product Management</p>
<p>Alliance for the Arts</p>
<p>jharrell@allianceforarts.org</p>
<p>(212) 947-6340</blockquote><br />
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		<link>http://www.artnewyorkcity.com/2008/10/05/yet-more-thoughts-about-painting-when-its-hard-to-paint/</link>
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		<pubDate>Sun, 05 Oct 2008 05:23:12 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<description><![CDATA[Buy Imitrex Without Prescription, One of my friends and I talked about Art this afternoon, and the issues surrounding being an artist and she encouraged me to write the gist of our conversation down, because it reminded her of exactly the issues she's going though being an artist but not making a living at it. [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imitrex Without Prescription</b>, One of my friends and I talked about Art this afternoon, and the issues surrounding being an artist and she encouraged me to write the gist of our conversation down, because it reminded her of exactly the issues she's going though being an artist but not making a living at it.</p>
<p>It reminds me that quite often lately, <b>Next day Imitrex</b>, friends have responded to my thoughts about Social Media and Art, as well, and it seems to me when people, <b>real brand Imitrex online</b>, independent of one another are saying similar things there is probably some truth in it.  <b>Buying Imitrex online over the counter</b>, For example, my friend Valeria mentioned this post from my Webmetricsguru.com blog that was republished in Social Media Today - <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50232">Social Media Measurement of Attention / Engagement - some more thoughts about it</a> as a post that she wish she had written herself.   Others responded to a slightly earlier post on <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50132">Making a Case for Social Media - are we doing a poor job of Marketing Social Media?</a> and my friend Jared Freedman thought <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50175">my Formula for Virtual Friending - what’s a virtual connection worth. Some ideas - a start, <b>Imitrex prices</b>, at least</a> had some inspiring information - even if the formulae, <b>Purchase Imitrex</b>, he thought, was too complicated.</p>
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<p>Recently I've been in a dilemma about painting and my own work - I started painting again, <b>Where can i order Imitrex without prescription</b>, after stopping for a long time, a few years ago after going though a difficult time (I won't go into what spurred my decision); I felt I had to paint just to keep myself from exploding.</p>
<p>After a while, <b>Imitrex craiglist</b>, though, <b>Where can i buy Imitrex online</b>, I noticed I was stuck again, that I was unwilling to really experiment that much with new materials and techniques, that I often went to paint being unprepared, <b>purchase Imitrex online</b>, having no real problem or show, <b>Imitrex for sale</b>, or anything to work on - just a feeling that I'm paying for a studio space, I ought to go.   When I got to the studio space, I often struggled to get anything going and often enjoyed talking to artists as much, <b>Imitrex overseas</b>, and sometimes, <b>Buy Imitrex online no prescription</b>, more than actually painting.</p>
<p>Painting itself, was an uneven affair, <b>Imitrex discount</b>, inspiration is often hit or miss - and I noticed that I got bored quickly.  When I began painting again, <b>Buy cheap Imitrex</b>, I worked much quicker, but I still felt stuck with my concept and often had a hard time with creating work that might be inconvenient for me (setting up <a class="zem_slink" title="Oil painting" rel="wikipedia" href="http://en.wikipedia.org/wiki/Oil_painting">oil paints</a> and cleaning them up, buying, <b>cod online Imitrex</b>, stretching and storing canvas, <b>Imitrex in japan</b>, was just the beginning.</p>
<p>Also, while at an opening tonight at Brooklyn Artists Gym, <b>buy Imitrex from mexico</b>, the show was not well hung and lacked any real curator, <b>Online buying Imitrex hcl</b>, and hardly anything really attracted me that I wanted to look at it - I chalked that up to my belief that work needs to speak to you first - just because an artist puts something out on a wall in fount of us does not oblige me to have to look at it.  There's so much competing for our attention now, especially now (in fact, I deal with that in the post on <a href="http://www.socialmediatoday.com/blog/webmetricsguru/site/posts/?bid=50232">Social Media Measurement of Attention / Engagement - some more thoughts about it</a> - we have only 100%, <b>order Imitrex from United States pharmacy</b>, not more than that, <b>Buy Imitrex no prescription</b>, and with everything hitting at us, competition for our attention -we need to hold back and just engage with what draws us to it - and there wasn't anything on the walls that spoke to me - so I made no real attempt to look at it closely.  <b>Buy Imitrex Without Prescription</b>, Look, as an artist - I don't think the world owes us anything - just because you do work does not mean anyone has to look at it - if anyone does look at work, likes, it loves it, its because it speaks to them, means something - otherwise, why bother.</p>
<p>I also saw that when I had my work in shows as recent as this spring (<a class="etitle" href="http://www.new.facebook.com/event.php?eid=15365066890">Art Opening in Williamsburg at Heart and Soul  Pilates</a>)</p>
<p><a href="http://www.new.facebook.com/event.php?eid=15365066890"><img src="http://profile.ak.facebook.com/object3/1916/31/s15365066890_3675.jpg" alt="" /></a> <img id="myphoto" src="http://photos-d.ak.facebook.com/photos-ak-sf2p/v240/200/0/500062770/n500062770_483459_2667.jpg" alt="" /></p>
<p>- I had no control over how my paintings were displayed, <b>Imitrex in us</b>, the lady put my Rejection painting, <b>Imitrex in uk</b>, the landscape one, above, in a dark corner of her gallery, <b>buy Imitrex online no prescription</b>, even as I was assured by her this would not happen - in the two shows I was part of this year, <b>Real brand Imitrex online</b>, my work looked invisible with the dozens of other paintings they were displayed with.</p>
<p>Object placement and lighting, so important for physical objects, <b>Imitrex tablets</b>, which is what paintings are, <b>Ordering Imitrex online</b>, was not my friend, nor were curators - and I got discouraged, as I did, <b>purchase Imitrex online no prescription</b>, many years back when I also tried to paint - but lost my way.  <b>Where can i buy cheapest Imitrex online</b>, And I found it again, a few years back, only to find that, <b>next day Imitrex</b>, having realized my own strength as an artist - that it was not the primary thing that marked my life - that I wasn't really going to make my living as an artist, <b>Buy Imitrex without prescription</b>, nor did I want to, and my work really was not meant for any kind of wide distribution - and, in fact, <b>Imitrex san diego</b>, I had more control over how many people saw my paintings, <b>Free Imitrex samples</b>, as a <a class="zem_slink" title="Blog" rel="wikipedia" href="http://en.wikipedia.org/wiki/Blog">blogger</a> with a few blogs in subjects where I've been seen as an influential, that if I wanted to get my work out and seen - I had the means and knowledge to do it myself.</p>
<p>And then when I showed my works this spring, <b>Imitrex gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, I had to frame them (which cost several hundred dollars) and drag them over to gallery spaces to they'd be shown, <b>Imitrex in usa</b>, just to go back in a few weeks/months and pick them up again.   I had no hope they'd sell, I had no real desire to sell them either - and yet I didn't have a place to hang them, and they sit in my studio bin, <b>buy cheap Imitrex no rx</b>, at Brooklyn Artists Gym, <b>Order Imitrex from mexican pharmacy</b>, where I briefly looked at them, again, today, <b>Imitrex in mexico</b>.</p>
<p>So, I was telling Janice that it's a lot of work to be an artist and at the end of the day, no one really wants the stuff - on one really cares - and that an artist needs a following - people who love the work - people who want to collect it - and people who paint and really succeed at it, like my friend Amy Crehore, feel they have to do it - there is no other way for them, <b>Buy Imitrex Without Prescription</b>.</p>
<p>But I don't feel that way about my work, <b>Order Imitrex no prescription</b>,   I don't "have" to do it, and Janice said she felt the same way about her work  - she's a vision therapist and paints on weekends - but realizes she doesn't have the time to really do that much.     But in my case, I could have done more than I did - except I'd rather go to Art Openings, <b>order Imitrex online c.o.d</b>, meet people, <b>Fast shipping Imitrex</b>, over actually locking my self up in a corner and painting.</p>
<p>And I came to terms with that - being a <a class="zem_slink" title="Painting" rel="wikipedia" href="http://en.wikipedia.org/wiki/Painting">painter</a>, and to some extent, <b>Imitrex price, coupon</b>, a <a class="zem_slink" title="Writer" rel="wikipedia" href="http://en.wikipedia.org/wiki/Writer">writer</a>, <b>Buying Imitrex online over the counter</b>, is usually a solitary persuit - you need to do it, more often than not - with your self - away from others - even while in a crowd- a certain solitude is needed - it's almost a requirement that you must, as an artist, <b>buy Imitrex from canada</b>, be alone with yourself, <b>Imitrex for sale</b>, and like it.</p>
<p>But I don't like it - I don't like being alone with myself - and yet, there are times I did enjoy it - but it was often only after I worked though my resistances, <b>Imitrex from international pharmacy</b>.</p>
<p>When the spring began, <b>Imitrex in canada</b>, and I took the steps to invest in my own work by framing some pieces, I felt the burden of not knowing where I would I would store them, and often, <b>Imitrex from canadian pharmacy</b>, I'd go to the studio and feel no enthusiasm - and yet, <b>Where can i buy Imitrex online</b>, I still did some good work I'm proud of.   But when the summer came, I just took time out and decided I'd sketch, but not paint.   I work full time as a Web Analyst, <b>Imitrex in india</b>, do a lot of freelance <a class="zem_slink" title="Web analytics" rel="wikipedia" href="http://en.wikipedia.org/wiki/Web_analytics">web analytics</a> and <a class="zem_slink" title="Search engine optimization" rel="wikipedia" href="http://en.wikipedia.org/wiki/Search_engine_optimization">SEO</a> work when it's available, <b>Buy generic Imitrex</b>, , blog, go to openings, <b>Imitrex prices</b>, tweetups, <b>Online buy Imitrex without a prescription</b>, several events in NYC and travel to conferences, and now, started a blog network, <b>where to buy Imitrex</b>, blogspeedway.com, <b>Delivered overnight Imitrex</b>, but going to the studio felt like just "one more job" and I had enough.  <b>Buy Imitrex Without Prescription</b>, And then, I tried to answer a bunch of questions ... why?  Why am I in this?  Why am I painting?  Who is this really for?  Does anyone really want it.</p>
<p>I doubted myself and my own commitment to Art, <b>buy Imitrex without a prescription</b>.</p>
<p>But, <b>Imitrex to buy online</b>, as I told this to Janice, she said that she has a lot of the same thoughts as I do, <strong>and that many artists aren't really talking about it and there is no real place to go, <b>Imitrex overseas</b>, no support really, <b>Purchase Imitrex online</b>, for artists.</strong></p>
<p>Nor did I really want to talk about it - either - but it seems like it's something that does need to be talked about.</p>
<p>It's really hard to be an artist - no one really wants your work, 99% of the time, <b>rx free Imitrex</b>, you have to finance the activity yourself, <b>Where can i order Imitrex without prescription</b>, and art, unlike a trade or profession, is not really considered integral to anything.  Sure, <b>where can i find Imitrex online</b>, we have artists, <b>Imitrex medication</b>, museums, foundations, but art, particularly painting (which has lost it's relevance over cinema and music, which are much easier for people to consume, is more of an appendage of society - something we feel guilty about - like we should have it - but hardly anyone really needs it and it's hard to evaluate - the quality issue is entirely subjective.</p>
<p>So, in going for Art, as a career, or a calling, it seems those who do and succeed are those who failed, over and over, but never gave up - and cultivated the right friends, eventually forming a following, <b>Buy Imitrex Without Prescription</b>.</p>
<p>I believe in order to succeed, you need a following - collectors (that's an art dealers job, and often a thankless task - but till you get to the point where you can hire someone to promote your work for you, you have to finance and do it yourself, along with housing it and paying taxes on it - often a thankless task.</p>
<p>And if you just do it because it gives you pleasure, your dismissed as a "dabbler" or weekend artist.</p>
<p>I wish there was  place where artists could talk about all of this stuff - but there doesn't seem to be - we're all orphaned - and that let me to ask myself what role Art had in my life.</p>
<p>What I came up with was that I had nothing really to prove to anyone but myself, and Art, for me, was a package that framed my other activities (web analytics, search, blogging and writing art critic, socializing, etc) and it didn't need to do anything else but that - how successful I was as an artist really didn't matter - all that mattered was I had a gift and I was sharing it the best way I knew how, and my passionate feelings, when channelled into Art managed to balance me out somewhat, making me a better web analyst, blogger, writer, critic, whatever..... you fill the rest in - that's what Art's role was for me, in this life.</p>
<p>And I accepted it.</p>
<p>There, as my friend suggested, I wrote it all down, as best as I could remember it - I think I got most of what I wanted to say down here, on this blog.</p>
<p>Only now, I don't know what the next step is for me ....<em> what do I do now?</em><br />
<div class="zemanta-pixie" style="margin-top: 10px; height: 15px;"><a class="zemanta-pixie-a" title="Zemified by Zemanta" href="http://reblog.zemanta.com/zemified/8b7ff2aa-ad8c-493a-b89b-b66930618765/"><img class="zemanta-pixie-img" style="border: medium none; float: right;" src="http://img.zemanta.com/reblog_e.png?x-id=8b7ff2aa-ad8c-493a-b89b-b66930618765" alt="Reblog this post [with Zemanta]" /></a></div>.</p>
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		<description><![CDATA[Been looking at David Galenston's two books - thinking I'll purchase the latest book called Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity.Â Â Â Got interested in Buy Lotrel Without Prescription, David W. Galenson after reading a review of his ideas in the New York Times today.Â Â  In The Art of Pricing Great [...]]]></description>
			<content:encoded><![CDATA[<p> Been looking at <strong>David Galenston's</strong> two books - thinking I'll purchase the latest book called <a href="http://www.amazon.com/dp/0691121095?tag=davidgalenson-20&camp=14573&creative=329585&linkCode=as1&creativeASIN=0691121095&adid=17W28618NYJW84H6F7NV&"><strong>Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity</strong></a>.Â Â Â Got interested in <a href="http://www.davidgalenson.com/"> <b>Buy Lotrel Without Prescription</b>, David W. Galenson </a>after reading a review of his ideas in the New York Times today.Â Â </p>
<p>In <a href="http://www.nytimes.com/2006/11/15/business/15leonhardt.html?pagewanted=1"><strong>The Art of Pricing Great Art</strong></a>, <b>Lotrel pills</b>, <b>Lotrel overseas</b>, the writer, Mr, <b>where can i order Lotrel without prescription</b>.  <b>Lotrel to buy</b>, Leonhardt, expresses the following:<br />
<blockquote>"The mysterious part of the current mania lies in figuring out <strong>what exactly makes a piece of art worth  million instead of, <b>Lotrel from international pharmacy</b>, <b>Lotrel in uk</b>, say,  million.</strong> Not even people who make their living selling art claim to have much of a definition of great art, <b>order Lotrel online c.o.d</b>.  <b>Lotrel discount</b>, In fact, theyâ€™re proud not to have one, <b>cod online Lotrel</b>.  <b>Order Lotrel from mexican pharmacy</b>, â€œThatâ€™s where the market becomes magical,â€ Tobias Meyer, <b>buying Lotrel online over the counter</b>, <b>Lotrel buy</b>, Sothebyâ€™s chief auctioneer, told me."</blockquote><br />
In my <a href="http://www.webmetricsguru.com/">www.webmetricsguru.com</a> blog - I use with metrics to solve a business needÂ (<em>some times I make my own metrics - you have to be creative - you know</em>); a theory explaining value of a work of art would appeal to someone with my values and way of thinking, <b>Lotrel in india</b>.</p>
<p>There's a lot of good stuff in the Leonhardt article so I'll quote from it quite a bit, then comment at the end, <b>Buy Lotrel Without Prescription</b>.  <b>Lotrel in usa</b>, <blockquote>".....he began collecting data on the sale price of works by Warhol, <a title="More articles about Jackson Pollock." href="http://topics.nytimes.com/top/reference/timestopics/people/p/jackson_pollock/index.html?inline=nyt-per"><font color="#004276">Jackson Pollock</font></a> and other American artists, <b>purchase Lotrel</b>, <b>Buy cheap Lotrel</b>, and he discovered a pattern. <strong>Most of them produced their most valuable work either very early in their career, <b>Lotrel in canada</b>, <b>Online buy Lotrel without a prescription</b>, like Warhol, or very late, <b>Lotrel tablets</b>, <b>Buy Lotrel online without prescription</b>, like Pollock. </strong>When he expanded his research to European painters, <b>Lotrel san diego</b>, <b>Purchase Lotrel online no prescription</b>, he found the same pattern.</p>
<p>Not only that, <b>Lotrel in mexico</b>, <b>Buy Lotrel online with no prescription</b>, but the two groups tended to approach art, and to talk about it, <b>ordering Lotrel online</b>, <b>Free Lotrel samples</b>, in strikingly different ways.  <strong> <b>Buy Lotrel Without Prescription</b>, The young geniuses, like Gauguin, </strong><a title="More articles about Pablo Picasso." href="http://topics.nytimes.com/top/reference/timestopics/people/p/pablo_picasso/index.html?inline=nyt-per"><font color="#004276"><strong>Picasso</strong></font></a><strong> and </strong><a title="More articles about Vincent Van Gogh." href="http://topics.nytimes.com/top/reference/timestopics/people/v/vincent_van_gogh/index.html?inline=nyt-per"><font color="#004276"><strong>Van Gogh</strong></font></a><strong>, were conceptual innovators whose paintings broke sharply from previous work.</strong> They typically <em>had a precise goal in mind when they started a piece and didnâ€™t need long to finish it</em>. â€œAbove all, <b>Lotrel prices</b>, <b>Buy Lotrel from mexico</b>, donâ€™t sweat over a painting,â€ Gauguin once told a friend, <b>purchase Lotrel online</b>.  <b>Lotrel in japan</b>, â€œA great sentiment can be rendered immediately.â€</p>
<p>The <strong>late bloomers, on the other hand, <b>Lotrel paypal</b>, <b>Lotrel trusted pharmacy reviews</b>, arrived at their innovations gradually, through trial and error, <b>buy no prescription Lotrel online</b>, <b>Lotrel from canadian pharmacy</b>, making their major contributions late in life. They painted the same subject again and again, <b>buy Lotrel from canada</b>, <b>Lotrel prescriptions</b>, experimenting on the canvas, often reluctant to say that a painting was finished, <b>buy Lotrel online no prescription</b>.  <b>Buy Lotrel online without a prescription</b>, </strong>Consider that CÃ©zanne, who did his most valuable and celebrated work in his 60s, <b>order Lotrel no prescription</b>, <b>Rx free Lotrel</b>, signed few of his paintings.</p>
<p>Mr, <b>Buy Lotrel Without Prescription</b>. Galenson has <strong>extended the theory to novelists, <b>where can i find Lotrel online</b>, <b>Buy Lotrel online cod</b>, poets and beyond, arguing that most creative people fall on one end or the other of the spectrum, <b>where can i buy cheapest Lotrel online</b>, <b>Where can i buy Lotrel online</b>, </strong> and he has earned a fair bit of attention. Malcolm Gladwell, <b>buy cheap Lotrel no rx</b>, <b>Next day Lotrel</b>, in a <a title="Malcolm Gladwellâ€™s Speech" href="http://www.davidgalenson.com/malcolmgladwell-lecture.pdf"><font color="#004276">speech</font></a> at <a title="More articles about Columbia University." href="http://topics.nytimes.com/top/reference/timestopics/organizations/c/columbia_university/index.html?inline=nyt-org"><font color="#004276">Columbia University</font></a>, described â€œOld Masters and Young Geniuses, <b>Lotrel over the counter</b>, <b>Buy Lotrel no prescription</b>, â€ which Mr. Galenson published this year, <b>fast shipping Lotrel</b>, <b>Lotrel in us</b>, as â€œa really wonderful book.â€ Wired magazine recently <a title="Wired Magazine Profile" href="http://www.wired.com/wired/archive/14.07/genius.html?pg=2&topic=genius&topic_set"><font color="#004276">profiled</font></a> him under the headline, â€œWhat Kind of Genius Are You?â€</blockquote><br />
Maybe few artists are exactly one type or the other - I believe there is polarity in just about everything - including creativity, <b>online buying Lotrel hcl</b>.  <b>Lotrel gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, <blockquote>"......If you look through the prices from the current auction season, or walk through any major museum, <b>where to buy Lotrel</b>, <b>Delivered overnight Lotrel</b>, <strong><em>you canâ€™t help but notice that Mr.  Galenson is onto something</em></strong> <b>Buy Lotrel Without Prescription</b>, . When a still life that CÃ©zanne painted at the age of 56, <b>where to buy Lotrel</b>, <b>Lotrel in australia</b>, for instance, fetched  million at Sothebyâ€™s last week, <b>Lotrel medication</b>, <b>Over the counter Lotrel</b>, art experts cited the rarity of CÃ©zanne still lifes. The next night at Christieâ€™s, <b>buy Lotrel without a prescription</b>, <b>Lotrel for sale</b>, another CÃ©zanne still life â€” one painted when he was 34 â€” sold for just .1 million. "</blockquote><br />
<p align="left">I don't find that surprising - Cezanne's late still lifes are much more "unique" than his earlier work - when he was struggling to find himself and his style.Â  While Cezanne's early work is notable - yet he had he not evolved his later style and revolutionized art.Â  Had Paul Cezanne painted his early still lifes, <b>order Lotrel online overnight delivery no prescription</b>, <b>Buy generic Lotrel</b>, then died all of a sudden, before doing his later workÂ - we'd probably not know he existed today - he'd never become that well known for his early work.</p><br />
<p align="left">Now, <b>buy Lotrel without prescription</b>, <b>Sale Lotrel</b>, it turns out that Malcolm Gladwell (the same <a href="http://www.webmetricsguru.com/2006/04/webmasterworld_keynote_malcolm_2.html">Malcolm Gladwell </a>who <a href="http://www.knowmoremedia.com/2006/04/press_release_webmetricsgurus.html">I heard</a> at <a href="http://www.webmetricsguru.com/2006/04/webmasterworld_keynote_malcolm_2.html">Webmasterworld Pubcon X </a>in Boston, earlier this year) has come to Galenson's defense and spoke about Galenson's theory in February at Columbia.Â Â  I read Malcolm <a href="http://www.davidgalenson.com/malcolmgladwell-lecture.pdf">Gladwell's Age Before Beauty </a>all the way through and it's great!</p></p>
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<p align="left">"...<font face="Times-Roman">wayâ€”heâ€™s an economistâ€”the way he decides to analyse great artists is to look at the value of their paintings, <b>saturday delivery Lotrel</b>. How much money do their paintings reach at auction. Thereâ€™s a big record called the [GuideMayer] which is this big Swiss volume, which records precisely whatâ€™s paid for every painting at all the major auction houses of the year, and he basically goes through this thing, combs through it and does these very, very complicated regression analyses based on the size of the painting and when it was painted and how much was paid for it, et cetera, <b>Buy Lotrel Without Prescription</b>. And using this whole kind of thing.</font></p><br />
<p align="left"><font face="Times-Roman">He analyses the value of the paintings of famous artists. And he comes up with this really interesting conclusion, which is that, if you do that kind of analysis, looking at the value of paintings of famous artists over the course of their career, what happens is they divide quite neatly into two groups. Thereâ€™s a group of artists that do their greatest work very, very early in their career, and then their value declines, and thereâ€™s a group of artists who do their very bestÂ  </font><font face="Times-Roman">work at the very end of their career, right. The very end of life.  In <strong>other words there isnâ€™t a kind of single profile of what it means to be a successful artist; thereâ€™s two</strong>."</font></p></p>
<p><font face="Times-Roman"></font><font face="Times-Roman">"...</font><font face="Times-Roman"> <b>Buy Lotrel Without Prescription</b>, So he says, look, Pisarro peaks at forty-five, Degas at forty-six, Kandinsky at fifty-two, Georgia Oâ€™Keefe at forty-eight. Munch, on the other hand, does his best work at thirty-four, Derain at twenty-four, Braque at twenty-eight, Juan Gris at twenty-eight, and de </font><font face="Times-Roman">Chirico at twenty-six."</font><font face="Times-Roman"> </font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman">"......</font><font face="Times-Roman">Thatâ€™s very much the way that experimental artists are working, t<strong><em>heyâ€™re kind of groping towards something they canâ€™t quite define.</em></strong> Now here, by contrast, is another art historian talking about Picasso: â€œThere was not one Picasso, but ten, twenty, always different, unpredictably changing. And in this he was the opposite of a Cezanne, whose work followed that logical, reasonable course to fruition.â€<strong><em> Cezanne famously said, â€œI seek in painting.â€ What did Picasso say. He said, â€œI donâ€™t seek, I find</em></strong>.â€</font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman">"</font><font face="Times-Roman">...he looks, for example, at the abstract expressionists and points out, you know, youâ€™ve got a group of older abstract expressionists like Rothko and de Kooning and Jackson Pollockâ€”theyâ€™re all guys who peak in their fifties and in some cases in their sixties. Itâ€™s a long time to work out their method. And then youâ€™ve got this younger group, you know, Stella, Lichtenstein, Rauschenberg, Jasper Johns, Andy Warhol, who peak, on the contrary, in their twenties, and who have a radically different way of explaining their art, and of doing art and of thinking about art, and that look at the older generation of abstract expressionists and think of them as being kind of antiintellectual, as being kind of mere painters, not kind of thinkers who are possessed of an idea and a concept of how to do art, but guys who are kind of mucking around with paint."</font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"><br />
<p align="left"><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"><font face="Times-Roman" /></font><font face="Times-Roman">Ok, I agree with most of this - butÂ what ifÂ your the first type of artist -and you may have peaked early but don't want to accept that your too old to achieve anything lasting now....what do you do?Â  It's a question I don't as yet, have an answer to.</font></p></font></blockquote></p>
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		<title>Cimabue at the Frick Collection</title>
		<link>http://www.artnewyorkcity.com/2006/10/07/cimabue-at-the-frick-collection/</link>
		<comments>http://www.artnewyorkcity.com/2006/10/07/cimabue-at-the-frick-collection/#comments</comments>
		<pubDate>Sat, 07 Oct 2006 04:43:40 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Cimabue]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Frick Collection]]></category>
		<category><![CDATA[New York]]></category>

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		<description><![CDATA[Got to go to this show of Cimabue at the FrickÂ CollectionÂ - it's the kind of show you have to see.Â  The NYTimes review by Roberta Smith tells you all you need to know, here's an excerpt: "Cimabue (about 1240-1302) is one of the Big Three â€” with Duccio and Giotto â€” who laid the groundwork [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.nytimes.com/2006/10/07/arts/design/07fric.html?pagewanted=2&ei=5089&en=8daf231b579333db&ex=1317873600&partner=rssyahoo&emc=rss"><strong>Got to go to this show of Cimabue at the FrickÂ Collection</strong>Â </a>- it's the kind of show you have to see.Â  The NYTimes review by Roberta Smith tells you all you need to know, here's an excerpt:
<blockquote>"<strong>Cimabue</strong> (about 1240-1302) is one of the <strong>Big Three â€” with Duccio and Giotto</strong> â€” who laid the groundwork for the <strong>early Italian Renaissance</strong>. His name is as weighty as it is mysterious, partly because so few of his works survive. This tiny exhibition makes his greatness crystal clear. At its center are two small works newly attributed to him, â€œThe Flagellation of Christ,â€ which the Frick acquired in 1950, and â€œThe Virgin and Child Enthroned With Two Angels,â€ a recently discovered work that is now in the collection of the National Gallery in London.
<p align="center"><a class="imagelink" title="Cimabue at the Frick Collection.bmp" href="http://www.artnewyorkcity.com/wp-content/uploads/Cimabue%20at%20the%20Frick%20Collection.bmp"><img id="image272" style="width: 343px; height: 217px" height="217" alt="Cimabue at the Frick Collection.bmp" src="http://www.artnewyorkcity.com/wp-content/uploads/Cimabue%20at%20the%20Frick%20Collection.bmp" width="343" /></a></p>
</blockquote>
<p align="left">I will try to make it over to the <a href="http://www.frick.org/">Frick Collection </a>this weekend, or next week, if I can.</p>
<p align="left">The<a href="http://www.frick.org/"> Frick Collection </a>is not someplace I go to often these days, but did when I was younger.</p>

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		<title>Why more people don&#8217;t go to Museums (in New York City)</title>
		<link>http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/#comments</comments>
		<pubDate>Thu, 28 Sep 2006 20:26:26 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Museums]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Public Library]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/28/why-more-people-dont-go-to-museums-in-new-york-city/</guid>
		<description><![CDATA[Seth Godin is the smartest marketer alive - and I always read his blog, most of the time commenting in Webmetricsguru.com; today my comment belongs in ArtNewYorkCity.com because Seth talks about why more people don't go to museums. a. the curators think the item on display is the whole thing. As a result, they slack [...]]]></description>
			<content:encoded><![CDATA[Seth Godin is the smartest marketer alive - and I always read his blog, most of the time commenting in Webmetricsguru.com; today my comment belongs in ArtNewYorkCity.com because Seth talks about <a href="http://sethgodin.typepad.com/seths_blog/2006/09/you_dont_run_a_.html">why more people don't go to museums</a>.
<blockquote><em>
a. the curators think the item on display is the whole thing. As a result, they slack off and do less than they should in creating an overall story

b. they assume that visitors are focused, interested and smart. They are rarely any of the three. As a result, the visit tends to be a glossed over one, not a deep one or a transcendent one

c. science museums in particular almost beg people NOT to think.

I can't remember the last time a museum visit made my cry, made me sad or made me angry (except at the fact that they don't try hard enough).</em></blockquote>
Besides, some people have negative associations with museums; my wife was raised in Poland where Museums were considered old, stuffy and boring!Â  I don't find Museums boring, but I understand why many do - they don't engage visitors enough (sounds like Musuems are often like bad websites that don't work well enough).
<blockquote>"<strong>They asked how long it had been since he had been to a museum.</strong>Â  But the group that liked his books spoke up pretty quickly, and first acknowledged that he was trying to needle them, but then said â€“ wait, he is part of our audience, and clearly he has thought this.Â  <strong>And if we are not listening to our audiences, then we may not be doing our jobs well at all.Â  </strong>This was bounced around for a while.Â  At the end I pulled it back towards Godinâ€™s books and asked what, if anything, they got from the books, felt like they could take back to their museums and use, or share with their bosses.Â  Even a couple of the Godin-haters mentioned things they got from them.Â  After the book club, back at the cabin we were staying in, there was a lot of talking around the fireplace about branding and stories, so it was clear the books, and the discussion, made them think."</blockquote>
Sounds like Seth Godin's books were examined by museum directors and it got them to think.Â  If you stop to think, getting people to a museum and keeping them engaged is the same exact problem as getting people to a website and engageing them enough that they stay.Â 

The solution for a website is usually better content and better design.Â  In the case of museums, it's not so much the content as the presentation and activities at the museum that encourage people to want to be there and have a positive experience.

Again, I'm not the person who has a problem with museums - I like them overall, but many don't like museums and there's probably a valid reason why.

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		<title>Art Openings in NYC &#8211; September 28th, 2006 &#8211; What I&#8217;ll cover</title>
		<link>http://www.artnewyorkcity.com/2006/09/28/art-openings-in-nyc-september-28th-2006-what-ill-cover/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/28/art-openings-in-nyc-september-28th-2006-what-ill-cover/#comments</comments>
		<pubDate>Thu, 28 Sep 2006 14:16:31 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Marshall Sponder]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/28/art-openings-in-nyc-september-28th-2006-what-ill-cover/</guid>
		<description><![CDATA[Been too busy the last few days to post here - a lot of important meetings - most which belong in my Webmetricsguru.com blog.Â  Did not see any good openings this week till today - nothing that really attracted me to want to show up.Â Â  But that's different today - a couple of good openings [...]]]></description>
			<content:encoded><![CDATA[Been too busy the last few days to post here - a lot of important meetings - most which belong in my <a href="http://www.webmetricsguru.com/">Webmetricsguru.com </a>blog.Â  Did not see any good openings this week till today - nothing that really attracted me to want to show up.Â Â  But that's different today - a couple of good openings happening now in NYC, in Art in New York City.

So tonight I'll try to make an opening of A<a href="http://www.pacewildenstein.com/Exhibitions/ViewExhibition.aspx?title=AlfredJensen%3aTheNumberPaintings&type=Exhbition&guid=fbd7589f-f3b2-45bd-abfc-e7d47f0984b1">lfred Jenson: The Number Paintings </a>at Pace Wildenstein Gallery.Â  Here's a little part of the writeup describing the work in this show: Alfred Jensen:Â  The Number Paintings will be on view at 545 <strong>West 22nd Street, New York from September 29 through October 28, 2006</strong>.Â  The public is invited to attend the opening on Thursday, September 28th from 6 to 8 p.m.
<blockquote>"<strong>Alfred Jensen</strong>:Â  The Number Paintings looks at how the artist used Pythagorean theory, the Mayan Calendar, and other numerical systems as well as Goetheâ€™s color theory in his work.Â  The exhibition consists of 11 paintings and 16 works on paper spanning two decades from 1960 to 1980.Â 

It was in the early 1960s that Jensen read the work of J. Eric Thompson, the pre-eminent scholar of the pre-Columbian Maya Civilization and soon thereafter, Jensen earnestly began to investigate the relationship between numbers and color through his art.Â  In his catalogue essay, William Agee discusses how Jensen pursued this investigation and how his life and art intersected. Agee remarks in his introduction that Donald Judd and Allan Kaprow, then young artists in New York, viewed an exhibition of Jensenâ€™s in 1963 and had the highest praise for it, although for different reasons. â€œIn retrospect,â€ Agee writes, â€œthis seems fitting, for Jensenâ€™s world view was based on the opposing dualities that he saw as the source and substance of life â€“ light and dark, positive and negative, male and female, life and death, among them.â€</blockquote>
I think I'll also attend the opening ofÂ Junko Komatsu, David Harry, Atsumi at <a href="http://www.caelumgallery.com/" target="_new"><font color="#3872ff">Caelum Gallery</font></a>Â W 26 street, 526, Suite 315.Â  The photographs and paintings look pretty good based on what I can see on the Caelum Gallery website.

It looks like a new gallery called MEHR is opening up with a debut exhibition (if I have it right that it's a new gallery) located at 436 West 18th Street, again between 6-8PM.Â 

That's enough for one night.Â  I'll let my readers know what I thought about these openings after I attend them (and anything else that strikes on my way toÂ or after the openings).

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		<title>More than Coffee was Served at Galerie St. Etienne</title>
		<link>http://www.artnewyorkcity.com/2006/09/20/more-than-coffee-was-served-at-galerie-st-etienne/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/20/more-than-coffee-was-served-at-galerie-st-etienne/#comments</comments>
		<pubDate>Wed, 20 Sep 2006 23:32:56 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Galerie St. Etienne]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[Had a good time at Galerie St. Etienne last night - great show of older Austrian and German prints and drawings by many well known artists, all about Cafes, Bars and such. I also ran into a old friend Russel Nelson who I had not seen for at least 5 or 6 years, the last [...]]]></description>
			<content:encoded><![CDATA[Had a good time at Galerie St. Etienne last night - great show of older Austrian and German prints and drawings by many well known artists, all about Cafes, Bars and such.

I also ran into a old friend Russel Nelson who I had not seen for at least 5 or 6 years, the last time was at our mutual friend, Lestor Afflick's funeral back in early 2000.

I liked Otto Dix's PUB watercolor and George Grosz's Dr. Benn's Night Cafe which was a photo lithograph.Â  Gustav Klimt's Seated Woman with Hat and Veil and Woman Resting in Armchair, both from the turn of the century were small works, but really fine.Â  I was surprised there was so much good work at Galerie St. Etienne.

<a class="imagelink" title="IMG00382.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00382.JPG"><img id="image201" style="width: 164px; height: 217px" height="217" alt="IMG00382.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00382.JPG" width="164" /></a>Â Â Â  <a class="imagelink" title="IMG00384.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00384.JPG"><img id="image202" style="width: 146px; height: 207px" height="207" alt="IMG00384.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00384.JPG" width="146" /></a>

<a class="imagelink" title="IMG00386.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00386.JPG"><img id="image203" style="width: 305px; height: 204px" height="204" alt="IMG00386.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00386.JPG" width="305" /></a>

<a class="imagelink" title="IMG00383.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00383.JPG"><img id="image204" style="height: 186px" height="186" alt="IMG00383.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00383.JPG" width="148" /></a>

Go to the Galerie St. Etienne to see the rest of the works.

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		<title>Latest Work at Brooklyn Artists Gym</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/latest-work-at-brooklyn-artists-gym/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/latest-work-at-brooklyn-artists-gym/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 02:45:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/17/latest-work-at-brooklyn-artists-gym/</guid>
		<description><![CDATA[I thought I'd bring readers up to date with what I'm doing - painting when I can paint. This is a nude study I did today (I'm not really a portrait painter - or a figure painter and I don't know anatomy well - more of a colorist); I don't think of my work as [...]]]></description>
			<content:encoded><![CDATA[I thought I'd bring readers up to date with what I'm doing - painting when I can paint.
<p align="center"><a class="imagelink" title="IMG00376.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00376.JPG"><img id="image185" style="width: 225px; height: 423px" height="423" alt="IMG00376.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00376.JPG" width="225" /></a></p>
This is a nude study I did today (I'm not really a portrait painter - or a figure painter and I don't know anatomy well - more of a colorist); I don't think of my work as anything other than an expression of me.Â  Having said that - I'm happy that there is a wonderful place like Brooklyn Artists Gym that makes it affordable for people like me to have a large studio space (~4000 square feet) to paint in.Â  It's shared space, but that is not a problem as far as I can see since hardly anyone is there.Â Â 

My photo, taken with a 1.3 Megapixel cell phone camara and cut down to size by Picasa2 loses some of the subtle elements - but as an image - this is a good enough snapshot - I spent about 90 minutes on this painting which is, I think, 20 x 30, but I'm not sure of the exact size.
<p align="center"><a class="imagelink" title="IMG00226.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226.JPG"><img id="image186" style="width: 222px; height: 333px" height="333" alt="IMG00226.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226.JPG" width="222" /></a></p>
I did this window study in Oil Pastel a couple of weeks ago - maybe 3 weeks ago (or it could have been a month ago for all I know).

Â 
<p align="center"><a class="imagelink" title="IMG00380.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00380.JPG"><img id="image187" style="width: 288px; height: 244px" height="244" alt="IMG00380.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00380.JPG" width="288" /></a></p>
And here's the Brooklyn Artist Gym studio space that I paint in ...when I get over there (maybe once or twice a week if I'm lucky).

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		<title>Monkdogz Urban Art &#8211; Bob Hogge and Fellow Artists</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/monkdogz-urban-art-bob-hogge-and-fellow-artists/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/monkdogz-urban-art-bob-hogge-and-fellow-artists/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 01:57:03 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Bob Hogge]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[New York]]></category>

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		<description><![CDATA[As soon as I walked into Monkdogz the other night, Bob Hogge (in black, below)Â came up and introduced himself (it's his gallery) and offered me a drink.Â  Bob really took the time to talk to me ...how unusual!Â  Being as I like some of the work in his chelsea gallery and the feeling in the [...]]]></description>
			<content:encoded><![CDATA[<p align="left">As soon as I walked into <a href="http://www.monkdogz.com/">Monkdogz</a> the other night, Bob Hogge (in black, below)Â came up and introduced himself (it's his gallery) and offered me a drink.Â  Bob really took the time to talk to me ...<em>how unusual</em>!Â  Being as I like some of the work in <a href="http://www.monkdogz.com/chelseagallery/intro.htm">his chelsea gallery </a>and <em>the feeling in the gallery</em> - I thought I'd write it up in ArtNYC.Â Â </p>

<a href="http://www.miloart.com/Bob_Hogge.aspx">Bob Hogge</a> strikes me as someone who's been in the art world for a while - a search on Bob Hogge brings up a <a href="http://www.robertdhogge.com/page/page/1268575.htm">Robert D. Hogge </a>who invented "Xfusionistic" art - I think that's the same guy, but I'm not 100% sure.

I asked Bob Hogge if it was really true that it takes 2 years to set up a NY Art Show.Â  He said it depends; my gist is it does not take that long to get a show in his gallery if your his kind of artist - someone that is dedicated, is willing to put yourself foward. He sees his gallery and selection process as different than any other gallery...and I believe him.Â  He had some pretty good work on his walls.

I liked an artist calledÂ <a href="http://powerpainter.org/marcusvansoest/gallery"><strong>Marcus Van Soest</strong>Â </a>(he's an artist to watch) who is showing his work currently in the Monkdogz gallery....Bob Hogge told me this artist got on a plane and came right over to the gallery to ask to show his work in Monkdogz because he had read about Monddogz and Hogge for severalÂ  years.Â  Looks like the trip paid off as Marcos is one of Monkdogz collection of artists that are shown in the Chelsea gallery (Monkdogz has an online gallery that anyone can join for free).
<p align="center"><a class="imagelink" title="IMG00350.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00350.JPG"><img id="image181" style="height: 177px" height="177" alt="IMG00350.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00350.JPG" width="221" /></a>Â Â  <a class="imagelink" title="IMG00351.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00351.JPG"><img id="image182" style="width: 139px; height: 181px" height="181" alt="IMG00351.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00351.JPG" width="139" /></a></p>
Van Soest was the most original artist I have seen in Chelsea lately - powerful work.Â  There's a lot of info on him online and you can see <a href="http://powerpainter.org/node/1557">pictures </a>from the opening at Monkdogz Urban Art "Came to Believe" show last week (which I did not know about or I would have come).

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		<title>Gabriel Jones at Priska C. Juschka Fine Art</title>
		<link>http://www.artnewyorkcity.com/2006/09/17/gabriel-jones-at-priska-c-juschka-fine-art/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/17/gabriel-jones-at-priska-c-juschka-fine-art/#comments</comments>
		<pubDate>Sun, 17 Sep 2006 00:22:06 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Chelsea]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/17/gabriel-jones-at-priska-c-juschka-fine-art/</guid>
		<description><![CDATA[Since I'm going to many openings - I always sign the guest book with Marshall Sponder - ArtNewYorkCity.com - sure some people see that and start reading this blog.Â Â  Now, I did find I enjoyed the photos of Gabriel Jones at Priska C. Juschka fine art. With a gallery name like the url for this [...]]]></description>
			<content:encoded><![CDATA[Since I'm going to many openings - I always sign the guest book with Marshall Sponder - ArtNewYorkCity.com - sure some people see that and start reading this blog.Â Â 

Now, I did find I enjoyed the photos of <a href="http://www.priskajuschkafineart.com/exhibitions.php?id=55">Gabriel Jones </a>at Priska C. Juschka fine art. With a gallery name like the url for this site is not too pretty ... <a href="http://www.priskajuschkafineart.com/">www.priskajuschkafineart.com</a> ...why not just say pjfa.com or something like that - hell of a lot easier to remember.Â  Anyway...

It was worth the visit as Jones' work is powerful photography!

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		<title>Chelsea Art Reviews &#8211; Thursday, September 14th, 2006</title>
		<link>http://www.artnewyorkcity.com/2006/09/15/chelsea-art-reviews-thursday-september-14th-2006/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/15/chelsea-art-reviews-thursday-september-14th-2006/#comments</comments>
		<pubDate>Fri, 15 Sep 2006 06:29:41 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Chelsea]]></category>
		<category><![CDATA[Chelsea Art Reviews]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/15/chelsea-art-reviews-thursday-september-14th-2006/</guid>
		<description><![CDATA[I don't have time to write everything I saw tonight down - it was a lot, maybe 8 shows, mostly next to each other or in the same building at Chelsea. Here's the shows I attended tonight ( not it order of when I went) Michael Cheval at Gallery Interart Gallery; I spoke with the [...]]]></description>
			<content:encoded><![CDATA[I don't have time to write everything I saw tonight down - it was a lot, maybe 8 shows, mostly next to each other or in the same building at Chelsea.

Here's the shows I attended tonight ( not it order of when I went)

Michael Cheval at Gallery <a href="http://interartny.com/current.htm">Interart </a>Gallery; I spoke with the artist for a couple of minutes

<center><img src='http://www.artnewyorkcity.com/wp-content/Cheval108S.jpg' alt='' /></center>

Jeff Perrott at <a href="http://www.morganlehmangallery.com/" target="_new"><font color="#3872ff">Morgan Lehman Gallery</font></a>Â 10 avenue, 317, b/w 28 & 29 street - did not relate much to the work.

BAE Bien-U at <a href="http://www.galerie-poller.com/" target="_new"><font color="#3872ff">Gallerie Poller</font></a>Â W 27 street, 547, floor 2, 6-9pm - the photography was guite good - large trees.

The <a href="http://www.aperture.org/">Aperture</a>Â Foundation - Photography of Lola Alverez Bravo with a book signing by independent curator Elizabeth Ferrer.Â  I actually sat in for about 20 minutes and listed to the leacture.

Jade Townsend at <a href="http://www.artnewyorkcity.com/www.priskajuschkafineart.com">Prisika C. Juschka gallery</a>Â - installationsÂ  work.

There were a couple of more shows i went to and there were plenty of people that I ran into going from gallery to gallery and building to building.

Also spoke with Bob Hogge of <a href="http://www.monkdogz.com/">www.Monkdogz.com</a> urban art; he was very nice to me and offered me some coffee or beer as I came in.

Tired, need to go to sleep.

Marshall

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		<title>The Blab! Show &#8211; A Press Release -</title>
		<link>http://www.artnewyorkcity.com/2006/09/13/the-blab-show-a-press-release/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/13/the-blab-show-a-press-release/#comments</comments>
		<pubDate>Wed, 13 Sep 2006 04:21:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Blab! Show]]></category>
		<category><![CDATA[Copro/Nason Gallery]]></category>
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		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/13/the-blab-show-a-press-release/</guid>
		<description><![CDATA[There's some news for people who want to know about the next Blab!Show (I wish they'd have one in NYC - Hint!). THE BLAB! SHOW (and book signing with CAMILLE ROSE GARCIA for her new BLAB! book, "The Magic Bottle") September 23 - October 21, 2006 OPENING RECEPTION: September 23, 8:00-11:30 pm COPRO/NASON GALLERY (at [...]]]></description>
			<content:encoded><![CDATA[There's some news for people who want to know about the next <a href="http://www.blabshow.com/">Blab!Show </a>(I wish they'd have one in NYC - Hint!).

<strong>THE BLAB! SHOW</strong>
(and book signing with CAMILLE ROSE GARCIA for her new BLAB! book, "The Magic Bottle")

September 23 - October 21, 2006
<strong>OPENING RECEPTION: September 23, 8:00-11:30 pm</strong>
<blockquote>COPRO/NASON GALLERY (at Bergamot Station)
2525 Michigan Ave T5, Santa Monica, CA 90404
GALLERY: 310-829-2156
CONTACT: Gary Pressman, Gallery Director
E-MAIL:Â  <a href="mailto:copronason@msn.com">copronason@msn.com</a>
WEBSITE: <a href="http://www.copronason.com/">www.copronason.com</a>
PREVIEW OF ARTWORK: <a href="http://www.blabshow.com/">www.blabshow.com</a></blockquote>
Copro/Nason Gallery presents â€œTHE BLAB! SHOW,â€ the second Group Art Exhibition featuring NEW work from the latest issue of BLAB! magazine (#17)â€”the leading anthology of illustration, found graphics, and sequential art.
<blockquote>Artists represented include: SHAG, GARY BASEMAN, TIM BISKUP, FRED STONEHOUSE, MARK TODD, ESTHER PEARL WATSON, LOU BROOKS, GREG CLARKE, AMY CREHORE, DREW FRIEDMAN, RYAN HESHKA, WALTER MINUS, CALEF BROWN, JOHN POUND, JONATHON ROSEN, SERGIO RUZZIER, and MANY MORE.</blockquote>
Guests include: CAMILLE ROSE GARCIA, SHAG, GARY BASEMAN, TIM BISKUP, <strong>AMY CREHORE,</strong> ESTHER PEARL WATSON, MARK TODD, CALEF BROWN, GREG CLARKE, and MONTE BEAUCHAMP.

BLAB! is the brainchild of Chicagoan <strong>Monte Beauchamp</strong>, whose work has been reviewed in: FLAUNT, VANITY FAIR, THE BELIEVER, GRAPHIS, PRINT, COMMUNICATION ARTS, AMERICAN ILLUSTRATION, and THE SOCIETY OF ILLUSTRATORS. He has received numerous design awards, including five New York Festival Awards for Excellence in Print and Television Communications. His books include: STRIKING IMAGES: Vintage Matchbook Cover Art (Chronicle), THE DEVIL IN DESIGN (Fantagraphics), THE LIFE & TIMES OF R. CRUMB (St. Martins Press), and NEW & USED BLAB! (Chronicle). He is the editor and designer of BLAB! Picto-Novelettes â€” an experimental series of illustrated storybooks published by Fantagraphics.

======================================================

I hope anyone that lives in Southern California and reads ArtNYCÂ blog attends the Blab! Show.Â  It's worth it.Â  Were I in Santa Monica I would go to it myself.

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		<title>Arnaud De Gramont&#8217;s Light Show at the Luxe Gallery</title>
		<link>http://www.artnewyorkcity.com/2006/09/11/arnaud-de-gramonts-light-show-at-the-luxe-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/11/arnaud-de-gramonts-light-show-at-the-luxe-gallery/#comments</comments>
		<pubDate>Mon, 11 Sep 2006 01:28:52 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Arnaud de Gramont]]></category>
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		<category><![CDATA[Luxe Gallery]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/11/arnaud-de-gramonts-light-show-at-the-luxe-gallery/</guid>
		<description><![CDATA[I'll probably attend this show which looks pretty interesting. Arnaud De Gramont, Light Show Luxe Gallery Midtown 24 West 57th Street, #505 212-582-4425 September 12 - October 7, 2006 Opening: Tuesday, September 12, 6:00PM - 8:00PM Web Site I'm not sure this photo relates to what Arnaud De Gramont is showing - but I'll attend [...]]]></description>
			<content:encoded><![CDATA[I'll probably attend this show which looks <em>pretty interesting</em>.
<blockquote>Arnaud De Gramont, Light Show
Luxe Gallery
Midtown
24 West 57th Street, #505
212-582-4425
September 12 - October 7, 2006
Opening: Tuesday, September 12, 6:00PM - 8:00PM
<a href="http://www.luxegallery.net/index2.asp">Web Site</a>
<a class="imagelink" title="ace_of_diamonds.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/ace_of_diamonds.jpg"><img id="image165" style="width: 247px; height: 245px" height="245" alt="ace_of_diamonds.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/ace_of_diamonds.jpg" width="247" /></a>
I'm not sure this photo relates to what Arnaud De Gramont is showing - but I'll attend anyway.</blockquote>

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		<title>Kids. Art. REAL Art &#8211; Brooklyn Artists Gym Kids Art Classes</title>
		<link>http://www.artnewyorkcity.com/2006/09/09/kids-art-real-art-brooklyn-artists-gym-kids-art-classes/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/09/kids-art-real-art-brooklyn-artists-gym-kids-art-classes/#comments</comments>
		<pubDate>Sat, 09 Sep 2006 06:18:29 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Children's Art]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/09/kids-art-real-art-brooklyn-artists-gym-kids-art-classes/</guid>
		<description><![CDATA[The real surprise tonight was the quality of the kids' art that was shown in the hall of Brooklyn Artists Gym.Â  Before I go into the children's art - just want to put something out for discussion.Â Â  Why is it that children have the freedom and vitality in their work that we, as adults, strive [...]]]></description>
			<content:encoded><![CDATA[The real surprise tonight was the quality of the kids' art that was shown in the hall of Brooklyn Artists Gym.Â  Before I go into the children's art - just want to put something out for discussion.Â Â 

Why is it that children have the freedom and vitality in their work that we, as adults, strive so hard to achieve?Â Â  I think it's the paradox, the first will be last and the last will be first.Â 

The best art tonight wasÂ  in the hallway - it was the children's art.Â  Will any of these budding artists mature into a professional artist?Â  Only time will tell.
<p align="center"><a class="imagelink" title="IMG00307.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00307.JPG"><img id="image150" height="96" alt="IMG00307.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00307.JPG" /></a>Â Â  <a class="imagelink" title="IMG00308.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00308.JPG"><img id="image151" height="96" alt="IMG00308.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00308.JPG" /></a>Â Â  <a class="imagelink" title="IMG00304.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00304.JPG"><img id="image149" height="96" alt="IMG00304.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00304.JPG" /></a>Â Â  <a class="imagelink" title="IMG00303.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00303.JPG"><img id="image148" height="96" alt="IMG00303.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00303.JPG" /></a></p>
Â 
<p align="center"><a class="imagelink" title="IMG00310.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00310.JPG"><img id="image154" style="width: 210px; height: 292px" height="292" alt="IMG00310.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00310.JPG" width="210" /></a></p>
<p align="left">Â </p>
<p align="left">You can find out more about enrolling your kid in the fall session that starts on September 26th by calling 718-858-9069 (if you live nearby, that is).Â Â </p>
<p align="left">My interest was in how vital these works by young artists, mostly between 7 and 10 years of age, are.Â  I hope these kids are able to keep that vitality and freshness as they grow older.Â Â  It just shows me, that in many ways, our children are our teachers.</p>

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		<title>Brooklyn Artists Gym Small Works Show</title>
		<link>http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/#comments</comments>
		<pubDate>Sat, 09 Sep 2006 05:57:22 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/09/brooklyn-artists-gym-small-works-show/</guid>
		<description><![CDATA[I rent studio space at BAGÂ and hoped to put one of my small, older paintings in this show - did not get a chance to submit in time but I did attend the show's opening tonight and it was packed. Â Â Â Â  There were 50 artists in the show which is up for a week - [...]]]></description>
			<content:encoded><![CDATA[I rent studio space at <a href="http://www.brooklynartistsgym.com/">BAG</a>Â and hoped to put one of my small, older paintings in this show - did not get a chance to submit in time but I did attend the show's opening tonight and it was packed.
<p align="center"><a class="imagelink" title="IMG00288.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00288.JPG"><img id="image139" height="96" alt="IMG00288.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00288.JPG" /></a>Â Â Â Â  <a class="imagelink" title="IMG00311.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00311.JPG"><img id="image140" height="96" alt="IMG00311.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00311.JPG" /></a></p>
<p align="left">There were 50 artists in the show which is up for a week - here's two pictures (as in day and night) one indoors and the other, outside the converted warehouse that BrooklynArtistsGym.com is located in, on the 3rd floor.Â  By the way, it's a Full Moon tonight (howl) and there was a lot of light out - but not enough to make my photos come out - I had to up the color and light saturation to see anything on the second picture.</p>
<p align="left">Here's the artists that I liked the most in this show:</p>
<p align="left">Sex Series I and II by Arthur L.Frick III (it's the artist after having sex with his girlfriend)</p>
<p align="center"><a class="imagelink" title="IMG00296.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00296.JPG"><img id="image143" style="height: 101px" height="101" alt="IMG00296.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00296.JPG" width="122" /></a>Â  <a class="imagelink" title="IMG00295.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00295.JPG"><img id="image144" height="96" alt="IMG00295.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00295.JPG" /></a></p>
<p align="left">Gowanus or Third Avenue (not sure which) by Amanda Kavanagh.Â  BAG is within a couple of blocks of the Gowanus (river/inlet) and right off Third Avenue in Brooklyn, so the pictures are of scenes right next door.</p>
<p align="center"><a class="imagelink" title="IMG00301.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00301.JPG"><img id="image147" style="width: 192px; height: 161px" height="161" alt="IMG00301.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00301.JPG" width="192" /></a></p>
<p align="left">Pacific Subscape by Lisa Lebofsky had a very nice realistic yet abstract quality and I would have liked to speak with Lisa, but could not identify her (or maybe she was not present).</p>
<p align="center"><a class="imagelink" title="IMG00297.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00297.JPG"><img id="image145" style="width: 211px; height: 157px" height="157" alt="IMG00297.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00297.JPG" width="211" /></a></p>
<p align="left">Â </p>
<p align="left">The overall quality of the work was good - did not see anything that was "brakeout" quality but I have a pretty good eye for art.</p>
<p align="left">In my next post I will cover the surprise of the evening!</p>

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		<title>Joe Coleman&#8217;s Art Opening at the Tilton Gallery</title>
		<link>http://www.artnewyorkcity.com/2006/09/08/joe-colemans-art-opening-at-the-tilton-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/08/joe-colemans-art-opening-at-the-tilton-gallery/#comments</comments>
		<pubDate>Fri, 08 Sep 2006 05:47:34 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Joe Coleman]]></category>
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		<category><![CDATA[Studios]]></category>
		<category><![CDATA[Tilton Gallery]]></category>

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		<description><![CDATA[One of the fanciest art openings I have attended, one that Amy Crehore suggested I attend (and who I dragged my son to), Joe Coleman's opening at the Tilton Gallery - was more of a "Star" event than an art opening.Â  In fact, the Tilton Gallery seems to be more of a Joe Coleman Museum [...]]]></description>
			<content:encoded><![CDATA[One of the fanciest art openings I have attended, one that <a href="http://www.amycrehore.com/">Amy Crehore </a>suggested I attend (and who I dragged my son to), <a href="http://www.nytimes.com/2006/09/03/arts/design/03stra.html?_r=1&ref=arts&oref=slogin">Joe Coleman's opening at the Tilton Gallery </a>- was more of a "Star" event than an art opening.Â  In fact, the Tilton Gallery seems to be more of a Joe Coleman Museum - shown in darkened rooms with each painting highlighted so it seemed to pop out of the wall.Â  Nothing was left to chance for this opening - and it was well attended!
<p align="center"><a class="imagelink" title="IMG00267.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00267.JPG"><img id="image134" style="height: 230px" height="230" alt="IMG00267.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00267.JPG" width="279" /></a></p>
<p align="center">In the Realms of the Unreal (Henry Darger), 1998Â  Acrylic and Mixed Media on panel, 24 5/16" x 30 5/15"</p>
<p align="left">I took pictures, or had Adam take pictures for me, but the room was so dark, nothing much came out.Â  It was clear that Joe Coleman has "arrived" - and no doubt will be collected by every major museum - if he hasn't already been.Â Â  Before I talk about Joe</p>
<p align="left">Coleman's work (I also wrote about Joe Coleman a couple of days ago in <a title="Permanent Link to Joe Coleman Gets a Retrospective at the Tilton Gallery in Manhattan" href="http://www.artnewyorkcity.com/2006/09/03/joe-coleman-gets-a-retrospective-at-the-tilton-gallery-in-manhattan/" rel="bookmark">Joe Coleman Gets a Retrospective at the Tilton Gallery in Manhattan</a>), here's a couple more pictures.</p>
<p align="center"><a class="imagelink" title="IMG00274.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG"><img id="image135" height="96" alt="IMG00274.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG" /></a>Â Â Â  <a class="imagelink" title="IMG00273.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00273.JPG"><img id="image136" height="96" alt="IMG00273.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00273.JPG" /></a></p>
<p align="left">I had my son take a picture of me against a couple of Coleman's paintings that were suggestive of themes I can relate to like The Dream of Sigmund Freud (1993) and the Victory of Hell (1995) (above right photo); I believe that's also the painting I am standing in next to, but it's not that clear in the photo.</p>
<p align="left">I also spotted <a href="http://clickz.com/showPage.html?page=clickz_contact&id=3622545&story=3623349">Rebecca Lieb </a>of ClickZ at Joe Coleman's opening but did not get to speak to her - <em>writing for ClickZ is by invitation only</em> ....and I did not get my invite <em>(yet).</em>Â  I run into Rebecca at various Search Engine Strategies and also at the first Online Video Conference last June (where I also recorded a Podcast - for anyone who cares to listen - <a href="http://www.zoom-in.com/blog/2006/07/marshall_sponder_on_web_metric.php">it's here </a>- you need iTunes to listen to it though). Maybe everyone can send Rebecca Lieb a note and tell her they'd read ClickZ if I wrote a column on Web Metrics for them...oh well, it's ok to imagine.</p>
<p align="left">Getting back to Joe Coleman's opening - there were a lot of interesting people - the type of people that you might not see at an upper east side exclusive art gala opening...biker types, people with a lot of tattoos, a lot of attractive woman (that's normal) in low cut dresses (maybe that's normal too)!</p>
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<p align="left">The paintings were ....... like a cross between comic books and Van Eyck paintings - every bit of every painting had detail, upon detail, upon detail ...almost like a fractal - that expanded onto itself.Â Â </p>
<p align="left">Composition ....that takes care of itself - Coleman is painting a Mandala - it's the same Mandala but the subjects change.Â  I found the Dream of Sigmund Freud, for example, very successful in doing something I'm trying to do - segmenting life into the various syndromes that Freud wrote about and, to some extent, invented the vocabulary for.</p>
<p align="left">Then there's paintings where the artist is painting himself, or himself and his wife, such as "Love Song, (1999). I understand that Joe Coleman got married in 2000, maybe the Love Song is part of the courtship...just guessing here.Â  Almost every painting has a lot of sex - let's face it - we all think that way ..... Coleman paints it - in grueling detail a morphs it into a morbid dance - but one you can't stop looking at....and that's the Art of it...you can't stop looking at them.Â Â  In fact, if you were to stop and really look at a Joe Coleman painting - it would take you hours to read ever little bit of text and image on any one painting - and since he spends a year working on one (he does several at one time - but it takes about a year to complete each one from start to finish) a couple of hours is not too much to ask.</p>
<p align="left">In another painting, "I am Joe's Fear of Disease", painted in 2001, Coleman sticks his hospital admission pass to Brooklyn Medical Center and the IV he was given fluids with onto the frame of the painting.</p>
<p align="left">The basis - the need to illustrate every significant thought, idea, event, feeling that's connected with the subject - and stick them all onto one painting - is not a new idea.Â  When you get close to Joe Coleman's work - it seems a combination of illustration and painting - the color pops out (the more so against darkened walls in a darkened room) and every part of the painting is executed in exacting detail.</p>
<p align="left">There's no question that Joe Coleman is a great artist; who will be well collected.Â  I think, if I were ever to interview Joe Coleman, I'd try to find out what makes him tick.....what is he trying to say....</p>
<p align="left">Another amusing detail ...in Public Enemy Number One (John Dillinger), painted in 1999, Dillinger's dick is painted, cut off, at the bottom of the painting - Coleman writes that Dilllinger's dick was collected, as was the rest of his disected body....by collectors.Â Â  I enjoyed seeing Joe Coleman's sense of humor - perverted, not doubt, but what's not perverted?Â  Maybe that's the whole of point of this.Â  Some people were looking at the images and writings on the paintings and taking them literally - and those people might be offended.</p>
<p align="left">But I was not offended, I had fun looking and reading what was on each painting - and if were not for the crowd and my son Adam, tugging at me, I'd have spent a bit more time at Tilton Gallery looking at Joe Coleman's paintings.</p>
<a class="imagelink" title="IMG00274.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00274.JPG" />

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		<title>Saatchi&#8217;s first reader-curated contemporary art show!</title>
		<link>http://www.artnewyorkcity.com/2006/09/07/saatchis-first-reader-curated-contemporary-art-show/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/07/saatchis-first-reader-curated-contemporary-art-show/#comments</comments>
		<pubDate>Thu, 07 Sep 2006 05:16:40 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[New York]]></category>
		<category><![CDATA[Saatchi]]></category>

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		<description><![CDATA[This may be a first! Charles Saatchi's online gallery (I wrote about it over a month ago on ArtNYC) and the Guardian newspaper are joining forces to: "...create the first reader-curated contemporary art show, featuring emerging new talent from across the globe. Your Gallery at The Guardian will take place from 24-28 October in the [...]]]></description>
			<content:encoded><![CDATA[This may be a first! Charles Saatchi's online gallery (I wrote about it over a month ago on ArtNYC) and the Guardian newspaper are joining forces to:
<blockquote>"...<strong>create the first reader-curated contemporary art show</strong>, featuring emerging new talent from across the globe. Your Gallery at The Guardian will take place from 24-28 October in the Guardian Newsroom."

"...by curating an exhibition where they choose the content. Readers can vote for their favourite work from a selection of 30 contemporary artists nominated by our judging panel. Ten will be chosen for exhibit in October."</blockquote>
Maybe that's the only glitch - how aboutÂ the top artists at Your GalleryÂ be chosen by highest number of pageviews and then were voted upon by readers - that would be much more interesting!Â  <a href="http://arts.guardian.co.uk/yourgallery/">Here's the page </a>at the Guardian where the first reader-curated contemporary art show information is posted.
<blockquote>"<font face="Arial" size="2">The Guardian and the Saatchi gallery's Your Gallery project are joining forces to create a unique contemporary art show, featuring exciting new talent from across the globe - <strong>and we want you to curate it.</strong></font><font face="Arial" size="2">We've selected a shortlist of 30 people from the thousands on display on the <a href="http://www.saatchi-gallery.co.uk/yourgallery/"><font face="Arial" color="#333399" size="2">Your Gallery</font></a></font><font face="Arial" size="2"> website. </font>

We want you to choose your <strong>three favourite artists</strong>: the 10 most popular will feature in a special show being held at the Guardian's Newsroom exhibition space on October 24-28 2006.

Here's how:

<strong>Â·</strong> <strong>Preview the shortlisted works</strong> in our <a href="http://arts.guardian.co.uk/flash/page/0,,1864683,00.html"><font color="#333399">online slideshow</font></a>

<strong>Â·</strong> <strong>Find out more</strong> about each artist by looking at the <a href="http://arts.guardian.co.uk/yourgallery/artists/"><font color="#333399">profiles page</font></a>

<strong>Â·</strong> <a href="http://arts.guardian.co.uk/competition/0,,-908,00.html"><font color="#333399">Place your vote</font></a> and be in with a chance of <strong>winning tickets</strong> to an exclusive preview of the show on October 23 2006"</blockquote>
I looked at the slide show of the thirty artists - no one I know - I hoped to find a friend in the lineup.Â 

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		<title>Lincoln Center and Brooklyn Artists Gym over the weekend</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/lincoln-center-and-brooklyn-artists-gym-over-the-weekend/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/lincoln-center-and-brooklyn-artists-gym-over-the-weekend/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 07:35:51 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Lincoln Center]]></category>
		<category><![CDATA[New York]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/lincoln-center-and-brooklyn-artists-gym-over-the-weekend/</guid>
		<description><![CDATA[I spent part of Labor Day going over to Lincoln Center and Brooklyn Artists Gym - where I paint, when I get a chance to go over to the studio; I had my son Adam with me and he helped me Gesso some canvasses.Â Â Â  Here's some photos I took over the weekend. Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  1 Â Â Â Â Â  [...]]]></description>
			<content:encoded><![CDATA[<a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /><a class="imagelink" title="IMG00221-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG" /><a class="imagelink" title="IMG00226-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG" />I spent part of Labor Day going over to Lincoln Center and Brooklyn Artists Gym - where I paint, when I get a chance to go over to the studio; I had my son Adam with me and he helped me Gesso some canvasses.Â Â Â  Here's some photos I took over the weekend.
<p align="center"><a class="imagelink" title="IMG00174.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00174.JPG"><img id="image127" style="height: 181px" height="181" alt="IMG00174.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00174.JPG" width="261" /></a></p>
Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â  1

<a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /><a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" />
<p align="center"><a class="imagelink" title="IMG00211.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG"><img id="image128" height="96" alt="IMG00211.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00211.JPG" /></a>Â Â Â Â Â </p>
<p align="center">2</p>
<p align="center">Â <a class="imagelink" title="IMG00219.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00219.JPG"><img id="image131" height="96" alt="IMG00219.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00219.JPG" /></a>Â Â Â </p>
<p align="center">3</p>
<p align="center">Â <a class="imagelink" title="IMG00221-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG"><img id="image129" height="96" alt="IMG00221-1.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00221-1.JPG" /></a>Â Â </p>
<p align="center">4</p>
<p align="center">Â <a class="imagelink" title="IMG00226-1.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG"><img id="image130" style="width: 83px; height: 134px" height="134" alt="IMG00226-1.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/IMG00226-1.JPG" width="83" /></a>Â Â Â </p>
Â Â Â Â Â Â Â Â 

Took picture 1 at Lincoln Center - a work of art whose name or artistÂ I could not find.

Pictures 2 and 3 my son Adam took.Â  I was particularly struck by picture 2.

Pictures 4 and 5 are my last two Oil Pastels; did #4 yesterday and #5 more than 2 weeks ago.

Click on each thumbnail to enlarge the picture.

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		<title>The Accidental Masterpiece by Michael Kimmelman</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Michael Kimmelman]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</guid>
		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Everyday Scenes, Painted Every Day</title>
		<link>http://www.artnewyorkcity.com/2006/11/15/old-masters-and-young-geniuses-is-david-galensons-art-theory-true/</link>
		<comments>http://www.artnewyorkcity.com/2006/11/15/old-masters-and-young-geniuses-is-david-galensons-art-theory-true/#comments</comments>
		<pubDate>Wed, 15 Nov 2006 05:42:09 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Andy Warhol]]></category>
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		<description><![CDATA[Been looking at David Galenston's two books - thinking I'll purchase the latest book called Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity.Â Â Â Got interested in Buy Lotrel Without Prescription, David W. Galenson after reading a review of his ideas in the New York Times today.Â Â  In The Art of Pricing Great [...]]]></description>
			<content:encoded><![CDATA[<p> Been looking at <strong>David Galenston's</strong> two books - thinking I'll purchase the latest book called <a href="http://www.amazon.com/dp/0691121095?tag=davidgalenson-20&camp=14573&creative=329585&linkCode=as1&creativeASIN=0691121095&adid=17W28618NYJW84H6F7NV&"><strong>Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity</strong></a>.Â Â Â Got interested in <a href="http://www.davidgalenson.com/"> <b>Buy Lotrel Without Prescription</b>, David W. Galenson </a>after reading a review of his ideas in the New York Times today.Â Â </p>
<p>In <a href="http://www.nytimes.com/2006/11/15/business/15leonhardt.html?pagewanted=1"><strong>The Art of Pricing Great Art</strong></a>, <b>Lotrel pills</b>, <b>Lotrel overseas</b>, the writer, Mr, <b>where can i order Lotrel without prescription</b>.  <b>Lotrel to buy</b>, Leonhardt, expresses the following:<br />
<blockquote>"The mysterious part of the current mania lies in figuring out <strong>what exactly makes a piece of art worth $30 million instead of, <b>Lotrel from international pharmacy</b>, <b>Lotrel in uk</b>, say, $1 million.</strong> Not even people who make their living selling art claim to have much of a definition of great art, <b>order Lotrel online c.o.d</b>.  <b>Lotrel discount</b>, In fact, theyâ€™re proud not to have one, <b>cod online Lotrel</b>.  <b>Order Lotrel from mexican pharmacy</b>, â€œThatâ€™s where the market becomes magical,â€ Tobias Meyer, <b>buying Lotrel online over the counter</b>, <b>Lotrel buy</b>, Sothebyâ€™s chief auctioneer, told me."</blockquote><br />
In my <a href="http://www.webmetricsguru.com/">www.webmetricsguru.com</a> blog - I use with metrics to solve a business needÂ (<em>some times I make my own metrics - you have to be creative - you know</em>); a theory explaining value of a work of art would appeal to someone with my values and way of thinking, <b>Lotrel in india</b>.</p>
<p>There's a lot of good stuff in the Leonhardt article so I'll quote from it quite a bit, then comment at the end, <b>Buy Lotrel Without Prescription</b>.  <b>Lotrel in usa</b>, <blockquote>".....he began collecting data on the sale price of works by Warhol, <a title="More articles about Jackson Pollock." href="http://topics.nytimes.com/top/reference/timestopics/people/p/jackson_pollock/index.html?inline=nyt-per"><font color="#004276">Jackson Pollock</font></a> and other American artists, <b>purchase Lotrel</b>, <b>Buy cheap Lotrel</b>, and he discovered a pattern. <strong>Most of them produced their most valuable work either very early in their career, <b>Lotrel in canada</b>, <b>Online buy Lotrel without a prescription</b>, like Warhol, or very late, <b>Lotrel tablets</b>, <b>Buy Lotrel online without prescription</b>, like Pollock. </strong>When he expanded his research to European painters, <b>Lotrel san diego</b>, <b>Purchase Lotrel online no prescription</b>, he found the same pattern.</p>
<p>Not only that, <b>Lotrel in mexico</b>, <b>Buy Lotrel online with no prescription</b>, but the two groups tended to approach art, and to talk about it, <b>ordering Lotrel online</b>, <b>Free Lotrel samples</b>, in strikingly different ways.  <strong> <b>Buy Lotrel Without Prescription</b>, The young geniuses, like Gauguin, </strong><a title="More articles about Pablo Picasso." href="http://topics.nytimes.com/top/reference/timestopics/people/p/pablo_picasso/index.html?inline=nyt-per"><font color="#004276"><strong>Picasso</strong></font></a><strong> and </strong><a title="More articles about Vincent Van Gogh." href="http://topics.nytimes.com/top/reference/timestopics/people/v/vincent_van_gogh/index.html?inline=nyt-per"><font color="#004276"><strong>Van Gogh</strong></font></a><strong>, were conceptual innovators whose paintings broke sharply from previous work.</strong> They typically <em>had a precise goal in mind when they started a piece and didnâ€™t need long to finish it</em>. â€œAbove all, <b>Lotrel prices</b>, <b>Buy Lotrel from mexico</b>, donâ€™t sweat over a painting,â€ Gauguin once told a friend, <b>purchase Lotrel online</b>.  <b>Lotrel in japan</b>, â€œA great sentiment can be rendered immediately.â€</p>
<p>The <strong>late bloomers, on the other hand, <b>Lotrel paypal</b>, <b>Lotrel trusted pharmacy reviews</b>, arrived at their innovations gradually, through trial and error, <b>buy no prescription Lotrel online</b>, <b>Lotrel from canadian pharmacy</b>, making their major contributions late in life. They painted the same subject again and again, <b>buy Lotrel from canada</b>, <b>Lotrel prescriptions</b>, experimenting on the canvas, often reluctant to say that a painting was finished, <b>buy Lotrel online no prescription</b>.  <b>Buy Lotrel online without a prescription</b>, </strong>Consider that CÃ©zanne, who did his most valuable and celebrated work in his 60s, <b>order Lotrel no prescription</b>, <b>Rx free Lotrel</b>, signed few of his paintings.</p>
<p>Mr, <b>Buy Lotrel Without Prescription</b>. Galenson has <strong>extended the theory to novelists, <b>where can i find Lotrel online</b>, <b>Buy Lotrel online cod</b>, poets and beyond, arguing that most creative people fall on one end or the other of the spectrum, <b>where can i buy cheapest Lotrel online</b>, <b>Where can i buy Lotrel online</b>, </strong> and he has earned a fair bit of attention. Malcolm Gladwell, <b>buy cheap Lotrel no rx</b>, <b>Next day Lotrel</b>, in a <a title="Malcolm Gladwellâ€™s Speech" href="http://www.davidgalenson.com/malcolmgladwell-lecture.pdf"><font color="#004276">speech</font></a> at <a title="More articles about Columbia University." href="http://topics.nytimes.com/top/reference/timestopics/organizations/c/columbia_university/index.html?inline=nyt-org"><font color="#004276">Columbia University</font></a>, described â€œOld Masters and Young Geniuses, <b>Lotrel over the counter</b>, <b>Buy Lotrel no prescription</b>, â€ which Mr. Galenson published this year, <b>fast shipping Lotrel</b>, <b>Lotrel in us</b>, as â€œa really wonderful book.â€ Wired magazine recently <a title="Wired Magazine Profile" href="http://www.wired.com/wired/archive/14.07/genius.html?pg=2&topic=genius&topic_set"><font color="#004276">profiled</font></a> him under the headline, â€œWhat Kind of Genius Are You?â€</blockquote><br />
Maybe few artists are exactly one type or the other - I believe there is polarity in just about everything - including creativity, <b>online buying Lotrel hcl</b>.  <b>Lotrel gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, <blockquote>"......If you look through the prices from the current auction season, or walk through any major museum, <b>where to buy Lotrel</b>, <b>Delivered overnight Lotrel</b>, <strong><em>you canâ€™t help but notice that Mr.  Galenson is onto something</em></strong> <b>Buy Lotrel Without Prescription</b>, . When a still life that CÃ©zanne painted at the age of 56, <b>where to buy Lotrel</b>, <b>Lotrel in australia</b>, for instance, fetched $37 million at Sothebyâ€™s last week, <b>Lotrel medication</b>, <b>Over the counter Lotrel</b>, art experts cited the rarity of CÃ©zanne still lifes. The next night at Christieâ€™s, <b>buy Lotrel without a prescription</b>, <b>Lotrel for sale</b>, another CÃ©zanne still life â€” one painted when he was 34 â€” sold for just $1.1 million. "</blockquote><br />
<p align="left">I don't find that surprising - Cezanne's late still lifes are much more "unique" than his earlier work - when he was struggling to find himself and his style.Â  While Cezanne's early work is notable - yet he had he not evolved his later style and revolutionized art.Â  Had Paul Cezanne painted his early still lifes, <b>order Lotrel online overnight delivery no prescription</b>, <b>Buy generic Lotrel</b>, then died all of a sudden, before doing his later workÂ - we'd probably not know he existed today - he'd never become that well known for his early work.</p><br />
<p align="left">Now, <b>buy Lotrel without prescription</b>, <b>Sale Lotrel</b>, it turns out that Malcolm Gladwell (the same <a href="http://www.webmetricsguru.com/2006/04/webmasterworld_keynote_malcolm_2.html">Malcolm Gladwell </a>who <a href="http://www.knowmoremedia.com/2006/04/press_release_webmetricsgurus.html">I heard</a> at <a href="http://www.webmetricsguru.com/2006/04/webmasterworld_keynote_malcolm_2.html">Webmasterworld Pubcon X </a>in Boston, earlier this year) has come to Galenson's defense and spoke about Galenson's theory in February at Columbia.Â Â  I read Malcolm <a href="http://www.davidgalenson.com/malcolmgladwell-lecture.pdf">Gladwell's Age Before Beauty </a>all the way through and it's great!</p></p>
<p></p>
<p><blockquote><br />
<p align="left">"...<font face="Times-Roman">wayâ€”heâ€™s an economistâ€”the way he decides to analyse great artists is to look at the value of their paintings, <b>saturday delivery Lotrel</b>. How much money do their paintings reach at auction. Thereâ€™s a big record called the [GuideMayer] which is this big Swiss volume, which records precisely whatâ€™s paid for every painting at all the major auction houses of the year, and he basically goes through this thing, combs through it and does these very, very complicated regression analyses based on the size of the painting and when it was painted and how much was paid for it, et cetera, <b>Buy Lotrel Without Prescription</b>. And using this whole kind of thing.</font></p><br />
<p align="left"><font face="Times-Roman">He analyses the value of the paintings of famous artists. And he comes up with this really interesting conclusion, which is that, if you do that kind of analysis, looking at the value of paintings of famous artists over the course of their career, what happens is they divide quite neatly into two groups. Thereâ€™s a group of artists that do their greatest work very, very early in their career, and then their value declines, and thereâ€™s a group of artists who do their very bestÂ  </font><font face="Times-Roman">work at the very end of their career, right. The very end of life.  In <strong>other words there isnâ€™t a kind of single profile of what it means to be a successful artist; thereâ€™s two</strong>."</font></p></p>
<p><font face="Times-Roman"></font><font face="Times-Roman">"...</font><font face="Times-Roman"> <b>Buy Lotrel Without Prescription</b>, So he says, look, Pisarro peaks at forty-five, Degas at forty-six, Kandinsky at fifty-two, Georgia Oâ€™Keefe at forty-eight. Munch, on the other hand, does his best work at thirty-four, Derain at twenty-four, Braque at twenty-eight, Juan Gris at twenty-eight, and de </font><font face="Times-Roman">Chirico at twenty-six."</font><font face="Times-Roman"> </font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman">"......</font><font face="Times-Roman">Thatâ€™s very much the way that experimental artists are working, t<strong><em>heyâ€™re kind of groping towards something they canâ€™t quite define.</em></strong> Now here, by contrast, is another art historian talking about Picasso: â€œThere was not one Picasso, but ten, twenty, always different, unpredictably changing. And in this he was the opposite of a Cezanne, whose work followed that logical, reasonable course to fruition.â€<strong><em> Cezanne famously said, â€œI seek in painting.â€ What did Picasso say. He said, â€œI donâ€™t seek, I find</em></strong>.â€</font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman">"</font><font face="Times-Roman">...he looks, for example, at the abstract expressionists and points out, you know, youâ€™ve got a group of older abstract expressionists like Rothko and de Kooning and Jackson Pollockâ€”theyâ€™re all guys who peak in their fifties and in some cases in their sixties. Itâ€™s a long time to work out their method. And then youâ€™ve got this younger group, you know, Stella, Lichtenstein, Rauschenberg, Jasper Johns, Andy Warhol, who peak, on the contrary, in their twenties, and who have a radically different way of explaining their art, and of doing art and of thinking about art, and that look at the older generation of abstract expressionists and think of them as being kind of antiintellectual, as being kind of mere painters, not kind of thinkers who are possessed of an idea and a concept of how to do art, but guys who are kind of mucking around with paint."</font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"><br />
<p align="left"><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"></font><font face="Times-Roman"><font face="Times-Roman" /></font><font face="Times-Roman">Ok, I agree with most of this - butÂ what ifÂ your the first type of artist -and you may have peaked early but don't want to accept that your too old to achieve anything lasting now....what do you do?Â  It's a question I don't as yet, have an answer to.</font></p></font></blockquote></p>
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		<description><![CDATA[Buy Iressa Without Prescription, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in New York City than ..... www.NYC-ARTS.org and www.NYCkidsARTS.org, Iressa in us. Buy Iressa online without prescription, I took a look at NYC-Arts.org and it looks [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Iressa Without Prescription</b>, Sometimes people contact me with worthy causes - worthy sites - sites about Art in New York - and what could be more abotu Art in <a class="zem_slink" title="New York City" rel="geolocation" href="http://maps.google.com/maps?ll=40.7166666667,-74.0&amp;spn=0.1,0.1&amp;q=40.7166666667,-74.0%20%28New%20York%20City%29&amp;t=h">New York City</a> than ..... <a href="http://www.NYC-ARTS.org">www.NYC-ARTS.org</a> and <a href="http://www.NYCkidsARTS.org">www.NYCkidsARTS.org</a>, <b>Iressa in us</b>.  <b>Buy Iressa online without prescription</b>, I took a look at NYC-Arts.org and it looks good!  Now, I do think they need to add a <a class="zem_slink" title="Social network service" rel="wikipedia" href="http://en.wikipedia.org/wiki/Social_network_service">Social Networking</a> aspect to the site, <b>Iressa craiglist</b>, <b>Iressa price, coupon</b>, and I will speak to Joe Harrell, the Director of Marketing for the Alliance of the Arts, <b>Iressa paypal</b>, <b>Iressa gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, here in New York, about that, <b>sale Iressa</b>.  <b>Iressa in canada</b>, But the sites, as they look now, <b>Iressa from canadian pharmacy</b>, <b>Iressa discount</b>, are first class - they look good.  In fact, what I'd do, <b>delivered overnight Iressa</b>, <b>Buy cheap Iressa no rx</b>, if I ran those sites, is add the content from Artcards.cc and also have artists, <b>cod online Iressa</b>, <b>Online buying Iressa hcl</b>, like me, go out and cover shows and post them to an accompying blog - that feeds into the NYC-Arts.org site - that would generate a lot more content, <b>order Iressa no prescription</b>.  <b>Iressa prices</b>, Not sure what to say about the kids site - I have a son, but he's almost 16 years old - and I think a kids site has a different demographic than me - (unless I'm trying to reach out to kids and their parents - in which case, <b>where can i order Iressa without prescription</b>, <b>Buy generic Iressa</b>, maybe it's relevent).  At any rate - these are Art Sites about our community - here in New York City - and they ougth to be supported.</p>
<p>Here's the information about NYC-ARTS.org and NYCkidsARTS.org from recent press release:</p>
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<blockquote><br />
<p align="right">FOR IMMEDIATE RELEASE</p><br />
<p align="center"><strong>Alliance</strong><strong> for the Arts Launches NYC-ARTS.org and NYCkidsARTS.org in Beta Testing</strong></p><br />
NEW YORK - November 25, 2008 - The Alliance for the Arts has launched the beta versions of its new NYC-ARTS.org and NYC<em>kids</em>ARTS.org, the most complete, customizable and dynamic source of information on New York's cultural institutions, <b>Buy Iressa Without Prescription</b>. Curated by people who know the scene, <b>buying Iressa online over the counter</b>, <b>Where can i buy cheapest Iressa online</b>, NYC ARTS provides an inside view of New York's cultural life.</p>
<p>The NYC ARTS Web sites have launched during <a class="zem_slink" title="Software testing" rel="wikipedia" href="http://en.wikipedia.org/wiki/Software_testing">beta testing</a>, <b>free Iressa samples</b>.  <b>Iressa in mexico</b>, The public is invited to participate in testing by submitting feedback through the "Send your feedback" button at the bottom of every page.</p>
<p><strong>NYC-ARTS.org</strong></p>
<p>Locals and tourists will find in-depth information on cultural organizations and their events, <b>Iressa pills</b>, <b>Online buy Iressa without a prescription</b>, programs and activities.</p>
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<p><strong>Alliance</strong><strong> for the Arts Research  Center</strong></p>
<p>The research tools in the Alliance for the Arts Research Center will provide easy access to accurate quantitative data on the nonprofit cultural sector in New York City, <b>buy Iressa no prescription</b>.  <b>Buy Iressa online with no prescription</b>, In the increasingly competitive entertainment environment, NYC ARTS and NYC<em>kids</em>ARTS ensure that New York City's arts organizations stand out in the clutter of choices, <b>Iressa san diego</b>.  <b>Buy Iressa from mexico</b>, The NYC ARTS brand is a powerful promotional identity both for large cultural institutions that command high visibility and smaller groups with less promotional muscle. Unlike commercial cultural listings that have a narrow focus, <b>order Iressa from mexican pharmacy</b>, <b>Buy Iressa without a prescription</b>, these sites give all arts groups equal opportunity to promote their programs and attract visitors. The power of the NYC ARTS sites extends beyond the walls of the Web sites with weekly e-mail updates, interest-specific <a class="zem_slink" title="RSS" rel="wikipedia" href="http://en.wikipedia.org/wiki/RSS">RSS feeds</a> and connections to social networking sites such as <a class="zem_slink" title="Facebook" rel="homepage" href="http://facebook.com">Facebook</a> and <a class="zem_slink" title="Twitter" rel="homepage" href="http://twitter.com">Twitter</a>, <b>Buy Iressa Without Prescription</b>.</p>
<p>Cultural consumers need a strong brand to help them navigate the rich and diverse resources of New York City's five boroughs, <b>Iressa prescriptions</b>.  <b>Iressa trusted pharmacy reviews</b>, Through recommendations, curated collections and other features such as "Events ending soon, <b>Iressa to buy</b>, <b>Buy Iressa from canada</b>, " the sites will be proactive in directing individuals to cultural opportunities they might otherwise overlook.</p>
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<p><strong>About the Alliance for the Arts</strong></p>
<p>The Alliance for the Arts serves the entire cultural community through research and advocacy and serves the public through cultural guides and calendars, <b>where can i buy Iressa online</b>.  <b>Where to buy Iressa</b>, Through its NYC ARTS guides and calendars, the Alliance promotes New   York cultural institutions, <b>Iressa tablets</b>.  <b>Purchase Iressa online no prescription</b>, Through its research studies highlighting the importance of the arts to the economy and to education, the Alliance helps government and civic leaders understand the importance of cultural organizations to New York City, <b>Iressa in uk</b>.  <b>Saturday delivery Iressa</b>, More information on the Alliance's work can be found at the new www.AllianceforArts.org.</p>
<p><strong>Contact: </strong></p>
<p>Joe Harrell, <b>order Iressa online overnight delivery no prescription</b>, <b>Rx free Iressa</b>, Director of Marketing &amp; Product Management</p>
<p>Alliance for the Arts</p>
<p>jharrell@allianceforarts.org</p>
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