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Redefination of Art - what is Art now?

I was thinking about the events, conferences, technologies and industries I’m involved in both from a Web Analytics, Social Media and Art Perspective.  I’m also thinking about weather it makes sense of me to maintain a studio that I hardly ever use (over at Brooklyn Artists Gym).

Maybe, I’ll take a breather for a few months to decide if I really need to create anything there, anymore, or my sketches and spontaneous works,  most of these I post here, are enough for me.

I don’t know - but I do know that Art, Art and what it means to be a Artist, today, needs to be re-defined.  I’ve never really fit into the Art World that well - I feel more like someone that goes back and forth between different realities, at the same moment - that’s unlike most people, that put on one hat, take it off, and put another one on - I don’t.

I wear all my hats - all at once (I guess that doesn’t make a hell  of a lot of sense if we were talking about “hats” and not something else - which has little to do with “hats”).

I was “tweeting” (using Twitter) today to mention an Mashable Event I went to last night - here’s the Tweets:

Marshall Sponder webmetricsguru the challenge of an artist, today, is to redefine what art is, in light of all that’s happened
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Marshall Sponder webmetricsguru and, now, where it’s happening might not be location as much as it’s a process, site, idea, network, community
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Marshall Sponder webmetricsguru as an artist, for example, painting, the act of art, perhaps Art, needs to be redefined, in light of all of this
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Marshall Sponder webmetricsguru I’m near the center of “it”, even if my role is less visible. it seems to me, today, our Rennisance is Internet and Social Media
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Marshall Sponder webmetricsguru feel pretty good about some of the social media reporting I’m doing, new ground I’m coming up with. I like that much of what is “happening”

Was kinda thinking about the idea that “painting” doesn’t really excite me that much -  probably never did - it’s more the idea of “connecting” and painting feels to me like a bridge to that.

To the extent Painting, and Art, promotes “connecting” I think it works for me.  To the extent that it doesn’t, it becomes a detractor for me.

And that reminds me - today Paul Krugman wrote a post that reminds me of my Tweets - that we need a new vocabulary for Art, just as we need a new Vocabulary for Economics - We need a new business cycle vocabulary

The point, I think, is that the traditional definition of recession only worked well in the face of a jagged business cycle; if we now have smoother, longer curves — maybe due to better inventory management, or whatever caused the Great Moderation — the question, “Is this a recession?”, no longer means much.

And, I think, the same thing holds true of Art.  What’s painting … anymore?  Does anyone know?

How about Drawing?  Sculpture?  Cinema, Directorship?

Does anyone know?

Maybe we need to sit down, and re-define all of what means  - today.

I, for one, don’t want to spend my time, creating things that no one really wants - most artists do - it’s only the force of their personality, their own Social Networks, that make the difference between success and failure - the money thing is only the indication of what has already happened, or didn’t.

Being “influential” in a satisfying way, via Self Expression, is something that artists always wanted - I suggest we re-define what that means in the 21st Century (instead of letting some Museum Curators, Gallery Dealers and Art Publications decide that - maybe the “Artists” that feed all of this ….  maybe They should be one’s to decide, what Art is, today.

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After a visit to the Museum of Modern Art - Part 2

Richard Diebenkorn painted Large Still Life in 1966 and I like this painting much more than the others in MOMA’s collection because it reminded me of Henri Matisse, and I think that’s a good thing, in this case.

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For me, Large Still Life is totally satisfying as a painting, yet it has many abstract elements of color handling and texture that are much different than Matisse, even though the Large Still Life hearkens back to the French Painter. I kinda wonder what the paper near the foreground is …what does it have written on it? I guess we’ll never know.

Giorgio de Chirico’s The Song of Love is probably much more romantic in it’s name than what the painting represents.

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The Song of Love is more of a mathematical formula, an enigma, or a cryptic dream - full of symbolism - what works for me best is the cloud peaking out from behind the plaster cast of a head. The hanging glove reminds me of “slap in the face” ….like….”take that“! The Ball….well, I’m not sure what it means in this painting and the image of the building tops - exquisite - it evokes feelings in me - like a reminder of something past.

Pierre Bonnard’s, The Bathroom, was painted in 1932 and is one of my favorite Bonnard paintings. When I got close up to the painting I saw a lot of detail in bursh work that is lost in the photo - not to worry - you can always go over to the MOMA and see the painting - it’s wonderful.

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Well, I think that’s enough posting about MOMA’s collection tonight - I have more to post about this trip over the weekend.

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