Buy Amikacin Without Prescription, Went to the East Village today, around Wooster Street - I tried to find the 11 Spring Street Wooster Collective show that was going on this weekend but when I got there I did not see anything that looked like an art show - so I continued on my walk through the East Village.

First I discovered The Wired Store - I heard it was here and was meaning to visit - but as I passed in right near Wooster and Houston - I went in and took some photos. 

You can click on the photos to blow them up.

 

 

The Wired Store is a pretty smart idea - especially how Wired Co-Brands and endorsing high quality digital products and Cars too.  I got free copies of Wired Magazine and the Wired Buyers guide as well when I visited the store

.  Noticed you could sign up for an appointed with a shopping consultant - real smart, purchase Amikacin online. Amikacin trusted pharmacy reviews, Next, I walked down Wooster Street and found some Branded Stores that were pretty interesting .  First I noticed Cappellini .....and the NY Store is detailed in pictures here, buy Amikacin online with no prescription, Sale Amikacin, besides my own photos, below, purchase Amikacin. Buy Amikacin no prescription,

and then Agent Provocateur - which I did not actually go into - but I like the Art of the Display.

Finally, where can i buy Amikacin online, Online buy Amikacin without a prescription, I made my way over to NYU to see the ITN show that I will cover in detail over at SmartMobs and WebMetricsGuru.  Here's some shots.

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One of the few paintings I own that I did when I lived in the East Village in 1987-1989, before moving to Brooklyn. I was subletting an apartment on E10th Street and 2nd Avenue for a year after returning from a summer painting at the Vermont Studio School (or whatever it's called now - I knew one of the founders from another life). The painting is After The Bath, it's large, around 5ft long by 4ft wide, oil on canvas.

Last night, as I worked on my study of the door at the Brooklyn Artist Gym I thought about this painting - all the mini paintings that I did right ... things I left alone - the parts that I could not intergrate into one - into my life then. I could not accept my touch, my approach, my vision, was good enough - I kept trying to make it better. I guess there's nothing wrong with that - except that extra work I put in did not, often, make the painting better. I am standing back, right now, and honoring what I did right here (and you can click on each picture to blow it up more).

When I painted the orange bottle, shown in the left picture, I saw a flash of light - pure energy - it was sometime early in the morning one day - I remember the flash (hopefully not an optical issue) and said - let it be - the elementals told me to leave it this way ....I will leave it. Also, the light blue coke bottle - similar thing - a light being, an elemental appeared to me, jumping out of my paint brush and into the painting, I said ....let it be. Is it finished enough? The elementals had spoken, I let it be.

At the time I was looking at Velazquez (esp the Maids of Honor - one of Velazquez's most famous paintings) and Delacroix, more for his Journal, which I read several times (that's whole other story that I won't go into here - I suppose the painting I might most have in mind would be The Algerian Women in Their Apartments). The woman, at that time, was my girl friend, Maxine, who I no longer know. At that time, I let the elementals guide my painting - I put myself in a passive role, but was often "stuck". I had not yet worked out that it's ok not be guided by elementals - not everything needs to be "inspired" or dictated from some voice or source that appears outside of me or inside my head. Even as I look at my pictures - that I tried my best to balance for color and sharpness to match the painting, next to me, I see the elementals - sometimes popping out of the picture. At the time, I believed paintings could serve as a "doorway" between the elemental world, and this one - but if was the fusion with this reality that made the painting real, authentic. Here's some more parts of the painting, After the Bath, that I painted in 1988. Perhaps all this "parts" of the work are better than the whole - and now, when I paint, I just do the sections (I honor what I did right ... here).

There's more, but I can't fit it into one post. Anyway - I feel this work has a "sound" much like what Fred Stonehouse mentioned he's after. Also, was thinking about Joe Coleman, with the passivity he uses to let ideas flow into his head - and that's what he paints. Now it's time to finish up packing for the EMetrics Summit - I have a train to catch to Washington DC.