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	<title>Art in NYC - Visual Arts in New York City &#187; Marsha Wooley</title>
	<atom:link href="http://www.artnewyorkcity.com/category/marsha-wooley/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.artnewyorkcity.com</link>
	<description>Art NYC - Visual Arts in New York City</description>
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		<link>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</link>
		<comments>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/#comments</comments>
		<pubDate>Fri, 10 Aug 2007 16:18:53 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</guid>
		<description><![CDATA[Buy Imodium Without Prescription, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, Marsha Wooley, who had 4 paintings in the show. I reviewed Marsha's New York art opening last year and also [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imodium Without Prescription</b>, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, <a href="http://robischongallery.com/html/artistresults.asp?artist=135&amp;testing=true">Marsha Wooley, who had 4 paintings in the show</a>.</p>
<p>I reviewed Marsha's New York art opening last year and also went on a <a href="http://www.webmetricsguru.com/2007/05/paris_trip_day_1.html">Paris Trip </a>with a group of painters she led in late May/early June in Paris and Aix-en-Provence.Â Â  I definably want to do that trip again, <b>fast shipping Imodium</b>, <b>Imodium in mexico</b>, hopefully next year.</p>
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		<link>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/#comments</comments>
		<pubDate>Sun, 18 Feb 2007 17:16:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[DC Moore Gallery]]></category>
		<category><![CDATA[Janet Fish]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</guid>
		<description><![CDATA[I met with Marsha Wooley yesterday to discuss art and the Paris Trip Buy Sepazon Without Prescription, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â  I ended up followingÂ Marsha uptown [...]]]></description>
			<content:encoded><![CDATA[<p> I met with Marsha Wooley yesterday to discuss art and the <a href="http://www.arapahoe.edu/deptprgrms/humanities/france06.pdf">Paris Trip </a> <b>Buy Sepazon Without Prescription</b>, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â </p>
<p>I ended up followingÂ Marsha uptown to see the opening of <a href="http://www.artnet.com/Galleries/About.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">Janet Fish at the DC MOORE Gallery </a>- which was crowded and attended by a couple of other well known artists including Alex Katz (who I did not speak to), and I decided <em>not to talk</em> with Janet Fish but I could have.Â  Most of my questions were covered in the <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">press release </a>which is also on Artnet.Â  If Janet Fish were someone I'd really wanted to talk to....I would have, yet despite knowing of her for 20 years (since my summer in Vermont during 1987) I did not feel a need to connect.</p>
<p>I found Janet Fish's work even in quality and, <b>buy Sepazon no prescription</b>, <b>Where can i order Sepazon without prescription</b>, more or less, <em>predictable</em> -Â still overall, <b>buy Sepazon without a prescription</b>, <b>Sepazon paypal</b>, pretty good (but not cutting edge).Â Â  I guess Janet <strong>Fish can getÂ attention without being shocking and annoying</strong> (which is so common today in both painting and online media).Â  People are so saturated with media messages - to just be yourselfÂ - to just paint, andÂ make attractive paintings, <b>delivered overnight Sepazon</b>, <b>Buy Sepazon online no prescription</b>, takes a certain about of courage.Â  Because selling out today, might be toÂ attemptÂ to be "cutting edge" and not being "yourself".Â Â Â  So, <b>Sepazon for sale</b>, <b>Saturday delivery Sepazon</b>, whatever you think of Janet Fish, she stays within her range.Â Â </p>
<p>However, <b>Sepazon pills</b>, <b>Free Sepazon samples</b>, risk taking, I think, <b>Sepazon in mexico</b>, <b>Sepazon gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, is what makes Art and Artists really interesting.Â  If you don't take some risks in your work, it's easy to knock out work, <b>buying Sepazon online over the counter</b>, <b>Sepazon in japan</b>, and she had a lot of work at the opening, and I'm told, <b>buy Sepazon without a prescription</b>, <b>Buy cheap Sepazon</b>, most of the show was sold out (I did not look at the price list, I'm sure Janet Fish's paintings are expensive), <b>Sepazon in australia</b>.  <b>Buy generic Sepazon</b>, You can see a collection of what was in the show <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">here</a>Â but I took some photos too - and here's what I liked.<br />
<p style="text-align: center"><img width="430" src="http://www.artnewyorkcity.com/wp-content/uploads/img01266.JPG" alt="Janet Fish excerpt from a painting" height="290" style="width: 430px; height: 290px" /></p><br />
This red vase was part of a painting I liked - the red symbolized something, <b>ordering Sepazon online</b>, <b>Sepazon san diego</b>, and I could feel it.Â  Is the red vase symbolic of something in the artist's life that's broken or is it just a vase she toppled so it would make more of an "effect" which the broken glass?Â  I guess we'll never know because I did not ask her.Â </p>
<p>But I'd like to think these arrangements work because they are also symbolic of something broken in the Artist's life and she's conveying that with the "red" vase - and the red carries because it's fused with her feelings.Â  And it's not the red vase that's broken, it's the blue glass jar ., <b>online buy Sepazon without a prescription</b>.  <b>Sepazon from international pharmacy</b>, and who knows that that means?Â Â  Oh well, I can go on and on at this level, <b>Sepazon in usa</b>, <b>Buy Sepazon online cod</b>, but as along as a painting poses a question - it's interesting,</p>
<p>I think all of Janet Fish's work has color - color tone - each painting has it's own range - in some it's reddish, <b>Sepazon craiglist</b>, <b>Buy Sepazon from mexico</b>, and in other lilac while others could be Naples yellow.</p>
<p>So, <b>buy Sepazon online with no prescription</b>, <b>Sepazon to buy</b>, while her work is predictable - there' passion in it = and it's probably among the best that you'll see on 57th Street.Â </p>
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<p>I still did not get fully down what the next step for the Paris trip - but I hope I got the ball rolling - would have liked to have a brochure but ended bumping into Marsha Wooley as she was leaving her gallery here, <b>buy no prescription Sepazon online</b>, <b>Sepazon discount</b>, and she left the brochures at the gallery.Â  Maybe I got enough information as it was.</p>
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		<link>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/#comments</comments>
		<pubDate>Sat, 17 Feb 2007 05:13:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Collage Art Association]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</guid>
		<description><![CDATA[I usually paint on Saturdays but I'll probably be meeting with Marsha Wooley Buy Evista Without Prescription, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed Marsha Wooley last year for ArtNewYorkCity.com - I put a lot of workÂ in that interview [...]]]></description>
			<content:encoded><![CDATA[<p> I usually paint on Saturdays but I'll probably be meeting with <strong>Marsha Wooley</strong> <b>Buy Evista Without Prescription</b>, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">Marsha Wooley last year</a> for ArtNewYorkCity.com - I put a lot of workÂ in that interview which actually have two parts.</p>
<p>Actually, <b>rx free Evista</b>, <b>Fast shipping Evista</b>, I'm interested in the Paris trip that Marsha conducts through theÂ college she teaches at in Colorado; I'd actually like to go but I don'tÂ think I'm going to have the time or money (one or the other, or both) - and then again, <b>online buying Evista hcl</b>, <b>Evista medication</b>, I'd like to think that maybe I can make it happen - 2 weeks in France, part of it painting in Aix and around there ...., <b>saturday delivery Evista</b>.  <b>Over the counter Evista</b>, that would be a dream of mine, something I've wanted to do since I was a teenager and found that Paul Cezanne was my favorite artist, <b>Evista in india</b>.  <b>Cod online Evista</b>, I've always wanted to go to his studio,Â sorta connect with the energy since it's contributed so much to me.Â  But as I age, <b>Evista to buy online</b>, <b>Evista tablets</b>, and know myself better, I realize I'm very different in my artisticÂ sensibilities than the artists I admire; still, <b>where can i buy cheapest Evista online</b>, <b>Evista in usa</b>, I like what I like.</p>
<p>Sure, <b>Evista buy</b>, <b>Online buy Evista without a prescription</b>, there are other parts of France that thisÂ course goes to - and I've only been to Europe once, and only to Paris for 8 days in 1987 (and the only people I had conversations with, <b>order Evista online c.o.d</b>, <b>Order Evista from mexican pharmacy</b>, were Americans - mostly woman - I found it very difficult to just go to Paris and not speak French at that time - now it may be different, I don't know), <b>Evista from international pharmacy</b>.  <b>Evista trusted pharmacy reviews</b>, In my fantasy..... I get to goÂ on this trip for free, <b>delivered overnight Evista</b>, <b>Evista prescriptions</b>, blogging it up and raising publicity - maybe just paying for my trip and hotel....do you think I could talk the college into granting me something like that?Â Â  Maybe it's just a pipe dream.Â Â </p>
<p>There's also the issue of timing - I think this Paris trip happens sometime in May, and so does the Emetrics Summit in San Francisco (althoughÂ EmetricsÂ happens at the beginning of May) and I'd like to go to Emetrics (and I'm not sureÂ I'll be able to either), <b>free Evista samples</b>.  <b>Where to buy Evista</b>, So there's a lot of "ifs" here that I need to see if I can bring together - and that's partly what I'll talk to Marsha Wooley about Saturday (if it does not get rescheduled -Â it seems to be our pattern that meetings get shifted around a lot - last time she was in NY, we rescheduled 4 times), <b>where to buy Evista</b>.  <b>Purchase Evista online no prescription</b>, And then, maybe I'll take in an opening or two - so that's what I've got on my agendaÂ forÂ Saturday.Â </p>
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		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
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		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</guid>
		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Topic Flower Tool reveals the Colors of Art in New York City</title>
		<link>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/#comments</comments>
		<pubDate>Thu, 24 Aug 2006 05:45:24 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Olan Montgomery]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at Webmetricsguru.com, my Web Analytics blog. What about my interview with Marsha Wooley that I did last week, what would that interview look like as a [...]]]></description>
			<content:encoded><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at <a href="http://www.webmetricsguru.com/2006/08/building_flowers_out_of_text_u.html">Webmetricsguru.com, my Web Analytics blog</a>.

What about my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview with Marsha Wooley that I did last week</a>, what would that interview look like as a Topic Flower (see below).
<p align="center"><a class="imagelink" title="Marsha Wooley Topic Flower Semantic Analysis drawing" href="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG"><img id="image101" style="width: 393px; height: 254px" height="254" alt="Marsha Wooley Topic Flower Semantic Analysis drawing" src="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG" width="393" /></a></p>
<p align="left">Marsha Wooley's interview - which I put a lot of my soul into writing - is all about Art, and I can't tell you if lavander in the background means there is also some Economy, Science and Technology in the text as well - perhaps there is.</p>
<p align="left">What About Amy Chrehore's Interview, how does it compare with Marsha Wooley's as Topic Flower?</p>
<p align="center"><a class="imagelink" title="Amy Chrehore Interview" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG"><img id="image102" style="width: 429px; height: 248px" height="248" alt="Amy Chrehore Interview" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG" width="429" /></a></p>
<p align="left">There are subtle differences, mostly in texture between the Amy Chrehore Topic Flower and the Marsha Wooley Topic Flower.Â Â  A Topic Flower of Amy's recent postÂ about <a href="http://amycrehore.blogspot.com/2006/08/pierre-puvis-de-chavannes-1824-1898.html"><font color="#0000ff">Pierre Puvis De Chavannes</font></a>Â looks much different - reflectingÂ as much the writers style as the subject of the post (see below).</p>
<p align="center">Â Â Â Â <a class="imagelink" title="Amy Crehore writing about Pierre Puvis De Chavannes" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG"><img id="image103" style="width: 440px; height: 278px" height="278" alt="Amy Crehore writing about Pierre Puvis De Chavannes" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG" width="440" /></a></p>
<p align="left">What about <a href="http://www.artnewyorkcity.com/2006/07/29/olan-montgomery-in-person-artist-interview-continued/">Olan's Interview </a>that I did a couple of weeks ago?</p>
<p align="center"><a class="imagelink" title="Olan Topic Flower image" href="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG"><img id="image104" style="width: 455px; height: 283px" height="283" alt="Olan Topic Flower image" src="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG" width="455" /></a></p>
<p align="left">Spooky!Â  The Olan interview was actually as much about Society as it was about Art, according to the Semantic Analysis that the Topic Flower tool performed on the Interview Text.Â Â  These Topic Flowers remind me of the 7 Chakra system of energy centers in the human body - at least, they look that way.</p>
<p align="left">By the way, here's a short description of how to decode the colors and shapes of the Topic Flowers:</p>
Rules for interpretation:
<ol>
	<li>The same text will always generate the same flower.</li>
	<li>More text will generate more layers of petals.</li>
	<li>The primary topic will be shown using the associated colour on the outermost two layers of petals.</li>
	<li>If there is a secondary topic it will be shown on the third layer of petals. This pattern repeats, two layers using the primary, then one with the secondary.</li>
	<li>If there exists a tertiary topic its' colour is used to accent the edges of some of the primary coloured petals.</li>
	<li>The number of little 'hairs' on the flower is indicative of the number of personal pronouns used in the text.</li>
	<li>Rounder petal shapes are suggestive of emotionally positive terms (love, yes, peace) , and more elongated terms indicate negative terms (death, murder, idiot).</li>
</ol>
<p align="left">Have fun, enjoy the <a href="http://www.neoformix.com/2006/TopicFlower.html">Topic Flower Tool </a>and please write me to share your thoughts.</p>

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 2</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 04:28:13 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous [...]]]></description>
			<content:encoded><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous Motifs like Mount Saint Victoire, the studies of this painting were done on location and using the Golden Mean - she even has some aids to help with this which we discussed).
<p align="center"><a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg"><img id="image83" style="width: 286px; height: 190px" height="190" alt="mountsaintvictoire.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" width="286" /></a></p>
<p align="left">Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Mount Saint Victoire - Marsha Wooley</p>
<p align="left">As you might know, Paul Cezanne is my favorite artist and I painted many, many lanscapes and still lifes in his style (see further down in this post) and I read everything aboutÂ Cezanne including a bookÂ  <a href="http://www.amazon.com/gp/product/1568494955/002-1373550-4120834?v=glance&n=283155">Jane Roberts wrote on Channeling Paul Cezanne</a>Â which was out of print for a while and <em>hardly anyone knows about</em> - I had a copy when I spent a year living in Berkley, California,Â in the late 1970's but since lost it - maybe I'll order it again.Â  I also remember owning a "Composition According to Cezanne" book that was a classic first analysis on how Cezanne architected his paintings and the concept of flat and shallow depth.</p>
<p align="left">I visited the <a href="http://www.barnesfoundation.org/">Barnes Collection </a>Â several times (and many other museums that had Cezanne's in their collection) and knew just about every Cezanne painting and sketchÂ like the back of my hand.Â  And when I spent a summer at the <a href="http://vermontstudiocenter.org/index.html">Vermont Studio School/Center </a>in 1988, I met Sidney <a href="http://www.abebooks.com/servlet/SearchResults?&isbn=0674459555&nsa=1">Geist who wrote a book on Cezanne </a>and claimed to see words in the painting compositions (French words, of course).Â Â Â When someone paints <strong>Mount Saint Victorie</strong>, <em>I know all about it</em> as the images of Cezanne's paintings are etched forever in my soul- even if I never visited that part of France.</p>
<p align="left"><strong>Marsha Wooley </strong>leads a course in landscape painting in France every couple of years (then next one will be in May 2007, around Memorial day) - it's <a href="http://www.arapahoe.edu/schedule/summerAAA-GEO.pdf#search=%22marsha%20wooley%20painting%20in%20france%22">given through the University </a>she teaches at near Denver.</p>

<blockquote>
<p align="left"><strong>ART 220 PAINTING AND DRAWING IN FRANCE 3
</strong>11073 B01 ARGMT 0900A-0200P 05/30-06/25 $ STAFF
<strong>Includes 5 days in Paris</strong>, 05/30-06/25. Additional fees apply. Must register no later than 04-15-06. Orientation
meeting is 04/21 in AD 105, 0600P. For more information and details regarding the registration deadline, please
contact Marsha Wooley at 303-797-5862.</p></blockquote>
<p align="left">Many people take the course just to go landscape painting with her in France, around Paris and in other parts of France.Â  <em>How many people know that about Marsha?</em>Â Â She does not talk aboutÂ her art history work or traveling toÂ FranceÂ on her website or anywhere else - or promote it, yet I find it very intersting and very much something that should known about her; it's unusual and very hip, actually.</p>
<p align="left">In this context, I see myself, in relationÂ to other artists,Â as a nexus, perhaps a chalice, holding, containing and connecting multiple levels of reality - I live as much in the Web Analytics and Web Promomotion world as I live in the Art World (both modern and pas), being a creature of both-Â  at the <em>same moment</em> - think in both ways and see opportunitiesÂ that are often being overlooked (but no longer - she sees them now too).Â Â I hope I'm not being full of myself here (<em>but if I am, so what?)</em></p>
<p align="left">Here's an opportunity for Marsha Wooley to promote her art in a way that has almost no competition - how many American Artists take Art Classes to Paris to paint Art in <strong>Cezanne's backyard</strong> ? Â Marsha Wooley - the artist, the woman who cares about the purity of the land, who is an art historian, art lover, art teacher and all around <em>nice person</em> <em>(she also rides horses and lives near a ranch where she can take care of the horses - and she knows a lot about wildlife</em>). I was drawn to talk to her when I walked into Prince Street Gallery a couple of weeks ago - and it <em>that </em>which I was drawn to - the paintings only are the surface).</p>
<p align="left">I ended the interview talking with Marsha's boyfriend, a <em>Rocket Scientist</em> (a real Rocket Scientist) who works on Communication satellites, including launching them - he's a mechanical engineer and I asked him about the systems he works with.Â </p>
<p align="left">There was also another artist I spoke with at the Gallery today - Owen Gray - and I'll write up more about him later.</p>
<p align="left">One thing we all had in common Â <strong>The Vermont Studio School</strong>, me in 1988, they in the 1990's and Owen spent some time just last year there.Â  Yes, I should look up the people I knowÂ in VermontÂ again, maybe it's time to think about re visiting Vermont, some time in the near future - for a residency.Â  I can certainly use one - after all I have been through <em>(that's the subject of a chapter in a book but I won't go into it here)</em>.Â </p>
<p align="left">I mentioned that I knew one of the founders well before the CenterÂ came into beingÂ as we studied with the same teacher, Ralph Houston, in Smithville Flats, NY; but that's another life, almost, but I haven't forgotton, and it's still part of me. Even as I have gone my own way, I still retain the knowledge of what brought us all together even as I persue it in my own way.</p>
<p align="left">BTW, Marsha also opened up that she used to, in the past, paint abstract (a while back) and if you get close to her works you can see the looser brushwork.Â  Most of her large paintings started as one or two session oil sketches, done on location - and some of these are made into larger paintings - many of which are in the show.Â </p>
<p align="left">I think Marsha might be realistic in her approach, but she manages to keep her brushwork fresh - <em>not overworked</em> - even though the paintings are often large and complex, they hold together, and inÂ her worksÂ she maintains a consistant mood and tone.Â </p>
<p align="left">Marsha has also contained many things within herÂ - art history, geology, a feeling for the land and the animals that live on it, and that's all in the paintings - and it sets her apart from some of the other artists in her Denver Gallery, <a href="http://www.robischongallery.com/html/home.asp">Robischon</a> ( at least 4 others who also paint landscapes of the West).Â </p>
<p align="left">I am very happy for her that her first NYC show worked out, she made a profit off of the show, had some quality time in NY and furthered her career; it's a wonderful thing when that works out.</p>
<p align="left">One thing I did not see Marsha paint much ofÂ - people - hardly any reference to a person (I thinkÂ I might have spotted one in theÂ Mount Saint Victoire paintingÂ at the beginning of this post - it's a wonderful painting that keeps growing on me)Â Â - maybe her boyfriend hiking on a mountain - painted as a speck in the distance.Â  That sorta reminds me of Claude Lorraine - or other landscape artists that generally did not put people in their work.</p>
<p align="left">Also, missed commenting on a large painting that had a rock that looked like a UFO...I almost can see Captain Kirk, Commander Spock and First Engineer Scotty beaming down next to the rock (something out of Star Trek 2, 3 or 4).Â  There's a mystery behind the rock (don't have a picture of that painting).</p>
<p align="left">Anyway, to finish this all off, interviewing Marsha Wooley in person was <em>a much better result than doing it via Email</em>. She had not really seen or read my questions and what I got earlier was not the in depth interview I wanted.Â  I think here, I gave my readers something about Marsha Wooley they'd have to speak with her to learn about (and only if she opened up - I got her to open up for me).</p>
<p align="left">Since we all spent time in Vermont, at Vermont Studio School, I was led to look at some of her paintings as being about both the landscape and herself.</p>
<p align="center"><a class="imagelink" title="inpraiseofanearlyfallvermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg"><img id="image84" style="width: 287px; height: 231px" height="231" alt="inpraiseofanearlyfallvermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg" width="287" /></a></p>
<p align="left">Â This painting was done while Marsha Wooley was in Vermont, staying at the Studio School; it was a scene from the Community College that is on a hill above Johnston, VT.Â  I remember it well as I used to walk up to it and paint scenes from a similar location like these works of mine (below).</p>
<p align="center"><a class="imagelink" title="Vermont Study - 1988" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg"><img id="image85" height="96" alt="Vermont Study - 1988" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg" /></a>Â  <a class="imagelink" title="Tree Study in Johnston VT." href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg"><img id="image86" height="96" alt="Tree Study in Johnston VT." src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg" /></a>Â  <a class="imagelink" title="Vermont Study after Delacroix" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg"><img id="image87" height="96" alt="Vermont Study after Delacroix" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg" /></a>Â  <a class="imagelink" title="porch_view_in_Vermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.jpg"><img id="image89" height="96" alt="porch_view_in_Vermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_in_pink.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.jpg"><img id="image90" height="92" alt="still_life_in_pink.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.thumbnail.jpg" /></a>Â  <a class="imagelink" title="self_portrain_in_Vermont_Studio.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.jpg"><img id="image91" height="96" alt="self_portrain_in_Vermont_Studio.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.thumbnail.jpg" /></a>Â  <a class="imagelink" title="Vermont_Landscape_Study.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.jpg"><img id="image92" height="96" alt="Vermont_Landscape_Study.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.thumbnail.jpg" /></a>Â  <a class="imagelink" title="study_with_vaze.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.jpg"><img id="image93" height="96" alt="study_with_vaze.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.thumbnail.jpg" /></a></p>
<p align="left">Marshall Sponder's Vermont Studies (above, all from 1988) Â - these reminded me of Marsha's painting - Marsha's painting, inÂ fact,Â is call for me to go back and pick the landscape spirit I left in Vermont.Â  I put part of me aside, for many years, and I wish to address it again, which drove me to paint.Â  The paintings below are among those I did after I returned from Vermont. Within a year or two, I lost it - lost the thread.</p>
<p align="center"><a class="imagelink" title="After The Bath - by Marshall Sponder - 1988.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.JPG"><img id="image94" height="96" alt="After The Bath - by Marshall Sponder - 1988.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.thumbnail.JPG" /></a>Â Â Â Â Â  Â <a class="imagelink" title="Homage_to_Manet_2_fixed.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.jpg"><img id="image95" height="96" alt="Homage_to_Manet_2_fixed.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.thumbnail.jpg" /></a>Â Â Â  Â  <a class="imagelink" title="apartmentview.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.jpg"><img id="image96" height="96" alt="apartmentview.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_with_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.jpg"><img id="image97" height="91" alt="still_life_with_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.thumbnail.jpg" /></a>Â Â Â Â  Â Â <a class="imagelink" title="in_the_cave_after_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.jpg"><img id="image98" height="96" alt="in_the_cave_after_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.thumbnail.jpg" /></a>Â Â Â Â Â Â Â  Â <a class="imagelink" title="self_portrait.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.jpg"><img id="image99" height="96" alt="self_portrait.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.thumbnail.jpg" /></a></p>
<p align="left">Yes, I know Vermont, the mystery in those hills, mountains, the magnetic energy, the particular color of the sky, and the subject of trees.Â  Some of the thoughts that came into my mind felt as if the landscape spoke to me and suggested things - and when I spoke to Marsha Wooley, it turned out she has some of the same thoughts; Not unusual, we're both artists.</p>
<p align="left">The trees are both the lanscape and different aspects of ourselves and people we know.Â  Marsha's trees represent some the people in her life - the motifs relate to people she cared about - and the painting are as much about that as the landscape of Vermont - much as it was for me, when I was painting and living there.Â  I was working out an idea of what comes first, what comes second, etc.</p>
<p align="left">I think I need to go back to Vermont, someday soon, so I can pick up the landscape theme again - and maybe (if I can) taking part of that painting course in Paris - next time it happens - that would be really great as painting is in my soul - just as it's in Marsha's.</p>
<p align="left">For the first part of Marsha Wooley's interview <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/">go here</a>.</p>
<p align="left">End of Interview</p>
<a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" />

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 1</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 03:25:44 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[Ok, finally got the interview with Marsha Wooley that I wanted, and it was in person at the Prince Street Gallery this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an [...]]]></description>
			<content:encoded><![CDATA[Ok, finally got the interview with <a href="http://www.marshawooley.com/">Marsha Wooley </a>that I wanted, and it was in person at the <a href="http://www.princestreetgallery.com/">Prince Street Gallery</a> this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an in-person interview and write up my interview from memory).

<center><img src='http://www.artnewyorkcity.com/wp-content/artnyc.jpg' alt='' /></center>

<p align="left">I'm going to focus on things that I learned about Marsha Wooley by talking with her - things she does not talk about or write down (<em>too bad, they're interesting ideas</em>).Â </p>
<p align="left">Â For one thing, this painting is really about studying the <em>Geology of the West</em> - the mountain range in the upper left is full of copper, that is why it's greenish.Â  There's a great deal of knowledge of the land that's really part of what this painting (and the rest of her paintings in the show, are about).Â </p>
<p align="left">I earlier noted the connection with Corot, esp in the tree life in the lower right.Â  But there's another aspect of Marsha Wooley that she does not talk about - her love for this land and how it's being destroyed by the Oil Cartel that's oil drilling, led by Dick Chaney, it's destroying wildlife and wilderness areas around Denver and throughout the West in it's relentless search for more energy - even as it destroys the earth.</p>
<p align="left">While Marsha's paintings are not political - the <em>feeling behindÂ many of her works</em> is - stop the destruction and paint the tranquility of the land as a way to preserve it.</p>
<p align="center"><a class="imagelink" title="em-wooley-littleburmaroad-60x96_LG.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg"><img id="image81" style="height: 143px" height="143" alt="em-wooley-littleburmaroad-60x96_LG.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg" width="232" /></a></p>
<p align="left">This is one of the paintings that sold in the Gallery show that just closed today - I think the show was as success and one of the main reasons Marsha Wooley had the show is to see all of her work together on one wall.</p>
<p align="left">In my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">next post </a>I'll cover some aspects of Marsha Wooley that she hardly ever talks about - but should.</p>

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		<title>Marsha Wooley Interview</title>
		<link>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/#comments</comments>
		<pubDate>Wed, 16 Aug 2006 03:12:48 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected. Â  Â  Â Â  Thumbnails of paintings by Marsha Wooley Me: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan [...]]]></description>
			<content:encoded><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected.
<p align="center"><img id="image67" height="83" alt="Water Life Cycle, Lake Avery" src="http://www.artnewyorkcity.com/wp-content/uploads/waterlifecycleslakeavery.jpg" />Â  <img id="image69" height="96" alt="Coyote Song Trail  Oil on canvas, 62" src="http://www.artnewyorkcity.com/wp-content/uploads/coyotesongtrail.thumbnail.jpg" />Â </p>
<p align="center">Â <img id="image70" height="96" alt="Gone But Not Forgotten Oil on canvas, 60" src="http://www.artnewyorkcity.com/wp-content/uploads/gonebutnotforgotten.thumbnail.jpg" />Â  <img id="image71" height="96" alt="The Baptistery of Saint Saveur  Oil on canvas, 24" src="http://www.artnewyorkcity.com/wp-content/uploads/thebapistryofsaintsaveur.thumbnail.jpg" /></p>
<p align="center">Thumbnails of paintings by Marsha Wooley</p>
<em><strong>Me</strong></em>: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan for this show? In what way is the NYC show different than other shows youâ€™ve had around the country?Â  What were your goals for judging this show was successful?
<blockquote><strong><em>Marsha</em></strong>: What makes a successful show:Â  Some people might think that selling out the show makes it successful.Â 

But-I think that the success of the show depends on the intent-and there are numerous reasons.Â  A few of these include: getting exposure in a new market or region, selling out the show, a handsome show, and instructional or educational show just to name a few.Â 

My goals for the show were to

1. get the exposure in the New York area,

2. see my images from the last 5 or 6 years hang together so I could assess my development and

3. to provide a venue for some of my collectors to see what I have been doing (hoping for a sale and I had 5 paintings go to these collectors).Â 

SoÂ  conclusively I would have to affirm that the show was a success because all three goals were met.</blockquote>
<strong><em>Me</em></strong>: Your current gallery in Denver, Robischon, has many strong artists, mostly representational, many with strong elements of landscape painting, particularly of the west.Â  You work fits in well at the Robischon Gallery, but there are differences in style and approach of a Marsha Wooley painting vs. Wes Hempel (ie: whose landscapes seem to come right out of the 16th Century Dutch painters, or more symbolic â€“ as in Tunnel of Love), Jim Wolford (scenes of Denver, houses and landscapes), Don Stinson (with such paintings as Icy Park at Ouray and Desert Burn), Jim Colbert (no relation to John Colbert â€“ right?) whose work most closely resembles yours.

- How do you see your work being different than any other artist in the Robischon gallery?Â Â  What is Unique about your work that no other artist (even those who paint in a very similar style and with very similar motifs) shares at Robischon?
<blockquote><strong><em>Marsha</em></strong>: The influences in my landscape painting are as you so keenly observed Corot-mostly his studies. Â An northern Italian group of painters called the Macchiaoli (a few of my favorite artistâ€™s include Govanni Boldini, Giovanni Fattori and Silvestro Lega) The early surveyer/explorer artistâ€™s that went west with the first map makers for the U S government or the railroad surveys (artistâ€™s like: Samuel Seymour, Titian Peale, Albert Bierstadt â€“his studies, Thomas Moran, Sanford GiffordÂ  and Worthington Whittridge) .Â  I also admire the William Henry Jackson photos of the west.</blockquote>
I caught Marsha in between her trip to NYC; I had hoped for aÂ fuller interview, maybe thatÂ can be done at another time.Â 

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		<title>Another Self Portrait &#8211; &#8220;My Roman Self&#8221; and an empty studio</title>
		<link>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/#comments</comments>
		<pubDate>Sun, 13 Aug 2006 15:31:59 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good). Also, the interview with Marsha WooleyÂ should happen sometime today. [...]]]></description>
			<content:encoded><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good).
<p align="center"><font face="Courier New"><img style="width: 396px; height: 270px" height="270" alt="My Roman Self - reminded me of bust of a roman emperor I saw many years ago at the MET Musuem" src="http://www.artnewyorkcity.com/wp-content/myromanselfsketch1.JPG" width="396" /></font></p>
<p align="left">Also, the interview with <a href="http://www.marshawooley.com/"><font color="#b85b5a">Marsha Wooley</font></a>Â should happen sometime today.</p>
<p align="left">In case your wondering what the circular objects in the right of my oil pastel sketch are - it's actually a mirror that was used as a painting palette, which some remains of burnt umbers and light blues stuck to the mirror.Â Â  The only mirror I could find in the studio is this mirror - palatte; I borrowed it (from whomever's palatte it is) and managed to do the self portrait, above, and <a href="http://www.artnewyorkcity.com/2006/08/07/my-segmented-life-self-portrait/">My Segmented Self </a>portrait last weekend.Â  Maybe that's enough self portraits for a while.</p>
<p align="left">I copied the shapes and was thinking the round shapes could also serve as visitor segmentations in Web Analytics - <em>or in my sketch</em> - as roundish areas of colors that represent ny feelings - or <em>whatever.</em>Â Â </p>
<p align="left">While I would have loved to have gotten the actual crusty paint on the mirror I was looking into, somehow, it did not seem that important - or I would have done it.Â Â </p>
<p align="left">The area in the lower right is really a cabinet where art supplies are stored - I just sketched it in, for variety in textures - that's all; I spent about two or three hours on this and had enough of it.Â  Feeling explored - feeling done - onto the next thing.</p>

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		<title>Interviewing Marsha Wooley and other stuff</title>
		<link>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/#comments</comments>
		<pubDate>Sat, 12 Aug 2006 07:32:50 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
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		<category><![CDATA[Marshall Sponder]]></category>
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		<category><![CDATA[Soho]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</guid>
		<description><![CDATA[I'll be interviewing Marsha Wooley, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on Celebrity at Work, as my last two artist interviewee's also got to [...]]]></description>
			<content:encoded><![CDATA[I'll be interviewing <a href="http://www.marshawooley.com/">Marsha Wooley</a>, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on <a href="http://www.celebrityatwork.com/">Celebrity at Work</a>, as my last two artist interviewee's also got to be on Celebrity.

I also found another site that is a great resource for NYC Art OpeningsÂ called <a href="http://artcards.cc/">ARTCARDS.CC</a>Â  It's interesting to see the information grouped as a "card", almost something you can print out and carry around as you go to galleries to see art.Â  Here's what I would have seen last Thursday had it not rained so hard here.
<blockquote>10-August-ThursdayÂ 
? Inaugural show at V&A
Mott street, 98

Â Metaverse Road Map Pre-Release Party at Eyebeam
W 21 street, 540, 6-9pm

Â "ART VS. REAL LIFE: Canadian Stories" curated by Katharine at Morgan Lehman Gallery
10 avenue, 317, b/w 28 & 29 street

Ryan Humphrey at White Box
W 26 street, 525</blockquote>
Â The Metaverse Road Map at Eyebeam and the Art Vs. Real Life: Canadian Stories - both of these I planned to go to but did not make it.
Another resource is called <a href="http://beta.nyc.flavorpill.net/upcoming">FlavorPill,</a> and while it's not focused on painting or fine art only (FlavorPill has many other interesting events around NYC) it also gives you upcoming exhibitions, like the Picasso and American Art show at the Whitney later in October.

Anyway, Saturday should also be a busy day for me, hopefully one that I'll paint some and also party a little at an opening at <a href="http://www.brooklynartistsgym.com/events.html">BrooklynArtistsGym</a> of "<strong>Sabrina</strong>" - it's a one night show that's only happening this Saturday (today actually - but I haven't gone to bed yet)
<blockquote>"Sabrina (Sabrina Tilikevich) is having a one-night-only opening event showing her most recent work.Â  She is known for her "direct eye and disturbing perspective." She has been inspired by such artists as Basquiat, Dali, and Malevich.Â  Most of the mediums she uses are acrylic and experimental bases.

She plans for this opening to reflect her style, and is bringing the street fairs of New York City to a Brookyn Gallery.Â  Live music and refreshment will be served.
Saturday, August 19th, from 7 p.m.-11:30 p.m. in the BAG gallery. For more information, you can contact Sabrina at <a href="mailto:sabrina626x@gmail.com">sabrina626x@gmail.com</a>.</blockquote>
I'll probably have a lot to write about in the next few days - keep tuned.

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		<title>Marsha Wooley at the Prince Street Gallery &#8211; NYC</title>
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		<title>Art in NYC - Visual Arts in New York City &#187; Marsha Wooley</title>
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		<title>Buy Imodium Without Prescription</title>
		<link>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</link>
		<comments>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/#comments</comments>
		<pubDate>Fri, 10 Aug 2007 16:18:53 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

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		<description><![CDATA[Buy Imodium Without Prescription, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, Marsha Wooley, who had 4 paintings in the show. I reviewed Marsha's New York art opening last year and also [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imodium Without Prescription</b>, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, <a href="http://robischongallery.com/html/artistresults.asp?artist=135&amp;testing=true">Marsha Wooley, who had 4 paintings in the show</a>.</p>
<p>I reviewed Marsha's New York art opening last year and also went on a <a href="http://www.webmetricsguru.com/2007/05/paris_trip_day_1.html">Paris Trip </a>with a group of painters she led in late May/early June in Paris and Aix-en-Provence.Â Â  I definably want to do that trip again, <b>fast shipping Imodium</b>, <b>Imodium in mexico</b>, hopefully next year.</p>
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		<link>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/#comments</comments>
		<pubDate>Sun, 18 Feb 2007 17:16:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[DC Moore Gallery]]></category>
		<category><![CDATA[Janet Fish]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</guid>
		<description><![CDATA[I met with Marsha Wooley yesterday to discuss art and the Paris Trip Buy Sepazon Without Prescription, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â  I ended up followingÂ Marsha uptown [...]]]></description>
			<content:encoded><![CDATA[<p> I met with Marsha Wooley yesterday to discuss art and the <a href="http://www.arapahoe.edu/deptprgrms/humanities/france06.pdf">Paris Trip </a> <b>Buy Sepazon Without Prescription</b>, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â </p>
<p>I ended up followingÂ Marsha uptown to see the opening of <a href="http://www.artnet.com/Galleries/About.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">Janet Fish at the DC MOORE Gallery </a>- which was crowded and attended by a couple of other well known artists including Alex Katz (who I did not speak to), and I decided <em>not to talk</em> with Janet Fish but I could have.Â  Most of my questions were covered in the <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">press release </a>which is also on Artnet.Â  If Janet Fish were someone I'd really wanted to talk to....I would have, yet despite knowing of her for 20 years (since my summer in Vermont during 1987) I did not feel a need to connect.</p>
<p>I found Janet Fish's work even in quality and, <b>buy Sepazon no prescription</b>, <b>Where can i order Sepazon without prescription</b>, more or less, <em>predictable</em> -Â still overall, <b>buy Sepazon without a prescription</b>, <b>Sepazon paypal</b>, pretty good (but not cutting edge).Â Â  I guess Janet <strong>Fish can getÂ attention without being shocking and annoying</strong> (which is so common today in both painting and online media).Â  People are so saturated with media messages - to just be yourselfÂ - to just paint, andÂ make attractive paintings, <b>delivered overnight Sepazon</b>, <b>Buy Sepazon online no prescription</b>, takes a certain about of courage.Â  Because selling out today, might be toÂ attemptÂ to be "cutting edge" and not being "yourself".Â Â Â  So, <b>Sepazon for sale</b>, <b>Saturday delivery Sepazon</b>, whatever you think of Janet Fish, she stays within her range.Â Â </p>
<p>However, <b>Sepazon pills</b>, <b>Free Sepazon samples</b>, risk taking, I think, <b>Sepazon in mexico</b>, <b>Sepazon gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, is what makes Art and Artists really interesting.Â  If you don't take some risks in your work, it's easy to knock out work, <b>buying Sepazon online over the counter</b>, <b>Sepazon in japan</b>, and she had a lot of work at the opening, and I'm told, <b>buy Sepazon without a prescription</b>, <b>Buy cheap Sepazon</b>, most of the show was sold out (I did not look at the price list, I'm sure Janet Fish's paintings are expensive), <b>Sepazon in australia</b>.  <b>Buy generic Sepazon</b>, You can see a collection of what was in the show <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">here</a>Â but I took some photos too - and here's what I liked.<br />
<p style="text-align: center"><img width="430" src="http://www.artnewyorkcity.com/wp-content/uploads/img01266.JPG" alt="Janet Fish excerpt from a painting" height="290" style="width: 430px; height: 290px" /></p><br />
This red vase was part of a painting I liked - the red symbolized something, <b>ordering Sepazon online</b>, <b>Sepazon san diego</b>, and I could feel it.Â  Is the red vase symbolic of something in the artist's life that's broken or is it just a vase she toppled so it would make more of an "effect" which the broken glass?Â  I guess we'll never know because I did not ask her.Â </p>
<p>But I'd like to think these arrangements work because they are also symbolic of something broken in the Artist's life and she's conveying that with the "red" vase - and the red carries because it's fused with her feelings.Â  And it's not the red vase that's broken, it's the blue glass jar ., <b>online buy Sepazon without a prescription</b>.  <b>Sepazon from international pharmacy</b>, and who knows that that means?Â Â  Oh well, I can go on and on at this level, <b>Sepazon in usa</b>, <b>Buy Sepazon online cod</b>, but as along as a painting poses a question - it's interesting,</p>
<p>I think all of Janet Fish's work has color - color tone - each painting has it's own range - in some it's reddish, <b>Sepazon craiglist</b>, <b>Buy Sepazon from mexico</b>, and in other lilac while others could be Naples yellow.</p>
<p>So, <b>buy Sepazon online with no prescription</b>, <b>Sepazon to buy</b>, while her work is predictable - there' passion in it = and it's probably among the best that you'll see on 57th Street.Â </p>
<p>I could say more, but I'll stop here - best to stop while your ahead, <b>Sepazon pills</b>.  <b>Sepazon overseas</b>, Right.</p>
<p>I still did not get fully down what the next step for the Paris trip - but I hope I got the ball rolling - would have liked to have a brochure but ended bumping into Marsha Wooley as she was leaving her gallery here, <b>buy no prescription Sepazon online</b>, <b>Sepazon discount</b>, and she left the brochures at the gallery.Â  Maybe I got enough information as it was.</p>
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		<title>Buy Evista Without Prescription</title>
		<link>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/#comments</comments>
		<pubDate>Sat, 17 Feb 2007 05:13:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Collage Art Association]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</guid>
		<description><![CDATA[I usually paint on Saturdays but I'll probably be meeting with Marsha Wooley Buy Evista Without Prescription, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed Marsha Wooley last year for ArtNewYorkCity.com - I put a lot of workÂ in that interview [...]]]></description>
			<content:encoded><![CDATA[<p> I usually paint on Saturdays but I'll probably be meeting with <strong>Marsha Wooley</strong> <b>Buy Evista Without Prescription</b>, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">Marsha Wooley last year</a> for ArtNewYorkCity.com - I put a lot of workÂ in that interview which actually have two parts.</p>
<p>Actually, <b>rx free Evista</b>, <b>Fast shipping Evista</b>, I'm interested in the Paris trip that Marsha conducts through theÂ college she teaches at in Colorado; I'd actually like to go but I don'tÂ think I'm going to have the time or money (one or the other, or both) - and then again, <b>online buying Evista hcl</b>, <b>Evista medication</b>, I'd like to think that maybe I can make it happen - 2 weeks in France, part of it painting in Aix and around there ...., <b>saturday delivery Evista</b>.  <b>Over the counter Evista</b>, that would be a dream of mine, something I've wanted to do since I was a teenager and found that Paul Cezanne was my favorite artist, <b>Evista in india</b>.  <b>Cod online Evista</b>, I've always wanted to go to his studio,Â sorta connect with the energy since it's contributed so much to me.Â  But as I age, <b>Evista to buy online</b>, <b>Evista tablets</b>, and know myself better, I realize I'm very different in my artisticÂ sensibilities than the artists I admire; still, <b>where can i buy cheapest Evista online</b>, <b>Evista in usa</b>, I like what I like.</p>
<p>Sure, <b>Evista buy</b>, <b>Online buy Evista without a prescription</b>, there are other parts of France that thisÂ course goes to - and I've only been to Europe once, and only to Paris for 8 days in 1987 (and the only people I had conversations with, <b>order Evista online c.o.d</b>, <b>Order Evista from mexican pharmacy</b>, were Americans - mostly woman - I found it very difficult to just go to Paris and not speak French at that time - now it may be different, I don't know), <b>Evista from international pharmacy</b>.  <b>Evista trusted pharmacy reviews</b>, In my fantasy..... I get to goÂ on this trip for free, <b>delivered overnight Evista</b>, <b>Evista prescriptions</b>, blogging it up and raising publicity - maybe just paying for my trip and hotel....do you think I could talk the college into granting me something like that?Â Â  Maybe it's just a pipe dream.Â Â </p>
<p>There's also the issue of timing - I think this Paris trip happens sometime in May, and so does the Emetrics Summit in San Francisco (althoughÂ EmetricsÂ happens at the beginning of May) and I'd like to go to Emetrics (and I'm not sureÂ I'll be able to either), <b>free Evista samples</b>.  <b>Where to buy Evista</b>, So there's a lot of "ifs" here that I need to see if I can bring together - and that's partly what I'll talk to Marsha Wooley about Saturday (if it does not get rescheduled -Â it seems to be our pattern that meetings get shifted around a lot - last time she was in NY, we rescheduled 4 times), <b>where to buy Evista</b>.  <b>Purchase Evista online no prescription</b>, And then, maybe I'll take in an opening or two - so that's what I've got on my agendaÂ forÂ Saturday.Â </p>
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		<title>The Accidental Masterpiece by Michael Kimmelman</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Michael Kimmelman]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</guid>
		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Topic Flower Tool reveals the Colors of Art in New York City</title>
		<link>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/#comments</comments>
		<pubDate>Thu, 24 Aug 2006 05:45:24 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Olan Montgomery]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at Webmetricsguru.com, my Web Analytics blog. What about my interview with Marsha Wooley that I did last week, what would that interview look like as a [...]]]></description>
			<content:encoded><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at <a href="http://www.webmetricsguru.com/2006/08/building_flowers_out_of_text_u.html">Webmetricsguru.com, my Web Analytics blog</a>.

What about my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview with Marsha Wooley that I did last week</a>, what would that interview look like as a Topic Flower (see below).
<p align="center"><a class="imagelink" title="Marsha Wooley Topic Flower Semantic Analysis drawing" href="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG"><img id="image101" style="width: 393px; height: 254px" height="254" alt="Marsha Wooley Topic Flower Semantic Analysis drawing" src="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG" width="393" /></a></p>
<p align="left">Marsha Wooley's interview - which I put a lot of my soul into writing - is all about Art, and I can't tell you if lavander in the background means there is also some Economy, Science and Technology in the text as well - perhaps there is.</p>
<p align="left">What About Amy Chrehore's Interview, how does it compare with Marsha Wooley's as Topic Flower?</p>
<p align="center"><a class="imagelink" title="Amy Chrehore Interview" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG"><img id="image102" style="width: 429px; height: 248px" height="248" alt="Amy Chrehore Interview" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG" width="429" /></a></p>
<p align="left">There are subtle differences, mostly in texture between the Amy Chrehore Topic Flower and the Marsha Wooley Topic Flower.Â Â  A Topic Flower of Amy's recent postÂ about <a href="http://amycrehore.blogspot.com/2006/08/pierre-puvis-de-chavannes-1824-1898.html"><font color="#0000ff">Pierre Puvis De Chavannes</font></a>Â looks much different - reflectingÂ as much the writers style as the subject of the post (see below).</p>
<p align="center">Â Â Â Â <a class="imagelink" title="Amy Crehore writing about Pierre Puvis De Chavannes" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG"><img id="image103" style="width: 440px; height: 278px" height="278" alt="Amy Crehore writing about Pierre Puvis De Chavannes" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG" width="440" /></a></p>
<p align="left">What about <a href="http://www.artnewyorkcity.com/2006/07/29/olan-montgomery-in-person-artist-interview-continued/">Olan's Interview </a>that I did a couple of weeks ago?</p>
<p align="center"><a class="imagelink" title="Olan Topic Flower image" href="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG"><img id="image104" style="width: 455px; height: 283px" height="283" alt="Olan Topic Flower image" src="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG" width="455" /></a></p>
<p align="left">Spooky!Â  The Olan interview was actually as much about Society as it was about Art, according to the Semantic Analysis that the Topic Flower tool performed on the Interview Text.Â Â  These Topic Flowers remind me of the 7 Chakra system of energy centers in the human body - at least, they look that way.</p>
<p align="left">By the way, here's a short description of how to decode the colors and shapes of the Topic Flowers:</p>
Rules for interpretation:
<ol>
	<li>The same text will always generate the same flower.</li>
	<li>More text will generate more layers of petals.</li>
	<li>The primary topic will be shown using the associated colour on the outermost two layers of petals.</li>
	<li>If there is a secondary topic it will be shown on the third layer of petals. This pattern repeats, two layers using the primary, then one with the secondary.</li>
	<li>If there exists a tertiary topic its' colour is used to accent the edges of some of the primary coloured petals.</li>
	<li>The number of little 'hairs' on the flower is indicative of the number of personal pronouns used in the text.</li>
	<li>Rounder petal shapes are suggestive of emotionally positive terms (love, yes, peace) , and more elongated terms indicate negative terms (death, murder, idiot).</li>
</ol>
<p align="left">Have fun, enjoy the <a href="http://www.neoformix.com/2006/TopicFlower.html">Topic Flower Tool </a>and please write me to share your thoughts.</p>

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 2</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 04:28:13 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous [...]]]></description>
			<content:encoded><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous Motifs like Mount Saint Victoire, the studies of this painting were done on location and using the Golden Mean - she even has some aids to help with this which we discussed).
<p align="center"><a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg"><img id="image83" style="width: 286px; height: 190px" height="190" alt="mountsaintvictoire.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" width="286" /></a></p>
<p align="left">Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Mount Saint Victoire - Marsha Wooley</p>
<p align="left">As you might know, Paul Cezanne is my favorite artist and I painted many, many lanscapes and still lifes in his style (see further down in this post) and I read everything aboutÂ Cezanne including a bookÂ  <a href="http://www.amazon.com/gp/product/1568494955/002-1373550-4120834?v=glance&n=283155">Jane Roberts wrote on Channeling Paul Cezanne</a>Â which was out of print for a while and <em>hardly anyone knows about</em> - I had a copy when I spent a year living in Berkley, California,Â in the late 1970's but since lost it - maybe I'll order it again.Â  I also remember owning a "Composition According to Cezanne" book that was a classic first analysis on how Cezanne architected his paintings and the concept of flat and shallow depth.</p>
<p align="left">I visited the <a href="http://www.barnesfoundation.org/">Barnes Collection </a>Â several times (and many other museums that had Cezanne's in their collection) and knew just about every Cezanne painting and sketchÂ like the back of my hand.Â  And when I spent a summer at the <a href="http://vermontstudiocenter.org/index.html">Vermont Studio School/Center </a>in 1988, I met Sidney <a href="http://www.abebooks.com/servlet/SearchResults?&isbn=0674459555&nsa=1">Geist who wrote a book on Cezanne </a>and claimed to see words in the painting compositions (French words, of course).Â Â Â When someone paints <strong>Mount Saint Victorie</strong>, <em>I know all about it</em> as the images of Cezanne's paintings are etched forever in my soul- even if I never visited that part of France.</p>
<p align="left"><strong>Marsha Wooley </strong>leads a course in landscape painting in France every couple of years (then next one will be in May 2007, around Memorial day) - it's <a href="http://www.arapahoe.edu/schedule/summerAAA-GEO.pdf#search=%22marsha%20wooley%20painting%20in%20france%22">given through the University </a>she teaches at near Denver.</p>

<blockquote>
<p align="left"><strong>ART 220 PAINTING AND DRAWING IN FRANCE 3
</strong>11073 B01 ARGMT 0900A-0200P 05/30-06/25 $ STAFF
<strong>Includes 5 days in Paris</strong>, 05/30-06/25. Additional fees apply. Must register no later than 04-15-06. Orientation
meeting is 04/21 in AD 105, 0600P. For more information and details regarding the registration deadline, please
contact Marsha Wooley at 303-797-5862.</p></blockquote>
<p align="left">Many people take the course just to go landscape painting with her in France, around Paris and in other parts of France.Â  <em>How many people know that about Marsha?</em>Â Â She does not talk aboutÂ her art history work or traveling toÂ FranceÂ on her website or anywhere else - or promote it, yet I find it very intersting and very much something that should known about her; it's unusual and very hip, actually.</p>
<p align="left">In this context, I see myself, in relationÂ to other artists,Â as a nexus, perhaps a chalice, holding, containing and connecting multiple levels of reality - I live as much in the Web Analytics and Web Promomotion world as I live in the Art World (both modern and pas), being a creature of both-Â  at the <em>same moment</em> - think in both ways and see opportunitiesÂ that are often being overlooked (but no longer - she sees them now too).Â Â I hope I'm not being full of myself here (<em>but if I am, so what?)</em></p>
<p align="left">Here's an opportunity for Marsha Wooley to promote her art in a way that has almost no competition - how many American Artists take Art Classes to Paris to paint Art in <strong>Cezanne's backyard</strong> ? Â Marsha Wooley - the artist, the woman who cares about the purity of the land, who is an art historian, art lover, art teacher and all around <em>nice person</em> <em>(she also rides horses and lives near a ranch where she can take care of the horses - and she knows a lot about wildlife</em>). I was drawn to talk to her when I walked into Prince Street Gallery a couple of weeks ago - and it <em>that </em>which I was drawn to - the paintings only are the surface).</p>
<p align="left">I ended the interview talking with Marsha's boyfriend, a <em>Rocket Scientist</em> (a real Rocket Scientist) who works on Communication satellites, including launching them - he's a mechanical engineer and I asked him about the systems he works with.Â </p>
<p align="left">There was also another artist I spoke with at the Gallery today - Owen Gray - and I'll write up more about him later.</p>
<p align="left">One thing we all had in common Â <strong>The Vermont Studio School</strong>, me in 1988, they in the 1990's and Owen spent some time just last year there.Â  Yes, I should look up the people I knowÂ in VermontÂ again, maybe it's time to think about re visiting Vermont, some time in the near future - for a residency.Â  I can certainly use one - after all I have been through <em>(that's the subject of a chapter in a book but I won't go into it here)</em>.Â </p>
<p align="left">I mentioned that I knew one of the founders well before the CenterÂ came into beingÂ as we studied with the same teacher, Ralph Houston, in Smithville Flats, NY; but that's another life, almost, but I haven't forgotton, and it's still part of me. Even as I have gone my own way, I still retain the knowledge of what brought us all together even as I persue it in my own way.</p>
<p align="left">BTW, Marsha also opened up that she used to, in the past, paint abstract (a while back) and if you get close to her works you can see the looser brushwork.Â  Most of her large paintings started as one or two session oil sketches, done on location - and some of these are made into larger paintings - many of which are in the show.Â </p>
<p align="left">I think Marsha might be realistic in her approach, but she manages to keep her brushwork fresh - <em>not overworked</em> - even though the paintings are often large and complex, they hold together, and inÂ her worksÂ she maintains a consistant mood and tone.Â </p>
<p align="left">Marsha has also contained many things within herÂ - art history, geology, a feeling for the land and the animals that live on it, and that's all in the paintings - and it sets her apart from some of the other artists in her Denver Gallery, <a href="http://www.robischongallery.com/html/home.asp">Robischon</a> ( at least 4 others who also paint landscapes of the West).Â </p>
<p align="left">I am very happy for her that her first NYC show worked out, she made a profit off of the show, had some quality time in NY and furthered her career; it's a wonderful thing when that works out.</p>
<p align="left">One thing I did not see Marsha paint much ofÂ - people - hardly any reference to a person (I thinkÂ I might have spotted one in theÂ Mount Saint Victoire paintingÂ at the beginning of this post - it's a wonderful painting that keeps growing on me)Â Â - maybe her boyfriend hiking on a mountain - painted as a speck in the distance.Â  That sorta reminds me of Claude Lorraine - or other landscape artists that generally did not put people in their work.</p>
<p align="left">Also, missed commenting on a large painting that had a rock that looked like a UFO...I almost can see Captain Kirk, Commander Spock and First Engineer Scotty beaming down next to the rock (something out of Star Trek 2, 3 or 4).Â  There's a mystery behind the rock (don't have a picture of that painting).</p>
<p align="left">Anyway, to finish this all off, interviewing Marsha Wooley in person was <em>a much better result than doing it via Email</em>. She had not really seen or read my questions and what I got earlier was not the in depth interview I wanted.Â  I think here, I gave my readers something about Marsha Wooley they'd have to speak with her to learn about (and only if she opened up - I got her to open up for me).</p>
<p align="left">Since we all spent time in Vermont, at Vermont Studio School, I was led to look at some of her paintings as being about both the landscape and herself.</p>
<p align="center"><a class="imagelink" title="inpraiseofanearlyfallvermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg"><img id="image84" style="width: 287px; height: 231px" height="231" alt="inpraiseofanearlyfallvermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg" width="287" /></a></p>
<p align="left">Â This painting was done while Marsha Wooley was in Vermont, staying at the Studio School; it was a scene from the Community College that is on a hill above Johnston, VT.Â  I remember it well as I used to walk up to it and paint scenes from a similar location like these works of mine (below).</p>
<p align="center"><a class="imagelink" title="Vermont Study - 1988" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg"><img id="image85" height="96" alt="Vermont Study - 1988" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg" /></a>Â  <a class="imagelink" title="Tree Study in Johnston VT." href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg"><img id="image86" height="96" alt="Tree Study in Johnston VT." src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg" /></a>Â  <a class="imagelink" title="Vermont Study after Delacroix" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg"><img id="image87" height="96" alt="Vermont Study after Delacroix" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg" /></a>Â  <a class="imagelink" title="porch_view_in_Vermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.jpg"><img id="image89" height="96" alt="porch_view_in_Vermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_in_pink.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.jpg"><img id="image90" height="92" alt="still_life_in_pink.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.thumbnail.jpg" /></a>Â  <a class="imagelink" title="self_portrain_in_Vermont_Studio.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.jpg"><img id="image91" height="96" alt="self_portrain_in_Vermont_Studio.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.thumbnail.jpg" /></a>Â  <a class="imagelink" title="Vermont_Landscape_Study.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.jpg"><img id="image92" height="96" alt="Vermont_Landscape_Study.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.thumbnail.jpg" /></a>Â  <a class="imagelink" title="study_with_vaze.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.jpg"><img id="image93" height="96" alt="study_with_vaze.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.thumbnail.jpg" /></a></p>
<p align="left">Marshall Sponder's Vermont Studies (above, all from 1988) Â - these reminded me of Marsha's painting - Marsha's painting, inÂ fact,Â is call for me to go back and pick the landscape spirit I left in Vermont.Â  I put part of me aside, for many years, and I wish to address it again, which drove me to paint.Â  The paintings below are among those I did after I returned from Vermont. Within a year or two, I lost it - lost the thread.</p>
<p align="center"><a class="imagelink" title="After The Bath - by Marshall Sponder - 1988.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.JPG"><img id="image94" height="96" alt="After The Bath - by Marshall Sponder - 1988.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.thumbnail.JPG" /></a>Â Â Â Â Â  Â <a class="imagelink" title="Homage_to_Manet_2_fixed.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.jpg"><img id="image95" height="96" alt="Homage_to_Manet_2_fixed.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.thumbnail.jpg" /></a>Â Â Â  Â  <a class="imagelink" title="apartmentview.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.jpg"><img id="image96" height="96" alt="apartmentview.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_with_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.jpg"><img id="image97" height="91" alt="still_life_with_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.thumbnail.jpg" /></a>Â Â Â Â  Â Â <a class="imagelink" title="in_the_cave_after_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.jpg"><img id="image98" height="96" alt="in_the_cave_after_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.thumbnail.jpg" /></a>Â Â Â Â Â Â Â  Â <a class="imagelink" title="self_portrait.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.jpg"><img id="image99" height="96" alt="self_portrait.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.thumbnail.jpg" /></a></p>
<p align="left">Yes, I know Vermont, the mystery in those hills, mountains, the magnetic energy, the particular color of the sky, and the subject of trees.Â  Some of the thoughts that came into my mind felt as if the landscape spoke to me and suggested things - and when I spoke to Marsha Wooley, it turned out she has some of the same thoughts; Not unusual, we're both artists.</p>
<p align="left">The trees are both the lanscape and different aspects of ourselves and people we know.Â  Marsha's trees represent some the people in her life - the motifs relate to people she cared about - and the painting are as much about that as the landscape of Vermont - much as it was for me, when I was painting and living there.Â  I was working out an idea of what comes first, what comes second, etc.</p>
<p align="left">I think I need to go back to Vermont, someday soon, so I can pick up the landscape theme again - and maybe (if I can) taking part of that painting course in Paris - next time it happens - that would be really great as painting is in my soul - just as it's in Marsha's.</p>
<p align="left">For the first part of Marsha Wooley's interview <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/">go here</a>.</p>
<p align="left">End of Interview</p>
<a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" />

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 1</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 03:25:44 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[Ok, finally got the interview with Marsha Wooley that I wanted, and it was in person at the Prince Street Gallery this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an [...]]]></description>
			<content:encoded><![CDATA[Ok, finally got the interview with <a href="http://www.marshawooley.com/">Marsha Wooley </a>that I wanted, and it was in person at the <a href="http://www.princestreetgallery.com/">Prince Street Gallery</a> this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an in-person interview and write up my interview from memory).

<center><img src='http://www.artnewyorkcity.com/wp-content/artnyc.jpg' alt='' /></center>

<p align="left">I'm going to focus on things that I learned about Marsha Wooley by talking with her - things she does not talk about or write down (<em>too bad, they're interesting ideas</em>).Â </p>
<p align="left">Â For one thing, this painting is really about studying the <em>Geology of the West</em> - the mountain range in the upper left is full of copper, that is why it's greenish.Â  There's a great deal of knowledge of the land that's really part of what this painting (and the rest of her paintings in the show, are about).Â </p>
<p align="left">I earlier noted the connection with Corot, esp in the tree life in the lower right.Â  But there's another aspect of Marsha Wooley that she does not talk about - her love for this land and how it's being destroyed by the Oil Cartel that's oil drilling, led by Dick Chaney, it's destroying wildlife and wilderness areas around Denver and throughout the West in it's relentless search for more energy - even as it destroys the earth.</p>
<p align="left">While Marsha's paintings are not political - the <em>feeling behindÂ many of her works</em> is - stop the destruction and paint the tranquility of the land as a way to preserve it.</p>
<p align="center"><a class="imagelink" title="em-wooley-littleburmaroad-60x96_LG.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg"><img id="image81" style="height: 143px" height="143" alt="em-wooley-littleburmaroad-60x96_LG.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg" width="232" /></a></p>
<p align="left">This is one of the paintings that sold in the Gallery show that just closed today - I think the show was as success and one of the main reasons Marsha Wooley had the show is to see all of her work together on one wall.</p>
<p align="left">In my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">next post </a>I'll cover some aspects of Marsha Wooley that she hardly ever talks about - but should.</p>

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		<title>Marsha Wooley Interview</title>
		<link>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/#comments</comments>
		<pubDate>Wed, 16 Aug 2006 03:12:48 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/</guid>
		<description><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected. Â  Â  Â Â  Thumbnails of paintings by Marsha Wooley Me: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan [...]]]></description>
			<content:encoded><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected.
<p align="center"><img id="image67" height="83" alt="Water Life Cycle, Lake Avery" src="http://www.artnewyorkcity.com/wp-content/uploads/waterlifecycleslakeavery.jpg" />Â  <img id="image69" height="96" alt="Coyote Song Trail  Oil on canvas, 62" src="http://www.artnewyorkcity.com/wp-content/uploads/coyotesongtrail.thumbnail.jpg" />Â </p>
<p align="center">Â <img id="image70" height="96" alt="Gone But Not Forgotten Oil on canvas, 60" src="http://www.artnewyorkcity.com/wp-content/uploads/gonebutnotforgotten.thumbnail.jpg" />Â  <img id="image71" height="96" alt="The Baptistery of Saint Saveur  Oil on canvas, 24" src="http://www.artnewyorkcity.com/wp-content/uploads/thebapistryofsaintsaveur.thumbnail.jpg" /></p>
<p align="center">Thumbnails of paintings by Marsha Wooley</p>
<em><strong>Me</strong></em>: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan for this show? In what way is the NYC show different than other shows youâ€™ve had around the country?Â  What were your goals for judging this show was successful?
<blockquote><strong><em>Marsha</em></strong>: What makes a successful show:Â  Some people might think that selling out the show makes it successful.Â 

But-I think that the success of the show depends on the intent-and there are numerous reasons.Â  A few of these include: getting exposure in a new market or region, selling out the show, a handsome show, and instructional or educational show just to name a few.Â 

My goals for the show were to

1. get the exposure in the New York area,

2. see my images from the last 5 or 6 years hang together so I could assess my development and

3. to provide a venue for some of my collectors to see what I have been doing (hoping for a sale and I had 5 paintings go to these collectors).Â 

SoÂ  conclusively I would have to affirm that the show was a success because all three goals were met.</blockquote>
<strong><em>Me</em></strong>: Your current gallery in Denver, Robischon, has many strong artists, mostly representational, many with strong elements of landscape painting, particularly of the west.Â  You work fits in well at the Robischon Gallery, but there are differences in style and approach of a Marsha Wooley painting vs. Wes Hempel (ie: whose landscapes seem to come right out of the 16th Century Dutch painters, or more symbolic â€“ as in Tunnel of Love), Jim Wolford (scenes of Denver, houses and landscapes), Don Stinson (with such paintings as Icy Park at Ouray and Desert Burn), Jim Colbert (no relation to John Colbert â€“ right?) whose work most closely resembles yours.

- How do you see your work being different than any other artist in the Robischon gallery?Â Â  What is Unique about your work that no other artist (even those who paint in a very similar style and with very similar motifs) shares at Robischon?
<blockquote><strong><em>Marsha</em></strong>: The influences in my landscape painting are as you so keenly observed Corot-mostly his studies. Â An northern Italian group of painters called the Macchiaoli (a few of my favorite artistâ€™s include Govanni Boldini, Giovanni Fattori and Silvestro Lega) The early surveyer/explorer artistâ€™s that went west with the first map makers for the U S government or the railroad surveys (artistâ€™s like: Samuel Seymour, Titian Peale, Albert Bierstadt â€“his studies, Thomas Moran, Sanford GiffordÂ  and Worthington Whittridge) .Â  I also admire the William Henry Jackson photos of the west.</blockquote>
I caught Marsha in between her trip to NYC; I had hoped for aÂ fuller interview, maybe thatÂ can be done at another time.Â 

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		<title>Another Self Portrait &#8211; &#8220;My Roman Self&#8221; and an empty studio</title>
		<link>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/#comments</comments>
		<pubDate>Sun, 13 Aug 2006 15:31:59 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good). Also, the interview with Marsha WooleyÂ should happen sometime today. [...]]]></description>
			<content:encoded><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good).
<p align="center"><font face="Courier New"><img style="width: 396px; height: 270px" height="270" alt="My Roman Self - reminded me of bust of a roman emperor I saw many years ago at the MET Musuem" src="http://www.artnewyorkcity.com/wp-content/myromanselfsketch1.JPG" width="396" /></font></p>
<p align="left">Also, the interview with <a href="http://www.marshawooley.com/"><font color="#b85b5a">Marsha Wooley</font></a>Â should happen sometime today.</p>
<p align="left">In case your wondering what the circular objects in the right of my oil pastel sketch are - it's actually a mirror that was used as a painting palette, which some remains of burnt umbers and light blues stuck to the mirror.Â Â  The only mirror I could find in the studio is this mirror - palatte; I borrowed it (from whomever's palatte it is) and managed to do the self portrait, above, and <a href="http://www.artnewyorkcity.com/2006/08/07/my-segmented-life-self-portrait/">My Segmented Self </a>portrait last weekend.Â  Maybe that's enough self portraits for a while.</p>
<p align="left">I copied the shapes and was thinking the round shapes could also serve as visitor segmentations in Web Analytics - <em>or in my sketch</em> - as roundish areas of colors that represent ny feelings - or <em>whatever.</em>Â Â </p>
<p align="left">While I would have loved to have gotten the actual crusty paint on the mirror I was looking into, somehow, it did not seem that important - or I would have done it.Â Â </p>
<p align="left">The area in the lower right is really a cabinet where art supplies are stored - I just sketched it in, for variety in textures - that's all; I spent about two or three hours on this and had enough of it.Â  Feeling explored - feeling done - onto the next thing.</p>

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		<title>Interviewing Marsha Wooley and other stuff</title>
		<link>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/#comments</comments>
		<pubDate>Sat, 12 Aug 2006 07:32:50 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
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		<category><![CDATA[Soho]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</guid>
		<description><![CDATA[I'll be interviewing Marsha Wooley, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on Celebrity at Work, as my last two artist interviewee's also got to [...]]]></description>
			<content:encoded><![CDATA[I'll be interviewing <a href="http://www.marshawooley.com/">Marsha Wooley</a>, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on <a href="http://www.celebrityatwork.com/">Celebrity at Work</a>, as my last two artist interviewee's also got to be on Celebrity.

I also found another site that is a great resource for NYC Art OpeningsÂ called <a href="http://artcards.cc/">ARTCARDS.CC</a>Â  It's interesting to see the information grouped as a "card", almost something you can print out and carry around as you go to galleries to see art.Â  Here's what I would have seen last Thursday had it not rained so hard here.
<blockquote>10-August-ThursdayÂ 
? Inaugural show at V&A
Mott street, 98

Â Metaverse Road Map Pre-Release Party at Eyebeam
W 21 street, 540, 6-9pm

Â "ART VS. REAL LIFE: Canadian Stories" curated by Katharine at Morgan Lehman Gallery
10 avenue, 317, b/w 28 & 29 street

Ryan Humphrey at White Box
W 26 street, 525</blockquote>
Â The Metaverse Road Map at Eyebeam and the Art Vs. Real Life: Canadian Stories - both of these I planned to go to but did not make it.
Another resource is called <a href="http://beta.nyc.flavorpill.net/upcoming">FlavorPill,</a> and while it's not focused on painting or fine art only (FlavorPill has many other interesting events around NYC) it also gives you upcoming exhibitions, like the Picasso and American Art show at the Whitney later in October.

Anyway, Saturday should also be a busy day for me, hopefully one that I'll paint some and also party a little at an opening at <a href="http://www.brooklynartistsgym.com/events.html">BrooklynArtistsGym</a> of "<strong>Sabrina</strong>" - it's a one night show that's only happening this Saturday (today actually - but I haven't gone to bed yet)
<blockquote>"Sabrina (Sabrina Tilikevich) is having a one-night-only opening event showing her most recent work.Â  She is known for her "direct eye and disturbing perspective." She has been inspired by such artists as Basquiat, Dali, and Malevich.Â  Most of the mediums she uses are acrylic and experimental bases.

She plans for this opening to reflect her style, and is bringing the street fairs of New York City to a Brookyn Gallery.Â  Live music and refreshment will be served.
Saturday, August 19th, from 7 p.m.-11:30 p.m. in the BAG gallery. For more information, you can contact Sabrina at <a href="mailto:sabrina626x@gmail.com">sabrina626x@gmail.com</a>.</blockquote>
I'll probably have a lot to write about in the next few days - keep tuned.

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		<title>Marsha Wooley at the Prince Street Gallery &#8211; NYC</title>
		<link>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</link>
		<comments>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/#comments</comments>
		<pubDate>Fri, 10 Aug 2007 16:18:53 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

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		<description><![CDATA[Buy Imodium Without Prescription, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, Marsha Wooley, who had 4 paintings in the show. I reviewed Marsha's New York art opening last year and also [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imodium Without Prescription</b>, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, <a href="http://robischongallery.com/html/artistresults.asp?artist=135&amp;testing=true">Marsha Wooley, who had 4 paintings in the show</a>.</p>
<p>I reviewed Marsha's New York art opening last year and also went on a <a href="http://www.webmetricsguru.com/2007/05/paris_trip_day_1.html">Paris Trip </a>with a group of painters she led in late May/early June in Paris and Aix-en-Provence.Â Â  I definably want to do that trip again, <b>fast shipping Imodium</b>, <b>Imodium in mexico</b>, hopefully next year.</p>
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		<title>Art in NYC - Visual Arts in New York City &#187; Marsha Wooley</title>
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		<link>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</link>
		<comments>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/#comments</comments>
		<pubDate>Fri, 10 Aug 2007 16:18:53 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</guid>
		<description><![CDATA[Buy Imodium Without Prescription, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, Marsha Wooley, who had 4 paintings in the show. I reviewed Marsha's New York art opening last year and also [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imodium Without Prescription</b>, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, <a href="http://robischongallery.com/html/artistresults.asp?artist=135&amp;testing=true">Marsha Wooley, who had 4 paintings in the show</a>.</p>
<p>I reviewed Marsha's New York art opening last year and also went on a <a href="http://www.webmetricsguru.com/2007/05/paris_trip_day_1.html">Paris Trip </a>with a group of painters she led in late May/early June in Paris and Aix-en-Provence.Â Â  I definably want to do that trip again, <b>fast shipping Imodium</b>, <b>Imodium in mexico</b>, hopefully next year.</p>
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		<link>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/#comments</comments>
		<pubDate>Sun, 18 Feb 2007 17:16:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[DC Moore Gallery]]></category>
		<category><![CDATA[Janet Fish]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</guid>
		<description><![CDATA[I met with Marsha Wooley yesterday to discuss art and the Paris Trip Buy Sepazon Without Prescription, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â  I ended up followingÂ Marsha uptown [...]]]></description>
			<content:encoded><![CDATA[<p> I met with Marsha Wooley yesterday to discuss art and the <a href="http://www.arapahoe.edu/deptprgrms/humanities/france06.pdf">Paris Trip </a> <b>Buy Sepazon Without Prescription</b>, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â </p>
<p>I ended up followingÂ Marsha uptown to see the opening of <a href="http://www.artnet.com/Galleries/About.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">Janet Fish at the DC MOORE Gallery </a>- which was crowded and attended by a couple of other well known artists including Alex Katz (who I did not speak to), and I decided <em>not to talk</em> with Janet Fish but I could have.Â  Most of my questions were covered in the <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">press release </a>which is also on Artnet.Â  If Janet Fish were someone I'd really wanted to talk to....I would have, yet despite knowing of her for 20 years (since my summer in Vermont during 1987) I did not feel a need to connect.</p>
<p>I found Janet Fish's work even in quality and, <b>buy Sepazon no prescription</b>, <b>Where can i order Sepazon without prescription</b>, more or less, <em>predictable</em> -Â still overall, <b>buy Sepazon without a prescription</b>, <b>Sepazon paypal</b>, pretty good (but not cutting edge).Â Â  I guess Janet <strong>Fish can getÂ attention without being shocking and annoying</strong> (which is so common today in both painting and online media).Â  People are so saturated with media messages - to just be yourselfÂ - to just paint, andÂ make attractive paintings, <b>delivered overnight Sepazon</b>, <b>Buy Sepazon online no prescription</b>, takes a certain about of courage.Â  Because selling out today, might be toÂ attemptÂ to be "cutting edge" and not being "yourself".Â Â Â  So, <b>Sepazon for sale</b>, <b>Saturday delivery Sepazon</b>, whatever you think of Janet Fish, she stays within her range.Â Â </p>
<p>However, <b>Sepazon pills</b>, <b>Free Sepazon samples</b>, risk taking, I think, <b>Sepazon in mexico</b>, <b>Sepazon gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, is what makes Art and Artists really interesting.Â  If you don't take some risks in your work, it's easy to knock out work, <b>buying Sepazon online over the counter</b>, <b>Sepazon in japan</b>, and she had a lot of work at the opening, and I'm told, <b>buy Sepazon without a prescription</b>, <b>Buy cheap Sepazon</b>, most of the show was sold out (I did not look at the price list, I'm sure Janet Fish's paintings are expensive), <b>Sepazon in australia</b>.  <b>Buy generic Sepazon</b>, You can see a collection of what was in the show <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">here</a>Â but I took some photos too - and here's what I liked.<br />
<p style="text-align: center"><img width="430" src="http://www.artnewyorkcity.com/wp-content/uploads/img01266.JPG" alt="Janet Fish excerpt from a painting" height="290" style="width: 430px; height: 290px" /></p><br />
This red vase was part of a painting I liked - the red symbolized something, <b>ordering Sepazon online</b>, <b>Sepazon san diego</b>, and I could feel it.Â  Is the red vase symbolic of something in the artist's life that's broken or is it just a vase she toppled so it would make more of an "effect" which the broken glass?Â  I guess we'll never know because I did not ask her.Â </p>
<p>But I'd like to think these arrangements work because they are also symbolic of something broken in the Artist's life and she's conveying that with the "red" vase - and the red carries because it's fused with her feelings.Â  And it's not the red vase that's broken, it's the blue glass jar ., <b>online buy Sepazon without a prescription</b>.  <b>Sepazon from international pharmacy</b>, and who knows that that means?Â Â  Oh well, I can go on and on at this level, <b>Sepazon in usa</b>, <b>Buy Sepazon online cod</b>, but as along as a painting poses a question - it's interesting,</p>
<p>I think all of Janet Fish's work has color - color tone - each painting has it's own range - in some it's reddish, <b>Sepazon craiglist</b>, <b>Buy Sepazon from mexico</b>, and in other lilac while others could be Naples yellow.</p>
<p>So, <b>buy Sepazon online with no prescription</b>, <b>Sepazon to buy</b>, while her work is predictable - there' passion in it = and it's probably among the best that you'll see on 57th Street.Â </p>
<p>I could say more, but I'll stop here - best to stop while your ahead, <b>Sepazon pills</b>.  <b>Sepazon overseas</b>, Right.</p>
<p>I still did not get fully down what the next step for the Paris trip - but I hope I got the ball rolling - would have liked to have a brochure but ended bumping into Marsha Wooley as she was leaving her gallery here, <b>buy no prescription Sepazon online</b>, <b>Sepazon discount</b>, and she left the brochures at the gallery.Â  Maybe I got enough information as it was.</p>
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		<title>Buy Evista Without Prescription</title>
		<link>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/#comments</comments>
		<pubDate>Sat, 17 Feb 2007 05:13:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Collage Art Association]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</guid>
		<description><![CDATA[I usually paint on Saturdays but I'll probably be meeting with Marsha Wooley Buy Evista Without Prescription, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed Marsha Wooley last year for ArtNewYorkCity.com - I put a lot of workÂ in that interview [...]]]></description>
			<content:encoded><![CDATA[<p> I usually paint on Saturdays but I'll probably be meeting with <strong>Marsha Wooley</strong> <b>Buy Evista Without Prescription</b>, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">Marsha Wooley last year</a> for ArtNewYorkCity.com - I put a lot of workÂ in that interview which actually have two parts.</p>
<p>Actually, <b>rx free Evista</b>, <b>Fast shipping Evista</b>, I'm interested in the Paris trip that Marsha conducts through theÂ college she teaches at in Colorado; I'd actually like to go but I don'tÂ think I'm going to have the time or money (one or the other, or both) - and then again, <b>online buying Evista hcl</b>, <b>Evista medication</b>, I'd like to think that maybe I can make it happen - 2 weeks in France, part of it painting in Aix and around there ...., <b>saturday delivery Evista</b>.  <b>Over the counter Evista</b>, that would be a dream of mine, something I've wanted to do since I was a teenager and found that Paul Cezanne was my favorite artist, <b>Evista in india</b>.  <b>Cod online Evista</b>, I've always wanted to go to his studio,Â sorta connect with the energy since it's contributed so much to me.Â  But as I age, <b>Evista to buy online</b>, <b>Evista tablets</b>, and know myself better, I realize I'm very different in my artisticÂ sensibilities than the artists I admire; still, <b>where can i buy cheapest Evista online</b>, <b>Evista in usa</b>, I like what I like.</p>
<p>Sure, <b>Evista buy</b>, <b>Online buy Evista without a prescription</b>, there are other parts of France that thisÂ course goes to - and I've only been to Europe once, and only to Paris for 8 days in 1987 (and the only people I had conversations with, <b>order Evista online c.o.d</b>, <b>Order Evista from mexican pharmacy</b>, were Americans - mostly woman - I found it very difficult to just go to Paris and not speak French at that time - now it may be different, I don't know), <b>Evista from international pharmacy</b>.  <b>Evista trusted pharmacy reviews</b>, In my fantasy..... I get to goÂ on this trip for free, <b>delivered overnight Evista</b>, <b>Evista prescriptions</b>, blogging it up and raising publicity - maybe just paying for my trip and hotel....do you think I could talk the college into granting me something like that?Â Â  Maybe it's just a pipe dream.Â Â </p>
<p>There's also the issue of timing - I think this Paris trip happens sometime in May, and so does the Emetrics Summit in San Francisco (althoughÂ EmetricsÂ happens at the beginning of May) and I'd like to go to Emetrics (and I'm not sureÂ I'll be able to either), <b>free Evista samples</b>.  <b>Where to buy Evista</b>, So there's a lot of "ifs" here that I need to see if I can bring together - and that's partly what I'll talk to Marsha Wooley about Saturday (if it does not get rescheduled -Â it seems to be our pattern that meetings get shifted around a lot - last time she was in NY, we rescheduled 4 times), <b>where to buy Evista</b>.  <b>Purchase Evista online no prescription</b>, And then, maybe I'll take in an opening or two - so that's what I've got on my agendaÂ forÂ Saturday.Â </p>
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		<title>The Accidental Masterpiece by Michael Kimmelman</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Michael Kimmelman]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</guid>
		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Topic Flower Tool reveals the Colors of Art in New York City</title>
		<link>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/#comments</comments>
		<pubDate>Thu, 24 Aug 2006 05:45:24 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Olan Montgomery]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at Webmetricsguru.com, my Web Analytics blog. What about my interview with Marsha Wooley that I did last week, what would that interview look like as a [...]]]></description>
			<content:encoded><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at <a href="http://www.webmetricsguru.com/2006/08/building_flowers_out_of_text_u.html">Webmetricsguru.com, my Web Analytics blog</a>.

What about my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview with Marsha Wooley that I did last week</a>, what would that interview look like as a Topic Flower (see below).
<p align="center"><a class="imagelink" title="Marsha Wooley Topic Flower Semantic Analysis drawing" href="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG"><img id="image101" style="width: 393px; height: 254px" height="254" alt="Marsha Wooley Topic Flower Semantic Analysis drawing" src="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG" width="393" /></a></p>
<p align="left">Marsha Wooley's interview - which I put a lot of my soul into writing - is all about Art, and I can't tell you if lavander in the background means there is also some Economy, Science and Technology in the text as well - perhaps there is.</p>
<p align="left">What About Amy Chrehore's Interview, how does it compare with Marsha Wooley's as Topic Flower?</p>
<p align="center"><a class="imagelink" title="Amy Chrehore Interview" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG"><img id="image102" style="width: 429px; height: 248px" height="248" alt="Amy Chrehore Interview" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG" width="429" /></a></p>
<p align="left">There are subtle differences, mostly in texture between the Amy Chrehore Topic Flower and the Marsha Wooley Topic Flower.Â Â  A Topic Flower of Amy's recent postÂ about <a href="http://amycrehore.blogspot.com/2006/08/pierre-puvis-de-chavannes-1824-1898.html"><font color="#0000ff">Pierre Puvis De Chavannes</font></a>Â looks much different - reflectingÂ as much the writers style as the subject of the post (see below).</p>
<p align="center">Â Â Â Â <a class="imagelink" title="Amy Crehore writing about Pierre Puvis De Chavannes" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG"><img id="image103" style="width: 440px; height: 278px" height="278" alt="Amy Crehore writing about Pierre Puvis De Chavannes" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG" width="440" /></a></p>
<p align="left">What about <a href="http://www.artnewyorkcity.com/2006/07/29/olan-montgomery-in-person-artist-interview-continued/">Olan's Interview </a>that I did a couple of weeks ago?</p>
<p align="center"><a class="imagelink" title="Olan Topic Flower image" href="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG"><img id="image104" style="width: 455px; height: 283px" height="283" alt="Olan Topic Flower image" src="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG" width="455" /></a></p>
<p align="left">Spooky!Â  The Olan interview was actually as much about Society as it was about Art, according to the Semantic Analysis that the Topic Flower tool performed on the Interview Text.Â Â  These Topic Flowers remind me of the 7 Chakra system of energy centers in the human body - at least, they look that way.</p>
<p align="left">By the way, here's a short description of how to decode the colors and shapes of the Topic Flowers:</p>
Rules for interpretation:
<ol>
	<li>The same text will always generate the same flower.</li>
	<li>More text will generate more layers of petals.</li>
	<li>The primary topic will be shown using the associated colour on the outermost two layers of petals.</li>
	<li>If there is a secondary topic it will be shown on the third layer of petals. This pattern repeats, two layers using the primary, then one with the secondary.</li>
	<li>If there exists a tertiary topic its' colour is used to accent the edges of some of the primary coloured petals.</li>
	<li>The number of little 'hairs' on the flower is indicative of the number of personal pronouns used in the text.</li>
	<li>Rounder petal shapes are suggestive of emotionally positive terms (love, yes, peace) , and more elongated terms indicate negative terms (death, murder, idiot).</li>
</ol>
<p align="left">Have fun, enjoy the <a href="http://www.neoformix.com/2006/TopicFlower.html">Topic Flower Tool </a>and please write me to share your thoughts.</p>

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 2</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 04:28:13 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous [...]]]></description>
			<content:encoded><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous Motifs like Mount Saint Victoire, the studies of this painting were done on location and using the Golden Mean - she even has some aids to help with this which we discussed).
<p align="center"><a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg"><img id="image83" style="width: 286px; height: 190px" height="190" alt="mountsaintvictoire.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" width="286" /></a></p>
<p align="left">Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Mount Saint Victoire - Marsha Wooley</p>
<p align="left">As you might know, Paul Cezanne is my favorite artist and I painted many, many lanscapes and still lifes in his style (see further down in this post) and I read everything aboutÂ Cezanne including a bookÂ  <a href="http://www.amazon.com/gp/product/1568494955/002-1373550-4120834?v=glance&n=283155">Jane Roberts wrote on Channeling Paul Cezanne</a>Â which was out of print for a while and <em>hardly anyone knows about</em> - I had a copy when I spent a year living in Berkley, California,Â in the late 1970's but since lost it - maybe I'll order it again.Â  I also remember owning a "Composition According to Cezanne" book that was a classic first analysis on how Cezanne architected his paintings and the concept of flat and shallow depth.</p>
<p align="left">I visited the <a href="http://www.barnesfoundation.org/">Barnes Collection </a>Â several times (and many other museums that had Cezanne's in their collection) and knew just about every Cezanne painting and sketchÂ like the back of my hand.Â  And when I spent a summer at the <a href="http://vermontstudiocenter.org/index.html">Vermont Studio School/Center </a>in 1988, I met Sidney <a href="http://www.abebooks.com/servlet/SearchResults?&isbn=0674459555&nsa=1">Geist who wrote a book on Cezanne </a>and claimed to see words in the painting compositions (French words, of course).Â Â Â When someone paints <strong>Mount Saint Victorie</strong>, <em>I know all about it</em> as the images of Cezanne's paintings are etched forever in my soul- even if I never visited that part of France.</p>
<p align="left"><strong>Marsha Wooley </strong>leads a course in landscape painting in France every couple of years (then next one will be in May 2007, around Memorial day) - it's <a href="http://www.arapahoe.edu/schedule/summerAAA-GEO.pdf#search=%22marsha%20wooley%20painting%20in%20france%22">given through the University </a>she teaches at near Denver.</p>

<blockquote>
<p align="left"><strong>ART 220 PAINTING AND DRAWING IN FRANCE 3
</strong>11073 B01 ARGMT 0900A-0200P 05/30-06/25 $ STAFF
<strong>Includes 5 days in Paris</strong>, 05/30-06/25. Additional fees apply. Must register no later than 04-15-06. Orientation
meeting is 04/21 in AD 105, 0600P. For more information and details regarding the registration deadline, please
contact Marsha Wooley at 303-797-5862.</p></blockquote>
<p align="left">Many people take the course just to go landscape painting with her in France, around Paris and in other parts of France.Â  <em>How many people know that about Marsha?</em>Â Â She does not talk aboutÂ her art history work or traveling toÂ FranceÂ on her website or anywhere else - or promote it, yet I find it very intersting and very much something that should known about her; it's unusual and very hip, actually.</p>
<p align="left">In this context, I see myself, in relationÂ to other artists,Â as a nexus, perhaps a chalice, holding, containing and connecting multiple levels of reality - I live as much in the Web Analytics and Web Promomotion world as I live in the Art World (both modern and pas), being a creature of both-Â  at the <em>same moment</em> - think in both ways and see opportunitiesÂ that are often being overlooked (but no longer - she sees them now too).Â Â I hope I'm not being full of myself here (<em>but if I am, so what?)</em></p>
<p align="left">Here's an opportunity for Marsha Wooley to promote her art in a way that has almost no competition - how many American Artists take Art Classes to Paris to paint Art in <strong>Cezanne's backyard</strong> ? Â Marsha Wooley - the artist, the woman who cares about the purity of the land, who is an art historian, art lover, art teacher and all around <em>nice person</em> <em>(she also rides horses and lives near a ranch where she can take care of the horses - and she knows a lot about wildlife</em>). I was drawn to talk to her when I walked into Prince Street Gallery a couple of weeks ago - and it <em>that </em>which I was drawn to - the paintings only are the surface).</p>
<p align="left">I ended the interview talking with Marsha's boyfriend, a <em>Rocket Scientist</em> (a real Rocket Scientist) who works on Communication satellites, including launching them - he's a mechanical engineer and I asked him about the systems he works with.Â </p>
<p align="left">There was also another artist I spoke with at the Gallery today - Owen Gray - and I'll write up more about him later.</p>
<p align="left">One thing we all had in common Â <strong>The Vermont Studio School</strong>, me in 1988, they in the 1990's and Owen spent some time just last year there.Â  Yes, I should look up the people I knowÂ in VermontÂ again, maybe it's time to think about re visiting Vermont, some time in the near future - for a residency.Â  I can certainly use one - after all I have been through <em>(that's the subject of a chapter in a book but I won't go into it here)</em>.Â </p>
<p align="left">I mentioned that I knew one of the founders well before the CenterÂ came into beingÂ as we studied with the same teacher, Ralph Houston, in Smithville Flats, NY; but that's another life, almost, but I haven't forgotton, and it's still part of me. Even as I have gone my own way, I still retain the knowledge of what brought us all together even as I persue it in my own way.</p>
<p align="left">BTW, Marsha also opened up that she used to, in the past, paint abstract (a while back) and if you get close to her works you can see the looser brushwork.Â  Most of her large paintings started as one or two session oil sketches, done on location - and some of these are made into larger paintings - many of which are in the show.Â </p>
<p align="left">I think Marsha might be realistic in her approach, but she manages to keep her brushwork fresh - <em>not overworked</em> - even though the paintings are often large and complex, they hold together, and inÂ her worksÂ she maintains a consistant mood and tone.Â </p>
<p align="left">Marsha has also contained many things within herÂ - art history, geology, a feeling for the land and the animals that live on it, and that's all in the paintings - and it sets her apart from some of the other artists in her Denver Gallery, <a href="http://www.robischongallery.com/html/home.asp">Robischon</a> ( at least 4 others who also paint landscapes of the West).Â </p>
<p align="left">I am very happy for her that her first NYC show worked out, she made a profit off of the show, had some quality time in NY and furthered her career; it's a wonderful thing when that works out.</p>
<p align="left">One thing I did not see Marsha paint much ofÂ - people - hardly any reference to a person (I thinkÂ I might have spotted one in theÂ Mount Saint Victoire paintingÂ at the beginning of this post - it's a wonderful painting that keeps growing on me)Â Â - maybe her boyfriend hiking on a mountain - painted as a speck in the distance.Â  That sorta reminds me of Claude Lorraine - or other landscape artists that generally did not put people in their work.</p>
<p align="left">Also, missed commenting on a large painting that had a rock that looked like a UFO...I almost can see Captain Kirk, Commander Spock and First Engineer Scotty beaming down next to the rock (something out of Star Trek 2, 3 or 4).Â  There's a mystery behind the rock (don't have a picture of that painting).</p>
<p align="left">Anyway, to finish this all off, interviewing Marsha Wooley in person was <em>a much better result than doing it via Email</em>. She had not really seen or read my questions and what I got earlier was not the in depth interview I wanted.Â  I think here, I gave my readers something about Marsha Wooley they'd have to speak with her to learn about (and only if she opened up - I got her to open up for me).</p>
<p align="left">Since we all spent time in Vermont, at Vermont Studio School, I was led to look at some of her paintings as being about both the landscape and herself.</p>
<p align="center"><a class="imagelink" title="inpraiseofanearlyfallvermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg"><img id="image84" style="width: 287px; height: 231px" height="231" alt="inpraiseofanearlyfallvermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg" width="287" /></a></p>
<p align="left">Â This painting was done while Marsha Wooley was in Vermont, staying at the Studio School; it was a scene from the Community College that is on a hill above Johnston, VT.Â  I remember it well as I used to walk up to it and paint scenes from a similar location like these works of mine (below).</p>
<p align="center"><a class="imagelink" title="Vermont Study - 1988" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg"><img id="image85" height="96" alt="Vermont Study - 1988" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg" /></a>Â  <a class="imagelink" title="Tree Study in Johnston VT." href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg"><img id="image86" height="96" alt="Tree Study in Johnston VT." src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg" /></a>Â  <a class="imagelink" title="Vermont Study after Delacroix" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg"><img id="image87" height="96" alt="Vermont Study after Delacroix" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg" /></a>Â  <a class="imagelink" title="porch_view_in_Vermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.jpg"><img id="image89" height="96" alt="porch_view_in_Vermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_in_pink.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.jpg"><img id="image90" height="92" alt="still_life_in_pink.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.thumbnail.jpg" /></a>Â  <a class="imagelink" title="self_portrain_in_Vermont_Studio.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.jpg"><img id="image91" height="96" alt="self_portrain_in_Vermont_Studio.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.thumbnail.jpg" /></a>Â  <a class="imagelink" title="Vermont_Landscape_Study.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.jpg"><img id="image92" height="96" alt="Vermont_Landscape_Study.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.thumbnail.jpg" /></a>Â  <a class="imagelink" title="study_with_vaze.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.jpg"><img id="image93" height="96" alt="study_with_vaze.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.thumbnail.jpg" /></a></p>
<p align="left">Marshall Sponder's Vermont Studies (above, all from 1988) Â - these reminded me of Marsha's painting - Marsha's painting, inÂ fact,Â is call for me to go back and pick the landscape spirit I left in Vermont.Â  I put part of me aside, for many years, and I wish to address it again, which drove me to paint.Â  The paintings below are among those I did after I returned from Vermont. Within a year or two, I lost it - lost the thread.</p>
<p align="center"><a class="imagelink" title="After The Bath - by Marshall Sponder - 1988.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.JPG"><img id="image94" height="96" alt="After The Bath - by Marshall Sponder - 1988.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.thumbnail.JPG" /></a>Â Â Â Â Â  Â <a class="imagelink" title="Homage_to_Manet_2_fixed.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.jpg"><img id="image95" height="96" alt="Homage_to_Manet_2_fixed.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.thumbnail.jpg" /></a>Â Â Â  Â  <a class="imagelink" title="apartmentview.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.jpg"><img id="image96" height="96" alt="apartmentview.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_with_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.jpg"><img id="image97" height="91" alt="still_life_with_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.thumbnail.jpg" /></a>Â Â Â Â  Â Â <a class="imagelink" title="in_the_cave_after_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.jpg"><img id="image98" height="96" alt="in_the_cave_after_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.thumbnail.jpg" /></a>Â Â Â Â Â Â Â  Â <a class="imagelink" title="self_portrait.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.jpg"><img id="image99" height="96" alt="self_portrait.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.thumbnail.jpg" /></a></p>
<p align="left">Yes, I know Vermont, the mystery in those hills, mountains, the magnetic energy, the particular color of the sky, and the subject of trees.Â  Some of the thoughts that came into my mind felt as if the landscape spoke to me and suggested things - and when I spoke to Marsha Wooley, it turned out she has some of the same thoughts; Not unusual, we're both artists.</p>
<p align="left">The trees are both the lanscape and different aspects of ourselves and people we know.Â  Marsha's trees represent some the people in her life - the motifs relate to people she cared about - and the painting are as much about that as the landscape of Vermont - much as it was for me, when I was painting and living there.Â  I was working out an idea of what comes first, what comes second, etc.</p>
<p align="left">I think I need to go back to Vermont, someday soon, so I can pick up the landscape theme again - and maybe (if I can) taking part of that painting course in Paris - next time it happens - that would be really great as painting is in my soul - just as it's in Marsha's.</p>
<p align="left">For the first part of Marsha Wooley's interview <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/">go here</a>.</p>
<p align="left">End of Interview</p>
<a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" />

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 1</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 03:25:44 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
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		<description><![CDATA[Ok, finally got the interview with Marsha Wooley that I wanted, and it was in person at the Prince Street Gallery this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an [...]]]></description>
			<content:encoded><![CDATA[Ok, finally got the interview with <a href="http://www.marshawooley.com/">Marsha Wooley </a>that I wanted, and it was in person at the <a href="http://www.princestreetgallery.com/">Prince Street Gallery</a> this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an in-person interview and write up my interview from memory).

<center><img src='http://www.artnewyorkcity.com/wp-content/artnyc.jpg' alt='' /></center>

<p align="left">I'm going to focus on things that I learned about Marsha Wooley by talking with her - things she does not talk about or write down (<em>too bad, they're interesting ideas</em>).Â </p>
<p align="left">Â For one thing, this painting is really about studying the <em>Geology of the West</em> - the mountain range in the upper left is full of copper, that is why it's greenish.Â  There's a great deal of knowledge of the land that's really part of what this painting (and the rest of her paintings in the show, are about).Â </p>
<p align="left">I earlier noted the connection with Corot, esp in the tree life in the lower right.Â  But there's another aspect of Marsha Wooley that she does not talk about - her love for this land and how it's being destroyed by the Oil Cartel that's oil drilling, led by Dick Chaney, it's destroying wildlife and wilderness areas around Denver and throughout the West in it's relentless search for more energy - even as it destroys the earth.</p>
<p align="left">While Marsha's paintings are not political - the <em>feeling behindÂ many of her works</em> is - stop the destruction and paint the tranquility of the land as a way to preserve it.</p>
<p align="center"><a class="imagelink" title="em-wooley-littleburmaroad-60x96_LG.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg"><img id="image81" style="height: 143px" height="143" alt="em-wooley-littleburmaroad-60x96_LG.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg" width="232" /></a></p>
<p align="left">This is one of the paintings that sold in the Gallery show that just closed today - I think the show was as success and one of the main reasons Marsha Wooley had the show is to see all of her work together on one wall.</p>
<p align="left">In my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">next post </a>I'll cover some aspects of Marsha Wooley that she hardly ever talks about - but should.</p>

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		<title>Marsha Wooley Interview</title>
		<link>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/#comments</comments>
		<pubDate>Wed, 16 Aug 2006 03:12:48 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/</guid>
		<description><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected. Â  Â  Â Â  Thumbnails of paintings by Marsha Wooley Me: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan [...]]]></description>
			<content:encoded><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected.
<p align="center"><img id="image67" height="83" alt="Water Life Cycle, Lake Avery" src="http://www.artnewyorkcity.com/wp-content/uploads/waterlifecycleslakeavery.jpg" />Â  <img id="image69" height="96" alt="Coyote Song Trail  Oil on canvas, 62" src="http://www.artnewyorkcity.com/wp-content/uploads/coyotesongtrail.thumbnail.jpg" />Â </p>
<p align="center">Â <img id="image70" height="96" alt="Gone But Not Forgotten Oil on canvas, 60" src="http://www.artnewyorkcity.com/wp-content/uploads/gonebutnotforgotten.thumbnail.jpg" />Â  <img id="image71" height="96" alt="The Baptistery of Saint Saveur  Oil on canvas, 24" src="http://www.artnewyorkcity.com/wp-content/uploads/thebapistryofsaintsaveur.thumbnail.jpg" /></p>
<p align="center">Thumbnails of paintings by Marsha Wooley</p>
<em><strong>Me</strong></em>: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan for this show? In what way is the NYC show different than other shows youâ€™ve had around the country?Â  What were your goals for judging this show was successful?
<blockquote><strong><em>Marsha</em></strong>: What makes a successful show:Â  Some people might think that selling out the show makes it successful.Â 

But-I think that the success of the show depends on the intent-and there are numerous reasons.Â  A few of these include: getting exposure in a new market or region, selling out the show, a handsome show, and instructional or educational show just to name a few.Â 

My goals for the show were to

1. get the exposure in the New York area,

2. see my images from the last 5 or 6 years hang together so I could assess my development and

3. to provide a venue for some of my collectors to see what I have been doing (hoping for a sale and I had 5 paintings go to these collectors).Â 

SoÂ  conclusively I would have to affirm that the show was a success because all three goals were met.</blockquote>
<strong><em>Me</em></strong>: Your current gallery in Denver, Robischon, has many strong artists, mostly representational, many with strong elements of landscape painting, particularly of the west.Â  You work fits in well at the Robischon Gallery, but there are differences in style and approach of a Marsha Wooley painting vs. Wes Hempel (ie: whose landscapes seem to come right out of the 16th Century Dutch painters, or more symbolic â€“ as in Tunnel of Love), Jim Wolford (scenes of Denver, houses and landscapes), Don Stinson (with such paintings as Icy Park at Ouray and Desert Burn), Jim Colbert (no relation to John Colbert â€“ right?) whose work most closely resembles yours.

- How do you see your work being different than any other artist in the Robischon gallery?Â Â  What is Unique about your work that no other artist (even those who paint in a very similar style and with very similar motifs) shares at Robischon?
<blockquote><strong><em>Marsha</em></strong>: The influences in my landscape painting are as you so keenly observed Corot-mostly his studies. Â An northern Italian group of painters called the Macchiaoli (a few of my favorite artistâ€™s include Govanni Boldini, Giovanni Fattori and Silvestro Lega) The early surveyer/explorer artistâ€™s that went west with the first map makers for the U S government or the railroad surveys (artistâ€™s like: Samuel Seymour, Titian Peale, Albert Bierstadt â€“his studies, Thomas Moran, Sanford GiffordÂ  and Worthington Whittridge) .Â  I also admire the William Henry Jackson photos of the west.</blockquote>
I caught Marsha in between her trip to NYC; I had hoped for aÂ fuller interview, maybe thatÂ can be done at another time.Â 

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		<title>Another Self Portrait &#8211; &#8220;My Roman Self&#8221; and an empty studio</title>
		<link>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/#comments</comments>
		<pubDate>Sun, 13 Aug 2006 15:31:59 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/</guid>
		<description><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good). Also, the interview with Marsha WooleyÂ should happen sometime today. [...]]]></description>
			<content:encoded><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good).
<p align="center"><font face="Courier New"><img style="width: 396px; height: 270px" height="270" alt="My Roman Self - reminded me of bust of a roman emperor I saw many years ago at the MET Musuem" src="http://www.artnewyorkcity.com/wp-content/myromanselfsketch1.JPG" width="396" /></font></p>
<p align="left">Also, the interview with <a href="http://www.marshawooley.com/"><font color="#b85b5a">Marsha Wooley</font></a>Â should happen sometime today.</p>
<p align="left">In case your wondering what the circular objects in the right of my oil pastel sketch are - it's actually a mirror that was used as a painting palette, which some remains of burnt umbers and light blues stuck to the mirror.Â Â  The only mirror I could find in the studio is this mirror - palatte; I borrowed it (from whomever's palatte it is) and managed to do the self portrait, above, and <a href="http://www.artnewyorkcity.com/2006/08/07/my-segmented-life-self-portrait/">My Segmented Self </a>portrait last weekend.Â  Maybe that's enough self portraits for a while.</p>
<p align="left">I copied the shapes and was thinking the round shapes could also serve as visitor segmentations in Web Analytics - <em>or in my sketch</em> - as roundish areas of colors that represent ny feelings - or <em>whatever.</em>Â Â </p>
<p align="left">While I would have loved to have gotten the actual crusty paint on the mirror I was looking into, somehow, it did not seem that important - or I would have done it.Â Â </p>
<p align="left">The area in the lower right is really a cabinet where art supplies are stored - I just sketched it in, for variety in textures - that's all; I spent about two or three hours on this and had enough of it.Â  Feeling explored - feeling done - onto the next thing.</p>

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		<title>Interviewing Marsha Wooley and other stuff</title>
		<link>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/#comments</comments>
		<pubDate>Sat, 12 Aug 2006 07:32:50 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</guid>
		<description><![CDATA[I'll be interviewing Marsha Wooley, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on Celebrity at Work, as my last two artist interviewee's also got to [...]]]></description>
			<content:encoded><![CDATA[I'll be interviewing <a href="http://www.marshawooley.com/">Marsha Wooley</a>, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on <a href="http://www.celebrityatwork.com/">Celebrity at Work</a>, as my last two artist interviewee's also got to be on Celebrity.

I also found another site that is a great resource for NYC Art OpeningsÂ called <a href="http://artcards.cc/">ARTCARDS.CC</a>Â  It's interesting to see the information grouped as a "card", almost something you can print out and carry around as you go to galleries to see art.Â  Here's what I would have seen last Thursday had it not rained so hard here.
<blockquote>10-August-ThursdayÂ 
? Inaugural show at V&A
Mott street, 98

Â Metaverse Road Map Pre-Release Party at Eyebeam
W 21 street, 540, 6-9pm

Â "ART VS. REAL LIFE: Canadian Stories" curated by Katharine at Morgan Lehman Gallery
10 avenue, 317, b/w 28 & 29 street

Ryan Humphrey at White Box
W 26 street, 525</blockquote>
Â The Metaverse Road Map at Eyebeam and the Art Vs. Real Life: Canadian Stories - both of these I planned to go to but did not make it.
Another resource is called <a href="http://beta.nyc.flavorpill.net/upcoming">FlavorPill,</a> and while it's not focused on painting or fine art only (FlavorPill has many other interesting events around NYC) it also gives you upcoming exhibitions, like the Picasso and American Art show at the Whitney later in October.

Anyway, Saturday should also be a busy day for me, hopefully one that I'll paint some and also party a little at an opening at <a href="http://www.brooklynartistsgym.com/events.html">BrooklynArtistsGym</a> of "<strong>Sabrina</strong>" - it's a one night show that's only happening this Saturday (today actually - but I haven't gone to bed yet)
<blockquote>"Sabrina (Sabrina Tilikevich) is having a one-night-only opening event showing her most recent work.Â  She is known for her "direct eye and disturbing perspective." She has been inspired by such artists as Basquiat, Dali, and Malevich.Â  Most of the mediums she uses are acrylic and experimental bases.

She plans for this opening to reflect her style, and is bringing the street fairs of New York City to a Brookyn Gallery.Â  Live music and refreshment will be served.
Saturday, August 19th, from 7 p.m.-11:30 p.m. in the BAG gallery. For more information, you can contact Sabrina at <a href="mailto:sabrina626x@gmail.com">sabrina626x@gmail.com</a>.</blockquote>
I'll probably have a lot to write about in the next few days - keep tuned.

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		<title>Marsha Wooley at the Prince Street Gallery &#8211; NYC</title>
		<link>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/#comments</comments>
		<pubDate>Sun, 18 Feb 2007 17:16:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[DC Moore Gallery]]></category>
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		<description><![CDATA[I met with Marsha Wooley yesterday to discuss art and the Paris Trip Buy Sepazon Without Prescription, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â  I ended up followingÂ Marsha uptown [...]]]></description>
			<content:encoded><![CDATA[<p> I met with Marsha Wooley yesterday to discuss art and the <a href="http://www.arapahoe.edu/deptprgrms/humanities/france06.pdf">Paris Trip </a> <b>Buy Sepazon Without Prescription</b>, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â </p>
<p>I ended up followingÂ Marsha uptown to see the opening of <a href="http://www.artnet.com/Galleries/About.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">Janet Fish at the DC MOORE Gallery </a>- which was crowded and attended by a couple of other well known artists including Alex Katz (who I did not speak to), and I decided <em>not to talk</em> with Janet Fish but I could have.Â  Most of my questions were covered in the <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">press release </a>which is also on Artnet.Â  If Janet Fish were someone I'd really wanted to talk to....I would have, yet despite knowing of her for 20 years (since my summer in Vermont during 1987) I did not feel a need to connect.</p>
<p>I found Janet Fish's work even in quality and, <b>buy Sepazon no prescription</b>, <b>Where can i order Sepazon without prescription</b>, more or less, <em>predictable</em> -Â still overall, <b>buy Sepazon without a prescription</b>, <b>Sepazon paypal</b>, pretty good (but not cutting edge).Â Â  I guess Janet <strong>Fish can getÂ attention without being shocking and annoying</strong> (which is so common today in both painting and online media).Â  People are so saturated with media messages - to just be yourselfÂ - to just paint, andÂ make attractive paintings, <b>delivered overnight Sepazon</b>, <b>Buy Sepazon online no prescription</b>, takes a certain about of courage.Â  Because selling out today, might be toÂ attemptÂ to be "cutting edge" and not being "yourself".Â Â Â  So, <b>Sepazon for sale</b>, <b>Saturday delivery Sepazon</b>, whatever you think of Janet Fish, she stays within her range.Â Â </p>
<p>However, <b>Sepazon pills</b>, <b>Free Sepazon samples</b>, risk taking, I think, <b>Sepazon in mexico</b>, <b>Sepazon gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, is what makes Art and Artists really interesting.Â  If you don't take some risks in your work, it's easy to knock out work, <b>buying Sepazon online over the counter</b>, <b>Sepazon in japan</b>, and she had a lot of work at the opening, and I'm told, <b>buy Sepazon without a prescription</b>, <b>Buy cheap Sepazon</b>, most of the show was sold out (I did not look at the price list, I'm sure Janet Fish's paintings are expensive), <b>Sepazon in australia</b>.  <b>Buy generic Sepazon</b>, You can see a collection of what was in the show <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">here</a>Â but I took some photos too - and here's what I liked.<br />
<p style="text-align: center"><img width="430" src="http://www.artnewyorkcity.com/wp-content/uploads/img01266.JPG" alt="Janet Fish excerpt from a painting" height="290" style="width: 430px; height: 290px" /></p><br />
This red vase was part of a painting I liked - the red symbolized something, <b>ordering Sepazon online</b>, <b>Sepazon san diego</b>, and I could feel it.Â  Is the red vase symbolic of something in the artist's life that's broken or is it just a vase she toppled so it would make more of an "effect" which the broken glass?Â  I guess we'll never know because I did not ask her.Â </p>
<p>But I'd like to think these arrangements work because they are also symbolic of something broken in the Artist's life and she's conveying that with the "red" vase - and the red carries because it's fused with her feelings.Â  And it's not the red vase that's broken, it's the blue glass jar ., <b>online buy Sepazon without a prescription</b>.  <b>Sepazon from international pharmacy</b>, and who knows that that means?Â Â  Oh well, I can go on and on at this level, <b>Sepazon in usa</b>, <b>Buy Sepazon online cod</b>, but as along as a painting poses a question - it's interesting,</p>
<p>I think all of Janet Fish's work has color - color tone - each painting has it's own range - in some it's reddish, <b>Sepazon craiglist</b>, <b>Buy Sepazon from mexico</b>, and in other lilac while others could be Naples yellow.</p>
<p>So, <b>buy Sepazon online with no prescription</b>, <b>Sepazon to buy</b>, while her work is predictable - there' passion in it = and it's probably among the best that you'll see on 57th Street.Â </p>
<p>I could say more, but I'll stop here - best to stop while your ahead, <b>Sepazon pills</b>.  <b>Sepazon overseas</b>, Right.</p>
<p>I still did not get fully down what the next step for the Paris trip - but I hope I got the ball rolling - would have liked to have a brochure but ended bumping into Marsha Wooley as she was leaving her gallery here, <b>buy no prescription Sepazon online</b>, <b>Sepazon discount</b>, and she left the brochures at the gallery.Â  Maybe I got enough information as it was.</p>
<p><!--adsense-->, <b>delivered overnight Sepazon</b>.  Sepazon prescriptions.  Buy cheap Sepazon no rx.  Real brand Sepazon online.  Purchase Sepazon.  Where can i buy Sepazon online.  Sepazon tablets.  Sepazon in india.  Sepazon paypal.  Order Sepazon no prescription.  Order Sepazon from mexican pharmacy.  Fast shipping Sepazon.  Where can i order Sepazon without prescription.  Next day Sepazon.  Sepazon in us.  Sepazon price, coupon.  Sepazon in canada.  Sale Sepazon.  Sepazon from canadian pharmacy.  Sepazon in uk.  Sepazon medication.  Where can i buy cheapest Sepazon online.  Purchase Sepazon online.  Buy Sepazon from canada.  Online buying Sepazon hcl.  Order Sepazon online c.o.d.  Where to buy Sepazon.  Sepazon over the counter.  Buy Sepazon without prescription.  Order Sepazon from United States pharmacy.  Sepazon prices.  Free Sepazon samples.  Where to buy Sepazon.</p>
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		<title>Art in NYC - Visual Arts in New York City &#187; Marsha Wooley</title>
	<atom:link href="http://www.artnewyorkcity.com/category/marsha-wooley/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.artnewyorkcity.com</link>
	<description>Art NYC - Visual Arts in New York City</description>
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		<link>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</link>
		<comments>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/#comments</comments>
		<pubDate>Fri, 10 Aug 2007 16:18:53 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</guid>
		<description><![CDATA[Buy Imodium Without Prescription, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, Marsha Wooley, who had 4 paintings in the show. I reviewed Marsha's New York art opening last year and also [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imodium Without Prescription</b>, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, <a href="http://robischongallery.com/html/artistresults.asp?artist=135&amp;testing=true">Marsha Wooley, who had 4 paintings in the show</a>.</p>
<p>I reviewed Marsha's New York art opening last year and also went on a <a href="http://www.webmetricsguru.com/2007/05/paris_trip_day_1.html">Paris Trip </a>with a group of painters she led in late May/early June in Paris and Aix-en-Provence.Â Â  I definably want to do that trip again, <b>fast shipping Imodium</b>, <b>Imodium in mexico</b>, hopefully next year.</p>
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		<link>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</link>
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		<pubDate>Sun, 18 Feb 2007 17:16:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[DC Moore Gallery]]></category>
		<category><![CDATA[Janet Fish]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</guid>
		<description><![CDATA[I met with Marsha Wooley yesterday to discuss art and the Paris Trip Buy Sepazon Without Prescription, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â  I ended up followingÂ Marsha uptown [...]]]></description>
			<content:encoded><![CDATA[<p> I met with Marsha Wooley yesterday to discuss art and the <a href="http://www.arapahoe.edu/deptprgrms/humanities/france06.pdf">Paris Trip </a> <b>Buy Sepazon Without Prescription</b>, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â </p>
<p>I ended up followingÂ Marsha uptown to see the opening of <a href="http://www.artnet.com/Galleries/About.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">Janet Fish at the DC MOORE Gallery </a>- which was crowded and attended by a couple of other well known artists including Alex Katz (who I did not speak to), and I decided <em>not to talk</em> with Janet Fish but I could have.Â  Most of my questions were covered in the <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">press release </a>which is also on Artnet.Â  If Janet Fish were someone I'd really wanted to talk to....I would have, yet despite knowing of her for 20 years (since my summer in Vermont during 1987) I did not feel a need to connect.</p>
<p>I found Janet Fish's work even in quality and, <b>buy Sepazon no prescription</b>, <b>Where can i order Sepazon without prescription</b>, more or less, <em>predictable</em> -Â still overall, <b>buy Sepazon without a prescription</b>, <b>Sepazon paypal</b>, pretty good (but not cutting edge).Â Â  I guess Janet <strong>Fish can getÂ attention without being shocking and annoying</strong> (which is so common today in both painting and online media).Â  People are so saturated with media messages - to just be yourselfÂ - to just paint, andÂ make attractive paintings, <b>delivered overnight Sepazon</b>, <b>Buy Sepazon online no prescription</b>, takes a certain about of courage.Â  Because selling out today, might be toÂ attemptÂ to be "cutting edge" and not being "yourself".Â Â Â  So, <b>Sepazon for sale</b>, <b>Saturday delivery Sepazon</b>, whatever you think of Janet Fish, she stays within her range.Â Â </p>
<p>However, <b>Sepazon pills</b>, <b>Free Sepazon samples</b>, risk taking, I think, <b>Sepazon in mexico</b>, <b>Sepazon gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, is what makes Art and Artists really interesting.Â  If you don't take some risks in your work, it's easy to knock out work, <b>buying Sepazon online over the counter</b>, <b>Sepazon in japan</b>, and she had a lot of work at the opening, and I'm told, <b>buy Sepazon without a prescription</b>, <b>Buy cheap Sepazon</b>, most of the show was sold out (I did not look at the price list, I'm sure Janet Fish's paintings are expensive), <b>Sepazon in australia</b>.  <b>Buy generic Sepazon</b>, You can see a collection of what was in the show <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">here</a>Â but I took some photos too - and here's what I liked.<br />
<p style="text-align: center"><img width="430" src="http://www.artnewyorkcity.com/wp-content/uploads/img01266.JPG" alt="Janet Fish excerpt from a painting" height="290" style="width: 430px; height: 290px" /></p><br />
This red vase was part of a painting I liked - the red symbolized something, <b>ordering Sepazon online</b>, <b>Sepazon san diego</b>, and I could feel it.Â  Is the red vase symbolic of something in the artist's life that's broken or is it just a vase she toppled so it would make more of an "effect" which the broken glass?Â  I guess we'll never know because I did not ask her.Â </p>
<p>But I'd like to think these arrangements work because they are also symbolic of something broken in the Artist's life and she's conveying that with the "red" vase - and the red carries because it's fused with her feelings.Â  And it's not the red vase that's broken, it's the blue glass jar ., <b>online buy Sepazon without a prescription</b>.  <b>Sepazon from international pharmacy</b>, and who knows that that means?Â Â  Oh well, I can go on and on at this level, <b>Sepazon in usa</b>, <b>Buy Sepazon online cod</b>, but as along as a painting poses a question - it's interesting,</p>
<p>I think all of Janet Fish's work has color - color tone - each painting has it's own range - in some it's reddish, <b>Sepazon craiglist</b>, <b>Buy Sepazon from mexico</b>, and in other lilac while others could be Naples yellow.</p>
<p>So, <b>buy Sepazon online with no prescription</b>, <b>Sepazon to buy</b>, while her work is predictable - there' passion in it = and it's probably among the best that you'll see on 57th Street.Â </p>
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<p>I still did not get fully down what the next step for the Paris trip - but I hope I got the ball rolling - would have liked to have a brochure but ended bumping into Marsha Wooley as she was leaving her gallery here, <b>buy no prescription Sepazon online</b>, <b>Sepazon discount</b>, and she left the brochures at the gallery.Â  Maybe I got enough information as it was.</p>
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		<link>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/#comments</comments>
		<pubDate>Sat, 17 Feb 2007 05:13:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Collage Art Association]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</guid>
		<description><![CDATA[I usually paint on Saturdays but I'll probably be meeting with Marsha Wooley Buy Evista Without Prescription, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed Marsha Wooley last year for ArtNewYorkCity.com - I put a lot of workÂ in that interview [...]]]></description>
			<content:encoded><![CDATA[<p> I usually paint on Saturdays but I'll probably be meeting with <strong>Marsha Wooley</strong> <b>Buy Evista Without Prescription</b>, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">Marsha Wooley last year</a> for ArtNewYorkCity.com - I put a lot of workÂ in that interview which actually have two parts.</p>
<p>Actually, <b>rx free Evista</b>, <b>Fast shipping Evista</b>, I'm interested in the Paris trip that Marsha conducts through theÂ college she teaches at in Colorado; I'd actually like to go but I don'tÂ think I'm going to have the time or money (one or the other, or both) - and then again, <b>online buying Evista hcl</b>, <b>Evista medication</b>, I'd like to think that maybe I can make it happen - 2 weeks in France, part of it painting in Aix and around there ...., <b>saturday delivery Evista</b>.  <b>Over the counter Evista</b>, that would be a dream of mine, something I've wanted to do since I was a teenager and found that Paul Cezanne was my favorite artist, <b>Evista in india</b>.  <b>Cod online Evista</b>, I've always wanted to go to his studio,Â sorta connect with the energy since it's contributed so much to me.Â  But as I age, <b>Evista to buy online</b>, <b>Evista tablets</b>, and know myself better, I realize I'm very different in my artisticÂ sensibilities than the artists I admire; still, <b>where can i buy cheapest Evista online</b>, <b>Evista in usa</b>, I like what I like.</p>
<p>Sure, <b>Evista buy</b>, <b>Online buy Evista without a prescription</b>, there are other parts of France that thisÂ course goes to - and I've only been to Europe once, and only to Paris for 8 days in 1987 (and the only people I had conversations with, <b>order Evista online c.o.d</b>, <b>Order Evista from mexican pharmacy</b>, were Americans - mostly woman - I found it very difficult to just go to Paris and not speak French at that time - now it may be different, I don't know), <b>Evista from international pharmacy</b>.  <b>Evista trusted pharmacy reviews</b>, In my fantasy..... I get to goÂ on this trip for free, <b>delivered overnight Evista</b>, <b>Evista prescriptions</b>, blogging it up and raising publicity - maybe just paying for my trip and hotel....do you think I could talk the college into granting me something like that?Â Â  Maybe it's just a pipe dream.Â Â </p>
<p>There's also the issue of timing - I think this Paris trip happens sometime in May, and so does the Emetrics Summit in San Francisco (althoughÂ EmetricsÂ happens at the beginning of May) and I'd like to go to Emetrics (and I'm not sureÂ I'll be able to either), <b>free Evista samples</b>.  <b>Where to buy Evista</b>, So there's a lot of "ifs" here that I need to see if I can bring together - and that's partly what I'll talk to Marsha Wooley about Saturday (if it does not get rescheduled -Â it seems to be our pattern that meetings get shifted around a lot - last time she was in NY, we rescheduled 4 times), <b>where to buy Evista</b>.  <b>Purchase Evista online no prescription</b>, And then, maybe I'll take in an opening or two - so that's what I've got on my agendaÂ forÂ Saturday.Â </p>
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<b>Trackbacks from:</b> <a href='http://greatgreenshoes.com/?p=1118'>Buy Evista Without Prescription</a>. <a href='http://blog.kasichforohio.com/?p=1481'>Buy Evista Without Prescription</a>. <a href='http://www.hewiquad.net/?p=267'>Buy Evista Without Prescription</a>. <a href='http://savebabygorilla.com/?p=666'>Buy Evista Without Prescription</a>. <a href='http://djgdesign.com/?p=2512'>Buy Evista Without Prescription</a>. <a href='http://www.soenyun.com/Blog/?p=2155'>Buy Evista Without Prescription</a>. <a href='http://www.badtamiz.com/blog/?p=652'>Buy Evista Without Prescription</a>. <a href='http://www.brilliantmagazine.com/?p=4067'>Buy Evista Without Prescription</a>. <a href='http://thegirlrevolution.com/?p=1672'>Buy Evista Without Prescription</a>. <a href='http://joshuahellerrarebooks.com/catalogue/?p=274'>Buy Evista Without Prescription</a>. <a href='http://www.thimble.ca/?p=2027'>Buy Evista Without Prescription</a>. <a href='http://www.heritageplantationinc.com/?p=924'>Buy Evista Without Prescription</a>. <a href='http://www.soundadviceblog.com/?p=807'>Buy Evista Without Prescription</a>. <a href='http://www.hiddenpeanuts.com/?p=423'>Buy Evista Without Prescription</a>. <a href='http://juliusbloop.com/?p=586'>Buy Evista Without Prescription</a>. <a href='http://www.goldfishandclowns.com/?p=1314'>Buy Evista Without Prescription</a>. <a href='http://www.troundup.com/?p=1165'>Buy Evista Without Prescription</a>. <a href='http://www.shamelessrestaurants.com/?p=2176'>Buy Evista Without Prescription</a>. <a href='http://www.ascully.com/?p=4278'>Buy Evista Without Prescription</a>. <a href='http://www.gdumb.com/?p=477'>Buy Evista Without Prescription</a>. <a href='http://wholelifegardening.com/blog/?p=1726'>Evista pills</a>.</p>
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		<title>The Accidental Masterpiece by Michael Kimmelman</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Michael Kimmelman]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</guid>
		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Topic Flower Tool reveals the Colors of Art in New York City</title>
		<link>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/#comments</comments>
		<pubDate>Thu, 24 Aug 2006 05:45:24 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Olan Montgomery]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at Webmetricsguru.com, my Web Analytics blog. What about my interview with Marsha Wooley that I did last week, what would that interview look like as a [...]]]></description>
			<content:encoded><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at <a href="http://www.webmetricsguru.com/2006/08/building_flowers_out_of_text_u.html">Webmetricsguru.com, my Web Analytics blog</a>.

What about my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview with Marsha Wooley that I did last week</a>, what would that interview look like as a Topic Flower (see below).
<p align="center"><a class="imagelink" title="Marsha Wooley Topic Flower Semantic Analysis drawing" href="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG"><img id="image101" style="width: 393px; height: 254px" height="254" alt="Marsha Wooley Topic Flower Semantic Analysis drawing" src="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG" width="393" /></a></p>
<p align="left">Marsha Wooley's interview - which I put a lot of my soul into writing - is all about Art, and I can't tell you if lavander in the background means there is also some Economy, Science and Technology in the text as well - perhaps there is.</p>
<p align="left">What About Amy Chrehore's Interview, how does it compare with Marsha Wooley's as Topic Flower?</p>
<p align="center"><a class="imagelink" title="Amy Chrehore Interview" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG"><img id="image102" style="width: 429px; height: 248px" height="248" alt="Amy Chrehore Interview" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG" width="429" /></a></p>
<p align="left">There are subtle differences, mostly in texture between the Amy Chrehore Topic Flower and the Marsha Wooley Topic Flower.Â Â  A Topic Flower of Amy's recent postÂ about <a href="http://amycrehore.blogspot.com/2006/08/pierre-puvis-de-chavannes-1824-1898.html"><font color="#0000ff">Pierre Puvis De Chavannes</font></a>Â looks much different - reflectingÂ as much the writers style as the subject of the post (see below).</p>
<p align="center">Â Â Â Â <a class="imagelink" title="Amy Crehore writing about Pierre Puvis De Chavannes" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG"><img id="image103" style="width: 440px; height: 278px" height="278" alt="Amy Crehore writing about Pierre Puvis De Chavannes" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG" width="440" /></a></p>
<p align="left">What about <a href="http://www.artnewyorkcity.com/2006/07/29/olan-montgomery-in-person-artist-interview-continued/">Olan's Interview </a>that I did a couple of weeks ago?</p>
<p align="center"><a class="imagelink" title="Olan Topic Flower image" href="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG"><img id="image104" style="width: 455px; height: 283px" height="283" alt="Olan Topic Flower image" src="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG" width="455" /></a></p>
<p align="left">Spooky!Â  The Olan interview was actually as much about Society as it was about Art, according to the Semantic Analysis that the Topic Flower tool performed on the Interview Text.Â Â  These Topic Flowers remind me of the 7 Chakra system of energy centers in the human body - at least, they look that way.</p>
<p align="left">By the way, here's a short description of how to decode the colors and shapes of the Topic Flowers:</p>
Rules for interpretation:
<ol>
	<li>The same text will always generate the same flower.</li>
	<li>More text will generate more layers of petals.</li>
	<li>The primary topic will be shown using the associated colour on the outermost two layers of petals.</li>
	<li>If there is a secondary topic it will be shown on the third layer of petals. This pattern repeats, two layers using the primary, then one with the secondary.</li>
	<li>If there exists a tertiary topic its' colour is used to accent the edges of some of the primary coloured petals.</li>
	<li>The number of little 'hairs' on the flower is indicative of the number of personal pronouns used in the text.</li>
	<li>Rounder petal shapes are suggestive of emotionally positive terms (love, yes, peace) , and more elongated terms indicate negative terms (death, murder, idiot).</li>
</ol>
<p align="left">Have fun, enjoy the <a href="http://www.neoformix.com/2006/TopicFlower.html">Topic Flower Tool </a>and please write me to share your thoughts.</p>

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 2</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 04:28:13 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</guid>
		<description><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous [...]]]></description>
			<content:encoded><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous Motifs like Mount Saint Victoire, the studies of this painting were done on location and using the Golden Mean - she even has some aids to help with this which we discussed).
<p align="center"><a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg"><img id="image83" style="width: 286px; height: 190px" height="190" alt="mountsaintvictoire.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" width="286" /></a></p>
<p align="left">Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Mount Saint Victoire - Marsha Wooley</p>
<p align="left">As you might know, Paul Cezanne is my favorite artist and I painted many, many lanscapes and still lifes in his style (see further down in this post) and I read everything aboutÂ Cezanne including a bookÂ  <a href="http://www.amazon.com/gp/product/1568494955/002-1373550-4120834?v=glance&n=283155">Jane Roberts wrote on Channeling Paul Cezanne</a>Â which was out of print for a while and <em>hardly anyone knows about</em> - I had a copy when I spent a year living in Berkley, California,Â in the late 1970's but since lost it - maybe I'll order it again.Â  I also remember owning a "Composition According to Cezanne" book that was a classic first analysis on how Cezanne architected his paintings and the concept of flat and shallow depth.</p>
<p align="left">I visited the <a href="http://www.barnesfoundation.org/">Barnes Collection </a>Â several times (and many other museums that had Cezanne's in their collection) and knew just about every Cezanne painting and sketchÂ like the back of my hand.Â  And when I spent a summer at the <a href="http://vermontstudiocenter.org/index.html">Vermont Studio School/Center </a>in 1988, I met Sidney <a href="http://www.abebooks.com/servlet/SearchResults?&isbn=0674459555&nsa=1">Geist who wrote a book on Cezanne </a>and claimed to see words in the painting compositions (French words, of course).Â Â Â When someone paints <strong>Mount Saint Victorie</strong>, <em>I know all about it</em> as the images of Cezanne's paintings are etched forever in my soul- even if I never visited that part of France.</p>
<p align="left"><strong>Marsha Wooley </strong>leads a course in landscape painting in France every couple of years (then next one will be in May 2007, around Memorial day) - it's <a href="http://www.arapahoe.edu/schedule/summerAAA-GEO.pdf#search=%22marsha%20wooley%20painting%20in%20france%22">given through the University </a>she teaches at near Denver.</p>

<blockquote>
<p align="left"><strong>ART 220 PAINTING AND DRAWING IN FRANCE 3
</strong>11073 B01 ARGMT 0900A-0200P 05/30-06/25 $ STAFF
<strong>Includes 5 days in Paris</strong>, 05/30-06/25. Additional fees apply. Must register no later than 04-15-06. Orientation
meeting is 04/21 in AD 105, 0600P. For more information and details regarding the registration deadline, please
contact Marsha Wooley at 303-797-5862.</p></blockquote>
<p align="left">Many people take the course just to go landscape painting with her in France, around Paris and in other parts of France.Â  <em>How many people know that about Marsha?</em>Â Â She does not talk aboutÂ her art history work or traveling toÂ FranceÂ on her website or anywhere else - or promote it, yet I find it very intersting and very much something that should known about her; it's unusual and very hip, actually.</p>
<p align="left">In this context, I see myself, in relationÂ to other artists,Â as a nexus, perhaps a chalice, holding, containing and connecting multiple levels of reality - I live as much in the Web Analytics and Web Promomotion world as I live in the Art World (both modern and pas), being a creature of both-Â  at the <em>same moment</em> - think in both ways and see opportunitiesÂ that are often being overlooked (but no longer - she sees them now too).Â Â I hope I'm not being full of myself here (<em>but if I am, so what?)</em></p>
<p align="left">Here's an opportunity for Marsha Wooley to promote her art in a way that has almost no competition - how many American Artists take Art Classes to Paris to paint Art in <strong>Cezanne's backyard</strong> ? Â Marsha Wooley - the artist, the woman who cares about the purity of the land, who is an art historian, art lover, art teacher and all around <em>nice person</em> <em>(she also rides horses and lives near a ranch where she can take care of the horses - and she knows a lot about wildlife</em>). I was drawn to talk to her when I walked into Prince Street Gallery a couple of weeks ago - and it <em>that </em>which I was drawn to - the paintings only are the surface).</p>
<p align="left">I ended the interview talking with Marsha's boyfriend, a <em>Rocket Scientist</em> (a real Rocket Scientist) who works on Communication satellites, including launching them - he's a mechanical engineer and I asked him about the systems he works with.Â </p>
<p align="left">There was also another artist I spoke with at the Gallery today - Owen Gray - and I'll write up more about him later.</p>
<p align="left">One thing we all had in common Â <strong>The Vermont Studio School</strong>, me in 1988, they in the 1990's and Owen spent some time just last year there.Â  Yes, I should look up the people I knowÂ in VermontÂ again, maybe it's time to think about re visiting Vermont, some time in the near future - for a residency.Â  I can certainly use one - after all I have been through <em>(that's the subject of a chapter in a book but I won't go into it here)</em>.Â </p>
<p align="left">I mentioned that I knew one of the founders well before the CenterÂ came into beingÂ as we studied with the same teacher, Ralph Houston, in Smithville Flats, NY; but that's another life, almost, but I haven't forgotton, and it's still part of me. Even as I have gone my own way, I still retain the knowledge of what brought us all together even as I persue it in my own way.</p>
<p align="left">BTW, Marsha also opened up that she used to, in the past, paint abstract (a while back) and if you get close to her works you can see the looser brushwork.Â  Most of her large paintings started as one or two session oil sketches, done on location - and some of these are made into larger paintings - many of which are in the show.Â </p>
<p align="left">I think Marsha might be realistic in her approach, but she manages to keep her brushwork fresh - <em>not overworked</em> - even though the paintings are often large and complex, they hold together, and inÂ her worksÂ she maintains a consistant mood and tone.Â </p>
<p align="left">Marsha has also contained many things within herÂ - art history, geology, a feeling for the land and the animals that live on it, and that's all in the paintings - and it sets her apart from some of the other artists in her Denver Gallery, <a href="http://www.robischongallery.com/html/home.asp">Robischon</a> ( at least 4 others who also paint landscapes of the West).Â </p>
<p align="left">I am very happy for her that her first NYC show worked out, she made a profit off of the show, had some quality time in NY and furthered her career; it's a wonderful thing when that works out.</p>
<p align="left">One thing I did not see Marsha paint much ofÂ - people - hardly any reference to a person (I thinkÂ I might have spotted one in theÂ Mount Saint Victoire paintingÂ at the beginning of this post - it's a wonderful painting that keeps growing on me)Â Â - maybe her boyfriend hiking on a mountain - painted as a speck in the distance.Â  That sorta reminds me of Claude Lorraine - or other landscape artists that generally did not put people in their work.</p>
<p align="left">Also, missed commenting on a large painting that had a rock that looked like a UFO...I almost can see Captain Kirk, Commander Spock and First Engineer Scotty beaming down next to the rock (something out of Star Trek 2, 3 or 4).Â  There's a mystery behind the rock (don't have a picture of that painting).</p>
<p align="left">Anyway, to finish this all off, interviewing Marsha Wooley in person was <em>a much better result than doing it via Email</em>. She had not really seen or read my questions and what I got earlier was not the in depth interview I wanted.Â  I think here, I gave my readers something about Marsha Wooley they'd have to speak with her to learn about (and only if she opened up - I got her to open up for me).</p>
<p align="left">Since we all spent time in Vermont, at Vermont Studio School, I was led to look at some of her paintings as being about both the landscape and herself.</p>
<p align="center"><a class="imagelink" title="inpraiseofanearlyfallvermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg"><img id="image84" style="width: 287px; height: 231px" height="231" alt="inpraiseofanearlyfallvermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg" width="287" /></a></p>
<p align="left">Â This painting was done while Marsha Wooley was in Vermont, staying at the Studio School; it was a scene from the Community College that is on a hill above Johnston, VT.Â  I remember it well as I used to walk up to it and paint scenes from a similar location like these works of mine (below).</p>
<p align="center"><a class="imagelink" title="Vermont Study - 1988" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg"><img id="image85" height="96" alt="Vermont Study - 1988" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg" /></a>Â  <a class="imagelink" title="Tree Study in Johnston VT." href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg"><img id="image86" height="96" alt="Tree Study in Johnston VT." src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg" /></a>Â  <a class="imagelink" title="Vermont Study after Delacroix" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg"><img id="image87" height="96" alt="Vermont Study after Delacroix" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg" /></a>Â  <a class="imagelink" title="porch_view_in_Vermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.jpg"><img id="image89" height="96" alt="porch_view_in_Vermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_in_pink.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.jpg"><img id="image90" height="92" alt="still_life_in_pink.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.thumbnail.jpg" /></a>Â  <a class="imagelink" title="self_portrain_in_Vermont_Studio.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.jpg"><img id="image91" height="96" alt="self_portrain_in_Vermont_Studio.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.thumbnail.jpg" /></a>Â  <a class="imagelink" title="Vermont_Landscape_Study.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.jpg"><img id="image92" height="96" alt="Vermont_Landscape_Study.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.thumbnail.jpg" /></a>Â  <a class="imagelink" title="study_with_vaze.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.jpg"><img id="image93" height="96" alt="study_with_vaze.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.thumbnail.jpg" /></a></p>
<p align="left">Marshall Sponder's Vermont Studies (above, all from 1988) Â - these reminded me of Marsha's painting - Marsha's painting, inÂ fact,Â is call for me to go back and pick the landscape spirit I left in Vermont.Â  I put part of me aside, for many years, and I wish to address it again, which drove me to paint.Â  The paintings below are among those I did after I returned from Vermont. Within a year or two, I lost it - lost the thread.</p>
<p align="center"><a class="imagelink" title="After The Bath - by Marshall Sponder - 1988.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.JPG"><img id="image94" height="96" alt="After The Bath - by Marshall Sponder - 1988.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.thumbnail.JPG" /></a>Â Â Â Â Â  Â <a class="imagelink" title="Homage_to_Manet_2_fixed.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.jpg"><img id="image95" height="96" alt="Homage_to_Manet_2_fixed.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.thumbnail.jpg" /></a>Â Â Â  Â  <a class="imagelink" title="apartmentview.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.jpg"><img id="image96" height="96" alt="apartmentview.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_with_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.jpg"><img id="image97" height="91" alt="still_life_with_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.thumbnail.jpg" /></a>Â Â Â Â  Â Â <a class="imagelink" title="in_the_cave_after_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.jpg"><img id="image98" height="96" alt="in_the_cave_after_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.thumbnail.jpg" /></a>Â Â Â Â Â Â Â  Â <a class="imagelink" title="self_portrait.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.jpg"><img id="image99" height="96" alt="self_portrait.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.thumbnail.jpg" /></a></p>
<p align="left">Yes, I know Vermont, the mystery in those hills, mountains, the magnetic energy, the particular color of the sky, and the subject of trees.Â  Some of the thoughts that came into my mind felt as if the landscape spoke to me and suggested things - and when I spoke to Marsha Wooley, it turned out she has some of the same thoughts; Not unusual, we're both artists.</p>
<p align="left">The trees are both the lanscape and different aspects of ourselves and people we know.Â  Marsha's trees represent some the people in her life - the motifs relate to people she cared about - and the painting are as much about that as the landscape of Vermont - much as it was for me, when I was painting and living there.Â  I was working out an idea of what comes first, what comes second, etc.</p>
<p align="left">I think I need to go back to Vermont, someday soon, so I can pick up the landscape theme again - and maybe (if I can) taking part of that painting course in Paris - next time it happens - that would be really great as painting is in my soul - just as it's in Marsha's.</p>
<p align="left">For the first part of Marsha Wooley's interview <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/">go here</a>.</p>
<p align="left">End of Interview</p>
<a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" />

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 1</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 03:25:44 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[Ok, finally got the interview with Marsha Wooley that I wanted, and it was in person at the Prince Street Gallery this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an [...]]]></description>
			<content:encoded><![CDATA[Ok, finally got the interview with <a href="http://www.marshawooley.com/">Marsha Wooley </a>that I wanted, and it was in person at the <a href="http://www.princestreetgallery.com/">Prince Street Gallery</a> this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an in-person interview and write up my interview from memory).

<center><img src='http://www.artnewyorkcity.com/wp-content/artnyc.jpg' alt='' /></center>

<p align="left">I'm going to focus on things that I learned about Marsha Wooley by talking with her - things she does not talk about or write down (<em>too bad, they're interesting ideas</em>).Â </p>
<p align="left">Â For one thing, this painting is really about studying the <em>Geology of the West</em> - the mountain range in the upper left is full of copper, that is why it's greenish.Â  There's a great deal of knowledge of the land that's really part of what this painting (and the rest of her paintings in the show, are about).Â </p>
<p align="left">I earlier noted the connection with Corot, esp in the tree life in the lower right.Â  But there's another aspect of Marsha Wooley that she does not talk about - her love for this land and how it's being destroyed by the Oil Cartel that's oil drilling, led by Dick Chaney, it's destroying wildlife and wilderness areas around Denver and throughout the West in it's relentless search for more energy - even as it destroys the earth.</p>
<p align="left">While Marsha's paintings are not political - the <em>feeling behindÂ many of her works</em> is - stop the destruction and paint the tranquility of the land as a way to preserve it.</p>
<p align="center"><a class="imagelink" title="em-wooley-littleburmaroad-60x96_LG.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg"><img id="image81" style="height: 143px" height="143" alt="em-wooley-littleburmaroad-60x96_LG.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg" width="232" /></a></p>
<p align="left">This is one of the paintings that sold in the Gallery show that just closed today - I think the show was as success and one of the main reasons Marsha Wooley had the show is to see all of her work together on one wall.</p>
<p align="left">In my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">next post </a>I'll cover some aspects of Marsha Wooley that she hardly ever talks about - but should.</p>

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		<title>Marsha Wooley Interview</title>
		<link>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/#comments</comments>
		<pubDate>Wed, 16 Aug 2006 03:12:48 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected. Â  Â  Â Â  Thumbnails of paintings by Marsha Wooley Me: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan [...]]]></description>
			<content:encoded><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected.
<p align="center"><img id="image67" height="83" alt="Water Life Cycle, Lake Avery" src="http://www.artnewyorkcity.com/wp-content/uploads/waterlifecycleslakeavery.jpg" />Â  <img id="image69" height="96" alt="Coyote Song Trail  Oil on canvas, 62" src="http://www.artnewyorkcity.com/wp-content/uploads/coyotesongtrail.thumbnail.jpg" />Â </p>
<p align="center">Â <img id="image70" height="96" alt="Gone But Not Forgotten Oil on canvas, 60" src="http://www.artnewyorkcity.com/wp-content/uploads/gonebutnotforgotten.thumbnail.jpg" />Â  <img id="image71" height="96" alt="The Baptistery of Saint Saveur  Oil on canvas, 24" src="http://www.artnewyorkcity.com/wp-content/uploads/thebapistryofsaintsaveur.thumbnail.jpg" /></p>
<p align="center">Thumbnails of paintings by Marsha Wooley</p>
<em><strong>Me</strong></em>: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan for this show? In what way is the NYC show different than other shows youâ€™ve had around the country?Â  What were your goals for judging this show was successful?
<blockquote><strong><em>Marsha</em></strong>: What makes a successful show:Â  Some people might think that selling out the show makes it successful.Â 

But-I think that the success of the show depends on the intent-and there are numerous reasons.Â  A few of these include: getting exposure in a new market or region, selling out the show, a handsome show, and instructional or educational show just to name a few.Â 

My goals for the show were to

1. get the exposure in the New York area,

2. see my images from the last 5 or 6 years hang together so I could assess my development and

3. to provide a venue for some of my collectors to see what I have been doing (hoping for a sale and I had 5 paintings go to these collectors).Â 

SoÂ  conclusively I would have to affirm that the show was a success because all three goals were met.</blockquote>
<strong><em>Me</em></strong>: Your current gallery in Denver, Robischon, has many strong artists, mostly representational, many with strong elements of landscape painting, particularly of the west.Â  You work fits in well at the Robischon Gallery, but there are differences in style and approach of a Marsha Wooley painting vs. Wes Hempel (ie: whose landscapes seem to come right out of the 16th Century Dutch painters, or more symbolic â€“ as in Tunnel of Love), Jim Wolford (scenes of Denver, houses and landscapes), Don Stinson (with such paintings as Icy Park at Ouray and Desert Burn), Jim Colbert (no relation to John Colbert â€“ right?) whose work most closely resembles yours.

- How do you see your work being different than any other artist in the Robischon gallery?Â Â  What is Unique about your work that no other artist (even those who paint in a very similar style and with very similar motifs) shares at Robischon?
<blockquote><strong><em>Marsha</em></strong>: The influences in my landscape painting are as you so keenly observed Corot-mostly his studies. Â An northern Italian group of painters called the Macchiaoli (a few of my favorite artistâ€™s include Govanni Boldini, Giovanni Fattori and Silvestro Lega) The early surveyer/explorer artistâ€™s that went west with the first map makers for the U S government or the railroad surveys (artistâ€™s like: Samuel Seymour, Titian Peale, Albert Bierstadt â€“his studies, Thomas Moran, Sanford GiffordÂ  and Worthington Whittridge) .Â  I also admire the William Henry Jackson photos of the west.</blockquote>
I caught Marsha in between her trip to NYC; I had hoped for aÂ fuller interview, maybe thatÂ can be done at another time.Â 

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		<title>Another Self Portrait &#8211; &#8220;My Roman Self&#8221; and an empty studio</title>
		<link>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/#comments</comments>
		<pubDate>Sun, 13 Aug 2006 15:31:59 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good). Also, the interview with Marsha WooleyÂ should happen sometime today. [...]]]></description>
			<content:encoded><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good).
<p align="center"><font face="Courier New"><img style="width: 396px; height: 270px" height="270" alt="My Roman Self - reminded me of bust of a roman emperor I saw many years ago at the MET Musuem" src="http://www.artnewyorkcity.com/wp-content/myromanselfsketch1.JPG" width="396" /></font></p>
<p align="left">Also, the interview with <a href="http://www.marshawooley.com/"><font color="#b85b5a">Marsha Wooley</font></a>Â should happen sometime today.</p>
<p align="left">In case your wondering what the circular objects in the right of my oil pastel sketch are - it's actually a mirror that was used as a painting palette, which some remains of burnt umbers and light blues stuck to the mirror.Â Â  The only mirror I could find in the studio is this mirror - palatte; I borrowed it (from whomever's palatte it is) and managed to do the self portrait, above, and <a href="http://www.artnewyorkcity.com/2006/08/07/my-segmented-life-self-portrait/">My Segmented Self </a>portrait last weekend.Â  Maybe that's enough self portraits for a while.</p>
<p align="left">I copied the shapes and was thinking the round shapes could also serve as visitor segmentations in Web Analytics - <em>or in my sketch</em> - as roundish areas of colors that represent ny feelings - or <em>whatever.</em>Â Â </p>
<p align="left">While I would have loved to have gotten the actual crusty paint on the mirror I was looking into, somehow, it did not seem that important - or I would have done it.Â Â </p>
<p align="left">The area in the lower right is really a cabinet where art supplies are stored - I just sketched it in, for variety in textures - that's all; I spent about two or three hours on this and had enough of it.Â  Feeling explored - feeling done - onto the next thing.</p>

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		<title>Interviewing Marsha Wooley and other stuff</title>
		<link>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/#comments</comments>
		<pubDate>Sat, 12 Aug 2006 07:32:50 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Soho]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</guid>
		<description><![CDATA[I'll be interviewing Marsha Wooley, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on Celebrity at Work, as my last two artist interviewee's also got to [...]]]></description>
			<content:encoded><![CDATA[I'll be interviewing <a href="http://www.marshawooley.com/">Marsha Wooley</a>, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on <a href="http://www.celebrityatwork.com/">Celebrity at Work</a>, as my last two artist interviewee's also got to be on Celebrity.

I also found another site that is a great resource for NYC Art OpeningsÂ called <a href="http://artcards.cc/">ARTCARDS.CC</a>Â  It's interesting to see the information grouped as a "card", almost something you can print out and carry around as you go to galleries to see art.Â  Here's what I would have seen last Thursday had it not rained so hard here.
<blockquote>10-August-ThursdayÂ 
? Inaugural show at V&A
Mott street, 98

Â Metaverse Road Map Pre-Release Party at Eyebeam
W 21 street, 540, 6-9pm

Â "ART VS. REAL LIFE: Canadian Stories" curated by Katharine at Morgan Lehman Gallery
10 avenue, 317, b/w 28 & 29 street

Ryan Humphrey at White Box
W 26 street, 525</blockquote>
Â The Metaverse Road Map at Eyebeam and the Art Vs. Real Life: Canadian Stories - both of these I planned to go to but did not make it.
Another resource is called <a href="http://beta.nyc.flavorpill.net/upcoming">FlavorPill,</a> and while it's not focused on painting or fine art only (FlavorPill has many other interesting events around NYC) it also gives you upcoming exhibitions, like the Picasso and American Art show at the Whitney later in October.

Anyway, Saturday should also be a busy day for me, hopefully one that I'll paint some and also party a little at an opening at <a href="http://www.brooklynartistsgym.com/events.html">BrooklynArtistsGym</a> of "<strong>Sabrina</strong>" - it's a one night show that's only happening this Saturday (today actually - but I haven't gone to bed yet)
<blockquote>"Sabrina (Sabrina Tilikevich) is having a one-night-only opening event showing her most recent work.Â  She is known for her "direct eye and disturbing perspective." She has been inspired by such artists as Basquiat, Dali, and Malevich.Â  Most of the mediums she uses are acrylic and experimental bases.

She plans for this opening to reflect her style, and is bringing the street fairs of New York City to a Brookyn Gallery.Â  Live music and refreshment will be served.
Saturday, August 19th, from 7 p.m.-11:30 p.m. in the BAG gallery. For more information, you can contact Sabrina at <a href="mailto:sabrina626x@gmail.com">sabrina626x@gmail.com</a>.</blockquote>
I'll probably have a lot to write about in the next few days - keep tuned.

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		<title>Marsha Wooley at the Prince Street Gallery &#8211; NYC</title>
		<link>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/#comments</comments>
		<pubDate>Sat, 17 Feb 2007 05:13:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Collage Art Association]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</guid>
		<description><![CDATA[I usually paint on Saturdays but I'll probably be meeting with Marsha Wooley Buy Evista Without Prescription, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed Marsha Wooley last year for ArtNewYorkCity.com - I put a lot of workÂ in that interview [...]]]></description>
			<content:encoded><![CDATA[<p> I usually paint on Saturdays but I'll probably be meeting with <strong>Marsha Wooley</strong> <b>Buy Evista Without Prescription</b>, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">Marsha Wooley last year</a> for ArtNewYorkCity.com - I put a lot of workÂ in that interview which actually have two parts.</p>
<p>Actually, <b>rx free Evista</b>, <b>Fast shipping Evista</b>, I'm interested in the Paris trip that Marsha conducts through theÂ college she teaches at in Colorado; I'd actually like to go but I don'tÂ think I'm going to have the time or money (one or the other, or both) - and then again, <b>online buying Evista hcl</b>, <b>Evista medication</b>, I'd like to think that maybe I can make it happen - 2 weeks in France, part of it painting in Aix and around there ...., <b>saturday delivery Evista</b>.  <b>Over the counter Evista</b>, that would be a dream of mine, something I've wanted to do since I was a teenager and found that Paul Cezanne was my favorite artist, <b>Evista in india</b>.  <b>Cod online Evista</b>, I've always wanted to go to his studio,Â sorta connect with the energy since it's contributed so much to me.Â  But as I age, <b>Evista to buy online</b>, <b>Evista tablets</b>, and know myself better, I realize I'm very different in my artisticÂ sensibilities than the artists I admire; still, <b>where can i buy cheapest Evista online</b>, <b>Evista in usa</b>, I like what I like.</p>
<p>Sure, <b>Evista buy</b>, <b>Online buy Evista without a prescription</b>, there are other parts of France that thisÂ course goes to - and I've only been to Europe once, and only to Paris for 8 days in 1987 (and the only people I had conversations with, <b>order Evista online c.o.d</b>, <b>Order Evista from mexican pharmacy</b>, were Americans - mostly woman - I found it very difficult to just go to Paris and not speak French at that time - now it may be different, I don't know), <b>Evista from international pharmacy</b>.  <b>Evista trusted pharmacy reviews</b>, In my fantasy..... I get to goÂ on this trip for free, <b>delivered overnight Evista</b>, <b>Evista prescriptions</b>, blogging it up and raising publicity - maybe just paying for my trip and hotel....do you think I could talk the college into granting me something like that?Â Â  Maybe it's just a pipe dream.Â Â </p>
<p>There's also the issue of timing - I think this Paris trip happens sometime in May, and so does the Emetrics Summit in San Francisco (althoughÂ EmetricsÂ happens at the beginning of May) and I'd like to go to Emetrics (and I'm not sureÂ I'll be able to either), <b>free Evista samples</b>.  <b>Where to buy Evista</b>, So there's a lot of "ifs" here that I need to see if I can bring together - and that's partly what I'll talk to Marsha Wooley about Saturday (if it does not get rescheduled -Â it seems to be our pattern that meetings get shifted around a lot - last time she was in NY, we rescheduled 4 times), <b>where to buy Evista</b>.  <b>Purchase Evista online no prescription</b>, And then, maybe I'll take in an opening or two - so that's what I've got on my agendaÂ forÂ Saturday.Â </p>
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		<title>Art in NYC - Visual Arts in New York City &#187; Marsha Wooley</title>
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	<link>http://www.artnewyorkcity.com</link>
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		<link>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</link>
		<comments>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/#comments</comments>
		<pubDate>Fri, 10 Aug 2007 16:18:53 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</guid>
		<description><![CDATA[Buy Imodium Without Prescription, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, Marsha Wooley, who had 4 paintings in the show. I reviewed Marsha's New York art opening last year and also [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imodium Without Prescription</b>, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, <a href="http://robischongallery.com/html/artistresults.asp?artist=135&amp;testing=true">Marsha Wooley, who had 4 paintings in the show</a>.</p>
<p>I reviewed Marsha's New York art opening last year and also went on a <a href="http://www.webmetricsguru.com/2007/05/paris_trip_day_1.html">Paris Trip </a>with a group of painters she led in late May/early June in Paris and Aix-en-Provence.Â Â  I definably want to do that trip again, <b>fast shipping Imodium</b>, <b>Imodium in mexico</b>, hopefully next year.</p>
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		<link>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</link>
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		<pubDate>Sun, 18 Feb 2007 17:16:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[DC Moore Gallery]]></category>
		<category><![CDATA[Janet Fish]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</guid>
		<description><![CDATA[I met with Marsha Wooley yesterday to discuss art and the Paris Trip Buy Sepazon Without Prescription, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â  I ended up followingÂ Marsha uptown [...]]]></description>
			<content:encoded><![CDATA[<p> I met with Marsha Wooley yesterday to discuss art and the <a href="http://www.arapahoe.edu/deptprgrms/humanities/france06.pdf">Paris Trip </a> <b>Buy Sepazon Without Prescription</b>, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â </p>
<p>I ended up followingÂ Marsha uptown to see the opening of <a href="http://www.artnet.com/Galleries/About.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">Janet Fish at the DC MOORE Gallery </a>- which was crowded and attended by a couple of other well known artists including Alex Katz (who I did not speak to), and I decided <em>not to talk</em> with Janet Fish but I could have.Â  Most of my questions were covered in the <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">press release </a>which is also on Artnet.Â  If Janet Fish were someone I'd really wanted to talk to....I would have, yet despite knowing of her for 20 years (since my summer in Vermont during 1987) I did not feel a need to connect.</p>
<p>I found Janet Fish's work even in quality and, <b>buy Sepazon no prescription</b>, <b>Where can i order Sepazon without prescription</b>, more or less, <em>predictable</em> -Â still overall, <b>buy Sepazon without a prescription</b>, <b>Sepazon paypal</b>, pretty good (but not cutting edge).Â Â  I guess Janet <strong>Fish can getÂ attention without being shocking and annoying</strong> (which is so common today in both painting and online media).Â  People are so saturated with media messages - to just be yourselfÂ - to just paint, andÂ make attractive paintings, <b>delivered overnight Sepazon</b>, <b>Buy Sepazon online no prescription</b>, takes a certain about of courage.Â  Because selling out today, might be toÂ attemptÂ to be "cutting edge" and not being "yourself".Â Â Â  So, <b>Sepazon for sale</b>, <b>Saturday delivery Sepazon</b>, whatever you think of Janet Fish, she stays within her range.Â Â </p>
<p>However, <b>Sepazon pills</b>, <b>Free Sepazon samples</b>, risk taking, I think, <b>Sepazon in mexico</b>, <b>Sepazon gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, is what makes Art and Artists really interesting.Â  If you don't take some risks in your work, it's easy to knock out work, <b>buying Sepazon online over the counter</b>, <b>Sepazon in japan</b>, and she had a lot of work at the opening, and I'm told, <b>buy Sepazon without a prescription</b>, <b>Buy cheap Sepazon</b>, most of the show was sold out (I did not look at the price list, I'm sure Janet Fish's paintings are expensive), <b>Sepazon in australia</b>.  <b>Buy generic Sepazon</b>, You can see a collection of what was in the show <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">here</a>Â but I took some photos too - and here's what I liked.<br />
<p style="text-align: center"><img width="430" src="http://www.artnewyorkcity.com/wp-content/uploads/img01266.JPG" alt="Janet Fish excerpt from a painting" height="290" style="width: 430px; height: 290px" /></p><br />
This red vase was part of a painting I liked - the red symbolized something, <b>ordering Sepazon online</b>, <b>Sepazon san diego</b>, and I could feel it.Â  Is the red vase symbolic of something in the artist's life that's broken or is it just a vase she toppled so it would make more of an "effect" which the broken glass?Â  I guess we'll never know because I did not ask her.Â </p>
<p>But I'd like to think these arrangements work because they are also symbolic of something broken in the Artist's life and she's conveying that with the "red" vase - and the red carries because it's fused with her feelings.Â  And it's not the red vase that's broken, it's the blue glass jar ., <b>online buy Sepazon without a prescription</b>.  <b>Sepazon from international pharmacy</b>, and who knows that that means?Â Â  Oh well, I can go on and on at this level, <b>Sepazon in usa</b>, <b>Buy Sepazon online cod</b>, but as along as a painting poses a question - it's interesting,</p>
<p>I think all of Janet Fish's work has color - color tone - each painting has it's own range - in some it's reddish, <b>Sepazon craiglist</b>, <b>Buy Sepazon from mexico</b>, and in other lilac while others could be Naples yellow.</p>
<p>So, <b>buy Sepazon online with no prescription</b>, <b>Sepazon to buy</b>, while her work is predictable - there' passion in it = and it's probably among the best that you'll see on 57th Street.Â </p>
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<p>I still did not get fully down what the next step for the Paris trip - but I hope I got the ball rolling - would have liked to have a brochure but ended bumping into Marsha Wooley as she was leaving her gallery here, <b>buy no prescription Sepazon online</b>, <b>Sepazon discount</b>, and she left the brochures at the gallery.Â  Maybe I got enough information as it was.</p>
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		<pubDate>Sat, 17 Feb 2007 05:13:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Collage Art Association]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</guid>
		<description><![CDATA[I usually paint on Saturdays but I'll probably be meeting with Marsha Wooley Buy Evista Without Prescription, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed Marsha Wooley last year for ArtNewYorkCity.com - I put a lot of workÂ in that interview [...]]]></description>
			<content:encoded><![CDATA[<p> I usually paint on Saturdays but I'll probably be meeting with <strong>Marsha Wooley</strong> <b>Buy Evista Without Prescription</b>, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">Marsha Wooley last year</a> for ArtNewYorkCity.com - I put a lot of workÂ in that interview which actually have two parts.</p>
<p>Actually, <b>rx free Evista</b>, <b>Fast shipping Evista</b>, I'm interested in the Paris trip that Marsha conducts through theÂ college she teaches at in Colorado; I'd actually like to go but I don'tÂ think I'm going to have the time or money (one or the other, or both) - and then again, <b>online buying Evista hcl</b>, <b>Evista medication</b>, I'd like to think that maybe I can make it happen - 2 weeks in France, part of it painting in Aix and around there ...., <b>saturday delivery Evista</b>.  <b>Over the counter Evista</b>, that would be a dream of mine, something I've wanted to do since I was a teenager and found that Paul Cezanne was my favorite artist, <b>Evista in india</b>.  <b>Cod online Evista</b>, I've always wanted to go to his studio,Â sorta connect with the energy since it's contributed so much to me.Â  But as I age, <b>Evista to buy online</b>, <b>Evista tablets</b>, and know myself better, I realize I'm very different in my artisticÂ sensibilities than the artists I admire; still, <b>where can i buy cheapest Evista online</b>, <b>Evista in usa</b>, I like what I like.</p>
<p>Sure, <b>Evista buy</b>, <b>Online buy Evista without a prescription</b>, there are other parts of France that thisÂ course goes to - and I've only been to Europe once, and only to Paris for 8 days in 1987 (and the only people I had conversations with, <b>order Evista online c.o.d</b>, <b>Order Evista from mexican pharmacy</b>, were Americans - mostly woman - I found it very difficult to just go to Paris and not speak French at that time - now it may be different, I don't know), <b>Evista from international pharmacy</b>.  <b>Evista trusted pharmacy reviews</b>, In my fantasy..... I get to goÂ on this trip for free, <b>delivered overnight Evista</b>, <b>Evista prescriptions</b>, blogging it up and raising publicity - maybe just paying for my trip and hotel....do you think I could talk the college into granting me something like that?Â Â  Maybe it's just a pipe dream.Â Â </p>
<p>There's also the issue of timing - I think this Paris trip happens sometime in May, and so does the Emetrics Summit in San Francisco (althoughÂ EmetricsÂ happens at the beginning of May) and I'd like to go to Emetrics (and I'm not sureÂ I'll be able to either), <b>free Evista samples</b>.  <b>Where to buy Evista</b>, So there's a lot of "ifs" here that I need to see if I can bring together - and that's partly what I'll talk to Marsha Wooley about Saturday (if it does not get rescheduled -Â it seems to be our pattern that meetings get shifted around a lot - last time she was in NY, we rescheduled 4 times), <b>where to buy Evista</b>.  <b>Purchase Evista online no prescription</b>, And then, maybe I'll take in an opening or two - so that's what I've got on my agendaÂ forÂ Saturday.Â </p>
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		<title>The Accidental Masterpiece by Michael Kimmelman</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Michael Kimmelman]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</guid>
		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Topic Flower Tool reveals the Colors of Art in New York City</title>
		<link>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/#comments</comments>
		<pubDate>Thu, 24 Aug 2006 05:45:24 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
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		<category><![CDATA[Olan Montgomery]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</guid>
		<description><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at Webmetricsguru.com, my Web Analytics blog. What about my interview with Marsha Wooley that I did last week, what would that interview look like as a [...]]]></description>
			<content:encoded><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at <a href="http://www.webmetricsguru.com/2006/08/building_flowers_out_of_text_u.html">Webmetricsguru.com, my Web Analytics blog</a>.

What about my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview with Marsha Wooley that I did last week</a>, what would that interview look like as a Topic Flower (see below).
<p align="center"><a class="imagelink" title="Marsha Wooley Topic Flower Semantic Analysis drawing" href="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG"><img id="image101" style="width: 393px; height: 254px" height="254" alt="Marsha Wooley Topic Flower Semantic Analysis drawing" src="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG" width="393" /></a></p>
<p align="left">Marsha Wooley's interview - which I put a lot of my soul into writing - is all about Art, and I can't tell you if lavander in the background means there is also some Economy, Science and Technology in the text as well - perhaps there is.</p>
<p align="left">What About Amy Chrehore's Interview, how does it compare with Marsha Wooley's as Topic Flower?</p>
<p align="center"><a class="imagelink" title="Amy Chrehore Interview" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG"><img id="image102" style="width: 429px; height: 248px" height="248" alt="Amy Chrehore Interview" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG" width="429" /></a></p>
<p align="left">There are subtle differences, mostly in texture between the Amy Chrehore Topic Flower and the Marsha Wooley Topic Flower.Â Â  A Topic Flower of Amy's recent postÂ about <a href="http://amycrehore.blogspot.com/2006/08/pierre-puvis-de-chavannes-1824-1898.html"><font color="#0000ff">Pierre Puvis De Chavannes</font></a>Â looks much different - reflectingÂ as much the writers style as the subject of the post (see below).</p>
<p align="center">Â Â Â Â <a class="imagelink" title="Amy Crehore writing about Pierre Puvis De Chavannes" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG"><img id="image103" style="width: 440px; height: 278px" height="278" alt="Amy Crehore writing about Pierre Puvis De Chavannes" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG" width="440" /></a></p>
<p align="left">What about <a href="http://www.artnewyorkcity.com/2006/07/29/olan-montgomery-in-person-artist-interview-continued/">Olan's Interview </a>that I did a couple of weeks ago?</p>
<p align="center"><a class="imagelink" title="Olan Topic Flower image" href="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG"><img id="image104" style="width: 455px; height: 283px" height="283" alt="Olan Topic Flower image" src="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG" width="455" /></a></p>
<p align="left">Spooky!Â  The Olan interview was actually as much about Society as it was about Art, according to the Semantic Analysis that the Topic Flower tool performed on the Interview Text.Â Â  These Topic Flowers remind me of the 7 Chakra system of energy centers in the human body - at least, they look that way.</p>
<p align="left">By the way, here's a short description of how to decode the colors and shapes of the Topic Flowers:</p>
Rules for interpretation:
<ol>
	<li>The same text will always generate the same flower.</li>
	<li>More text will generate more layers of petals.</li>
	<li>The primary topic will be shown using the associated colour on the outermost two layers of petals.</li>
	<li>If there is a secondary topic it will be shown on the third layer of petals. This pattern repeats, two layers using the primary, then one with the secondary.</li>
	<li>If there exists a tertiary topic its' colour is used to accent the edges of some of the primary coloured petals.</li>
	<li>The number of little 'hairs' on the flower is indicative of the number of personal pronouns used in the text.</li>
	<li>Rounder petal shapes are suggestive of emotionally positive terms (love, yes, peace) , and more elongated terms indicate negative terms (death, murder, idiot).</li>
</ol>
<p align="left">Have fun, enjoy the <a href="http://www.neoformix.com/2006/TopicFlower.html">Topic Flower Tool </a>and please write me to share your thoughts.</p>

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 2</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 04:28:13 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</guid>
		<description><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous [...]]]></description>
			<content:encoded><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous Motifs like Mount Saint Victoire, the studies of this painting were done on location and using the Golden Mean - she even has some aids to help with this which we discussed).
<p align="center"><a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg"><img id="image83" style="width: 286px; height: 190px" height="190" alt="mountsaintvictoire.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" width="286" /></a></p>
<p align="left">Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Mount Saint Victoire - Marsha Wooley</p>
<p align="left">As you might know, Paul Cezanne is my favorite artist and I painted many, many lanscapes and still lifes in his style (see further down in this post) and I read everything aboutÂ Cezanne including a bookÂ  <a href="http://www.amazon.com/gp/product/1568494955/002-1373550-4120834?v=glance&n=283155">Jane Roberts wrote on Channeling Paul Cezanne</a>Â which was out of print for a while and <em>hardly anyone knows about</em> - I had a copy when I spent a year living in Berkley, California,Â in the late 1970's but since lost it - maybe I'll order it again.Â  I also remember owning a "Composition According to Cezanne" book that was a classic first analysis on how Cezanne architected his paintings and the concept of flat and shallow depth.</p>
<p align="left">I visited the <a href="http://www.barnesfoundation.org/">Barnes Collection </a>Â several times (and many other museums that had Cezanne's in their collection) and knew just about every Cezanne painting and sketchÂ like the back of my hand.Â  And when I spent a summer at the <a href="http://vermontstudiocenter.org/index.html">Vermont Studio School/Center </a>in 1988, I met Sidney <a href="http://www.abebooks.com/servlet/SearchResults?&isbn=0674459555&nsa=1">Geist who wrote a book on Cezanne </a>and claimed to see words in the painting compositions (French words, of course).Â Â Â When someone paints <strong>Mount Saint Victorie</strong>, <em>I know all about it</em> as the images of Cezanne's paintings are etched forever in my soul- even if I never visited that part of France.</p>
<p align="left"><strong>Marsha Wooley </strong>leads a course in landscape painting in France every couple of years (then next one will be in May 2007, around Memorial day) - it's <a href="http://www.arapahoe.edu/schedule/summerAAA-GEO.pdf#search=%22marsha%20wooley%20painting%20in%20france%22">given through the University </a>she teaches at near Denver.</p>

<blockquote>
<p align="left"><strong>ART 220 PAINTING AND DRAWING IN FRANCE 3
</strong>11073 B01 ARGMT 0900A-0200P 05/30-06/25 $ STAFF
<strong>Includes 5 days in Paris</strong>, 05/30-06/25. Additional fees apply. Must register no later than 04-15-06. Orientation
meeting is 04/21 in AD 105, 0600P. For more information and details regarding the registration deadline, please
contact Marsha Wooley at 303-797-5862.</p></blockquote>
<p align="left">Many people take the course just to go landscape painting with her in France, around Paris and in other parts of France.Â  <em>How many people know that about Marsha?</em>Â Â She does not talk aboutÂ her art history work or traveling toÂ FranceÂ on her website or anywhere else - or promote it, yet I find it very intersting and very much something that should known about her; it's unusual and very hip, actually.</p>
<p align="left">In this context, I see myself, in relationÂ to other artists,Â as a nexus, perhaps a chalice, holding, containing and connecting multiple levels of reality - I live as much in the Web Analytics and Web Promomotion world as I live in the Art World (both modern and pas), being a creature of both-Â  at the <em>same moment</em> - think in both ways and see opportunitiesÂ that are often being overlooked (but no longer - she sees them now too).Â Â I hope I'm not being full of myself here (<em>but if I am, so what?)</em></p>
<p align="left">Here's an opportunity for Marsha Wooley to promote her art in a way that has almost no competition - how many American Artists take Art Classes to Paris to paint Art in <strong>Cezanne's backyard</strong> ? Â Marsha Wooley - the artist, the woman who cares about the purity of the land, who is an art historian, art lover, art teacher and all around <em>nice person</em> <em>(she also rides horses and lives near a ranch where she can take care of the horses - and she knows a lot about wildlife</em>). I was drawn to talk to her when I walked into Prince Street Gallery a couple of weeks ago - and it <em>that </em>which I was drawn to - the paintings only are the surface).</p>
<p align="left">I ended the interview talking with Marsha's boyfriend, a <em>Rocket Scientist</em> (a real Rocket Scientist) who works on Communication satellites, including launching them - he's a mechanical engineer and I asked him about the systems he works with.Â </p>
<p align="left">There was also another artist I spoke with at the Gallery today - Owen Gray - and I'll write up more about him later.</p>
<p align="left">One thing we all had in common Â <strong>The Vermont Studio School</strong>, me in 1988, they in the 1990's and Owen spent some time just last year there.Â  Yes, I should look up the people I knowÂ in VermontÂ again, maybe it's time to think about re visiting Vermont, some time in the near future - for a residency.Â  I can certainly use one - after all I have been through <em>(that's the subject of a chapter in a book but I won't go into it here)</em>.Â </p>
<p align="left">I mentioned that I knew one of the founders well before the CenterÂ came into beingÂ as we studied with the same teacher, Ralph Houston, in Smithville Flats, NY; but that's another life, almost, but I haven't forgotton, and it's still part of me. Even as I have gone my own way, I still retain the knowledge of what brought us all together even as I persue it in my own way.</p>
<p align="left">BTW, Marsha also opened up that she used to, in the past, paint abstract (a while back) and if you get close to her works you can see the looser brushwork.Â  Most of her large paintings started as one or two session oil sketches, done on location - and some of these are made into larger paintings - many of which are in the show.Â </p>
<p align="left">I think Marsha might be realistic in her approach, but she manages to keep her brushwork fresh - <em>not overworked</em> - even though the paintings are often large and complex, they hold together, and inÂ her worksÂ she maintains a consistant mood and tone.Â </p>
<p align="left">Marsha has also contained many things within herÂ - art history, geology, a feeling for the land and the animals that live on it, and that's all in the paintings - and it sets her apart from some of the other artists in her Denver Gallery, <a href="http://www.robischongallery.com/html/home.asp">Robischon</a> ( at least 4 others who also paint landscapes of the West).Â </p>
<p align="left">I am very happy for her that her first NYC show worked out, she made a profit off of the show, had some quality time in NY and furthered her career; it's a wonderful thing when that works out.</p>
<p align="left">One thing I did not see Marsha paint much ofÂ - people - hardly any reference to a person (I thinkÂ I might have spotted one in theÂ Mount Saint Victoire paintingÂ at the beginning of this post - it's a wonderful painting that keeps growing on me)Â Â - maybe her boyfriend hiking on a mountain - painted as a speck in the distance.Â  That sorta reminds me of Claude Lorraine - or other landscape artists that generally did not put people in their work.</p>
<p align="left">Also, missed commenting on a large painting that had a rock that looked like a UFO...I almost can see Captain Kirk, Commander Spock and First Engineer Scotty beaming down next to the rock (something out of Star Trek 2, 3 or 4).Â  There's a mystery behind the rock (don't have a picture of that painting).</p>
<p align="left">Anyway, to finish this all off, interviewing Marsha Wooley in person was <em>a much better result than doing it via Email</em>. She had not really seen or read my questions and what I got earlier was not the in depth interview I wanted.Â  I think here, I gave my readers something about Marsha Wooley they'd have to speak with her to learn about (and only if she opened up - I got her to open up for me).</p>
<p align="left">Since we all spent time in Vermont, at Vermont Studio School, I was led to look at some of her paintings as being about both the landscape and herself.</p>
<p align="center"><a class="imagelink" title="inpraiseofanearlyfallvermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg"><img id="image84" style="width: 287px; height: 231px" height="231" alt="inpraiseofanearlyfallvermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg" width="287" /></a></p>
<p align="left">Â This painting was done while Marsha Wooley was in Vermont, staying at the Studio School; it was a scene from the Community College that is on a hill above Johnston, VT.Â  I remember it well as I used to walk up to it and paint scenes from a similar location like these works of mine (below).</p>
<p align="center"><a class="imagelink" title="Vermont Study - 1988" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg"><img id="image85" height="96" alt="Vermont Study - 1988" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg" /></a>Â  <a class="imagelink" title="Tree Study in Johnston VT." href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg"><img id="image86" height="96" alt="Tree Study in Johnston VT." src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg" /></a>Â  <a class="imagelink" title="Vermont Study after Delacroix" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg"><img id="image87" height="96" alt="Vermont Study after Delacroix" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg" /></a>Â  <a class="imagelink" title="porch_view_in_Vermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.jpg"><img id="image89" height="96" alt="porch_view_in_Vermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_in_pink.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.jpg"><img id="image90" height="92" alt="still_life_in_pink.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.thumbnail.jpg" /></a>Â  <a class="imagelink" title="self_portrain_in_Vermont_Studio.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.jpg"><img id="image91" height="96" alt="self_portrain_in_Vermont_Studio.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.thumbnail.jpg" /></a>Â  <a class="imagelink" title="Vermont_Landscape_Study.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.jpg"><img id="image92" height="96" alt="Vermont_Landscape_Study.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.thumbnail.jpg" /></a>Â  <a class="imagelink" title="study_with_vaze.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.jpg"><img id="image93" height="96" alt="study_with_vaze.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.thumbnail.jpg" /></a></p>
<p align="left">Marshall Sponder's Vermont Studies (above, all from 1988) Â - these reminded me of Marsha's painting - Marsha's painting, inÂ fact,Â is call for me to go back and pick the landscape spirit I left in Vermont.Â  I put part of me aside, for many years, and I wish to address it again, which drove me to paint.Â  The paintings below are among those I did after I returned from Vermont. Within a year or two, I lost it - lost the thread.</p>
<p align="center"><a class="imagelink" title="After The Bath - by Marshall Sponder - 1988.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.JPG"><img id="image94" height="96" alt="After The Bath - by Marshall Sponder - 1988.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.thumbnail.JPG" /></a>Â Â Â Â Â  Â <a class="imagelink" title="Homage_to_Manet_2_fixed.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.jpg"><img id="image95" height="96" alt="Homage_to_Manet_2_fixed.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.thumbnail.jpg" /></a>Â Â Â  Â  <a class="imagelink" title="apartmentview.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.jpg"><img id="image96" height="96" alt="apartmentview.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_with_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.jpg"><img id="image97" height="91" alt="still_life_with_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.thumbnail.jpg" /></a>Â Â Â Â  Â Â <a class="imagelink" title="in_the_cave_after_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.jpg"><img id="image98" height="96" alt="in_the_cave_after_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.thumbnail.jpg" /></a>Â Â Â Â Â Â Â  Â <a class="imagelink" title="self_portrait.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.jpg"><img id="image99" height="96" alt="self_portrait.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.thumbnail.jpg" /></a></p>
<p align="left">Yes, I know Vermont, the mystery in those hills, mountains, the magnetic energy, the particular color of the sky, and the subject of trees.Â  Some of the thoughts that came into my mind felt as if the landscape spoke to me and suggested things - and when I spoke to Marsha Wooley, it turned out she has some of the same thoughts; Not unusual, we're both artists.</p>
<p align="left">The trees are both the lanscape and different aspects of ourselves and people we know.Â  Marsha's trees represent some the people in her life - the motifs relate to people she cared about - and the painting are as much about that as the landscape of Vermont - much as it was for me, when I was painting and living there.Â  I was working out an idea of what comes first, what comes second, etc.</p>
<p align="left">I think I need to go back to Vermont, someday soon, so I can pick up the landscape theme again - and maybe (if I can) taking part of that painting course in Paris - next time it happens - that would be really great as painting is in my soul - just as it's in Marsha's.</p>
<p align="left">For the first part of Marsha Wooley's interview <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/">go here</a>.</p>
<p align="left">End of Interview</p>
<a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" />

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 1</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 03:25:44 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
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		<description><![CDATA[Ok, finally got the interview with Marsha Wooley that I wanted, and it was in person at the Prince Street Gallery this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an [...]]]></description>
			<content:encoded><![CDATA[Ok, finally got the interview with <a href="http://www.marshawooley.com/">Marsha Wooley </a>that I wanted, and it was in person at the <a href="http://www.princestreetgallery.com/">Prince Street Gallery</a> this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an in-person interview and write up my interview from memory).

<center><img src='http://www.artnewyorkcity.com/wp-content/artnyc.jpg' alt='' /></center>

<p align="left">I'm going to focus on things that I learned about Marsha Wooley by talking with her - things she does not talk about or write down (<em>too bad, they're interesting ideas</em>).Â </p>
<p align="left">Â For one thing, this painting is really about studying the <em>Geology of the West</em> - the mountain range in the upper left is full of copper, that is why it's greenish.Â  There's a great deal of knowledge of the land that's really part of what this painting (and the rest of her paintings in the show, are about).Â </p>
<p align="left">I earlier noted the connection with Corot, esp in the tree life in the lower right.Â  But there's another aspect of Marsha Wooley that she does not talk about - her love for this land and how it's being destroyed by the Oil Cartel that's oil drilling, led by Dick Chaney, it's destroying wildlife and wilderness areas around Denver and throughout the West in it's relentless search for more energy - even as it destroys the earth.</p>
<p align="left">While Marsha's paintings are not political - the <em>feeling behindÂ many of her works</em> is - stop the destruction and paint the tranquility of the land as a way to preserve it.</p>
<p align="center"><a class="imagelink" title="em-wooley-littleburmaroad-60x96_LG.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg"><img id="image81" style="height: 143px" height="143" alt="em-wooley-littleburmaroad-60x96_LG.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg" width="232" /></a></p>
<p align="left">This is one of the paintings that sold in the Gallery show that just closed today - I think the show was as success and one of the main reasons Marsha Wooley had the show is to see all of her work together on one wall.</p>
<p align="left">In my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">next post </a>I'll cover some aspects of Marsha Wooley that she hardly ever talks about - but should.</p>

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		<title>Marsha Wooley Interview</title>
		<link>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/#comments</comments>
		<pubDate>Wed, 16 Aug 2006 03:12:48 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected. Â  Â  Â Â  Thumbnails of paintings by Marsha Wooley Me: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan [...]]]></description>
			<content:encoded><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected.
<p align="center"><img id="image67" height="83" alt="Water Life Cycle, Lake Avery" src="http://www.artnewyorkcity.com/wp-content/uploads/waterlifecycleslakeavery.jpg" />Â  <img id="image69" height="96" alt="Coyote Song Trail  Oil on canvas, 62" src="http://www.artnewyorkcity.com/wp-content/uploads/coyotesongtrail.thumbnail.jpg" />Â </p>
<p align="center">Â <img id="image70" height="96" alt="Gone But Not Forgotten Oil on canvas, 60" src="http://www.artnewyorkcity.com/wp-content/uploads/gonebutnotforgotten.thumbnail.jpg" />Â  <img id="image71" height="96" alt="The Baptistery of Saint Saveur  Oil on canvas, 24" src="http://www.artnewyorkcity.com/wp-content/uploads/thebapistryofsaintsaveur.thumbnail.jpg" /></p>
<p align="center">Thumbnails of paintings by Marsha Wooley</p>
<em><strong>Me</strong></em>: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan for this show? In what way is the NYC show different than other shows youâ€™ve had around the country?Â  What were your goals for judging this show was successful?
<blockquote><strong><em>Marsha</em></strong>: What makes a successful show:Â  Some people might think that selling out the show makes it successful.Â 

But-I think that the success of the show depends on the intent-and there are numerous reasons.Â  A few of these include: getting exposure in a new market or region, selling out the show, a handsome show, and instructional or educational show just to name a few.Â 

My goals for the show were to

1. get the exposure in the New York area,

2. see my images from the last 5 or 6 years hang together so I could assess my development and

3. to provide a venue for some of my collectors to see what I have been doing (hoping for a sale and I had 5 paintings go to these collectors).Â 

SoÂ  conclusively I would have to affirm that the show was a success because all three goals were met.</blockquote>
<strong><em>Me</em></strong>: Your current gallery in Denver, Robischon, has many strong artists, mostly representational, many with strong elements of landscape painting, particularly of the west.Â  You work fits in well at the Robischon Gallery, but there are differences in style and approach of a Marsha Wooley painting vs. Wes Hempel (ie: whose landscapes seem to come right out of the 16th Century Dutch painters, or more symbolic â€“ as in Tunnel of Love), Jim Wolford (scenes of Denver, houses and landscapes), Don Stinson (with such paintings as Icy Park at Ouray and Desert Burn), Jim Colbert (no relation to John Colbert â€“ right?) whose work most closely resembles yours.

- How do you see your work being different than any other artist in the Robischon gallery?Â Â  What is Unique about your work that no other artist (even those who paint in a very similar style and with very similar motifs) shares at Robischon?
<blockquote><strong><em>Marsha</em></strong>: The influences in my landscape painting are as you so keenly observed Corot-mostly his studies. Â An northern Italian group of painters called the Macchiaoli (a few of my favorite artistâ€™s include Govanni Boldini, Giovanni Fattori and Silvestro Lega) The early surveyer/explorer artistâ€™s that went west with the first map makers for the U S government or the railroad surveys (artistâ€™s like: Samuel Seymour, Titian Peale, Albert Bierstadt â€“his studies, Thomas Moran, Sanford GiffordÂ  and Worthington Whittridge) .Â  I also admire the William Henry Jackson photos of the west.</blockquote>
I caught Marsha in between her trip to NYC; I had hoped for aÂ fuller interview, maybe thatÂ can be done at another time.Â 

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		<title>Another Self Portrait &#8211; &#8220;My Roman Self&#8221; and an empty studio</title>
		<link>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/#comments</comments>
		<pubDate>Sun, 13 Aug 2006 15:31:59 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
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		<description><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good). Also, the interview with Marsha WooleyÂ should happen sometime today. [...]]]></description>
			<content:encoded><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good).
<p align="center"><font face="Courier New"><img style="width: 396px; height: 270px" height="270" alt="My Roman Self - reminded me of bust of a roman emperor I saw many years ago at the MET Musuem" src="http://www.artnewyorkcity.com/wp-content/myromanselfsketch1.JPG" width="396" /></font></p>
<p align="left">Also, the interview with <a href="http://www.marshawooley.com/"><font color="#b85b5a">Marsha Wooley</font></a>Â should happen sometime today.</p>
<p align="left">In case your wondering what the circular objects in the right of my oil pastel sketch are - it's actually a mirror that was used as a painting palette, which some remains of burnt umbers and light blues stuck to the mirror.Â Â  The only mirror I could find in the studio is this mirror - palatte; I borrowed it (from whomever's palatte it is) and managed to do the self portrait, above, and <a href="http://www.artnewyorkcity.com/2006/08/07/my-segmented-life-self-portrait/">My Segmented Self </a>portrait last weekend.Â  Maybe that's enough self portraits for a while.</p>
<p align="left">I copied the shapes and was thinking the round shapes could also serve as visitor segmentations in Web Analytics - <em>or in my sketch</em> - as roundish areas of colors that represent ny feelings - or <em>whatever.</em>Â Â </p>
<p align="left">While I would have loved to have gotten the actual crusty paint on the mirror I was looking into, somehow, it did not seem that important - or I would have done it.Â Â </p>
<p align="left">The area in the lower right is really a cabinet where art supplies are stored - I just sketched it in, for variety in textures - that's all; I spent about two or three hours on this and had enough of it.Â  Feeling explored - feeling done - onto the next thing.</p>

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		<title>Interviewing Marsha Wooley and other stuff</title>
		<link>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/#comments</comments>
		<pubDate>Sat, 12 Aug 2006 07:32:50 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
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		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
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		<category><![CDATA[Soho]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</guid>
		<description><![CDATA[I'll be interviewing Marsha Wooley, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on Celebrity at Work, as my last two artist interviewee's also got to [...]]]></description>
			<content:encoded><![CDATA[I'll be interviewing <a href="http://www.marshawooley.com/">Marsha Wooley</a>, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on <a href="http://www.celebrityatwork.com/">Celebrity at Work</a>, as my last two artist interviewee's also got to be on Celebrity.

I also found another site that is a great resource for NYC Art OpeningsÂ called <a href="http://artcards.cc/">ARTCARDS.CC</a>Â  It's interesting to see the information grouped as a "card", almost something you can print out and carry around as you go to galleries to see art.Â  Here's what I would have seen last Thursday had it not rained so hard here.
<blockquote>10-August-ThursdayÂ 
? Inaugural show at V&A
Mott street, 98

Â Metaverse Road Map Pre-Release Party at Eyebeam
W 21 street, 540, 6-9pm

Â "ART VS. REAL LIFE: Canadian Stories" curated by Katharine at Morgan Lehman Gallery
10 avenue, 317, b/w 28 & 29 street

Ryan Humphrey at White Box
W 26 street, 525</blockquote>
Â The Metaverse Road Map at Eyebeam and the Art Vs. Real Life: Canadian Stories - both of these I planned to go to but did not make it.
Another resource is called <a href="http://beta.nyc.flavorpill.net/upcoming">FlavorPill,</a> and while it's not focused on painting or fine art only (FlavorPill has many other interesting events around NYC) it also gives you upcoming exhibitions, like the Picasso and American Art show at the Whitney later in October.

Anyway, Saturday should also be a busy day for me, hopefully one that I'll paint some and also party a little at an opening at <a href="http://www.brooklynartistsgym.com/events.html">BrooklynArtistsGym</a> of "<strong>Sabrina</strong>" - it's a one night show that's only happening this Saturday (today actually - but I haven't gone to bed yet)
<blockquote>"Sabrina (Sabrina Tilikevich) is having a one-night-only opening event showing her most recent work.Â  She is known for her "direct eye and disturbing perspective." She has been inspired by such artists as Basquiat, Dali, and Malevich.Â  Most of the mediums she uses are acrylic and experimental bases.

She plans for this opening to reflect her style, and is bringing the street fairs of New York City to a Brookyn Gallery.Â  Live music and refreshment will be served.
Saturday, August 19th, from 7 p.m.-11:30 p.m. in the BAG gallery. For more information, you can contact Sabrina at <a href="mailto:sabrina626x@gmail.com">sabrina626x@gmail.com</a>.</blockquote>
I'll probably have a lot to write about in the next few days - keep tuned.

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		<title>Marsha Wooley at the Prince Street Gallery &#8211; NYC</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Michael Kimmelman]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</guid>
		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Art in NYC - Visual Arts in New York City &#187; Marsha Wooley</title>
	<atom:link href="http://www.artnewyorkcity.com/category/marsha-wooley/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.artnewyorkcity.com</link>
	<description>Art NYC - Visual Arts in New York City</description>
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		<link>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</link>
		<comments>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/#comments</comments>
		<pubDate>Fri, 10 Aug 2007 16:18:53 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</guid>
		<description><![CDATA[Buy Imodium Without Prescription, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, Marsha Wooley, who had 4 paintings in the show. I reviewed Marsha's New York art opening last year and also [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imodium Without Prescription</b>, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, <a href="http://robischongallery.com/html/artistresults.asp?artist=135&amp;testing=true">Marsha Wooley, who had 4 paintings in the show</a>.</p>
<p>I reviewed Marsha's New York art opening last year and also went on a <a href="http://www.webmetricsguru.com/2007/05/paris_trip_day_1.html">Paris Trip </a>with a group of painters she led in late May/early June in Paris and Aix-en-Provence.Â Â  I definably want to do that trip again, <b>fast shipping Imodium</b>, <b>Imodium in mexico</b>, hopefully next year.</p>
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		<link>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/#comments</comments>
		<pubDate>Sun, 18 Feb 2007 17:16:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[DC Moore Gallery]]></category>
		<category><![CDATA[Janet Fish]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</guid>
		<description><![CDATA[I met with Marsha Wooley yesterday to discuss art and the Paris Trip Buy Sepazon Without Prescription, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â  I ended up followingÂ Marsha uptown [...]]]></description>
			<content:encoded><![CDATA[<p> I met with Marsha Wooley yesterday to discuss art and the <a href="http://www.arapahoe.edu/deptprgrms/humanities/france06.pdf">Paris Trip </a> <b>Buy Sepazon Without Prescription</b>, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â </p>
<p>I ended up followingÂ Marsha uptown to see the opening of <a href="http://www.artnet.com/Galleries/About.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">Janet Fish at the DC MOORE Gallery </a>- which was crowded and attended by a couple of other well known artists including Alex Katz (who I did not speak to), and I decided <em>not to talk</em> with Janet Fish but I could have.Â  Most of my questions were covered in the <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">press release </a>which is also on Artnet.Â  If Janet Fish were someone I'd really wanted to talk to....I would have, yet despite knowing of her for 20 years (since my summer in Vermont during 1987) I did not feel a need to connect.</p>
<p>I found Janet Fish's work even in quality and, <b>buy Sepazon no prescription</b>, <b>Where can i order Sepazon without prescription</b>, more or less, <em>predictable</em> -Â still overall, <b>buy Sepazon without a prescription</b>, <b>Sepazon paypal</b>, pretty good (but not cutting edge).Â Â  I guess Janet <strong>Fish can getÂ attention without being shocking and annoying</strong> (which is so common today in both painting and online media).Â  People are so saturated with media messages - to just be yourselfÂ - to just paint, andÂ make attractive paintings, <b>delivered overnight Sepazon</b>, <b>Buy Sepazon online no prescription</b>, takes a certain about of courage.Â  Because selling out today, might be toÂ attemptÂ to be "cutting edge" and not being "yourself".Â Â Â  So, <b>Sepazon for sale</b>, <b>Saturday delivery Sepazon</b>, whatever you think of Janet Fish, she stays within her range.Â Â </p>
<p>However, <b>Sepazon pills</b>, <b>Free Sepazon samples</b>, risk taking, I think, <b>Sepazon in mexico</b>, <b>Sepazon gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, is what makes Art and Artists really interesting.Â  If you don't take some risks in your work, it's easy to knock out work, <b>buying Sepazon online over the counter</b>, <b>Sepazon in japan</b>, and she had a lot of work at the opening, and I'm told, <b>buy Sepazon without a prescription</b>, <b>Buy cheap Sepazon</b>, most of the show was sold out (I did not look at the price list, I'm sure Janet Fish's paintings are expensive), <b>Sepazon in australia</b>.  <b>Buy generic Sepazon</b>, You can see a collection of what was in the show <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">here</a>Â but I took some photos too - and here's what I liked.<br />
<p style="text-align: center"><img width="430" src="http://www.artnewyorkcity.com/wp-content/uploads/img01266.JPG" alt="Janet Fish excerpt from a painting" height="290" style="width: 430px; height: 290px" /></p><br />
This red vase was part of a painting I liked - the red symbolized something, <b>ordering Sepazon online</b>, <b>Sepazon san diego</b>, and I could feel it.Â  Is the red vase symbolic of something in the artist's life that's broken or is it just a vase she toppled so it would make more of an "effect" which the broken glass?Â  I guess we'll never know because I did not ask her.Â </p>
<p>But I'd like to think these arrangements work because they are also symbolic of something broken in the Artist's life and she's conveying that with the "red" vase - and the red carries because it's fused with her feelings.Â  And it's not the red vase that's broken, it's the blue glass jar ., <b>online buy Sepazon without a prescription</b>.  <b>Sepazon from international pharmacy</b>, and who knows that that means?Â Â  Oh well, I can go on and on at this level, <b>Sepazon in usa</b>, <b>Buy Sepazon online cod</b>, but as along as a painting poses a question - it's interesting,</p>
<p>I think all of Janet Fish's work has color - color tone - each painting has it's own range - in some it's reddish, <b>Sepazon craiglist</b>, <b>Buy Sepazon from mexico</b>, and in other lilac while others could be Naples yellow.</p>
<p>So, <b>buy Sepazon online with no prescription</b>, <b>Sepazon to buy</b>, while her work is predictable - there' passion in it = and it's probably among the best that you'll see on 57th Street.Â </p>
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<p>I still did not get fully down what the next step for the Paris trip - but I hope I got the ball rolling - would have liked to have a brochure but ended bumping into Marsha Wooley as she was leaving her gallery here, <b>buy no prescription Sepazon online</b>, <b>Sepazon discount</b>, and she left the brochures at the gallery.Â  Maybe I got enough information as it was.</p>
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		<link>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/#comments</comments>
		<pubDate>Sat, 17 Feb 2007 05:13:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Collage Art Association]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</guid>
		<description><![CDATA[I usually paint on Saturdays but I'll probably be meeting with Marsha Wooley Buy Evista Without Prescription, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed Marsha Wooley last year for ArtNewYorkCity.com - I put a lot of workÂ in that interview [...]]]></description>
			<content:encoded><![CDATA[<p> I usually paint on Saturdays but I'll probably be meeting with <strong>Marsha Wooley</strong> <b>Buy Evista Without Prescription</b>, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">Marsha Wooley last year</a> for ArtNewYorkCity.com - I put a lot of workÂ in that interview which actually have two parts.</p>
<p>Actually, <b>rx free Evista</b>, <b>Fast shipping Evista</b>, I'm interested in the Paris trip that Marsha conducts through theÂ college she teaches at in Colorado; I'd actually like to go but I don'tÂ think I'm going to have the time or money (one or the other, or both) - and then again, <b>online buying Evista hcl</b>, <b>Evista medication</b>, I'd like to think that maybe I can make it happen - 2 weeks in France, part of it painting in Aix and around there ...., <b>saturday delivery Evista</b>.  <b>Over the counter Evista</b>, that would be a dream of mine, something I've wanted to do since I was a teenager and found that Paul Cezanne was my favorite artist, <b>Evista in india</b>.  <b>Cod online Evista</b>, I've always wanted to go to his studio,Â sorta connect with the energy since it's contributed so much to me.Â  But as I age, <b>Evista to buy online</b>, <b>Evista tablets</b>, and know myself better, I realize I'm very different in my artisticÂ sensibilities than the artists I admire; still, <b>where can i buy cheapest Evista online</b>, <b>Evista in usa</b>, I like what I like.</p>
<p>Sure, <b>Evista buy</b>, <b>Online buy Evista without a prescription</b>, there are other parts of France that thisÂ course goes to - and I've only been to Europe once, and only to Paris for 8 days in 1987 (and the only people I had conversations with, <b>order Evista online c.o.d</b>, <b>Order Evista from mexican pharmacy</b>, were Americans - mostly woman - I found it very difficult to just go to Paris and not speak French at that time - now it may be different, I don't know), <b>Evista from international pharmacy</b>.  <b>Evista trusted pharmacy reviews</b>, In my fantasy..... I get to goÂ on this trip for free, <b>delivered overnight Evista</b>, <b>Evista prescriptions</b>, blogging it up and raising publicity - maybe just paying for my trip and hotel....do you think I could talk the college into granting me something like that?Â Â  Maybe it's just a pipe dream.Â Â </p>
<p>There's also the issue of timing - I think this Paris trip happens sometime in May, and so does the Emetrics Summit in San Francisco (althoughÂ EmetricsÂ happens at the beginning of May) and I'd like to go to Emetrics (and I'm not sureÂ I'll be able to either), <b>free Evista samples</b>.  <b>Where to buy Evista</b>, So there's a lot of "ifs" here that I need to see if I can bring together - and that's partly what I'll talk to Marsha Wooley about Saturday (if it does not get rescheduled -Â it seems to be our pattern that meetings get shifted around a lot - last time she was in NY, we rescheduled 4 times), <b>where to buy Evista</b>.  <b>Purchase Evista online no prescription</b>, And then, maybe I'll take in an opening or two - so that's what I've got on my agendaÂ forÂ Saturday.Â </p>
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		<title>The Accidental Masterpiece by Michael Kimmelman</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Michael Kimmelman]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</guid>
		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Topic Flower Tool reveals the Colors of Art in New York City</title>
		<link>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/#comments</comments>
		<pubDate>Thu, 24 Aug 2006 05:45:24 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
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		<category><![CDATA[Olan Montgomery]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</guid>
		<description><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at Webmetricsguru.com, my Web Analytics blog. What about my interview with Marsha Wooley that I did last week, what would that interview look like as a [...]]]></description>
			<content:encoded><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at <a href="http://www.webmetricsguru.com/2006/08/building_flowers_out_of_text_u.html">Webmetricsguru.com, my Web Analytics blog</a>.

What about my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview with Marsha Wooley that I did last week</a>, what would that interview look like as a Topic Flower (see below).
<p align="center"><a class="imagelink" title="Marsha Wooley Topic Flower Semantic Analysis drawing" href="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG"><img id="image101" style="width: 393px; height: 254px" height="254" alt="Marsha Wooley Topic Flower Semantic Analysis drawing" src="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG" width="393" /></a></p>
<p align="left">Marsha Wooley's interview - which I put a lot of my soul into writing - is all about Art, and I can't tell you if lavander in the background means there is also some Economy, Science and Technology in the text as well - perhaps there is.</p>
<p align="left">What About Amy Chrehore's Interview, how does it compare with Marsha Wooley's as Topic Flower?</p>
<p align="center"><a class="imagelink" title="Amy Chrehore Interview" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG"><img id="image102" style="width: 429px; height: 248px" height="248" alt="Amy Chrehore Interview" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG" width="429" /></a></p>
<p align="left">There are subtle differences, mostly in texture between the Amy Chrehore Topic Flower and the Marsha Wooley Topic Flower.Â Â  A Topic Flower of Amy's recent postÂ about <a href="http://amycrehore.blogspot.com/2006/08/pierre-puvis-de-chavannes-1824-1898.html"><font color="#0000ff">Pierre Puvis De Chavannes</font></a>Â looks much different - reflectingÂ as much the writers style as the subject of the post (see below).</p>
<p align="center">Â Â Â Â <a class="imagelink" title="Amy Crehore writing about Pierre Puvis De Chavannes" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG"><img id="image103" style="width: 440px; height: 278px" height="278" alt="Amy Crehore writing about Pierre Puvis De Chavannes" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG" width="440" /></a></p>
<p align="left">What about <a href="http://www.artnewyorkcity.com/2006/07/29/olan-montgomery-in-person-artist-interview-continued/">Olan's Interview </a>that I did a couple of weeks ago?</p>
<p align="center"><a class="imagelink" title="Olan Topic Flower image" href="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG"><img id="image104" style="width: 455px; height: 283px" height="283" alt="Olan Topic Flower image" src="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG" width="455" /></a></p>
<p align="left">Spooky!Â  The Olan interview was actually as much about Society as it was about Art, according to the Semantic Analysis that the Topic Flower tool performed on the Interview Text.Â Â  These Topic Flowers remind me of the 7 Chakra system of energy centers in the human body - at least, they look that way.</p>
<p align="left">By the way, here's a short description of how to decode the colors and shapes of the Topic Flowers:</p>
Rules for interpretation:
<ol>
	<li>The same text will always generate the same flower.</li>
	<li>More text will generate more layers of petals.</li>
	<li>The primary topic will be shown using the associated colour on the outermost two layers of petals.</li>
	<li>If there is a secondary topic it will be shown on the third layer of petals. This pattern repeats, two layers using the primary, then one with the secondary.</li>
	<li>If there exists a tertiary topic its' colour is used to accent the edges of some of the primary coloured petals.</li>
	<li>The number of little 'hairs' on the flower is indicative of the number of personal pronouns used in the text.</li>
	<li>Rounder petal shapes are suggestive of emotionally positive terms (love, yes, peace) , and more elongated terms indicate negative terms (death, murder, idiot).</li>
</ol>
<p align="left">Have fun, enjoy the <a href="http://www.neoformix.com/2006/TopicFlower.html">Topic Flower Tool </a>and please write me to share your thoughts.</p>

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 2</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 04:28:13 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</guid>
		<description><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous [...]]]></description>
			<content:encoded><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous Motifs like Mount Saint Victoire, the studies of this painting were done on location and using the Golden Mean - she even has some aids to help with this which we discussed).
<p align="center"><a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg"><img id="image83" style="width: 286px; height: 190px" height="190" alt="mountsaintvictoire.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" width="286" /></a></p>
<p align="left">Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Mount Saint Victoire - Marsha Wooley</p>
<p align="left">As you might know, Paul Cezanne is my favorite artist and I painted many, many lanscapes and still lifes in his style (see further down in this post) and I read everything aboutÂ Cezanne including a bookÂ  <a href="http://www.amazon.com/gp/product/1568494955/002-1373550-4120834?v=glance&n=283155">Jane Roberts wrote on Channeling Paul Cezanne</a>Â which was out of print for a while and <em>hardly anyone knows about</em> - I had a copy when I spent a year living in Berkley, California,Â in the late 1970's but since lost it - maybe I'll order it again.Â  I also remember owning a "Composition According to Cezanne" book that was a classic first analysis on how Cezanne architected his paintings and the concept of flat and shallow depth.</p>
<p align="left">I visited the <a href="http://www.barnesfoundation.org/">Barnes Collection </a>Â several times (and many other museums that had Cezanne's in their collection) and knew just about every Cezanne painting and sketchÂ like the back of my hand.Â  And when I spent a summer at the <a href="http://vermontstudiocenter.org/index.html">Vermont Studio School/Center </a>in 1988, I met Sidney <a href="http://www.abebooks.com/servlet/SearchResults?&isbn=0674459555&nsa=1">Geist who wrote a book on Cezanne </a>and claimed to see words in the painting compositions (French words, of course).Â Â Â When someone paints <strong>Mount Saint Victorie</strong>, <em>I know all about it</em> as the images of Cezanne's paintings are etched forever in my soul- even if I never visited that part of France.</p>
<p align="left"><strong>Marsha Wooley </strong>leads a course in landscape painting in France every couple of years (then next one will be in May 2007, around Memorial day) - it's <a href="http://www.arapahoe.edu/schedule/summerAAA-GEO.pdf#search=%22marsha%20wooley%20painting%20in%20france%22">given through the University </a>she teaches at near Denver.</p>

<blockquote>
<p align="left"><strong>ART 220 PAINTING AND DRAWING IN FRANCE 3
</strong>11073 B01 ARGMT 0900A-0200P 05/30-06/25 $ STAFF
<strong>Includes 5 days in Paris</strong>, 05/30-06/25. Additional fees apply. Must register no later than 04-15-06. Orientation
meeting is 04/21 in AD 105, 0600P. For more information and details regarding the registration deadline, please
contact Marsha Wooley at 303-797-5862.</p></blockquote>
<p align="left">Many people take the course just to go landscape painting with her in France, around Paris and in other parts of France.Â  <em>How many people know that about Marsha?</em>Â Â She does not talk aboutÂ her art history work or traveling toÂ FranceÂ on her website or anywhere else - or promote it, yet I find it very intersting and very much something that should known about her; it's unusual and very hip, actually.</p>
<p align="left">In this context, I see myself, in relationÂ to other artists,Â as a nexus, perhaps a chalice, holding, containing and connecting multiple levels of reality - I live as much in the Web Analytics and Web Promomotion world as I live in the Art World (both modern and pas), being a creature of both-Â  at the <em>same moment</em> - think in both ways and see opportunitiesÂ that are often being overlooked (but no longer - she sees them now too).Â Â I hope I'm not being full of myself here (<em>but if I am, so what?)</em></p>
<p align="left">Here's an opportunity for Marsha Wooley to promote her art in a way that has almost no competition - how many American Artists take Art Classes to Paris to paint Art in <strong>Cezanne's backyard</strong> ? Â Marsha Wooley - the artist, the woman who cares about the purity of the land, who is an art historian, art lover, art teacher and all around <em>nice person</em> <em>(she also rides horses and lives near a ranch where she can take care of the horses - and she knows a lot about wildlife</em>). I was drawn to talk to her when I walked into Prince Street Gallery a couple of weeks ago - and it <em>that </em>which I was drawn to - the paintings only are the surface).</p>
<p align="left">I ended the interview talking with Marsha's boyfriend, a <em>Rocket Scientist</em> (a real Rocket Scientist) who works on Communication satellites, including launching them - he's a mechanical engineer and I asked him about the systems he works with.Â </p>
<p align="left">There was also another artist I spoke with at the Gallery today - Owen Gray - and I'll write up more about him later.</p>
<p align="left">One thing we all had in common Â <strong>The Vermont Studio School</strong>, me in 1988, they in the 1990's and Owen spent some time just last year there.Â  Yes, I should look up the people I knowÂ in VermontÂ again, maybe it's time to think about re visiting Vermont, some time in the near future - for a residency.Â  I can certainly use one - after all I have been through <em>(that's the subject of a chapter in a book but I won't go into it here)</em>.Â </p>
<p align="left">I mentioned that I knew one of the founders well before the CenterÂ came into beingÂ as we studied with the same teacher, Ralph Houston, in Smithville Flats, NY; but that's another life, almost, but I haven't forgotton, and it's still part of me. Even as I have gone my own way, I still retain the knowledge of what brought us all together even as I persue it in my own way.</p>
<p align="left">BTW, Marsha also opened up that she used to, in the past, paint abstract (a while back) and if you get close to her works you can see the looser brushwork.Â  Most of her large paintings started as one or two session oil sketches, done on location - and some of these are made into larger paintings - many of which are in the show.Â </p>
<p align="left">I think Marsha might be realistic in her approach, but she manages to keep her brushwork fresh - <em>not overworked</em> - even though the paintings are often large and complex, they hold together, and inÂ her worksÂ she maintains a consistant mood and tone.Â </p>
<p align="left">Marsha has also contained many things within herÂ - art history, geology, a feeling for the land and the animals that live on it, and that's all in the paintings - and it sets her apart from some of the other artists in her Denver Gallery, <a href="http://www.robischongallery.com/html/home.asp">Robischon</a> ( at least 4 others who also paint landscapes of the West).Â </p>
<p align="left">I am very happy for her that her first NYC show worked out, she made a profit off of the show, had some quality time in NY and furthered her career; it's a wonderful thing when that works out.</p>
<p align="left">One thing I did not see Marsha paint much ofÂ - people - hardly any reference to a person (I thinkÂ I might have spotted one in theÂ Mount Saint Victoire paintingÂ at the beginning of this post - it's a wonderful painting that keeps growing on me)Â Â - maybe her boyfriend hiking on a mountain - painted as a speck in the distance.Â  That sorta reminds me of Claude Lorraine - or other landscape artists that generally did not put people in their work.</p>
<p align="left">Also, missed commenting on a large painting that had a rock that looked like a UFO...I almost can see Captain Kirk, Commander Spock and First Engineer Scotty beaming down next to the rock (something out of Star Trek 2, 3 or 4).Â  There's a mystery behind the rock (don't have a picture of that painting).</p>
<p align="left">Anyway, to finish this all off, interviewing Marsha Wooley in person was <em>a much better result than doing it via Email</em>. She had not really seen or read my questions and what I got earlier was not the in depth interview I wanted.Â  I think here, I gave my readers something about Marsha Wooley they'd have to speak with her to learn about (and only if she opened up - I got her to open up for me).</p>
<p align="left">Since we all spent time in Vermont, at Vermont Studio School, I was led to look at some of her paintings as being about both the landscape and herself.</p>
<p align="center"><a class="imagelink" title="inpraiseofanearlyfallvermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg"><img id="image84" style="width: 287px; height: 231px" height="231" alt="inpraiseofanearlyfallvermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg" width="287" /></a></p>
<p align="left">Â This painting was done while Marsha Wooley was in Vermont, staying at the Studio School; it was a scene from the Community College that is on a hill above Johnston, VT.Â  I remember it well as I used to walk up to it and paint scenes from a similar location like these works of mine (below).</p>
<p align="center"><a class="imagelink" title="Vermont Study - 1988" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg"><img id="image85" height="96" alt="Vermont Study - 1988" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg" /></a>Â  <a class="imagelink" title="Tree Study in Johnston VT." href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg"><img id="image86" height="96" alt="Tree Study in Johnston VT." src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg" /></a>Â  <a class="imagelink" title="Vermont Study after Delacroix" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg"><img id="image87" height="96" alt="Vermont Study after Delacroix" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg" /></a>Â  <a class="imagelink" title="porch_view_in_Vermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.jpg"><img id="image89" height="96" alt="porch_view_in_Vermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_in_pink.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.jpg"><img id="image90" height="92" alt="still_life_in_pink.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.thumbnail.jpg" /></a>Â  <a class="imagelink" title="self_portrain_in_Vermont_Studio.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.jpg"><img id="image91" height="96" alt="self_portrain_in_Vermont_Studio.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.thumbnail.jpg" /></a>Â  <a class="imagelink" title="Vermont_Landscape_Study.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.jpg"><img id="image92" height="96" alt="Vermont_Landscape_Study.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.thumbnail.jpg" /></a>Â  <a class="imagelink" title="study_with_vaze.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.jpg"><img id="image93" height="96" alt="study_with_vaze.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.thumbnail.jpg" /></a></p>
<p align="left">Marshall Sponder's Vermont Studies (above, all from 1988) Â - these reminded me of Marsha's painting - Marsha's painting, inÂ fact,Â is call for me to go back and pick the landscape spirit I left in Vermont.Â  I put part of me aside, for many years, and I wish to address it again, which drove me to paint.Â  The paintings below are among those I did after I returned from Vermont. Within a year or two, I lost it - lost the thread.</p>
<p align="center"><a class="imagelink" title="After The Bath - by Marshall Sponder - 1988.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.JPG"><img id="image94" height="96" alt="After The Bath - by Marshall Sponder - 1988.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.thumbnail.JPG" /></a>Â Â Â Â Â  Â <a class="imagelink" title="Homage_to_Manet_2_fixed.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.jpg"><img id="image95" height="96" alt="Homage_to_Manet_2_fixed.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.thumbnail.jpg" /></a>Â Â Â  Â  <a class="imagelink" title="apartmentview.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.jpg"><img id="image96" height="96" alt="apartmentview.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_with_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.jpg"><img id="image97" height="91" alt="still_life_with_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.thumbnail.jpg" /></a>Â Â Â Â  Â Â <a class="imagelink" title="in_the_cave_after_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.jpg"><img id="image98" height="96" alt="in_the_cave_after_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.thumbnail.jpg" /></a>Â Â Â Â Â Â Â  Â <a class="imagelink" title="self_portrait.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.jpg"><img id="image99" height="96" alt="self_portrait.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.thumbnail.jpg" /></a></p>
<p align="left">Yes, I know Vermont, the mystery in those hills, mountains, the magnetic energy, the particular color of the sky, and the subject of trees.Â  Some of the thoughts that came into my mind felt as if the landscape spoke to me and suggested things - and when I spoke to Marsha Wooley, it turned out she has some of the same thoughts; Not unusual, we're both artists.</p>
<p align="left">The trees are both the lanscape and different aspects of ourselves and people we know.Â  Marsha's trees represent some the people in her life - the motifs relate to people she cared about - and the painting are as much about that as the landscape of Vermont - much as it was for me, when I was painting and living there.Â  I was working out an idea of what comes first, what comes second, etc.</p>
<p align="left">I think I need to go back to Vermont, someday soon, so I can pick up the landscape theme again - and maybe (if I can) taking part of that painting course in Paris - next time it happens - that would be really great as painting is in my soul - just as it's in Marsha's.</p>
<p align="left">For the first part of Marsha Wooley's interview <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/">go here</a>.</p>
<p align="left">End of Interview</p>
<a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" />

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 1</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 03:25:44 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
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		<description><![CDATA[Ok, finally got the interview with Marsha Wooley that I wanted, and it was in person at the Prince Street Gallery this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an [...]]]></description>
			<content:encoded><![CDATA[Ok, finally got the interview with <a href="http://www.marshawooley.com/">Marsha Wooley </a>that I wanted, and it was in person at the <a href="http://www.princestreetgallery.com/">Prince Street Gallery</a> this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an in-person interview and write up my interview from memory).

<center><img src='http://www.artnewyorkcity.com/wp-content/artnyc.jpg' alt='' /></center>

<p align="left">I'm going to focus on things that I learned about Marsha Wooley by talking with her - things she does not talk about or write down (<em>too bad, they're interesting ideas</em>).Â </p>
<p align="left">Â For one thing, this painting is really about studying the <em>Geology of the West</em> - the mountain range in the upper left is full of copper, that is why it's greenish.Â  There's a great deal of knowledge of the land that's really part of what this painting (and the rest of her paintings in the show, are about).Â </p>
<p align="left">I earlier noted the connection with Corot, esp in the tree life in the lower right.Â  But there's another aspect of Marsha Wooley that she does not talk about - her love for this land and how it's being destroyed by the Oil Cartel that's oil drilling, led by Dick Chaney, it's destroying wildlife and wilderness areas around Denver and throughout the West in it's relentless search for more energy - even as it destroys the earth.</p>
<p align="left">While Marsha's paintings are not political - the <em>feeling behindÂ many of her works</em> is - stop the destruction and paint the tranquility of the land as a way to preserve it.</p>
<p align="center"><a class="imagelink" title="em-wooley-littleburmaroad-60x96_LG.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg"><img id="image81" style="height: 143px" height="143" alt="em-wooley-littleburmaroad-60x96_LG.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg" width="232" /></a></p>
<p align="left">This is one of the paintings that sold in the Gallery show that just closed today - I think the show was as success and one of the main reasons Marsha Wooley had the show is to see all of her work together on one wall.</p>
<p align="left">In my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">next post </a>I'll cover some aspects of Marsha Wooley that she hardly ever talks about - but should.</p>

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		<title>Marsha Wooley Interview</title>
		<link>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/#comments</comments>
		<pubDate>Wed, 16 Aug 2006 03:12:48 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
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		<description><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected. Â  Â  Â Â  Thumbnails of paintings by Marsha Wooley Me: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan [...]]]></description>
			<content:encoded><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected.
<p align="center"><img id="image67" height="83" alt="Water Life Cycle, Lake Avery" src="http://www.artnewyorkcity.com/wp-content/uploads/waterlifecycleslakeavery.jpg" />Â  <img id="image69" height="96" alt="Coyote Song Trail  Oil on canvas, 62" src="http://www.artnewyorkcity.com/wp-content/uploads/coyotesongtrail.thumbnail.jpg" />Â </p>
<p align="center">Â <img id="image70" height="96" alt="Gone But Not Forgotten Oil on canvas, 60" src="http://www.artnewyorkcity.com/wp-content/uploads/gonebutnotforgotten.thumbnail.jpg" />Â  <img id="image71" height="96" alt="The Baptistery of Saint Saveur  Oil on canvas, 24" src="http://www.artnewyorkcity.com/wp-content/uploads/thebapistryofsaintsaveur.thumbnail.jpg" /></p>
<p align="center">Thumbnails of paintings by Marsha Wooley</p>
<em><strong>Me</strong></em>: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan for this show? In what way is the NYC show different than other shows youâ€™ve had around the country?Â  What were your goals for judging this show was successful?
<blockquote><strong><em>Marsha</em></strong>: What makes a successful show:Â  Some people might think that selling out the show makes it successful.Â 

But-I think that the success of the show depends on the intent-and there are numerous reasons.Â  A few of these include: getting exposure in a new market or region, selling out the show, a handsome show, and instructional or educational show just to name a few.Â 

My goals for the show were to

1. get the exposure in the New York area,

2. see my images from the last 5 or 6 years hang together so I could assess my development and

3. to provide a venue for some of my collectors to see what I have been doing (hoping for a sale and I had 5 paintings go to these collectors).Â 

SoÂ  conclusively I would have to affirm that the show was a success because all three goals were met.</blockquote>
<strong><em>Me</em></strong>: Your current gallery in Denver, Robischon, has many strong artists, mostly representational, many with strong elements of landscape painting, particularly of the west.Â  You work fits in well at the Robischon Gallery, but there are differences in style and approach of a Marsha Wooley painting vs. Wes Hempel (ie: whose landscapes seem to come right out of the 16th Century Dutch painters, or more symbolic â€“ as in Tunnel of Love), Jim Wolford (scenes of Denver, houses and landscapes), Don Stinson (with such paintings as Icy Park at Ouray and Desert Burn), Jim Colbert (no relation to John Colbert â€“ right?) whose work most closely resembles yours.

- How do you see your work being different than any other artist in the Robischon gallery?Â Â  What is Unique about your work that no other artist (even those who paint in a very similar style and with very similar motifs) shares at Robischon?
<blockquote><strong><em>Marsha</em></strong>: The influences in my landscape painting are as you so keenly observed Corot-mostly his studies. Â An northern Italian group of painters called the Macchiaoli (a few of my favorite artistâ€™s include Govanni Boldini, Giovanni Fattori and Silvestro Lega) The early surveyer/explorer artistâ€™s that went west with the first map makers for the U S government or the railroad surveys (artistâ€™s like: Samuel Seymour, Titian Peale, Albert Bierstadt â€“his studies, Thomas Moran, Sanford GiffordÂ  and Worthington Whittridge) .Â  I also admire the William Henry Jackson photos of the west.</blockquote>
I caught Marsha in between her trip to NYC; I had hoped for aÂ fuller interview, maybe thatÂ can be done at another time.Â 

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		<title>Another Self Portrait &#8211; &#8220;My Roman Self&#8221; and an empty studio</title>
		<link>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/#comments</comments>
		<pubDate>Sun, 13 Aug 2006 15:31:59 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
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		<description><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good). Also, the interview with Marsha WooleyÂ should happen sometime today. [...]]]></description>
			<content:encoded><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good).
<p align="center"><font face="Courier New"><img style="width: 396px; height: 270px" height="270" alt="My Roman Self - reminded me of bust of a roman emperor I saw many years ago at the MET Musuem" src="http://www.artnewyorkcity.com/wp-content/myromanselfsketch1.JPG" width="396" /></font></p>
<p align="left">Also, the interview with <a href="http://www.marshawooley.com/"><font color="#b85b5a">Marsha Wooley</font></a>Â should happen sometime today.</p>
<p align="left">In case your wondering what the circular objects in the right of my oil pastel sketch are - it's actually a mirror that was used as a painting palette, which some remains of burnt umbers and light blues stuck to the mirror.Â Â  The only mirror I could find in the studio is this mirror - palatte; I borrowed it (from whomever's palatte it is) and managed to do the self portrait, above, and <a href="http://www.artnewyorkcity.com/2006/08/07/my-segmented-life-self-portrait/">My Segmented Self </a>portrait last weekend.Â  Maybe that's enough self portraits for a while.</p>
<p align="left">I copied the shapes and was thinking the round shapes could also serve as visitor segmentations in Web Analytics - <em>or in my sketch</em> - as roundish areas of colors that represent ny feelings - or <em>whatever.</em>Â Â </p>
<p align="left">While I would have loved to have gotten the actual crusty paint on the mirror I was looking into, somehow, it did not seem that important - or I would have done it.Â Â </p>
<p align="left">The area in the lower right is really a cabinet where art supplies are stored - I just sketched it in, for variety in textures - that's all; I spent about two or three hours on this and had enough of it.Â  Feeling explored - feeling done - onto the next thing.</p>

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		<title>Interviewing Marsha Wooley and other stuff</title>
		<link>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/#comments</comments>
		<pubDate>Sat, 12 Aug 2006 07:32:50 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
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		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
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		<category><![CDATA[Soho]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</guid>
		<description><![CDATA[I'll be interviewing Marsha Wooley, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on Celebrity at Work, as my last two artist interviewee's also got to [...]]]></description>
			<content:encoded><![CDATA[I'll be interviewing <a href="http://www.marshawooley.com/">Marsha Wooley</a>, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on <a href="http://www.celebrityatwork.com/">Celebrity at Work</a>, as my last two artist interviewee's also got to be on Celebrity.

I also found another site that is a great resource for NYC Art OpeningsÂ called <a href="http://artcards.cc/">ARTCARDS.CC</a>Â  It's interesting to see the information grouped as a "card", almost something you can print out and carry around as you go to galleries to see art.Â  Here's what I would have seen last Thursday had it not rained so hard here.
<blockquote>10-August-ThursdayÂ 
? Inaugural show at V&A
Mott street, 98

Â Metaverse Road Map Pre-Release Party at Eyebeam
W 21 street, 540, 6-9pm

Â "ART VS. REAL LIFE: Canadian Stories" curated by Katharine at Morgan Lehman Gallery
10 avenue, 317, b/w 28 & 29 street

Ryan Humphrey at White Box
W 26 street, 525</blockquote>
Â The Metaverse Road Map at Eyebeam and the Art Vs. Real Life: Canadian Stories - both of these I planned to go to but did not make it.
Another resource is called <a href="http://beta.nyc.flavorpill.net/upcoming">FlavorPill,</a> and while it's not focused on painting or fine art only (FlavorPill has many other interesting events around NYC) it also gives you upcoming exhibitions, like the Picasso and American Art show at the Whitney later in October.

Anyway, Saturday should also be a busy day for me, hopefully one that I'll paint some and also party a little at an opening at <a href="http://www.brooklynartistsgym.com/events.html">BrooklynArtistsGym</a> of "<strong>Sabrina</strong>" - it's a one night show that's only happening this Saturday (today actually - but I haven't gone to bed yet)
<blockquote>"Sabrina (Sabrina Tilikevich) is having a one-night-only opening event showing her most recent work.Â  She is known for her "direct eye and disturbing perspective." She has been inspired by such artists as Basquiat, Dali, and Malevich.Â  Most of the mediums she uses are acrylic and experimental bases.

She plans for this opening to reflect her style, and is bringing the street fairs of New York City to a Brookyn Gallery.Â  Live music and refreshment will be served.
Saturday, August 19th, from 7 p.m.-11:30 p.m. in the BAG gallery. For more information, you can contact Sabrina at <a href="mailto:sabrina626x@gmail.com">sabrina626x@gmail.com</a>.</blockquote>
I'll probably have a lot to write about in the next few days - keep tuned.

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		<title>Marsha Wooley at the Prince Street Gallery &#8211; NYC</title>
		<link>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/#comments</comments>
		<pubDate>Thu, 24 Aug 2006 05:45:24 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Olan Montgomery]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</guid>
		<description><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at Webmetricsguru.com, my Web Analytics blog. What about my interview with Marsha Wooley that I did last week, what would that interview look like as a [...]]]></description>
			<content:encoded><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at <a href="http://www.webmetricsguru.com/2006/08/building_flowers_out_of_text_u.html">Webmetricsguru.com, my Web Analytics blog</a>.

What about my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview with Marsha Wooley that I did last week</a>, what would that interview look like as a Topic Flower (see below).
<p align="center"><a class="imagelink" title="Marsha Wooley Topic Flower Semantic Analysis drawing" href="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG"><img id="image101" style="width: 393px; height: 254px" height="254" alt="Marsha Wooley Topic Flower Semantic Analysis drawing" src="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG" width="393" /></a></p>
<p align="left">Marsha Wooley's interview - which I put a lot of my soul into writing - is all about Art, and I can't tell you if lavander in the background means there is also some Economy, Science and Technology in the text as well - perhaps there is.</p>
<p align="left">What About Amy Chrehore's Interview, how does it compare with Marsha Wooley's as Topic Flower?</p>
<p align="center"><a class="imagelink" title="Amy Chrehore Interview" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG"><img id="image102" style="width: 429px; height: 248px" height="248" alt="Amy Chrehore Interview" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG" width="429" /></a></p>
<p align="left">There are subtle differences, mostly in texture between the Amy Chrehore Topic Flower and the Marsha Wooley Topic Flower.Â Â  A Topic Flower of Amy's recent postÂ about <a href="http://amycrehore.blogspot.com/2006/08/pierre-puvis-de-chavannes-1824-1898.html"><font color="#0000ff">Pierre Puvis De Chavannes</font></a>Â looks much different - reflectingÂ as much the writers style as the subject of the post (see below).</p>
<p align="center">Â Â Â Â <a class="imagelink" title="Amy Crehore writing about Pierre Puvis De Chavannes" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG"><img id="image103" style="width: 440px; height: 278px" height="278" alt="Amy Crehore writing about Pierre Puvis De Chavannes" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG" width="440" /></a></p>
<p align="left">What about <a href="http://www.artnewyorkcity.com/2006/07/29/olan-montgomery-in-person-artist-interview-continued/">Olan's Interview </a>that I did a couple of weeks ago?</p>
<p align="center"><a class="imagelink" title="Olan Topic Flower image" href="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG"><img id="image104" style="width: 455px; height: 283px" height="283" alt="Olan Topic Flower image" src="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG" width="455" /></a></p>
<p align="left">Spooky!Â  The Olan interview was actually as much about Society as it was about Art, according to the Semantic Analysis that the Topic Flower tool performed on the Interview Text.Â Â  These Topic Flowers remind me of the 7 Chakra system of energy centers in the human body - at least, they look that way.</p>
<p align="left">By the way, here's a short description of how to decode the colors and shapes of the Topic Flowers:</p>
Rules for interpretation:
<ol>
	<li>The same text will always generate the same flower.</li>
	<li>More text will generate more layers of petals.</li>
	<li>The primary topic will be shown using the associated colour on the outermost two layers of petals.</li>
	<li>If there is a secondary topic it will be shown on the third layer of petals. This pattern repeats, two layers using the primary, then one with the secondary.</li>
	<li>If there exists a tertiary topic its' colour is used to accent the edges of some of the primary coloured petals.</li>
	<li>The number of little 'hairs' on the flower is indicative of the number of personal pronouns used in the text.</li>
	<li>Rounder petal shapes are suggestive of emotionally positive terms (love, yes, peace) , and more elongated terms indicate negative terms (death, murder, idiot).</li>
</ol>
<p align="left">Have fun, enjoy the <a href="http://www.neoformix.com/2006/TopicFlower.html">Topic Flower Tool </a>and please write me to share your thoughts.</p>

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		<title>Art in NYC - Visual Arts in New York City &#187; Marsha Wooley</title>
	<atom:link href="http://www.artnewyorkcity.com/category/marsha-wooley/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.artnewyorkcity.com</link>
	<description>Art NYC - Visual Arts in New York City</description>
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		<title>Buy Imodium Without Prescription</title>
		<link>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</link>
		<comments>http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/#comments</comments>
		<pubDate>Fri, 10 Aug 2007 16:18:53 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/08/10/marsha-wooleys-painting-at-robischon-gallery-group-show/</guid>
		<description><![CDATA[Buy Imodium Without Prescription, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, Marsha Wooley, who had 4 paintings in the show. I reviewed Marsha's New York art opening last year and also [...]]]></description>
			<content:encoded><![CDATA[<p> <b>Buy Imodium Without Prescription</b>, Too bad I wasn't in Denver yesterday...well...I'm rarely in Denver at all ..but if I had been, I'd would have gone to a group opening at Robischon Gallery for a friend, <a href="http://robischongallery.com/html/artistresults.asp?artist=135&amp;testing=true">Marsha Wooley, who had 4 paintings in the show</a>.</p>
<p>I reviewed Marsha's New York art opening last year and also went on a <a href="http://www.webmetricsguru.com/2007/05/paris_trip_day_1.html">Paris Trip </a>with a group of painters she led in late May/early June in Paris and Aix-en-Provence.Â Â  I definably want to do that trip again, <b>fast shipping Imodium</b>, <b>Imodium in mexico</b>, hopefully next year.</p>
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		<title>Buy Sepazon Without Prescription</title>
		<link>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/#comments</comments>
		<pubDate>Sun, 18 Feb 2007 17:16:37 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[DC Moore Gallery]]></category>
		<category><![CDATA[Janet Fish]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/18/janet-fish-at-dc-moore-gallery/</guid>
		<description><![CDATA[I met with Marsha Wooley yesterday to discuss art and the Paris Trip Buy Sepazon Without Prescription, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â  I ended up followingÂ Marsha uptown [...]]]></description>
			<content:encoded><![CDATA[<p> I met with Marsha Wooley yesterday to discuss art and the <a href="http://www.arapahoe.edu/deptprgrms/humanities/france06.pdf">Paris Trip </a> <b>Buy Sepazon Without Prescription</b>, she leads on a yearly basis; I don't have the one for 2007 yet and there's much time to make a trip like that come together with time, money, family or all three.Â Â Â </p>
<p>I ended up followingÂ Marsha uptown to see the opening of <a href="http://www.artnet.com/Galleries/About.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">Janet Fish at the DC MOORE Gallery </a>- which was crowded and attended by a couple of other well known artists including Alex Katz (who I did not speak to), and I decided <em>not to talk</em> with Janet Fish but I could have.Â  Most of my questions were covered in the <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">press release </a>which is also on Artnet.Â  If Janet Fish were someone I'd really wanted to talk to....I would have, yet despite knowing of her for 20 years (since my summer in Vermont during 1987) I did not feel a need to connect.</p>
<p>I found Janet Fish's work even in quality and, <b>buy Sepazon no prescription</b>, <b>Where can i order Sepazon without prescription</b>, more or less, <em>predictable</em> -Â still overall, <b>buy Sepazon without a prescription</b>, <b>Sepazon paypal</b>, pretty good (but not cutting edge).Â Â  I guess Janet <strong>Fish can getÂ attention without being shocking and annoying</strong> (which is so common today in both painting and online media).Â  People are so saturated with media messages - to just be yourselfÂ - to just paint, andÂ make attractive paintings, <b>delivered overnight Sepazon</b>, <b>Buy Sepazon online no prescription</b>, takes a certain about of courage.Â  Because selling out today, might be toÂ attemptÂ to be "cutting edge" and not being "yourself".Â Â Â  So, <b>Sepazon for sale</b>, <b>Saturday delivery Sepazon</b>, whatever you think of Janet Fish, she stays within her range.Â Â </p>
<p>However, <b>Sepazon pills</b>, <b>Free Sepazon samples</b>, risk taking, I think, <b>Sepazon in mexico</b>, <b>Sepazon gel, ointment, cream, pill, spray, continuous-release, extended-release</b>, is what makes Art and Artists really interesting.Â  If you don't take some risks in your work, it's easy to knock out work, <b>buying Sepazon online over the counter</b>, <b>Sepazon in japan</b>, and she had a lot of work at the opening, and I'm told, <b>buy Sepazon without a prescription</b>, <b>Buy cheap Sepazon</b>, most of the show was sold out (I did not look at the price list, I'm sure Janet Fish's paintings are expensive), <b>Sepazon in australia</b>.  <b>Buy generic Sepazon</b>, You can see a collection of what was in the show <a href="http://www.artnet.com/Galleries/Exhibitions.asp?G=&amp;gid=291&amp;which=&amp;rta=http://www.artnet.com">here</a>Â but I took some photos too - and here's what I liked.<br />
<p style="text-align: center"><img width="430" src="http://www.artnewyorkcity.com/wp-content/uploads/img01266.JPG" alt="Janet Fish excerpt from a painting" height="290" style="width: 430px; height: 290px" /></p><br />
This red vase was part of a painting I liked - the red symbolized something, <b>ordering Sepazon online</b>, <b>Sepazon san diego</b>, and I could feel it.Â  Is the red vase symbolic of something in the artist's life that's broken or is it just a vase she toppled so it would make more of an "effect" which the broken glass?Â  I guess we'll never know because I did not ask her.Â </p>
<p>But I'd like to think these arrangements work because they are also symbolic of something broken in the Artist's life and she's conveying that with the "red" vase - and the red carries because it's fused with her feelings.Â  And it's not the red vase that's broken, it's the blue glass jar ., <b>online buy Sepazon without a prescription</b>.  <b>Sepazon from international pharmacy</b>, and who knows that that means?Â Â  Oh well, I can go on and on at this level, <b>Sepazon in usa</b>, <b>Buy Sepazon online cod</b>, but as along as a painting poses a question - it's interesting,</p>
<p>I think all of Janet Fish's work has color - color tone - each painting has it's own range - in some it's reddish, <b>Sepazon craiglist</b>, <b>Buy Sepazon from mexico</b>, and in other lilac while others could be Naples yellow.</p>
<p>So, <b>buy Sepazon online with no prescription</b>, <b>Sepazon to buy</b>, while her work is predictable - there' passion in it = and it's probably among the best that you'll see on 57th Street.Â </p>
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<p>I still did not get fully down what the next step for the Paris trip - but I hope I got the ball rolling - would have liked to have a brochure but ended bumping into Marsha Wooley as she was leaving her gallery here, <b>buy no prescription Sepazon online</b>, <b>Sepazon discount</b>, and she left the brochures at the gallery.Â  Maybe I got enough information as it was.</p>
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		<title>Buy Evista Without Prescription</title>
		<link>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</link>
		<comments>http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/#comments</comments>
		<pubDate>Sat, 17 Feb 2007 05:13:47 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Collage Art Association]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Paris trip]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2007/02/17/saturday-february-17th/</guid>
		<description><![CDATA[I usually paint on Saturdays but I'll probably be meeting with Marsha Wooley Buy Evista Without Prescription, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed Marsha Wooley last year for ArtNewYorkCity.com - I put a lot of workÂ in that interview [...]]]></description>
			<content:encoded><![CDATA[<p> I usually paint on Saturdays but I'll probably be meeting with <strong>Marsha Wooley</strong> <b>Buy Evista Without Prescription</b>, , a Denver artist, who is in town this week for the annual Collage Art Association conference here in New York.Â  I've interviewed <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">Marsha Wooley last year</a> for ArtNewYorkCity.com - I put a lot of workÂ in that interview which actually have two parts.</p>
<p>Actually, <b>rx free Evista</b>, <b>Fast shipping Evista</b>, I'm interested in the Paris trip that Marsha conducts through theÂ college she teaches at in Colorado; I'd actually like to go but I don'tÂ think I'm going to have the time or money (one or the other, or both) - and then again, <b>online buying Evista hcl</b>, <b>Evista medication</b>, I'd like to think that maybe I can make it happen - 2 weeks in France, part of it painting in Aix and around there ...., <b>saturday delivery Evista</b>.  <b>Over the counter Evista</b>, that would be a dream of mine, something I've wanted to do since I was a teenager and found that Paul Cezanne was my favorite artist, <b>Evista in india</b>.  <b>Cod online Evista</b>, I've always wanted to go to his studio,Â sorta connect with the energy since it's contributed so much to me.Â  But as I age, <b>Evista to buy online</b>, <b>Evista tablets</b>, and know myself better, I realize I'm very different in my artisticÂ sensibilities than the artists I admire; still, <b>where can i buy cheapest Evista online</b>, <b>Evista in usa</b>, I like what I like.</p>
<p>Sure, <b>Evista buy</b>, <b>Online buy Evista without a prescription</b>, there are other parts of France that thisÂ course goes to - and I've only been to Europe once, and only to Paris for 8 days in 1987 (and the only people I had conversations with, <b>order Evista online c.o.d</b>, <b>Order Evista from mexican pharmacy</b>, were Americans - mostly woman - I found it very difficult to just go to Paris and not speak French at that time - now it may be different, I don't know), <b>Evista from international pharmacy</b>.  <b>Evista trusted pharmacy reviews</b>, In my fantasy..... I get to goÂ on this trip for free, <b>delivered overnight Evista</b>, <b>Evista prescriptions</b>, blogging it up and raising publicity - maybe just paying for my trip and hotel....do you think I could talk the college into granting me something like that?Â Â  Maybe it's just a pipe dream.Â Â </p>
<p>There's also the issue of timing - I think this Paris trip happens sometime in May, and so does the Emetrics Summit in San Francisco (althoughÂ EmetricsÂ happens at the beginning of May) and I'd like to go to Emetrics (and I'm not sureÂ I'll be able to either), <b>free Evista samples</b>.  <b>Where to buy Evista</b>, So there's a lot of "ifs" here that I need to see if I can bring together - and that's partly what I'll talk to Marsha Wooley about Saturday (if it does not get rescheduled -Â it seems to be our pattern that meetings get shifted around a lot - last time she was in NY, we rescheduled 4 times), <b>where to buy Evista</b>.  <b>Purchase Evista online no prescription</b>, And then, maybe I'll take in an opening or two - so that's what I've got on my agendaÂ forÂ Saturday.Â </p>
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		<title>The Accidental Masterpiece by Michael Kimmelman</title>
		<link>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</link>
		<comments>http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/#comments</comments>
		<pubDate>Wed, 06 Sep 2006 06:34:25 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Michael Kimmelman]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/09/06/the-accidental-masterpiece-by-michael-kimmelman/</guid>
		<description><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called The Accidental Masterpiece - On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once [...]]]></description>
			<content:encoded><![CDATA[By accident, I went into the bathroom at my local Barnes and Noble and saw a book next to the toilet called <a href="http://www.amazon.com/exec/obidos/tg/detail/-/1594200556?v=glance">The Accidental Masterpiece </a>- On the Art of Life and Vice Versa - by Michael Kimmelman, art critic for the New York Times.Â  I started reading the book and liked it so once I left the bathroom, I bought a fresh copy.Â  I'm half way through the book and this is what I noticed so far:

First, <em>I have not been able to put the book down</em> - it's not a long bookÂ -Â The Accidental Masterpiece touches on so many of the the artists and movements I'm familar with (<em>and some that i was not familar with)</em>; I think it's one of the best books about Art that I have read.

IÂ just learned, in the first chapter, The Art of Making A World, Â that Pierre Bonnard was married to a womanÂ named Marthe de Meligny who turned out to be a recluse whom Bonnard needed to adapt to - but which fueled his creativity (and isolation).

In chapter 2, The Art of Being Artless, Kimmelman talks about what sketching and painting used to be for (until photography was invented).
<blockquote>"Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, becasue pressing a button required less concentration and effort than composing a precise and comely drawing."

".....our inherent laziness and to guarantee our satisfaction, a promise, if you think about it, <strong>that should be antitheticalÂ to the premise of making art, which presumes effort and risk</strong>."</blockquote>
Kimmelman then goes on to talk about Bob Ross, who he callsÂ "the most famous artist on the earth".
<blockquote>"...His psychedelic palette dovetailed with his <em>famously narcotic voice</em>--a voice that, according to Ross's mysterious calculation, was the reason that the other 97 percent of viewers, from Akron to Ankara, from Harrisburg to Hong Kong, tuned in.Â "</blockquote>
Further on I noted something else -
<blockquote>"...Sometimes, as Ross knew, the artistic value of a painting, as with a family photograph, or any personal momento, is it's least important quality."

"...that art is out there waiting to be captured, the only question being whether we are prepared to recognize it."</blockquote>
In the third chapter, "The Art of Having a Lofty Perspective", I learned that Mountains have not always been associated with Spirituality.
<blockquote>"In fact, our modern attitude toward mountains - to what we consider to their natural beauty - is a matter of conditioned learning, inherited through literature and theology, which has evolved during the last few centuries to encompass a notion of the sublime in nature: we have been trained on what to see and how to feel.Â  The evolution of the whole modern world exmplified by the evolution of our feelings towards mountains."</blockquote>
The author then talks about going to climb Montage Saint Victoire, Cezanne's mountain, and also Mont Ventoux- turned out that Kimmelman did not enjoy the climb or view as much as he thought he would.Â  It's strange that I'd be reading this in light of the <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview I did a couple of weeks ago with Marsha Wooley </a>- who teaches a landscape painting class around MontageÂ Saint Victoire every few years, a trip I would love to go the next time she does it.

I still have the rest of the book to read; if your going to read a book about Art, this is one of the better books I've found.

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		<title>Topic Flower Tool reveals the Colors of Art in New York City</title>
		<link>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/#comments</comments>
		<pubDate>Thu, 24 Aug 2006 05:45:24 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Amy Crehore]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
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		<category><![CDATA[Olan Montgomery]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/24/topic-flower-tool-reveals-the-colors-of-art-in-new-york-city/</guid>
		<description><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at Webmetricsguru.com, my Web Analytics blog. What about my interview with Marsha Wooley that I did last week, what would that interview look like as a [...]]]></description>
			<content:encoded><![CDATA[Did you know that Blog Text can also be displayed as a flower?Â  Yep, there's a online semantic analysis tool that does that and I wrote about it over at <a href="http://www.webmetricsguru.com/2006/08/building_flowers_out_of_text_u.html">Webmetricsguru.com, my Web Analytics blog</a>.

What about my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">interview with Marsha Wooley that I did last week</a>, what would that interview look like as a Topic Flower (see below).
<p align="center"><a class="imagelink" title="Marsha Wooley Topic Flower Semantic Analysis drawing" href="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG"><img id="image101" style="width: 393px; height: 254px" height="254" alt="Marsha Wooley Topic Flower Semantic Analysis drawing" src="http://www.artnewyorkcity.com/wp-content/uploads/marsha%20wooley%20blog%20post%20flower%20image.JPG" width="393" /></a></p>
<p align="left">Marsha Wooley's interview - which I put a lot of my soul into writing - is all about Art, and I can't tell you if lavander in the background means there is also some Economy, Science and Technology in the text as well - perhaps there is.</p>
<p align="left">What About Amy Chrehore's Interview, how does it compare with Marsha Wooley's as Topic Flower?</p>
<p align="center"><a class="imagelink" title="Amy Chrehore Interview" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG"><img id="image102" style="width: 429px; height: 248px" height="248" alt="Amy Chrehore Interview" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%202%20blog%20post%20flower%20image.JPG" width="429" /></a></p>
<p align="left">There are subtle differences, mostly in texture between the Amy Chrehore Topic Flower and the Marsha Wooley Topic Flower.Â Â  A Topic Flower of Amy's recent postÂ about <a href="http://amycrehore.blogspot.com/2006/08/pierre-puvis-de-chavannes-1824-1898.html"><font color="#0000ff">Pierre Puvis De Chavannes</font></a>Â looks much different - reflectingÂ as much the writers style as the subject of the post (see below).</p>
<p align="center">Â Â Â Â <a class="imagelink" title="Amy Crehore writing about Pierre Puvis De Chavannes" href="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG"><img id="image103" style="width: 440px; height: 278px" height="278" alt="Amy Crehore writing about Pierre Puvis De Chavannes" src="http://www.artnewyorkcity.com/wp-content/uploads/amy%20crehore%20blog%20post%20flower%20image.JPG" width="440" /></a></p>
<p align="left">What about <a href="http://www.artnewyorkcity.com/2006/07/29/olan-montgomery-in-person-artist-interview-continued/">Olan's Interview </a>that I did a couple of weeks ago?</p>
<p align="center"><a class="imagelink" title="Olan Topic Flower image" href="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG"><img id="image104" style="width: 455px; height: 283px" height="283" alt="Olan Topic Flower image" src="http://www.artnewyorkcity.com/wp-content/uploads/Olan%20interview%20flower%20image.JPG" width="455" /></a></p>
<p align="left">Spooky!Â  The Olan interview was actually as much about Society as it was about Art, according to the Semantic Analysis that the Topic Flower tool performed on the Interview Text.Â Â  These Topic Flowers remind me of the 7 Chakra system of energy centers in the human body - at least, they look that way.</p>
<p align="left">By the way, here's a short description of how to decode the colors and shapes of the Topic Flowers:</p>
Rules for interpretation:
<ol>
	<li>The same text will always generate the same flower.</li>
	<li>More text will generate more layers of petals.</li>
	<li>The primary topic will be shown using the associated colour on the outermost two layers of petals.</li>
	<li>If there is a secondary topic it will be shown on the third layer of petals. This pattern repeats, two layers using the primary, then one with the secondary.</li>
	<li>If there exists a tertiary topic its' colour is used to accent the edges of some of the primary coloured petals.</li>
	<li>The number of little 'hairs' on the flower is indicative of the number of personal pronouns used in the text.</li>
	<li>Rounder petal shapes are suggestive of emotionally positive terms (love, yes, peace) , and more elongated terms indicate negative terms (death, murder, idiot).</li>
</ol>
<p align="left">Have fun, enjoy the <a href="http://www.neoformix.com/2006/TopicFlower.html">Topic Flower Tool </a>and please write me to share your thoughts.</p>

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 2</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 04:28:13 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</guid>
		<description><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous [...]]]></description>
			<content:encoded><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous Motifs like Mount Saint Victoire, the studies of this painting were done on location and using the Golden Mean - she even has some aids to help with this which we discussed).
<p align="center"><a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg"><img id="image83" style="width: 286px; height: 190px" height="190" alt="mountsaintvictoire.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" width="286" /></a></p>
<p align="left">Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Mount Saint Victoire - Marsha Wooley</p>
<p align="left">As you might know, Paul Cezanne is my favorite artist and I painted many, many lanscapes and still lifes in his style (see further down in this post) and I read everything aboutÂ Cezanne including a bookÂ  <a href="http://www.amazon.com/gp/product/1568494955/002-1373550-4120834?v=glance&n=283155">Jane Roberts wrote on Channeling Paul Cezanne</a>Â which was out of print for a while and <em>hardly anyone knows about</em> - I had a copy when I spent a year living in Berkley, California,Â in the late 1970's but since lost it - maybe I'll order it again.Â  I also remember owning a "Composition According to Cezanne" book that was a classic first analysis on how Cezanne architected his paintings and the concept of flat and shallow depth.</p>
<p align="left">I visited the <a href="http://www.barnesfoundation.org/">Barnes Collection </a>Â several times (and many other museums that had Cezanne's in their collection) and knew just about every Cezanne painting and sketchÂ like the back of my hand.Â  And when I spent a summer at the <a href="http://vermontstudiocenter.org/index.html">Vermont Studio School/Center </a>in 1988, I met Sidney <a href="http://www.abebooks.com/servlet/SearchResults?&isbn=0674459555&nsa=1">Geist who wrote a book on Cezanne </a>and claimed to see words in the painting compositions (French words, of course).Â Â Â When someone paints <strong>Mount Saint Victorie</strong>, <em>I know all about it</em> as the images of Cezanne's paintings are etched forever in my soul- even if I never visited that part of France.</p>
<p align="left"><strong>Marsha Wooley </strong>leads a course in landscape painting in France every couple of years (then next one will be in May 2007, around Memorial day) - it's <a href="http://www.arapahoe.edu/schedule/summerAAA-GEO.pdf#search=%22marsha%20wooley%20painting%20in%20france%22">given through the University </a>she teaches at near Denver.</p>

<blockquote>
<p align="left"><strong>ART 220 PAINTING AND DRAWING IN FRANCE 3
</strong>11073 B01 ARGMT 0900A-0200P 05/30-06/25 $ STAFF
<strong>Includes 5 days in Paris</strong>, 05/30-06/25. Additional fees apply. Must register no later than 04-15-06. Orientation
meeting is 04/21 in AD 105, 0600P. For more information and details regarding the registration deadline, please
contact Marsha Wooley at 303-797-5862.</p></blockquote>
<p align="left">Many people take the course just to go landscape painting with her in France, around Paris and in other parts of France.Â  <em>How many people know that about Marsha?</em>Â Â She does not talk aboutÂ her art history work or traveling toÂ FranceÂ on her website or anywhere else - or promote it, yet I find it very intersting and very much something that should known about her; it's unusual and very hip, actually.</p>
<p align="left">In this context, I see myself, in relationÂ to other artists,Â as a nexus, perhaps a chalice, holding, containing and connecting multiple levels of reality - I live as much in the Web Analytics and Web Promomotion world as I live in the Art World (both modern and pas), being a creature of both-Â  at the <em>same moment</em> - think in both ways and see opportunitiesÂ that are often being overlooked (but no longer - she sees them now too).Â Â I hope I'm not being full of myself here (<em>but if I am, so what?)</em></p>
<p align="left">Here's an opportunity for Marsha Wooley to promote her art in a way that has almost no competition - how many American Artists take Art Classes to Paris to paint Art in <strong>Cezanne's backyard</strong> ? Â Marsha Wooley - the artist, the woman who cares about the purity of the land, who is an art historian, art lover, art teacher and all around <em>nice person</em> <em>(she also rides horses and lives near a ranch where she can take care of the horses - and she knows a lot about wildlife</em>). I was drawn to talk to her when I walked into Prince Street Gallery a couple of weeks ago - and it <em>that </em>which I was drawn to - the paintings only are the surface).</p>
<p align="left">I ended the interview talking with Marsha's boyfriend, a <em>Rocket Scientist</em> (a real Rocket Scientist) who works on Communication satellites, including launching them - he's a mechanical engineer and I asked him about the systems he works with.Â </p>
<p align="left">There was also another artist I spoke with at the Gallery today - Owen Gray - and I'll write up more about him later.</p>
<p align="left">One thing we all had in common Â <strong>The Vermont Studio School</strong>, me in 1988, they in the 1990's and Owen spent some time just last year there.Â  Yes, I should look up the people I knowÂ in VermontÂ again, maybe it's time to think about re visiting Vermont, some time in the near future - for a residency.Â  I can certainly use one - after all I have been through <em>(that's the subject of a chapter in a book but I won't go into it here)</em>.Â </p>
<p align="left">I mentioned that I knew one of the founders well before the CenterÂ came into beingÂ as we studied with the same teacher, Ralph Houston, in Smithville Flats, NY; but that's another life, almost, but I haven't forgotton, and it's still part of me. Even as I have gone my own way, I still retain the knowledge of what brought us all together even as I persue it in my own way.</p>
<p align="left">BTW, Marsha also opened up that she used to, in the past, paint abstract (a while back) and if you get close to her works you can see the looser brushwork.Â  Most of her large paintings started as one or two session oil sketches, done on location - and some of these are made into larger paintings - many of which are in the show.Â </p>
<p align="left">I think Marsha might be realistic in her approach, but she manages to keep her brushwork fresh - <em>not overworked</em> - even though the paintings are often large and complex, they hold together, and inÂ her worksÂ she maintains a consistant mood and tone.Â </p>
<p align="left">Marsha has also contained many things within herÂ - art history, geology, a feeling for the land and the animals that live on it, and that's all in the paintings - and it sets her apart from some of the other artists in her Denver Gallery, <a href="http://www.robischongallery.com/html/home.asp">Robischon</a> ( at least 4 others who also paint landscapes of the West).Â </p>
<p align="left">I am very happy for her that her first NYC show worked out, she made a profit off of the show, had some quality time in NY and furthered her career; it's a wonderful thing when that works out.</p>
<p align="left">One thing I did not see Marsha paint much ofÂ - people - hardly any reference to a person (I thinkÂ I might have spotted one in theÂ Mount Saint Victoire paintingÂ at the beginning of this post - it's a wonderful painting that keeps growing on me)Â Â - maybe her boyfriend hiking on a mountain - painted as a speck in the distance.Â  That sorta reminds me of Claude Lorraine - or other landscape artists that generally did not put people in their work.</p>
<p align="left">Also, missed commenting on a large painting that had a rock that looked like a UFO...I almost can see Captain Kirk, Commander Spock and First Engineer Scotty beaming down next to the rock (something out of Star Trek 2, 3 or 4).Â  There's a mystery behind the rock (don't have a picture of that painting).</p>
<p align="left">Anyway, to finish this all off, interviewing Marsha Wooley in person was <em>a much better result than doing it via Email</em>. She had not really seen or read my questions and what I got earlier was not the in depth interview I wanted.Â  I think here, I gave my readers something about Marsha Wooley they'd have to speak with her to learn about (and only if she opened up - I got her to open up for me).</p>
<p align="left">Since we all spent time in Vermont, at Vermont Studio School, I was led to look at some of her paintings as being about both the landscape and herself.</p>
<p align="center"><a class="imagelink" title="inpraiseofanearlyfallvermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg"><img id="image84" style="width: 287px; height: 231px" height="231" alt="inpraiseofanearlyfallvermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/inpraiseofanearlyfallvermont.jpg" width="287" /></a></p>
<p align="left">Â This painting was done while Marsha Wooley was in Vermont, staying at the Studio School; it was a scene from the Community College that is on a hill above Johnston, VT.Â  I remember it well as I used to walk up to it and paint scenes from a similar location like these works of mine (below).</p>
<p align="center"><a class="imagelink" title="Vermont Study - 1988" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg"><img id="image85" height="96" alt="Vermont Study - 1988" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_Study_Vermont_Landscape.jpg" /></a>Â  <a class="imagelink" title="Tree Study in Johnston VT." href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg"><img id="image86" height="96" alt="Tree Study in Johnston VT." src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_tree_in_Vermont.jpg" /></a>Â  <a class="imagelink" title="Vermont Study after Delacroix" href="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg"><img id="image87" height="96" alt="Vermont Study after Delacroix" src="http://www.artnewyorkcity.com/wp-content/uploads/Gouche_study_of_Vermont_Landscape_thinking_of_Arabia.jpg" /></a>Â  <a class="imagelink" title="porch_view_in_Vermont.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.jpg"><img id="image89" height="96" alt="porch_view_in_Vermont.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/porch_view_in_Vermont.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_in_pink.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.jpg"><img id="image90" height="92" alt="still_life_in_pink.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_in_pink.thumbnail.jpg" /></a>Â  <a class="imagelink" title="self_portrain_in_Vermont_Studio.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.jpg"><img id="image91" height="96" alt="self_portrain_in_Vermont_Studio.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrain_in_Vermont_Studio.thumbnail.jpg" /></a>Â  <a class="imagelink" title="Vermont_Landscape_Study.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.jpg"><img id="image92" height="96" alt="Vermont_Landscape_Study.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Vermont_Landscape_Study.thumbnail.jpg" /></a>Â  <a class="imagelink" title="study_with_vaze.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.jpg"><img id="image93" height="96" alt="study_with_vaze.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/study_with_vaze.thumbnail.jpg" /></a></p>
<p align="left">Marshall Sponder's Vermont Studies (above, all from 1988) Â - these reminded me of Marsha's painting - Marsha's painting, inÂ fact,Â is call for me to go back and pick the landscape spirit I left in Vermont.Â  I put part of me aside, for many years, and I wish to address it again, which drove me to paint.Â  The paintings below are among those I did after I returned from Vermont. Within a year or two, I lost it - lost the thread.</p>
<p align="center"><a class="imagelink" title="After The Bath - by Marshall Sponder - 1988.JPG" href="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.JPG"><img id="image94" height="96" alt="After The Bath - by Marshall Sponder - 1988.JPG" src="http://www.artnewyorkcity.com/wp-content/uploads/After%20The%20Bath%20-%20by%20Marshall%20Sponder%20-%201988.thumbnail.JPG" /></a>Â Â Â Â Â  Â <a class="imagelink" title="Homage_to_Manet_2_fixed.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.jpg"><img id="image95" height="96" alt="Homage_to_Manet_2_fixed.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/Homage_to_Manet_2_fixed.thumbnail.jpg" /></a>Â Â Â  Â  <a class="imagelink" title="apartmentview.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.jpg"><img id="image96" height="96" alt="apartmentview.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/apartmentview.thumbnail.jpg" /></a>Â </p>
<p align="center"><a class="imagelink" title="still_life_with_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.jpg"><img id="image97" height="91" alt="still_life_with_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/still_life_with_paris.thumbnail.jpg" /></a>Â Â Â Â  Â Â <a class="imagelink" title="in_the_cave_after_paris.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.jpg"><img id="image98" height="96" alt="in_the_cave_after_paris.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/in_the_cave_after_paris.thumbnail.jpg" /></a>Â Â Â Â Â Â Â  Â <a class="imagelink" title="self_portrait.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.jpg"><img id="image99" height="96" alt="self_portrait.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/self_portrait.thumbnail.jpg" /></a></p>
<p align="left">Yes, I know Vermont, the mystery in those hills, mountains, the magnetic energy, the particular color of the sky, and the subject of trees.Â  Some of the thoughts that came into my mind felt as if the landscape spoke to me and suggested things - and when I spoke to Marsha Wooley, it turned out she has some of the same thoughts; Not unusual, we're both artists.</p>
<p align="left">The trees are both the lanscape and different aspects of ourselves and people we know.Â  Marsha's trees represent some the people in her life - the motifs relate to people she cared about - and the painting are as much about that as the landscape of Vermont - much as it was for me, when I was painting and living there.Â  I was working out an idea of what comes first, what comes second, etc.</p>
<p align="left">I think I need to go back to Vermont, someday soon, so I can pick up the landscape theme again - and maybe (if I can) taking part of that painting course in Paris - next time it happens - that would be really great as painting is in my soul - just as it's in Marsha's.</p>
<p align="left">For the first part of Marsha Wooley's interview <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/">go here</a>.</p>
<p align="left">End of Interview</p>
<a class="imagelink" title="mountsaintvictoire.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/mountsaintvictoire.jpg" />

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		<title>Marsha Wooley Interview &#8211; end of her NYC Show &#8211; Part 1</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-1/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 03:25:44 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
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		<description><![CDATA[Ok, finally got the interview with Marsha Wooley that I wanted, and it was in person at the Prince Street Gallery this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an [...]]]></description>
			<content:encoded><![CDATA[Ok, finally got the interview with <a href="http://www.marshawooley.com/">Marsha Wooley </a>that I wanted, and it was in person at the <a href="http://www.princestreetgallery.com/">Prince Street Gallery</a> this afternoon - I'll try writing it down now so I don't forget what I want to sayÂ as I did not take notes (I focus on talking with the artist when I have an in-person interview and write up my interview from memory).

<center><img src='http://www.artnewyorkcity.com/wp-content/artnyc.jpg' alt='' /></center>

<p align="left">I'm going to focus on things that I learned about Marsha Wooley by talking with her - things she does not talk about or write down (<em>too bad, they're interesting ideas</em>).Â </p>
<p align="left">Â For one thing, this painting is really about studying the <em>Geology of the West</em> - the mountain range in the upper left is full of copper, that is why it's greenish.Â  There's a great deal of knowledge of the land that's really part of what this painting (and the rest of her paintings in the show, are about).Â </p>
<p align="left">I earlier noted the connection with Corot, esp in the tree life in the lower right.Â  But there's another aspect of Marsha Wooley that she does not talk about - her love for this land and how it's being destroyed by the Oil Cartel that's oil drilling, led by Dick Chaney, it's destroying wildlife and wilderness areas around Denver and throughout the West in it's relentless search for more energy - even as it destroys the earth.</p>
<p align="left">While Marsha's paintings are not political - the <em>feeling behindÂ many of her works</em> is - stop the destruction and paint the tranquility of the land as a way to preserve it.</p>
<p align="center"><a class="imagelink" title="em-wooley-littleburmaroad-60x96_LG.jpg" href="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg"><img id="image81" style="height: 143px" height="143" alt="em-wooley-littleburmaroad-60x96_LG.jpg" src="http://www.artnewyorkcity.com/wp-content/uploads/em-wooley-littleburmaroad-60x96_LG.jpg" width="232" /></a></p>
<p align="left">This is one of the paintings that sold in the Gallery show that just closed today - I think the show was as success and one of the main reasons Marsha Wooley had the show is to see all of her work together on one wall.</p>
<p align="left">In my <a href="http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/">next post </a>I'll cover some aspects of Marsha Wooley that she hardly ever talks about - but should.</p>

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		<title>Marsha Wooley Interview</title>
		<link>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/16/marsha-wooley-interview/#comments</comments>
		<pubDate>Wed, 16 Aug 2006 03:12:48 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected. Â  Â  Â Â  Thumbnails of paintings by Marsha Wooley Me: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan [...]]]></description>
			<content:encoded><![CDATA[I finally got the interview with Marsha Wooley to happen - it took longerÂ than I expected.
<p align="center"><img id="image67" height="83" alt="Water Life Cycle, Lake Avery" src="http://www.artnewyorkcity.com/wp-content/uploads/waterlifecycleslakeavery.jpg" />Â  <img id="image69" height="96" alt="Coyote Song Trail  Oil on canvas, 62" src="http://www.artnewyorkcity.com/wp-content/uploads/coyotesongtrail.thumbnail.jpg" />Â </p>
<p align="center">Â <img id="image70" height="96" alt="Gone But Not Forgotten Oil on canvas, 60" src="http://www.artnewyorkcity.com/wp-content/uploads/gonebutnotforgotten.thumbnail.jpg" />Â  <img id="image71" height="96" alt="The Baptistery of Saint Saveur  Oil on canvas, 24" src="http://www.artnewyorkcity.com/wp-content/uploads/thebapistryofsaintsaveur.thumbnail.jpg" /></p>
<p align="center">Thumbnails of paintings by Marsha Wooley</p>
<em><strong>Me</strong></em>: The Prince Street Gallery show appears to be youâ€™re first in New York; how difficult was that to arrange and how long in advance did you have to plan for this show? In what way is the NYC show different than other shows youâ€™ve had around the country?Â  What were your goals for judging this show was successful?
<blockquote><strong><em>Marsha</em></strong>: What makes a successful show:Â  Some people might think that selling out the show makes it successful.Â 

But-I think that the success of the show depends on the intent-and there are numerous reasons.Â  A few of these include: getting exposure in a new market or region, selling out the show, a handsome show, and instructional or educational show just to name a few.Â 

My goals for the show were to

1. get the exposure in the New York area,

2. see my images from the last 5 or 6 years hang together so I could assess my development and

3. to provide a venue for some of my collectors to see what I have been doing (hoping for a sale and I had 5 paintings go to these collectors).Â 

SoÂ  conclusively I would have to affirm that the show was a success because all three goals were met.</blockquote>
<strong><em>Me</em></strong>: Your current gallery in Denver, Robischon, has many strong artists, mostly representational, many with strong elements of landscape painting, particularly of the west.Â  You work fits in well at the Robischon Gallery, but there are differences in style and approach of a Marsha Wooley painting vs. Wes Hempel (ie: whose landscapes seem to come right out of the 16th Century Dutch painters, or more symbolic â€“ as in Tunnel of Love), Jim Wolford (scenes of Denver, houses and landscapes), Don Stinson (with such paintings as Icy Park at Ouray and Desert Burn), Jim Colbert (no relation to John Colbert â€“ right?) whose work most closely resembles yours.

- How do you see your work being different than any other artist in the Robischon gallery?Â Â  What is Unique about your work that no other artist (even those who paint in a very similar style and with very similar motifs) shares at Robischon?
<blockquote><strong><em>Marsha</em></strong>: The influences in my landscape painting are as you so keenly observed Corot-mostly his studies. Â An northern Italian group of painters called the Macchiaoli (a few of my favorite artistâ€™s include Govanni Boldini, Giovanni Fattori and Silvestro Lega) The early surveyer/explorer artistâ€™s that went west with the first map makers for the U S government or the railroad surveys (artistâ€™s like: Samuel Seymour, Titian Peale, Albert Bierstadt â€“his studies, Thomas Moran, Sanford GiffordÂ  and Worthington Whittridge) .Â  I also admire the William Henry Jackson photos of the west.</blockquote>
I caught Marsha in between her trip to NYC; I had hoped for aÂ fuller interview, maybe thatÂ can be done at another time.Â 

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		<title>Another Self Portrait &#8211; &#8220;My Roman Self&#8221; and an empty studio</title>
		<link>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/13/another-self-portrait-my-roman-self-i-think-an-empty-studio/#comments</comments>
		<pubDate>Sun, 13 Aug 2006 15:31:59 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Studios]]></category>

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		<description><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good). Also, the interview with Marsha WooleyÂ should happen sometime today. [...]]]></description>
			<content:encoded><![CDATA[It turns out that the opening at Brooklyn Artist Gym (BAG) was for next Saturday, not last night.Â Â  I painted (though I was looking forward to a large show) anyway, though the studio was empty and hot (the first is good, the second, not so good).
<p align="center"><font face="Courier New"><img style="width: 396px; height: 270px" height="270" alt="My Roman Self - reminded me of bust of a roman emperor I saw many years ago at the MET Musuem" src="http://www.artnewyorkcity.com/wp-content/myromanselfsketch1.JPG" width="396" /></font></p>
<p align="left">Also, the interview with <a href="http://www.marshawooley.com/"><font color="#b85b5a">Marsha Wooley</font></a>Â should happen sometime today.</p>
<p align="left">In case your wondering what the circular objects in the right of my oil pastel sketch are - it's actually a mirror that was used as a painting palette, which some remains of burnt umbers and light blues stuck to the mirror.Â Â  The only mirror I could find in the studio is this mirror - palatte; I borrowed it (from whomever's palatte it is) and managed to do the self portrait, above, and <a href="http://www.artnewyorkcity.com/2006/08/07/my-segmented-life-self-portrait/">My Segmented Self </a>portrait last weekend.Â  Maybe that's enough self portraits for a while.</p>
<p align="left">I copied the shapes and was thinking the round shapes could also serve as visitor segmentations in Web Analytics - <em>or in my sketch</em> - as roundish areas of colors that represent ny feelings - or <em>whatever.</em>Â Â </p>
<p align="left">While I would have loved to have gotten the actual crusty paint on the mirror I was looking into, somehow, it did not seem that important - or I would have done it.Â Â </p>
<p align="left">The area in the lower right is really a cabinet where art supplies are stored - I just sketched it in, for variety in textures - that's all; I spent about two or three hours on this and had enough of it.Â  Feeling explored - feeling done - onto the next thing.</p>

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		<title>Interviewing Marsha Wooley and other stuff</title>
		<link>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/#comments</comments>
		<pubDate>Sat, 12 Aug 2006 07:32:50 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Brooklyn Artists Gym]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[Marshall Sponder]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Soho]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/12/interviewing-marsha-wooley-and-other-stuff/</guid>
		<description><![CDATA[I'll be interviewing Marsha Wooley, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on Celebrity at Work, as my last two artist interviewee's also got to [...]]]></description>
			<content:encoded><![CDATA[I'll be interviewing <a href="http://www.marshawooley.com/">Marsha Wooley</a>, whose show I saw last week at the Prince Street Gallery, later today, and will it will appear on ArtNYC sometime later this weekend or early next week.Â  With any luck, maybe SYNTAGMA will feature Marsha Wooley on <a href="http://www.celebrityatwork.com/">Celebrity at Work</a>, as my last two artist interviewee's also got to be on Celebrity.

I also found another site that is a great resource for NYC Art OpeningsÂ called <a href="http://artcards.cc/">ARTCARDS.CC</a>Â  It's interesting to see the information grouped as a "card", almost something you can print out and carry around as you go to galleries to see art.Â  Here's what I would have seen last Thursday had it not rained so hard here.
<blockquote>10-August-ThursdayÂ 
? Inaugural show at V&A
Mott street, 98

Â Metaverse Road Map Pre-Release Party at Eyebeam
W 21 street, 540, 6-9pm

Â "ART VS. REAL LIFE: Canadian Stories" curated by Katharine at Morgan Lehman Gallery
10 avenue, 317, b/w 28 & 29 street

Ryan Humphrey at White Box
W 26 street, 525</blockquote>
Â The Metaverse Road Map at Eyebeam and the Art Vs. Real Life: Canadian Stories - both of these I planned to go to but did not make it.
Another resource is called <a href="http://beta.nyc.flavorpill.net/upcoming">FlavorPill,</a> and while it's not focused on painting or fine art only (FlavorPill has many other interesting events around NYC) it also gives you upcoming exhibitions, like the Picasso and American Art show at the Whitney later in October.

Anyway, Saturday should also be a busy day for me, hopefully one that I'll paint some and also party a little at an opening at <a href="http://www.brooklynartistsgym.com/events.html">BrooklynArtistsGym</a> of "<strong>Sabrina</strong>" - it's a one night show that's only happening this Saturday (today actually - but I haven't gone to bed yet)
<blockquote>"Sabrina (Sabrina Tilikevich) is having a one-night-only opening event showing her most recent work.Â  She is known for her "direct eye and disturbing perspective." She has been inspired by such artists as Basquiat, Dali, and Malevich.Â  Most of the mediums she uses are acrylic and experimental bases.

She plans for this opening to reflect her style, and is bringing the street fairs of New York City to a Brookyn Gallery.Â  Live music and refreshment will be served.
Saturday, August 19th, from 7 p.m.-11:30 p.m. in the BAG gallery. For more information, you can contact Sabrina at <a href="mailto:sabrina626x@gmail.com">sabrina626x@gmail.com</a>.</blockquote>
I'll probably have a lot to write about in the next few days - keep tuned.

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		<title>Marsha Wooley at the Prince Street Gallery &#8211; NYC</title>
		<link>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</link>
		<comments>http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/#comments</comments>
		<pubDate>Sun, 20 Aug 2006 04:28:13 +0000</pubDate>
		<dc:creator>Marshall</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Dealers]]></category>
		<category><![CDATA[Art in NYC]]></category>
		<category><![CDATA[Fine Art]]></category>
		<category><![CDATA[Marsha Wooley]]></category>
		<category><![CDATA[New York]]></category>
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		<guid isPermaLink="false">http://www.artnewyorkcity.com/2006/08/20/marsha-wooley-interview-end-of-her-nyc-show-part-2/</guid>
		<description><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous [...]]]></description>
			<content:encoded><![CDATA[Marsha Wooley is an artist, art teacher and an art historian, even having tought classes in Art andÂ Mathematics (ie: Searching for the Golden Mean in Art).Â  In fact, Marsha has incorporated the Golden Mean very consciously in some of her paintings (and not all of Marsha Wooley's paintings are of West, some are of famous Motifs like Mount Saint Victoire, the studies of this painting were done on location and using the Golden Mean - she even has some aids to help with this which we discussed).
<p align="center"><a clas
