Art in NYC - Visual Arts in New York City » Chelsea

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Marshall — Thu, 17 Jul 2008 06:32:47 +0000

I think Social Search and Social Media Buy Cafergot Without Prescription, works and my attendance at a concert tonight at The Cutting Room on West 24th Street happened purely because someone invited me on Facebook - I looked at the invitation, liked her music, and attended. Cafergot overseas, I wasn't disappointed - I had a great time and Nikki Shannon and her band played very well - and I got to meet her and speak for a couple of minutes. I was in a room with total strangers - there wasn't anyone that I knew - but I felt I was still "invited" and it turns out the PR Person is one of my Facebook friends.

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So ... Social Media Works - it really does - the problem might be - can you get enough people to see and interact with the content - any content, Cafergot to buy. Buying Cafergot online over the counter, But I would not have come had I not liked her music - so it's all about "realness" and Art.

While visual art, painting, and music are both similar and different, one thing speaks to soul, genuineness - and she has it - I could feel it, Buy Cafergot Without Prescription.

Why I decided to listen, online buying Cafergot hcl, Cafergot for sale, why I opened up, maybe it was the power of Social Media - it can do that - if people want to listen, buy Cafergot online without prescription, Buy Cafergot without prescription, want to see, want to listen, buy cheap Cafergot. Where can i buy Cafergot online, Maybe we're Early Adopters of Social Media, or I am, where to buy Cafergot, Free Cafergot samples, anyway - and there's a good post about it in Social Media Today

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While the increasing mainstream coverage of tools like Facebook and MySpace may be a sign that we’re moving beyond the introduction stage and into the growth stage of social media tools, fast shipping Cafergot, Cafergot discount, from my perspective we’re still at a point in social media when everyone is learning. That’s especially true in public relations, buy Cafergot online cod. Cafergot paypal, PR has been around for a long time; social media has been around for just a few years. I think we’re early in the lifecycle.

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Marshall — Sat, 03 Mar 2007 06:13:29 +0000

I just got done meeting Liz Dimmitt of Gumshoe and walked out the door of La Bottega cafeÂ at the Maritime Hotel Buy Bisoprolol (Concor, Merck) Without Prescription, Â in Chelsea when I beheld this building - a felt as if I was looking at aÂ structure from another world.Â I was compelled to take a closer look.

I really have to go back to this building which is across the street from Chelsea Piers - Interactive employees are beginning to occupy the building - can Barry Diller be far behind?Â This has got to be one of the most interesting buildings I've ever seen - it's almost all glass - but the transparency changes based on the time of day, Bisoprolol (Concor, Merck) paypal, Bisoprolol (Concor, Merck) over the counter, I'm told you can't see in during the day but becomes much easier to look into later in the day - and I was moving by the building towards dusk.

I'm envious of the people who'll work in this building - and I liked everything about the design, Bisoprolol (Concor, Merck) from canadian pharmacy, Bisoprolol (Concor, Merck) discount, as well as the galleries across the street - this is truly Art.Â I wanted to walk in - some construction is still going on.Â Well, I'll be back, purchase Bisoprolol (Concor, Merck) online no prescription. Bisoprolol (Concor, Merck) in india, I went to a couple of Art Openings afterward, including Vincent Geyskens opening at the envoygallery, Bisoprolol (Concor, Merck) to buy, Bisoprolol (Concor, Merck) in uk, and another somewhere nearby - then I had dinner and went home.Â But I did stop at Pearl Paints on 23rd Street and buy some expensive Oil Pastels and a new pad.

If I do make it to Paris in late May, ordering Bisoprolol (Concor, Merck) online, Free Bisoprolol (Concor, Merck) samples, I'll probably only bring along a pad a bunch of Oil Pastels /Watercolors - maybe a portable easel; that's actually enough for me.

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Marshall — Fri, 26 Jan 2007 05:40:26 +0000

I went by the Chelsea Art Museum tonight for an opening of "Dangerous Beauty" Buy Ansieten Without Prescription, - it was packed and the first time I actually toured the museum. Purchase Ansieten, I also notice there were several books about Jean Miotte at the Chelsea Museum book store in the lobby.Â I don't know anything about this artist but I see there's' a Jean Miotte Foundation connected to the Chelsea Museum - maybe that's why the books are available in the lobby.Â I don't connect with Miotte's work, lets leave it at that, buy Ansieten from mexico. Ansieten in usa, Took a lot of pictures tonight - but I won't put the pictures here; I'll just mention the works that struck me.

Emily Eveleth's Conjecture, purchase Ansieten online, Order Ansieten from mexican pharmacy, 2004, Oil on Canvas, buy Ansieten online cod, Buy Ansieten without a prescription, 49 x 76 inches (great to have a camera and unlimited storage - so I can take pictures of everything, including the name tagsÂ next toÂ the painting).Â Â I think this was one of the most successful paintings in the museum and looked like either a gel filled donut leaking out gelly or a gunshot (guess that's why it's called "Conjecture"), buy Ansieten without prescription. Buying Ansieten online over the counter, I also like Barry Sullivan's Sirpa Front, painted in 2006, over the counter Ansieten, Ansieten pills, 64 x 46 inches, oil on linen.Â I found the nude woman with breast showing a turn on - in a show that was very depressing, real brand Ansieten online, Where can i buy Ansieten online, actually.

Donald Sultan's Egg and Tomatoes painted in 1998, 48 inches x 48 inches was pretty darn good as a painting, Buy Ansieten Without Prescription.

I also never heard of a painter called George Condo, free Ansieten samples, Buy Ansieten from canada, whose's "Fruit Man" painted in 1983 is an interesting painting that I liked a lot.

The Genealogy of the Supermarket by Nina Katchadourlain is fascinating parody of the faces next to our brands and how they gave birth to characters from other brands, online buying Ansieten hcl. Buy Ansieten online without prescription, The Mummified Barbie Dolls, made of Barbie dolls, buy cheap Ansieten, Buy Ansieten online without a prescription, are fairly small.

Meanwhile, delivered overnight Ansieten, Buy cheap Ansieten no rx, Tom Sanford's painting of Paris Hilton, 29x29 inches was one of the more interesting, buy no prescription Ansieten online, Ansieten in mexico, if soulless, images in the show, Ansieten in japan. Cod online Ansieten, And I have to say that I was not comfortable in the Chelsea Museum; just the overall feeling about art and what it takes to be an artist.Â It makes me wonder if I want to show my work at all - and right now I'm having an identity conflict with doing the work - I'm sorta afraid I won't end up harnessing my full creativity.Â And I need to paint more.

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Marshall — Thu, 25 Jan 2007 05:51:18 +0000

Buy Naltrexone Without Prescription, I had dinner tonight with Scott Draves, better known as Spot, and wrote up most of my interview in Webmetricsguru.com which took place in Chelsea.

I wanted to talk with Spot more about his art, order Naltrexone no prescription, Buying Naltrexone online over the counter, and find out what inspires him to create his Electric Paintings - which are refinements on what started out as ElectricSheep.org screensaver.

SpotÂ views the work he's doing with hifidreams.com as a form of artificial intelligence, Naltrexone price, coupon, Buy Naltrexone no prescription, helping to bring it to life and he'sÂ selling his more ambitious work in order to fund the development of his art and art form.

There's an element of visual layering and genetic sequencing in the Electric Sheep online screensaver.Â I'm tooÂ exhausted to write more tonight and if I can make out my scribbled notes, Naltrexone for sale, Buy Naltrexone online cod, I'll pick up where I'm leaving off now in a day or two with another post on tonight's interview with Spot (Scott Draves).

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Marshall — Sun, 21 Jan 2007 19:02:34 +0000

I was invited to attend Spot's talk at the Entheocentic Salon last night at the Chapel of Sacred Mirrors by Allyson Grey Buy Avelox Without Prescription, , artist wife of the visionary artist Alex Gray. Avelox in japan, Actually, Allyson is an artist and I found her technique interesting - in fact I can't imagine how much detailed work most go into it.Â

Alex Gray's work has had a good deal of media coverage although I got the impression it's not really been acceptedÂ in the main stream art world (is that any surprise?Â the mainstream art world is much the same as the mainstream music world - you have to fit into a "slot").Â Actually, Avelox to buy, Over the counter Avelox, I'm not sure that's entirely true any longer - it seems like "Visionary Artists" like Joe Colemen and Paul LaffoleyÂ are beginning to get some mainstream acceptance - if they can do it, why not Alex Grey?Â

A frame from one of Spot's Electronic Paintings

The main part of last night's event at the Chapel of Sacred Mirrors, Avelox in india, Purchase Avelox, for me, was Spot's demonstration of his new Electronic Paintings - which I wrote up in Smartmobs.com.Â I put a lot of work and thought in that post, sale Avelox. Avelox prices, Yesterday I was painting at Brooklyn Artist Gym but I could not get anything much done - it seems like time for a change in my approach, technique, buy Avelox without prescription, Avelox from canadian pharmacy, planning what I'm going to do before I arrive, things like that.Â Anyway, order Avelox from mexican pharmacy, Purchase Avelox online, that's the backdrop from which I came to view Spot's work yesterday.

Spot just moved to New York, order Avelox from mexican pharmacy, Avelox trusted pharmacy reviews, and is trying to get gallery representation for his large Electronic Paintings - I wish him success in this.Â Â One problem I see is in how Spot's paintings are marketed.Â Presently, Spot has, order Avelox online overnight delivery no prescription, Avelox in uk, maybe a dozen works that are packaged with 100GB disks and processor (as one unit) - I think with a large LCD screen (but I'm not sure about the screen part) for prices starting at 30,000 dollars USD, Avelox medication. Real brand Avelox online, For me, I'm seeing Spot's paintings as being much more marketable at a lower price by just selling the software with an High Definition Screen, order Avelox no prescription, Avelox in mexico, but that's me.Â Â I see a problem with trying to go after a niche audience of art collectors based on a technology that's also open-sourced.Â Â Doubt is created in the mind of a collector that what they're spending 30K on might also be something they'll be able to buy later for next to nothing as a more advanced screen saver program.Â Â Â

In a way, this is the same problem that HitWise has, buy Avelox without prescription, Avelox buy, as a web analytic platform; their main program, fully loaded, Avelox overseas, Buy Avelox online without a prescription, is about 60K and they have maybe 1200 customers, mostly corporate.Â But they're not Omniture, cod online Avelox, Avelox in usa, not Visual Sciences - platforms that can sell for up to one million dollars a pop (you don't need that many one million dollar installations to make it).Â I wrote about this in WebMetricsGuru recently Was HitWise sold yet?

Can Spot sell enough paintings at 30K and above ..... I don't know.Â I hope he's successful - but I do think the technology makes it somewhat problematic - are you selling the artist or are you selling the technology?Â Â If your selling the technology, your going to have a problem selling the individuality of your creation, that's my take, Buy Avelox Without Prescription.

If Spot wants to be an Artist, where to buy Avelox, Online buying Avelox hcl, in the same line as Kandinsky ...... he needs to sell his idea past the technology that houses it - and right now I don't see that.Â Â His talk was great last night, Avelox gel, ointment, cream, pill, spray, continuous-release, extended-release, Order Avelox from United States pharmacy, but I felt the star is not spot, it's his Electronic Paintings - paintings that anyone can recreate with 100GB hard drive and a nice shiny laptop screen, Avelox pills, Order Avelox online c.o.d, just like the one I have now with my new HP Pavilion dv6000.

It gets back to what Seth Godin said at Google Unbound, Avelox in japan, Fast shipping Avelox, earlier this week - to be successful you need to know that business your really in.Â The House Designers, my former client for SEO, buy generic Avelox, Saturday delivery Avelox, thought that buying architectural house plans from a consortium of known architects, rather than from a brokerage house like globalhouseplans.com or eplans.com, Avelox to buy, Avelox discount, would be a competitive advantage - but it was not.Â

THD totally misunderstood their true opportunityÂ - as a larger consortium of Architects and knowledge base and tools - something they entire missed the boat on - and now that site struggles to break even.

While I'm am artist, buy Avelox from canada, Avelox over the counter, first and foremost, I'm also a web analyst and a marketer - and I have to call things the way I see them - people expect no less from a blogger with an audience.Â Â What Spot is trying to do, Avelox for sale, Where can i find Avelox online, as an artist, is great, buy Avelox online with no prescription, Next day Avelox, but he needs to sell his vision, not the technology - to gain broader acceptance that he wants.Â

I tried the same thing with using Iron On Art 15 years ago - but what I ended up doing is paralyzing my own creativity, Avelox prices, Rx free Avelox, and could not separate the technology - Amiga PC scanned images of faces, from painting techniques - and now, purchase Avelox, Online buy Avelox without a prescription, anyone can make tea-shirt art - so technology has taken a technique and made it common, almost banal - yet it seemed like a great idea when I first happened onto it around 1990.

How he does that - I don't know, where can i buy cheapest Avelox online, Buy Avelox online cod, but one hint - focus beyond the technology - because technology is copyable - artistic genius, on the other hand, buying Avelox online over the counter, Purchase Avelox online no prescription, is unique.Â Be unique.

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Marshall — Sat, 18 Nov 2006 05:20:37 +0000

I did go over to White Box tonight to see Annie Ratti's EVAPORATED SEA though I found it a bit disappointing; rather than seeing an aquatic environment created within a gallery - I saw a fake boardwalk and a lot of salt / sand on the floor - but since it was dark - it was just as I feared - no aquatic experience - just salt on the ground and some pictures projected on the walls.

Buy Parlodel Without Prescription, Look, if I want to go see the ocean - I'd go to the ocean - I don't need a fake boardwalk and sand to remind me of the ocean.Â Oh well.

I saw a few other shows, Parlodel prescriptions, Cod online Parlodel, but they too, were somewhat disappointing, Parlodel in japan, Buy Parlodel without prescription, like the Who Cares Book Launch Party" for The NY Art Book FairÂ in Chelsea - IÂ never attended one of these before and I stayed about 15 minutes (see below).

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Â I also ended up going to the Launch party for NOOKA watches at New Museum of Contemporary Art; I ended up buying a Nooka Watch, ordering Parlodel online, Buy Parlodel from canada, a whiteÂ Zob Zot (see below)

There's only one problem, it looks like a Hospital Bracelet - which may or may not be cool.Â What do you think ..., next day Parlodel. Parlodel tablets, should I keep it or try to exchange it for a Red, Blue or Black Zob Zot?Â Â Â I heard Nooka Watches are HOT in Japan and I thought ...., buy cheap Parlodel. Order Parlodel from mexican pharmacy, it would be an interesting watch - but if it looks like I was just released from a Hospital ...hmm, not sure that's what I had in mind.Â The Zob Zot costs 125 bucks - but some of the more expensive watches in the line were more to my liking ..., Parlodel buy. Buy Parlodel online without prescription, I just did not want to pay 250 bucks for the next level up, a ZOT v2 or NOOKA Zen-V.Â I'd probably buy the Zen-V if money were no object.

NOOKA Watches tell time differently - the dots represent hours and the band in the middle represents how much of each hour has passed while the seconds are represented in the lower left part of the watch display.

I went to a couple of other shows - but they were bad, Parlodel san diego, Buy Parlodel online with no prescription, bad, bad...., fast shipping Parlodel. Parlodel to buy, or just plain boring.Â I wanted to go over to Forbidden Planet and pick up the Blab 17 book that has Amy Crehore's paintings in it, but decided to do it another day.

So I'm feeling mixed about the watch ...., Parlodel in usa. Parlodel pills, I kinda want a watch that's different - If I did want a different color I'm not even sure I could exchange it.Â

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Marshall — Mon, 06 Nov 2006 23:07:08 +0000

Nichelle's Newsletter Buy Baycip (Ciprofloxacin) Without Prescription, Â gave me some details about the right wine to serve at an Art Opening.

"Rosa Regale just may beÂ the official wine of art galleries.Â I have attended two events where the delicious red sparking wine was served.Â At the opening at Onishi Gallery in Chelsea, Baycip (Ciprofloxacin) to buy, Rx free Baycip (Ciprofloxacin), I had my first taste of Rosa Regale. It tastes like a red champagne.Â Â Then I had Rosa Regale again at the closing reception for Travis Lindquist's exhibit, Baycip (Ciprofloxacin) in us, Cod online Baycip (Ciprofloxacin), "Subliminal Seduction", at McCaig-Welles Gallery in Williamsburg, Baycip (Ciprofloxacin) gel, ointment, cream, pill, spray, continuous-release, extended-release. Where to buy Baycip (Ciprofloxacin), Travis is one of the founding members of the Goldmine Shithouse Art Collaborative, which is a group of artists who found a way to inspire each other artisticallyÂ by collaborating yet still promoting the works of each individual artist, where can i buy Baycip (Ciprofloxacin) online. Baycip (Ciprofloxacin) medication, Plus, the guys throw cool silk screening parties, Baycip (Ciprofloxacin) in japan. Baycip (Ciprofloxacin) paypal, "

Darn!Â Wish I had gone to both exhibitions - hard to keep up with Nichelle and Matt - I wrote about them the other day at both ArtNewYorkCity, Webmetricsguru and also at Smartmobs, online buy Baycip (Ciprofloxacin) without a prescription. Buy Baycip (Ciprofloxacin) online no prescription,
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Gabriel Jones at Priska C. Juschka Fine Art

Marshall — Sun, 17 Sep 2006 00:22:06 +0000

Since I'm going to many openings - I always sign the guest book with Marshall Sponder - ArtNewYorkCity.com - sure some people see that and start reading this blog.Â Â Now, I did find I enjoyed the photos of Gabriel Jones at Priska C. Juschka fine art. With a gallery name like the url for this site is not too pretty ... www.priskajuschkafineart.com ...why not just say pjfa.com or something like that - hell of a lot easier to remember.Â Anyway... It was worth the visit as Jones' work is powerful photography! Â

Chelsea Art Reviews – Thursday, September 14th, 2006

Marshall — Fri, 15 Sep 2006 06:29:41 +0000

I don't have time to write everything I saw tonight down - it was a lot, maybe 8 shows, mostly next to each other or in the same building at Chelsea. Here's the shows I attended tonight ( not it order of when I went) Michael Cheval at Gallery Interart Gallery; I spoke with the artist for a couple of minutes Jeff Perrott at Morgan Lehman GalleryÂ 10 avenue, 317, b/w 28 & 29 street - did not relate much to the work. BAE Bien-U at Gallerie PollerÂ W 27 street, 547, floor 2, 6-9pm - the photography was guite good - large trees. The ApertureÂ Foundation - Photography of Lola Alverez Bravo with a book signing by independent curator Elizabeth Ferrer.Â I actually sat in for about 20 minutes and listed to the leacture. Jade Townsend at Prisika C. Juschka galleryÂ - installationsÂ work. There were a couple of more shows i went to and there were plenty of people that I ran into going from gallery to gallery and building to building. Also spoke with Bob Hogge of www.Monkdogz.com urban art; he was very nice to me and offered me some coffee or beer as I came in. Tired, need to go to sleep. Marshall

We Feel Fine – charting human emotions in NYC (and everywhere else)

Marshall — Sat, 19 Aug 2006 05:33:14 +0000

SEOBOOK has an interesting post on a Artistic Program called "We Feel Fine" .

"My friend Joel recently mentioned a cool project called We Feel Fine, which tracks human emotions expressed in blog posts. After his most recent commercial shoot I think Joel feels sore (but his post is funny). I am sure the methodology to We Feel Fine could be a bit more advanced, but what a cool idea, eh?

It's a fun program to play with and I tried to see if I could find out about feelings in NYC.Â

You can play with a lot of stuff here - but it's more for entertainment than anything else.Â Â Â Â According to the program people in Mississippi, New Jersey, South Dakota and Maine between 40-49 years of age are the happiest (based on extracting blog posts on Technorati, etc).

Like I say, great way to pass some time looking at the World's Feelings.

My Segmented Life – Self Portrait

Marshall — Mon, 07 Aug 2006 02:31:20 +0000

I spent this afternoon at Brooklyn Artists Gym, a shared studio space that's usually empty - and I have 4000 sq ft to myself (there were two other woman painting today).

The picture I took of my large acrylic sketch/painting is "My Segmented Life" and is about 4 feet x 2.5 feet - my 1.3 mega-pixel camara is not able to get much better than this- I did the work in about 4 hours.Â Â It's a self portait but I decided not to focus too much on detail.

I have been thinking of merging my web analytics work with painting (or maybe it's a bad idea - I don't know).Â My idea was to take traffic segmentation to pages of a web site as it shown in packages like ClickTracks and do the same thing in my painting - except the segmentation is the parts of my life (I did not represent all the parts of my life - I just painted in a couple of segments as an after thought).

Was thinking of this idea for a couple of weeks - right after the artist Olan drew a map of me, describing my life (while we were talking about life)Â -Â decided to see if I could paint my life as visitor segmentation map - yet still hold it together as a painting (and avoid being too illustrative).

I don't take any of these works that seriously, but I do find that I'm liking my work more, the less I try to "finish" it.Â I used to spend so much effort trying to finish paintings and lately I don't have time - it has to work the first time - I don't know what my mood will be next time I come in to paint on something - don't want to mix moods - would rather just do the painting in one sitting if I can.

So, incase you can't make it out, I painted the words "web analytics" in red in the lower left, "work" in the mid, upper left, "blogging" in the mid-upper right and "Seo" in the bottom right.

DADA show at the Museum of Modern Art – NYC

Marshall — Sun, 06 Aug 2006 01:36:34 +0000

Went to the DADA show at the MOMA this afternoon.Â I put a bit of work into my post then my blog ate the post - and so I'm just writing a short description. To me DADA is more an anti-movement than a real art movement - the attempt to take everyday objects and make them into Art seems asÂ artificial as the art it was meant to replace. I can say this now, 80 years later - but at the time, the DADA artists thought they were doing everyone a favor - and maybe they were.Â Except for a couple of works, most of the show is pretty much everyday objects that are made into Anti - Art (like Anti-Matter) by the artist. But just because a Duchamp pissing pot is symetrical,Â itÂ does not mean it should be put into a museum - as the DADAist would have it.Â The DADA movement was more important, historically, than for what it produced. I also looked briefly at Douglas Gordon's Timeline exhibition which was also at the MOMA. From the exhibition notes:

In his most well-known works, Scottish artist Douglas Gordon (b. 1966) addresses the familiarity and popularity of moving pictures by manipulating, reframing, and superimposing them to alter viewersâ€™ perceptions. His works provoke feelings of anxiety, recognition, and amnesia with respect to the circumstances of the reception of media today. This retrospective of Gordonâ€™s work presents thirteen significant works by the artist, including 24 Hour Psycho (1993), Between Darkness and Light (After William Blake) (1997), and Play Dead; Real Time (2003). By forcing new encounters with the familiar and confrontations with the willfully forgotten, Gordon exposes the distance between our dimmed, distorted memories and, perhaps, the truthâ€”emphatically demonstrating that what he sculpts is not only media but time itself.

My take, the show seemed stupid to me - it was trying to take what looked like the 1930's mimialist paintings and illustrate a relationship that really happens much better in my mind than in film. I have been to many art openings recently, and with the proliferation of Computer Generated Films, many artists are trying to be deep filmmakers - but more often than not, what I see is noise - something I feel I should look at but really don't want to. But why force myself to look at something that's not attractive or interesting to look at at the first place?Â Â Â The modern filmmaker can have the same problem as DADA tried to solve - taking the ordinary and making it into art.Â In the case of DADA, they took garbage and said it was sublime.Â Modern filmmakers like Douglas Gordon are taking the ordinary and trying to super-impose some fake meaning - a meaning that looks artificial - the same way the DADA stuff looked to me.Â Give me something real - and natural and interesting to look at - not these Pseudo Movies.

Girodet: Romantic Rebel – Metropolitan Museum 5/24 – 8/27/06

Marshall — Sun, 06 Aug 2006 00:20:03 +0000

Spent a couple of hours at the Metropolitan Museum of Art this evening and discovered that I overlooked the Girodet Exhibition on my recent visits because I did not know about it.

Girodet: Romantic Rebel May 24, 2006â€“August 27, 2006 Special Exhibition Galleries, 2nd floor Â

From the Exhibition Notes:

This is the first American retrospective devoted to A. L. Girodet-Trioson (1767â€“1824), a favored but rebellious pupil of Jacques-Louis David. Girodetâ€™s idiosyncratic style fuses Davidâ€™s Neoclassical ideal with his own prescient Romantic vision. A selection of approximately 100 paintings and works on paper reflects his originality and the diversity of his works, from mythological subjects to portraits and representations of Napoleonâ€™s military triumphs.Â Â

Here's the paintings I responded to the mostÂ . The Oath of the Horatii, 1786 Jacques-Louis David (French, 1748â€“1825) Toledo Museum of Art. I thought The Oath of the Horatii was a David painting - but this "copy" was also sorta an original and surpassed David, I'm told, in the transparancies in the background.Â While David ran a tight ship, and made his students compete with each other - Girodet began to develop a dislike of David and decided to move away from his former master as soon as began to mature as an artist.Â I think David's studio was probably a good place to be during the late 1780's - 1790's but if you wanted to develop your own individuality - you needed to break away from David, and that's what Girodet did. The Sleep of Endymion, 1791 Anne-Louis Girodet-Trioson (French, 1767â€“1824) MusÃ©e du Louvre, Paris. It was hard to believe the same artist that painted in under David would also paint something so different than anything that David would have done, or approved of.Â Of course, by the time Girodet painted The Sleep of Endymion, he was living in Rome, having won the Prix De Rome in 1789 (it was a good time to get away from Paris anyway - right?). Burial of Atala (rÃ©pÃ©tition of 1808 original), 1813 Anne-Louis Girodet-Trioson (French, 1767â€“1824) MusÃ©e Girodet, Montargis. The masterpiece in the show - the one painting that would cement Girodet's place in Art History.Â One thing I noticed - there are artists that are important in their time, and go on to be famous for "all time" - like Velasquez, Titian, Michaelangelo, Raphael, Rubens, Constable, Rembrandt, etc.Â Â Then there are no less deserving artists who are important for their time, but don't transend into universality - Girodet is one of these types of artists - though at moments he almost touches pure greatness. FranÃ§ois-RenÃ© de Chateaubriand, 1808 Anne-Louis Girodet-Trioson (French, 1767â€“1824) MusÃ©e d'Histoire et d'Ethnographie, Saint-Malo Â What can I say; I never read Chateaubriand but the image is very familar to me - and therefore I can say this painting is one of the more important one's in the show, to me, for that reason. Burial of Atala was probably my favorite painting in the show; everyone in NYC who is into art should go and see the Girodet: Romantic Rebel show - there's only three weeks left.Â I'll probably go once more before the show closes.

Was It Done With a Lens, or a Brush?

Marshall — Fri, 04 Aug 2006 05:49:06 +0000

The New York Times talks about H.D.R. Photography.

"Although H.D.R. photos are often compared to paintings, they are an attempt by software makers to allow photography to more accurately mimic human vision. Dynamic range measures how great a difference between light and dark can be captured by a digital camera or film. Relative to the human eye, all photography has a limited dynamic range, and digital photography suffers even more than film. It is this limitation that leads to landscape photos where a dramatic sky appears as a washed-out smudge. A classic example of the problem is trying to photograph a roomâ€™s interior while still capturing the view outside its windows. In that case, photographers are usually forced to choose either the room or its view as their subject.

"The concept of H.D.R. photography is fairly simple. It starts with a photographer harvesting every bit of difference in brightness by taking several different photos of the same scene, with large exposure differences between them. Software then sorts through the resulting images, which range from underexposed views that are nearly black to washed-out overexposures, to calculate the full dynamic range of the view. Using that vast amount of data, it then constructs a single, high dynamic range photo.
At least thatâ€™s the theory. While the actual practice can be highly automated, it is slightly more complicated.

These H.D.R enhanced photos, such as those shown in the New York Times, look like illustrations or highly polished paintings - but they're still photographs.Â I think the story here is not so much about High Dynamic Range Photos but the power that highend Adobe Software brings to the average photographer who has many more options of where to go with their photos than ever before.

Empathic Painting – Digital Art that responds to your Emotional State

Marshall — Thu, 03 Aug 2006 18:59:48 +0000

I came across a press release earlier today about digital paintings that change based on your emotional state.Â This looks interesting but I'm not sure how easy it would be for your average artist to use the technology.

Computer scientists from Bath and Boston have developed electronic artwork that changes to match the mood of the person who is looking at it.

Using images collected through a web cam, special software recognises eight key facial features that characterise the emotional state of the person viewing the artwork.

It then adapts the colours and brush strokes of the digital artwork to suit the changing mood of the viewer.

For example, when the viewer is angry the colours are dark and appear to have been applied to the canvas with more violent brush strokes.

If their expression changes to happy, the artwork adapts so that the colours are vibrant and more subtly applied.

The project forms part of on-going research looking to develop a range of advanced artwork tools for use in the computer graphics industry.

This has already resulted in software which produces highly-detailed artistic versions of photographs, and allows designers to create animations directly from digital footage.

â€œThe programme analyses the image for eight facial expressions, such as the position and shape of the mouth, the openness of the eyes, and the angle of the brows, to work out the emotional state of the viewer,â€ said Dr John Collomosse from the Department of Computer Science at the University of Bath.

â€œIt does all of this in real time, meaning that as the viewerâ€™s emotions change the artwork responds accordingly.

â€œThis results in a digital canvas that smoothly varies its colours and style, and provides a novel interactive artistic experience.

â€œThis kind of empathic painting only needs a desk top computer and a webcam to work, so once you have the programme and have calibrated it for the individual viewer, you are ready to start creating personalised art based on your mood.

â€œThe empathic painting is really an experiment into the feasibility of using high level control parameters, such as emotional state, to replace the many low-level tools that users currently have at their disposal to affect the output of artistic rendering.â€

The empathic painting project was carried out with Maria Shugrina and Margrit Betke from the University of Boston.

The images used in the project were created by the researchers using advanced artistic rendering techniques which give the computer-generated artwork the appearance of having been painted onto canvas.

More information on the empathic painting project, including a video demonstration, is available on the project website (see related links section).

The research was recently presented at the fourth International Symposium on Non-Photorealistic Animation and Rendering (NPAR) conference in Annecy as part of the International Animation Festival.

Olan Montgomery – In Person Artist Interview – Continued

Marshall — Sat, 29 Jul 2006 05:44:11 +0000

I was thinking about a couple of details I left out of my last post about my interview with Olan tonight. Olan Montgomery is very tuned into people's eyes and in his paintings he focuses on the eyes, esp in the portraits.Â In one case Olan showed me the eyes of a portrait where all the details of that person's concern with recognition and copyrights was shown in symbols reflected in her eyes.Â I don't think this is the portait he showed me but it's as close as I can find on his site.

When you look at the eyes closely you'll see all kinds of things. Speaking of seeing the soul of person in their eyes, I asked Olan to tell me what he saw in my eyes.Â Â Honestly, being a Scorpio, I usually try to read others and don't want them to see into me.Â But I think we all really want to be known as well (and it would be curious to see what kind of Portrait Olan would do of me). Olan did not really want to say at first what he saw in my eyesÂ - he sorta brushed over it.Â Then I asked again - and he said I was afraid of dying without having really lived and done things I wanted to do in my life yet.Â He said he could see, in my eyes, that I was pre-occurpied with that - and that I did not need to worry so much about it - that what I wanted I could have now. We discussed a couple of other things about why I started painting again and Olan said he'd like to own one of my paintings - he liked them.Â Olan talked a lot about his childhood, his family, the way he was brought up, and his Mother, EslyeÂ .Â He's very close to his mother and feels she is more charitable by nature than he is (which is saying a lot because Olan appears to be a very charitable person - so if his mother is more than that, she must be very charitable).Â He talked about how his mother would take his sibelings and some of the orphaned children near where he grew up to Museums as often as she could and how her life was devoted to art - and is devoted to art.Â Â He mentioned that his father had a stroke 12 years ago and she takes care of him but never talks much about it.Â Olan also talked about his twin brother and how they took very different paths in life, his brother being in theÂ army at one time, and really going after totally different things - and their orientation was different as well. So, my first part of the interview was more concerned about the outer things -Â but this part ofÂ my interview is more concerned about the inner part of Olan's life. Olan is also a cosmetics specialist and is called in for model shoots and that explains his relationship with M.A.R. Magazine- where his painting graces the current issue with a portrait of Anne Hathaway, whom Olan has met.Â In fact, you can see the relationship between the models of M.A.R. magazine and many of Olan's paintings over the last year or two - it looks like his portraits, in some cases, grew out of his contacts with the models and his use of color and focus on the face grew out his work as a Cosmetics Specialist - which is a model's best friend. I would not have written this second post on the Olan interview tonight - were it not for needing to present, as much as I could, a fuller account - and while I did not take photos, which I could have, I focused again, on just talking and letting the conversation form itself - much as a painting takes form. Another thing Olan did with me tonight is take the areas of my life and drew them out as themes as they related to me (ie: Art, time alone, 9/11, Job) - it reminded me of the way a web analyst would segment traffic coming to a website or page - but in this case, the website/page is me - and the categories are part of my life. So among the things Olan can call himself - a psychic, a soul reader, a keen observer who looks into the eyes looking for the soul. And that's the end of my interview of Olan Montgomery - for now.

Olan Montgomery – In Person Artist Interview – Part 1

Marshall — Sat, 29 Jul 2006 03:47:04 +0000

I find it much easier to write an interview of Olan without looking at my notes from tonight's dinner meeting; I met Olan down at his Gallery and we had dinner next, and he game me one of his small paintings as well (the painting was based on the image below - of a young, homeless, gay woman the artist befriended).Â Â I was attracted to the face of a larger painting of this model and he gave me a smaller version of it.

We spoke about his current show which will be coming down soon and it's success.Â I asked Olan to define the metrics for a successful show - that started a conversation where different arragements of sponserships and other commissioned works leads to a profitable show.Â The money part of art was something Olan did not really want to focus onÂ - he wants to be free to do his art and not have to get involved with the politics of gallery dealers and collectors.Â We talked about how difficult it is to do art and live in NYC and that society, as it is today, is focused on the wrong things - like getting ahead at the cost of hurting other people.Â Olan thinks deeply about this and tells me he did not care for what happened recently on The View and how Star was replaced. We moved on to another subject, using the internet to go past dealers and reach fans directly - Olan was intrigured with the idea of The Long Tail and using the internet to sell his work - but did not really know how to go about it. I mentioned Amy Crehore, and her devoted fan base plus the writeups in Boing Boing as an example of reaching fans and buyers without going through dealers (though she also does have dealers of her work).Â Also the recent addition of Charles Saatchiâ€™s Your Gallery website which Olan MontgomeryÂ used to create his own mini-site with his work.Â Olan found out about the Saatchi online gallery through me, as did a friend of mine, Drew Knapp, who did the same thing (posted his work). In fact, I used the Saatchi online gallery to discuss the first instance, to my knowledge, of a Major Gallery Dealer getting involved with Social Marketing, Viral Marketing - it's as if Charles Saatchi gets it - he understands that many artists want a legitamate way to reach dealers like himself and Saatchi also wants to discover new artists - so he makes it possible to do so with the Your Gallery website - and become the most progressive art dealer.Â Yes, I give Charles Saatchi credit for seeing something that needed to be done in social media and doing it (and he did a good job with Your Gallery). Olan mentioned the Chelesa art galleries in the West 20's where some artists are able to get sponsership but to just survive and do their work, is such a struggle (it always has been).Â Â Olan mentioned that being an Art Dealer was a good business to be in - but being an artist is much harder.Â Â I interjected and said it was always like that with a couple of artist superstars (ie: Picasso is a prime example) making a most of the money while most other artists can hardly make anything.Â Â In fact, with the Long Tail, created by theÂ economies of the internet - many artists can thrive in ways that would have been much harder even 5 years ago (and that is not generally understood yet)Â - I think Amy Crehore is an example of that - an artist with a strong fan base - who really can do well with internet publicityÂ - and you don't need to be a Picasso (or the modern version of that - or even be part of theÂ Whitney Biennial (see my review of the Whitney Biennial here) to utilize the power of internet to magnify your brand. In fact, there's much that I did not discuss with Olan tonightÂ - I will have to cover in the next interview.Â For example - Olan's site uses AdSense and Affiliate Marketing, along with a series of articles and news - and it was only by looking at it in detail tonight - after speaking with him (where he mentioned he does write articles and post to his site and on other sites as well) that I went back and took a look at some of what he posted.Â What I see is we need another interview do discuss how he approaches his website marketing of his own work and brand and what kind of volume of visitors his site generates.Â These are questions for Webmetricsguru.com but they apply here as Olan clearly is using the power of Google Advertising and Affiliate Marketing toÂ make part of a living.Â Olan suggested we get together again, on a monthly basis to continue this conversation.Â We also talked about having me interview his mother, who is also an artist and a very interesting person.Â Getting back to the interview I did tonight -I found out an interesting metric - it takes Olan about 0.00, or more to produce one painting using the techniques and media he employs (there's often the cost of the paints, strecher, linen, photo transfer, etc) and that he sees all the work he does and what he makes off it as a way to continue painting - in other words, much of the money made on a show is re-invested back into this work - and I think that's the right thing for an artist to do, personally. The meeting ended with a walk back, next door, to Ward-Nasse Gallery where Olan showed me the work of other artists in the Gallery and introduced me to the Art Dealer who runs Ward-Nasse.Â Â I also took the opportunity to look at some more of Olan's paintings near the back of the Gallery that I had not really looked at as well as some of the other artists who have shows at Ward-Nasse. By the Way, Olan did treat me to dinner which included Pasta and two glasses of red wine each.Â Olan had his dog with him, and the dog was begging us for food - I ate all of mine so Olan put out part of his pasta plate - about a third of the dish and the dog finished it. And that's it for tonight's interview with Olan Montgomery.

INNERSCAPES by Rachel Madden at the NY Studio Gallery

Marshall — Fri, 28 Jul 2006 03:57:05 +0000

Tonight I missed Innerscapes by Rachel Madden but I would have rather had seen that show than what was at Six Feet Under (which I did end up seeing);Â I just did not show up on time.

INNERSCAPES Paintings by Rachel Madden July 13 â€“ September 3, 2006 Opening reception: Thursday, July 27, 5:30 PM- 7:30 PM NY Studio Gallery is pleased to present paintings by Rachel Madden.These intimate, mesmerizing oil on canvas landscapes relay an intrinsically meditative quality springing from the human condition of hope amid despair.Â

Hopefully this picture is not too large (in pixel size) or else I'll need to resize it.

Kinda similar, in some respects to Bonnard's work and does not have a title and is 24 x 30 inches.Â Â Had I arrived earlier - this would have been the show to see.

I have a problem with making it over to the West Side - its' really out of the way for me.Â The galleries that have taken over Chelsea are mixed in with moving companies and the remains of the 3rd Avenue EL.Â I have mixed feelings about having so many galleries that far west.Â On the good side - you can hit several openings at one time; on the bad side - it's really an effort to go there in the first place.

I wish the galleries would do something extra to encourage more people to come over to Chelsea - like provide a free meal, or a free something - I don't know - I just think that sticking all the galleries in Chelsea does not quite feel right or natural - but maybe that's just me.Â I liked all this stuff down in Soho much better.Â

And By the way, Park Slope and Brooklyn is up and coming and maybe thats' the place to be.Â Forget about Chelsea, go and build all these galleries in Park Slope.

Six Feet Under – White Box Summer Series Opening – July 27th

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Marshall — Thu, 25 Jan 2007 05:51:18 +0000

Buy Naltrexone Without Prescription, I had dinner tonight with Scott Draves, better known as Spot, and wrote up most of my interview in Webmetricsguru.com which took place in Chelsea.

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Marshall — Sun, 21 Jan 2007 19:02:34 +0000

A frame from one of Spot's Electronic Paintings

I tried the same thing with using Iron On Art 15 years ago - but what I ended up doing is paralyzing my own creativity, Avelox prices, Rx free Avelox, and could not separate the technology - Amiga PC scanned images of faces, from painting techniques - and now, purchase Avelox, Online buy Avelox without a prescription, anyone can make tea-shirt art - so technology has taken a technique and made it common, almost banal - yet it seemed like a great idea when I first happened onto it around 1990.

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Marshall — Mon, 06 Nov 2006 23:07:08 +0000

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Chelsea Art Reviews – Thursday, September 14th, 2006

Marshall — Fri, 15 Sep 2006 06:29:41 +0000

We Feel Fine – charting human emotions in NYC (and everywhere else)

Marshall — Sat, 19 Aug 2006 05:33:14 +0000

SEOBOOK has an interesting post on a Artistic Program called "We Feel Fine" .

"My friend Joel recently mentioned a cool project called We Feel Fine, which tracks human emotions expressed in blog posts. After his most recent commercial shoot I think Joel feels sore (but his post is funny). I am sure the methodology to We Feel Fine could be a bit more advanced, but what a cool idea, eh?

It's a fun program to play with and I tried to see if I could find out about feelings in NYC.Â

Like I say, great way to pass some time looking at the World's Feelings.

My Segmented Life – Self Portrait

Marshall — Mon, 07 Aug 2006 02:31:20 +0000

I spent this afternoon at Brooklyn Artists Gym, a shared studio space that's usually empty - and I have 4000 sq ft to myself (there were two other woman painting today).

So, incase you can't make it out, I painted the words "web analytics" in red in the lower left, "work" in the mid, upper left, "blogging" in the mid-upper right and "Seo" in the bottom right.

DADA show at the Museum of Modern Art – NYC

Marshall — Sun, 06 Aug 2006 01:36:34 +0000

In his most well-known works, Scottish artist Douglas Gordon (b. 1966) addresses the familiarity and popularity of moving pictures by manipulating, reframing, and superimposing them to alter viewersâ€™ perceptions. His works provoke feelings of anxiety, recognition, and amnesia with respect to the circumstances of the reception of media today. This retrospective of Gordonâ€™s work presents thirteen significant works by the artist, including 24 Hour Psycho (1993), Between Darkness and Light (After William Blake) (1997), and Play Dead; Real Time (2003). By forcing new encounters with the familiar and confrontations with the willfully forgotten, Gordon exposes the distance between our dimmed, distorted memories and, perhaps, the truthâ€”emphatically demonstrating that what he sculpts is not only media but time itself.

Girodet: Romantic Rebel – Metropolitan Museum 5/24 – 8/27/06

Marshall — Sun, 06 Aug 2006 00:20:03 +0000

Spent a couple of hours at the Metropolitan Museum of Art this evening and discovered that I overlooked the Girodet Exhibition on my recent visits because I did not know about it.

Girodet: Romantic Rebel May 24, 2006â€“August 27, 2006 Special Exhibition Galleries, 2nd floor Â

From the Exhibition Notes:

This is the first American retrospective devoted to A. L. Girodet-Trioson (1767â€“1824), a favored but rebellious pupil of Jacques-Louis David. Girodetâ€™s idiosyncratic style fuses Davidâ€™s Neoclassical ideal with his own prescient Romantic vision. A selection of approximately 100 paintings and works on paper reflects his originality and the diversity of his works, from mythological subjects to portraits and representations of Napoleonâ€™s military triumphs.Â Â

Was It Done With a Lens, or a Brush?

Marshall — Fri, 04 Aug 2006 05:49:06 +0000

The New York Times talks about H.D.R. Photography.

"Although H.D.R. photos are often compared to paintings, they are an attempt by software makers to allow photography to more accurately mimic human vision. Dynamic range measures how great a difference between light and dark can be captured by a digital camera or film. Relative to the human eye, all photography has a limited dynamic range, and digital photography suffers even more than film. It is this limitation that leads to landscape photos where a dramatic sky appears as a washed-out smudge. A classic example of the problem is trying to photograph a roomâ€™s interior while still capturing the view outside its windows. In that case, photographers are usually forced to choose either the room or its view as their subject.

"The concept of H.D.R. photography is fairly simple. It starts with a photographer harvesting every bit of difference in brightness by taking several different photos of the same scene, with large exposure differences between them. Software then sorts through the resulting images, which range from underexposed views that are nearly black to washed-out overexposures, to calculate the full dynamic range of the view. Using that vast amount of data, it then constructs a single, high dynamic range photo.
At least thatâ€™s the theory. While the actual practice can be highly automated, it is slightly more complicated.

Empathic Painting – Digital Art that responds to your Emotional State

Marshall — Thu, 03 Aug 2006 18:59:48 +0000

Computer scientists from Bath and Boston have developed electronic artwork that changes to match the mood of the person who is looking at it.

Using images collected through a web cam, special software recognises eight key facial features that characterise the emotional state of the person viewing the artwork.

It then adapts the colours and brush strokes of the digital artwork to suit the changing mood of the viewer.

For example, when the viewer is angry the colours are dark and appear to have been applied to the canvas with more violent brush strokes.

If their expression changes to happy, the artwork adapts so that the colours are vibrant and more subtly applied.

The project forms part of on-going research looking to develop a range of advanced artwork tools for use in the computer graphics industry.

This has already resulted in software which produces highly-detailed artistic versions of photographs, and allows designers to create animations directly from digital footage.

â€œThe programme analyses the image for eight facial expressions, such as the position and shape of the mouth, the openness of the eyes, and the angle of the brows, to work out the emotional state of the viewer,â€ said Dr John Collomosse from the Department of Computer Science at the University of Bath.

â€œIt does all of this in real time, meaning that as the viewerâ€™s emotions change the artwork responds accordingly.

â€œThis results in a digital canvas that smoothly varies its colours and style, and provides a novel interactive artistic experience.

â€œThis kind of empathic painting only needs a desk top computer and a webcam to work, so once you have the programme and have calibrated it for the individual viewer, you are ready to start creating personalised art based on your mood.

â€œThe empathic painting is really an experiment into the feasibility of using high level control parameters, such as emotional state, to replace the many low-level tools that users currently have at their disposal to affect the output of artistic rendering.â€

The empathic painting project was carried out with Maria Shugrina and Margrit Betke from the University of Boston.

The images used in the project were created by the researchers using advanced artistic rendering techniques which give the computer-generated artwork the appearance of having been painted onto canvas.

More information on the empathic painting project, including a video demonstration, is available on the project website (see related links section).

The research was recently presented at the fourth International Symposium on Non-Photorealistic Animation and Rendering (NPAR) conference in Annecy as part of the International Animation Festival.

Olan Montgomery – In Person Artist Interview – Continued

Marshall — Sat, 29 Jul 2006 05:44:11 +0000

Olan Montgomery – In Person Artist Interview – Part 1

Marshall — Sat, 29 Jul 2006 03:47:04 +0000

INNERSCAPES by Rachel Madden at the NY Studio Gallery

Marshall — Fri, 28 Jul 2006 03:57:05 +0000

Tonight I missed Innerscapes by Rachel Madden but I would have rather had seen that show than what was at Six Feet Under (which I did end up seeing);Â I just did not show up on time.

INNERSCAPES Paintings by Rachel Madden July 13 â€“ September 3, 2006 Opening reception: Thursday, July 27, 5:30 PM- 7:30 PM NY Studio Gallery is pleased to present paintings by Rachel Madden.These intimate, mesmerizing oil on canvas landscapes relay an intrinsically meditative quality springing from the human condition of hope amid despair.Â

Hopefully this picture is not too large (in pixel size) or else I'll need to resize it.

Kinda similar, in some respects to Bonnard's work and does not have a title and is 24 x 30 inches.Â Â Had I arrived earlier - this would have been the show to see.

And By the way, Park Slope and Brooklyn is up and coming and maybe thats' the place to be.Â Forget about Chelsea, go and build all these galleries in Park Slope.

Six Feet Under – White Box Summer Series Opening – July 27th

Marshall — Thu, 17 Jul 2008 06:32:47 +0000

Cafergot in usa, Cafergot in canada, 0,40, Cafergot prescriptions, Cafergot in mexico, 0">

While visual art, painting, and music are both similar and different, one thing speaks to soul, genuineness - and she has it - I could feel it, Buy Cafergot Without Prescription.

"...

While the increasing mainstream coverage of tools like Facebook and MySpace may be a sign that we’re moving beyond the introduction stage and into the growth stage of social media tools, fast shipping Cafergot, Cafergot discount, from my perspective we’re still at a point in social media when everyone is learning. That’s especially true in public relations, buy Cafergot online cod. Cafergot paypal, PR has been around for a long time; social media has been around for just a few years. I think we’re early in the lifecycle.

We have a bunch of new tools to experiment with; I think it’s up to us - the early adopters - to work out which ones are useful and how to use them."

Art in NYC - Visual Arts in New York City » Chelsea

Marshall — Thu, 17 Jul 2008 06:32:47 +0000

Cafergot in usa, Cafergot in canada, 0,40, Cafergot prescriptions, Cafergot in mexico, 0">

While visual art, painting, and music are both similar and different, one thing speaks to soul, genuineness - and she has it - I could feel it, Buy Cafergot Without Prescription.

"...

While the increasing mainstream coverage of tools like Facebook and MySpace may be a sign that we’re moving beyond the introduction stage and into the growth stage of social media tools, fast shipping Cafergot, Cafergot discount, from my perspective we’re still at a point in social media when everyone is learning. That’s especially true in public relations, buy Cafergot online cod. Cafergot paypal, PR has been around for a long time; social media has been around for just a few years. I think we’re early in the lifecycle.

We have a bunch of new tools to experiment with; I think it’s up to us - the early adopters - to work out which ones are useful and how to use them."

Buy Bisoprolol (Concor, Merck) Without Prescription

Marshall — Sat, 03 Mar 2007 06:13:29 +0000

Buy Ansieten Without Prescription

Marshall — Fri, 26 Jan 2007 05:40:26 +0000

Donald Sultan's Egg and Tomatoes painted in 1998, 48 inches x 48 inches was pretty darn good as a painting, Buy Ansieten Without Prescription.

I also never heard of a painter called George Condo, free Ansieten samples, Buy Ansieten from canada, whose's "Fruit Man" painted in 1983 is an interesting painting that I liked a lot.

Buy Naltrexone Without Prescription

Marshall — Thu, 25 Jan 2007 05:51:18 +0000

Buy Naltrexone Without Prescription, I had dinner tonight with Scott Draves, better known as Spot, and wrote up most of my interview in Webmetricsguru.com which took place in Chelsea.

Buy Avelox Without Prescription

Marshall — Sun, 21 Jan 2007 19:02:34 +0000

A frame from one of Spot's Electronic Paintings

I tried the same thing with using Iron On Art 15 years ago - but what I ended up doing is paralyzing my own creativity, Avelox prices, Rx free Avelox, and could not separate the technology - Amiga PC scanned images of faces, from painting techniques - and now, purchase Avelox, Online buy Avelox without a prescription, anyone can make tea-shirt art - so technology has taken a technique and made it common, almost banal - yet it seemed like a great idea when I first happened onto it around 1990.

Buy Parlodel Without Prescription

Marshall — Sat, 18 Nov 2006 05:20:37 +0000

Buy Parlodel Without Prescription, Look, if I want to go see the ocean - I'd go to the ocean - I don't need a fake boardwalk and sand to remind me of the ocean.Â Oh well.

Â Â Â

So I'm feeling mixed about the watch ...., Parlodel in usa. Parlodel pills, I kinda want a watch that's different - If I did want a different color I'm not even sure I could exchange it.Â

Buy Baycip (Ciprofloxacin) Without Prescription

Marshall — Mon, 06 Nov 2006 23:07:08 +0000

Nichelle's Newsletter Buy Baycip (Ciprofloxacin) Without Prescription, Â gave me some details about the right wine to serve at an Art Opening.

"Rosa Regale just may beÂ the official wine of art galleries.Â I have attended two events where the delicious red sparking wine was served.Â At the opening at Onishi Gallery in Chelsea, Baycip (Ciprofloxacin) to buy, Rx free Baycip (Ciprofloxacin), I had my first taste of Rosa Regale. It tastes like a red champagne.Â Â Then I had Rosa Regale again at the closing reception for Travis Lindquist's exhibit, Baycip (Ciprofloxacin) in us, Cod online Baycip (Ciprofloxacin), "Subliminal Seduction", at McCaig-Welles Gallery in Williamsburg, Baycip (Ciprofloxacin) gel, ointment, cream, pill, spray, continuous-release, extended-release. Where to buy Baycip (Ciprofloxacin), Travis is one of the founding members of the Goldmine Shithouse Art Collaborative, which is a group of artists who found a way to inspire each other artisticallyÂ by collaborating yet still promoting the works of each individual artist, where can i buy Baycip (Ciprofloxacin) online. Baycip (Ciprofloxacin) medication, Plus, the guys throw cool silk screening parties, Baycip (Ciprofloxacin) in japan. Baycip (Ciprofloxacin) paypal, "

Gabriel Jones at Priska C. Juschka Fine Art

Marshall — Sun, 17 Sep 2006 00:22:06 +0000

Chelsea Art Reviews – Thursday, September 14th, 2006

Marshall — Fri, 15 Sep 2006 06:29:41 +0000

We Feel Fine – charting human emotions in NYC (and everywhere else)

Marshall — Sat, 19 Aug 2006 05:33:14 +0000

SEOBOOK has an interesting post on a Artistic Program called "We Feel Fine" .

"My friend Joel recently mentioned a cool project called We Feel Fine, which tracks human emotions expressed in blog posts. After his most recent commercial shoot I think Joel feels sore (but his post is funny). I am sure the methodology to We Feel Fine could be a bit more advanced, but what a cool idea, eh?

It's a fun program to play with and I tried to see if I could find out about feelings in NYC.Â

Like I say, great way to pass some time looking at the World's Feelings.

My Segmented Life – Self Portrait

Marshall — Mon, 07 Aug 2006 02:31:20 +0000

I spent this afternoon at Brooklyn Artists Gym, a shared studio space that's usually empty - and I have 4000 sq ft to myself (there were two other woman painting today).

So, incase you can't make it out, I painted the words "web analytics" in red in the lower left, "work" in the mid, upper left, "blogging" in the mid-upper right and "Seo" in the bottom right.

DADA show at the Museum of Modern Art – NYC

Marshall — Sun, 06 Aug 2006 01:36:34 +0000

In his most well-known works, Scottish artist Douglas Gordon (b. 1966) addresses the familiarity and popularity of moving pictures by manipulating, reframing, and superimposing them to alter viewersâ€™ perceptions. His works provoke feelings of anxiety, recognition, and amnesia with respect to the circumstances of the reception of media today. This retrospective of Gordonâ€™s work presents thirteen significant works by the artist, including 24 Hour Psycho (1993), Between Darkness and Light (After William Blake) (1997), and Play Dead; Real Time (2003). By forcing new encounters with the familiar and confrontations with the willfully forgotten, Gordon exposes the distance between our dimmed, distorted memories and, perhaps, the truthâ€”emphatically demonstrating that what he sculpts is not only media but time itself.

Girodet: Romantic Rebel – Metropolitan Museum 5/24 – 8/27/06

Marshall — Sun, 06 Aug 2006 00:20:03 +0000

Spent a couple of hours at the Metropolitan Museum of Art this evening and discovered that I overlooked the Girodet Exhibition on my recent visits because I did not know about it.

Girodet: Romantic Rebel May 24, 2006â€“August 27, 2006 Special Exhibition Galleries, 2nd floor Â

From the Exhibition Notes:

This is the first American retrospective devoted to A. L. Girodet-Trioson (1767â€“1824), a favored but rebellious pupil of Jacques-Louis David. Girodetâ€™s idiosyncratic style fuses Davidâ€™s Neoclassical ideal with his own prescient Romantic vision. A selection of approximately 100 paintings and works on paper reflects his originality and the diversity of his works, from mythological subjects to portraits and representations of Napoleonâ€™s military triumphs.Â Â

Was It Done With a Lens, or a Brush?

Marshall — Fri, 04 Aug 2006 05:49:06 +0000

The New York Times talks about H.D.R. Photography.

"Although H.D.R. photos are often compared to paintings, they are an attempt by software makers to allow photography to more accurately mimic human vision. Dynamic range measures how great a difference between light and dark can be captured by a digital camera or film. Relative to the human eye, all photography has a limited dynamic range, and digital photography suffers even more than film. It is this limitation that leads to landscape photos where a dramatic sky appears as a washed-out smudge. A classic example of the problem is trying to photograph a roomâ€™s interior while still capturing the view outside its windows. In that case, photographers are usually forced to choose either the room or its view as their subject.

"The concept of H.D.R. photography is fairly simple. It starts with a photographer harvesting every bit of difference in brightness by taking several different photos of the same scene, with large exposure differences between them. Software then sorts through the resulting images, which range from underexposed views that are nearly black to washed-out overexposures, to calculate the full dynamic range of the view. Using that vast amount of data, it then constructs a single, high dynamic range photo.
At least thatâ€™s the theory. While the actual practice can be highly automated, it is slightly more complicated.

Empathic Painting – Digital Art that responds to your Emotional State

Marshall — Thu, 03 Aug 2006 18:59:48 +0000

Computer scientists from Bath and Boston have developed electronic artwork that changes to match the mood of the person who is looking at it.

Using images collected through a web cam, special software recognises eight key facial features that characterise the emotional state of the person viewing the artwork.

It then adapts the colours and brush strokes of the digital artwork to suit the changing mood of the viewer.

For example, when the viewer is angry the colours are dark and appear to have been applied to the canvas with more violent brush strokes.

If their expression changes to happy, the artwork adapts so that the colours are vibrant and more subtly applied.

The project forms part of on-going research looking to develop a range of advanced artwork tools for use in the computer graphics industry.

This has already resulted in software which produces highly-detailed artistic versions of photographs, and allows designers to create animations directly from digital footage.

â€œThe programme analyses the image for eight facial expressions, such as the position and shape of the mouth, the openness of the eyes, and the angle of the brows, to work out the emotional state of the viewer,â€ said Dr John Collomosse from the Department of Computer Science at the University of Bath.

â€œIt does all of this in real time, meaning that as the viewerâ€™s emotions change the artwork responds accordingly.

â€œThis results in a digital canvas that smoothly varies its colours and style, and provides a novel interactive artistic experience.

â€œThis kind of empathic painting only needs a desk top computer and a webcam to work, so once you have the programme and have calibrated it for the individual viewer, you are ready to start creating personalised art based on your mood.

â€œThe empathic painting is really an experiment into the feasibility of using high level control parameters, such as emotional state, to replace the many low-level tools that users currently have at their disposal to affect the output of artistic rendering.â€

The empathic painting project was carried out with Maria Shugrina and Margrit Betke from the University of Boston.

The images used in the project were created by the researchers using advanced artistic rendering techniques which give the computer-generated artwork the appearance of having been painted onto canvas.

More information on the empathic painting project, including a video demonstration, is available on the project website (see related links section).

The research was recently presented at the fourth International Symposium on Non-Photorealistic Animation and Rendering (NPAR) conference in Annecy as part of the International Animation Festival.

Olan Montgomery – In Person Artist Interview – Continued

Marshall — Sat, 29 Jul 2006 05:44:11 +0000

Olan Montgomery – In Person Artist Interview – Part 1

Marshall — Sat, 29 Jul 2006 03:47:04 +0000

INNERSCAPES by Rachel Madden at the NY Studio Gallery

Marshall — Fri, 28 Jul 2006 03:57:05 +0000

Tonight I missed Innerscapes by Rachel Madden but I would have rather had seen that show than what was at Six Feet Under (which I did end up seeing);Â I just did not show up on time.

INNERSCAPES Paintings by Rachel Madden July 13 â€“ September 3, 2006 Opening reception: Thursday, July 27, 5:30 PM- 7:30 PM NY Studio Gallery is pleased to present paintings by Rachel Madden.These intimate, mesmerizing oil on canvas landscapes relay an intrinsically meditative quality springing from the human condition of hope amid despair.Â

Hopefully this picture is not too large (in pixel size) or else I'll need to resize it.

Kinda similar, in some respects to Bonnard's work and does not have a title and is 24 x 30 inches.Â Â Had I arrived earlier - this would have been the show to see.

And By the way, Park Slope and Brooklyn is up and coming and maybe thats' the place to be.Â Forget about Chelsea, go and build all these galleries in Park Slope.

Six Feet Under – White Box Summer Series Opening – July 27th

Marshall — Sat, 03 Mar 2007 06:13:29 +0000

Art in NYC - Visual Arts in New York City » Chelsea

Marshall — Thu, 17 Jul 2008 06:32:47 +0000

Cafergot in usa, Cafergot in canada, 0,40, Cafergot prescriptions, Cafergot in mexico, 0">

While visual art, painting, and music are both similar and different, one thing speaks to soul, genuineness - and she has it - I could feel it, Buy Cafergot Without Prescription.

"...

While the increasing mainstream coverage of tools like Facebook and MySpace may be a sign that we’re moving beyond the introduction stage and into the growth stage of social media tools, fast shipping Cafergot, Cafergot discount, from my perspective we’re still at a point in social media when everyone is learning. That’s especially true in public relations, buy Cafergot online cod. Cafergot paypal, PR has been around for a long time; social media has been around for just a few years. I think we’re early in the lifecycle.

We have a bunch of new tools to experiment with; I think it’s up to us - the early adopters - to work out which ones are useful and how to use them."

Buy Bisoprolol (Concor, Merck) Without Prescription

Marshall — Sat, 03 Mar 2007 06:13:29 +0000

Buy Ansieten Without Prescription

Marshall — Fri, 26 Jan 2007 05:40:26 +0000

Donald Sultan's Egg and Tomatoes painted in 1998, 48 inches x 48 inches was pretty darn good as a painting, Buy Ansieten Without Prescription.

I also never heard of a painter called George Condo, free Ansieten samples, Buy Ansieten from canada, whose's "Fruit Man" painted in 1983 is an interesting painting that I liked a lot.

Buy Naltrexone Without Prescription

Marshall — Thu, 25 Jan 2007 05:51:18 +0000

Buy Naltrexone Without Prescription, I had dinner tonight with Scott Draves, better known as Spot, and wrote up most of my interview in Webmetricsguru.com which took place in Chelsea.

Buy Avelox Without Prescription

Marshall — Sun, 21 Jan 2007 19:02:34 +0000

A frame from one of Spot's Electronic Paintings

I tried the same thing with using Iron On Art 15 years ago - but what I ended up doing is paralyzing my own creativity, Avelox prices, Rx free Avelox, and could not separate the technology - Amiga PC scanned images of faces, from painting techniques - and now, purchase Avelox, Online buy Avelox without a prescription, anyone can make tea-shirt art - so technology has taken a technique and made it common, almost banal - yet it seemed like a great idea when I first happened onto it around 1990.

Buy Parlodel Without Prescription

Marshall — Sat, 18 Nov 2006 05:20:37 +0000

Buy Parlodel Without Prescription, Look, if I want to go see the ocean - I'd go to the ocean - I don't need a fake boardwalk and sand to remind me of the ocean.Â Oh well.

Â Â Â

So I'm feeling mixed about the watch ...., Parlodel in usa. Parlodel pills, I kinda want a watch that's different - If I did want a different color I'm not even sure I could exchange it.Â

Buy Baycip (Ciprofloxacin) Without Prescription

Marshall — Mon, 06 Nov 2006 23:07:08 +0000

Nichelle's Newsletter Buy Baycip (Ciprofloxacin) Without Prescription, Â gave me some details about the right wine to serve at an Art Opening.

"Rosa Regale just may beÂ the official wine of art galleries.Â I have attended two events where the delicious red sparking wine was served.Â At the opening at Onishi Gallery in Chelsea, Baycip (Ciprofloxacin) to buy, Rx free Baycip (Ciprofloxacin), I had my first taste of Rosa Regale. It tastes like a red champagne.Â Â Then I had Rosa Regale again at the closing reception for Travis Lindquist's exhibit, Baycip (Ciprofloxacin) in us, Cod online Baycip (Ciprofloxacin), "Subliminal Seduction", at McCaig-Welles Gallery in Williamsburg, Baycip (Ciprofloxacin) gel, ointment, cream, pill, spray, continuous-release, extended-release. Where to buy Baycip (Ciprofloxacin), Travis is one of the founding members of the Goldmine Shithouse Art Collaborative, which is a group of artists who found a way to inspire each other artisticallyÂ by collaborating yet still promoting the works of each individual artist, where can i buy Baycip (Ciprofloxacin) online. Baycip (Ciprofloxacin) medication, Plus, the guys throw cool silk screening parties, Baycip (Ciprofloxacin) in japan. Baycip (Ciprofloxacin) paypal, "

Gabriel Jones at Priska C. Juschka Fine Art

Marshall — Sun, 17 Sep 2006 00:22:06 +0000

Chelsea Art Reviews – Thursday, September 14th, 2006

Marshall — Fri, 15 Sep 2006 06:29:41 +0000

We Feel Fine – charting human emotions in NYC (and everywhere else)

Marshall — Sat, 19 Aug 2006 05:33:14 +0000

SEOBOOK has an interesting post on a Artistic Program called "We Feel Fine" .

"My friend Joel recently mentioned a cool project called We Feel Fine, which tracks human emotions expressed in blog posts. After his most recent commercial shoot I think Joel feels sore (but his post is funny). I am sure the methodology to We Feel Fine could be a bit more advanced, but what a cool idea, eh?

It's a fun program to play with and I tried to see if I could find out about feelings in NYC.Â

Like I say, great way to pass some time looking at the World's Feelings.

My Segmented Life – Self Portrait

Marshall — Mon, 07 Aug 2006 02:31:20 +0000

I spent this afternoon at Brooklyn Artists Gym, a shared studio space that's usually empty - and I have 4000 sq ft to myself (there were two other woman painting today).

So, incase you can't make it out, I painted the words "web analytics" in red in the lower left, "work" in the mid, upper left, "blogging" in the mid-upper right and "Seo" in the bottom right.

DADA show at the Museum of Modern Art – NYC

Marshall — Sun, 06 Aug 2006 01:36:34 +0000

In his most well-known works, Scottish artist Douglas Gordon (b. 1966) addresses the familiarity and popularity of moving pictures by manipulating, reframing, and superimposing them to alter viewersâ€™ perceptions. His works provoke feelings of anxiety, recognition, and amnesia with respect to the circumstances of the reception of media today. This retrospective of Gordonâ€™s work presents thirteen significant works by the artist, including 24 Hour Psycho (1993), Between Darkness and Light (After William Blake) (1997), and Play Dead; Real Time (2003). By forcing new encounters with the familiar and confrontations with the willfully forgotten, Gordon exposes the distance between our dimmed, distorted memories and, perhaps, the truthâ€”emphatically demonstrating that what he sculpts is not only media but time itself.

Girodet: Romantic Rebel – Metropolitan Museum 5/24 – 8/27/06

Marshall — Sun, 06 Aug 2006 00:20:03 +0000

Spent a couple of hours at the Metropolitan Museum of Art this evening and discovered that I overlooked the Girodet Exhibition on my recent visits because I did not know about it.

Girodet: Romantic Rebel May 24, 2006â€“August 27, 2006 Special Exhibition Galleries, 2nd floor Â

From the Exhibition Notes:

This is the first American retrospective devoted to A. L. Girodet-Trioson (1767â€“1824), a favored but rebellious pupil of Jacques-Louis David. Girodetâ€™s idiosyncratic style fuses Davidâ€™s Neoclassical ideal with his own prescient Romantic vision. A selection of approximately 100 paintings and works on paper reflects his originality and the diversity of his works, from mythological subjects to portraits and representations of Napoleonâ€™s military triumphs.Â Â

Was It Done With a Lens, or a Brush?

Marshall — Fri, 04 Aug 2006 05:49:06 +0000

The New York Times talks about H.D.R. Photography.

"Although H.D.R. photos are often compared to paintings, they are an attempt by software makers to allow photography to more accurately mimic human vision. Dynamic range measures how great a difference between light and dark can be captured by a digital camera or film. Relative to the human eye, all photography has a limited dynamic range, and digital photography suffers even more than film. It is this limitation that leads to landscape photos where a dramatic sky appears as a washed-out smudge. A classic example of the problem is trying to photograph a roomâ€™s interior while still capturing the view outside its windows. In that case, photographers are usually forced to choose either the room or its view as their subject.

"The concept of H.D.R. photography is fairly simple. It starts with a photographer harvesting every bit of difference in brightness by taking several different photos of the same scene, with large exposure differences between them. Software then sorts through the resulting images, which range from underexposed views that are nearly black to washed-out overexposures, to calculate the full dynamic range of the view. Using that vast amount of data, it then constructs a single, high dynamic range photo.
At least thatâ€™s the theory. While the actual practice can be highly automated, it is slightly more complicated.

Empathic Painting – Digital Art that responds to your Emotional State

Marshall — Thu, 03 Aug 2006 18:59:48 +0000

Computer scientists from Bath and Boston have developed electronic artwork that changes to match the mood of the person who is looking at it.

Using images collected through a web cam, special software recognises eight key facial features that characterise the emotional state of the person viewing the artwork.

It then adapts the colours and brush strokes of the digital artwork to suit the changing mood of the viewer.

For example, when the viewer is angry the colours are dark and appear to have been applied to the canvas with more violent brush strokes.

If their expression changes to happy, the artwork adapts so that the colours are vibrant and more subtly applied.

The project forms part of on-going research looking to develop a range of advanced artwork tools for use in the computer graphics industry.

This has already resulted in software which produces highly-detailed artistic versions of photographs, and allows designers to create animations directly from digital footage.

â€œThe programme analyses the image for eight facial expressions, such as the position and shape of the mouth, the openness of the eyes, and the angle of the brows, to work out the emotional state of the viewer,â€ said Dr John Collomosse from the Department of Computer Science at the University of Bath.

â€œIt does all of this in real time, meaning that as the viewerâ€™s emotions change the artwork responds accordingly.

â€œThis results in a digital canvas that smoothly varies its colours and style, and provides a novel interactive artistic experience.

â€œThis kind of empathic painting only needs a desk top computer and a webcam to work, so once you have the programme and have calibrated it for the individual viewer, you are ready to start creating personalised art based on your mood.

â€œThe empathic painting is really an experiment into the feasibility of using high level control parameters, such as emotional state, to replace the many low-level tools that users currently have at their disposal to affect the output of artistic rendering.â€

The empathic painting project was carried out with Maria Shugrina and Margrit Betke from the University of Boston.

The images used in the project were created by the researchers using advanced artistic rendering techniques which give the computer-generated artwork the appearance of having been painted onto canvas.

More information on the empathic painting project, including a video demonstration, is available on the project website (see related links section).

The research was recently presented at the fourth International Symposium on Non-Photorealistic Animation and Rendering (NPAR) conference in Annecy as part of the International Animation Festival.

Olan Montgomery – In Person Artist Interview – Continued

Marshall — Sat, 29 Jul 2006 05:44:11 +0000

Olan Montgomery – In Person Artist Interview – Part 1

Marshall — Sat, 29 Jul 2006 03:47:04 +0000

INNERSCAPES by Rachel Madden at the NY Studio Gallery

Marshall — Fri, 28 Jul 2006 03:57:05 +0000

Tonight I missed Innerscapes by Rachel Madden but I would have rather had seen that show than what was at Six Feet Under (which I did end up seeing);Â I just did not show up on time.

INNERSCAPES Paintings by Rachel Madden July 13 â€“ September 3, 2006 Opening reception: Thursday, July 27, 5:30 PM- 7:30 PM NY Studio Gallery is pleased to present paintings by Rachel Madden.These intimate, mesmerizing oil on canvas landscapes relay an intrinsically meditative quality springing from the human condition of hope amid despair.Â

Hopefully this picture is not too large (in pixel size) or else I'll need to resize it.

Kinda similar, in some respects to Bonnard's work and does not have a title and is 24 x 30 inches.Â Â Had I arrived earlier - this would have been the show to see.

And By the way, Park Slope and Brooklyn is up and coming and maybe thats' the place to be.Â Forget about Chelsea, go and build all these galleries in Park Slope.

Six Feet Under – White Box Summer Series Opening – July 27th

Marshall — Fri, 26 Jan 2007 05:40:26 +0000

Donald Sultan's Egg and Tomatoes painted in 1998, 48 inches x 48 inches was pretty darn good as a painting, Buy Ansieten Without Prescription.

I also never heard of a painter called George Condo, free Ansieten samples, Buy Ansieten from canada, whose's "Fruit Man" painted in 1983 is an interesting painting that I liked a lot.

Art in NYC - Visual Arts in New York City » Chelsea

Marshall — Thu, 17 Jul 2008 06:32:47 +0000

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