I attended  the Google Unbound one day conference (my morning coverage is posted here Buy Omnicef Without Prescription, , here and here) at the New York Public Library today (which I wrote up in detail on my Webmetricsguru.com blog) and, while there, happened to notice a Jim Dine Pinocchio print show that was located on the 3rd floor of the library.  I decided to take a brake, go up to the third floor and take a look at the Dine's work.  The only sculpture in the Jim Dine show is shown below. Omnicef buy,

My biggest problem with these works is I don't understand why Jim Dine painted them in the first place.  What about Pinocchio does he find so fascinating?

"....Painter, print-maker, sale Omnicef, Omnicef for sale, sculptor, photographer, buy Omnicef from mexico, Purchase Omnicef online, performance artist, and poet, saturday delivery Omnicef, Purchase Omnicef, Jim Dine (b. 1935) has devoted the last three years to a personal interpretation of a story that has engaged and intrigued him for much of his life, where can i find Omnicef online, Omnicef in usa, Carlo Collodi's Pinocchio. Dine has made his own the tale of the temptations, fast shipping Omnicef, Omnicef medication, trials, tribulations, Omnicef gel, ointment, cream, pill, spray, continuous-release, extended-release, Buy cheap Omnicef, and ultimate triumph of this mischievous but endearing wooden boy in a series of thirty-nine prints, on view in this exhibition, Omnicef prescriptions, Online buy Omnicef without a prescription, which have been reproduced in a new edition of Pinocchio published by Steidl. This exhibition celebrates Dine's promised gift of these uniquely hand-colored lithographs to the Spencer Collection of The New York Public Library, order Omnicef from United States pharmacy. "

Ok, I find it so hard to relate why someone would go out of their way to paint a fairy tale - and honestly, I can't see anything about this series of Pinocchio that stands out and says - I'm unique - I deserve to be remembered.

"....Of his fascination with Pinocchio, who first appeared in his prints in 1998, Dine writes: "Thanks to Carlo Collodi, the real creator of Pinocchio, I have for many years been able to live thru the wooden boy..., Buy Omnicef Without Prescription. Omnicef to buy, His poor burned feet, his misguided judgment, buy Omnicef no prescription, Omnicef craiglist, his vanity about his large nose, his temporary donkey ears all add up to the real sum of his parts, buy Omnicef online with no prescription. Omnicef in uk, In the end it is his great heart that holds me." Dine perceives that "this idea of a talking stick becoming a boy, it's like a metaphor for art, Omnicef from canadian pharmacy, Cod online Omnicef, and it's the ultimate alchemical transformation." His Geppetto is a self-portrait, alluding to the artist as creator, Omnicef medication, Omnicef price, coupon, who in giving life has a connection with the Divine. "

Ok Jim, purchase Omnicef, Order Omnicef from United States pharmacy, if the Pinocchio story works that way for you, great.  To me, rx free Omnicef, Buy Omnicef online without a prescription, the idea of a Pinocchio as a metaphor for my art sounds like a romantic, good idea till you start thinking about it more.   Likening art to Pinocchio is like saying your life is a lie and only though "art" can you redeem yourself and become real.   

Hmm.., Omnicef gel, ointment, cream, pill, spray, continuous-release, extended-release. Omnicef discount, Pinocchio as Jesus, or the Pope...sorry, Omnicef to buy, Over the counter Omnicef, it just does not work for me .... and the more I think about it, where can i order Omnicef without prescription, Omnicef san diego, I get a worse and worse headache.

I was glad to get back to party that was going on at the end of Google Unbound.

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Seth Godin is the smartest marketer alive - and I always read his blog, most of the time commenting in Webmetricsguru.com; today my comment belongs in ArtNewYorkCity.com because Seth talks about why more people don't go to museums.

a. the curators think the item on display is the whole thing. As a result, they slack off and do less than they should in creating an overall story b. they assume that visitors are focused, interested and smart. They are rarely any of the three. As a result, the visit tends to be a glossed over one, not a deep one or a transcendent one c. science museums in particular almost beg people NOT to think. I can't remember the last time a museum visit made my cry, made me sad or made me angry (except at the fact that they don't try hard enough).

Besides, some people have negative associations with museums; my wife was raised in Poland where Museums were considered old, stuffy and boring!  I don't find Museums boring, but I understand why many do - they don't engage visitors enough (sounds like Musuems are often like bad websites that don't work well enough).

"They asked how long it had been since he had been to a museum.  But the group that liked his books spoke up pretty quickly, and first acknowledged that he was trying to needle them, but then said – wait, he is part of our audience, and clearly he has thought this.  And if we are not listening to our audiences, then we may not be doing our jobs well at all.  This was bounced around for a while.  At the end I pulled it back towards Godin’s books and asked what, if anything, they got from the books, felt like they could take back to their museums and use, or share with their bosses.  Even a couple of the Godin-haters mentioned things they got from them.  After the book club, back at the cabin we were staying in, there was a lot of talking around the fireplace about branding and stories, so it was clear the books, and the discussion, made them think."

Sounds like Seth Godin's books were examined by museum directors and it got them to think.  If you stop to think, getting people to a museum and keeping them engaged is the same exact problem as getting people to a website and engageing them enough that they stay.  The solution for a website is usually better content and better design.  In the case of museums, it's not so much the content as the presentation and activities at the museum that encourage people to want to be there and have a positive experience. Again, I'm not the person who has a problem with museums - I like them overall, but many don't like museums and there's probably a valid reason why.

Here's a Press Release for an interesting opening on September 19th, 2006 at the NYPL:

"The European Dream Festival is coming to Town! Come celebrate the opening of the festival at The Invisible Symposium at LIVE from the NYPL Tuesday, September 19, 2006, 7:00 pm The Celeste Bartos Forum of The New York Public Library (Enter at 42nd Street near 5th Avenue) Admission: $15; $10 library donors, seniors, and students Call Smarttix: (212) 868-4444 or www.smarttix.com E-mail sign up www.nypl.org/live   Info: (212) 930-0571 With Benita Ferrero-Waldner, European Union Commissioner for External Relations and European Neighbourhood Policy (TBC) Super Model Helena Christensen Ambassador Fernando M. Valenzuela, Head of Delegation, Delegation of the European Commission to the United Nations Consul Generals and Directors of cultural institutions from 23 European countries The Invisible Symposium American actors, in a staged reading, will render the intriguing reflections of European intellectuals on the present dilemmas facing the European Union. Curated by Jakab Orsos, Director of the Hungarian Cultural Center in New York, and Paul Holdengräber, Director of Public Programs, LIVE from the NYPL. Texts edited by Roger L. Conover, MIT Press. Moderated by Charles Grodin Wardrobe by Uncle Kimono, designed by John Malkovich Wine by the European Wine Council; food by Le Pain Quotidien With major support by Altria

I may also cover this opening for ArtNYC.  We will see!