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Giant Robot New York, approaching store (left) and Gallery (right - in Red).

Inside of the GRNY Gallery - it's small and narrow - found some interesting art there tonight.

Jack Long Painting - I liked his work.

I don't know who did this drawing but - looked interesting so I took a picture of it - it's clearly Jolie and child.

Don't know who did this Tribble Garbage Can art - but it was worth taking a picture. At first I thought the Tribbles were for sale - then I realized I should not touch the art.

And here's me, just before getting a haircut.  As soon as I walked out of GRNY I got a haircut next door, then went back in again.  I'm wondering if the cute lady who hosted the show got confused because my hair was different.

I can't say a whole lot about the GRNY show, it was OK, gave me an excuse to roam the East Village tonight, have a bite at Dojo's (a resturant I used to eat at a lot when I lived in the East Village many years ago) and also go into PS 132 and see the last night of Project Iris Havana in NYC - a group exhibition of photographs of Cuba.  It was nice, there was a musician playing and plenty of wine and rum.

I finished up the evening by passing by Fobbidden Planet, a store that has a lot of comic book art and looking for illustrations of people I have come to learn about recently.  Saw what I needed to see, then spent a while reading Dr. Strange, Volume I - from Marvel Comics  - the old Steve Ditko issues - that was great.  And then I went home.

 

10-August-Thursday  ? Inaugural show at V&A Mott street, 98  Metaverse Road Map Pre-Release Party at Eyebeam W 21 street, 540, 6-9pm  "ART VS. REAL LIFE: Canadian Stories" curated by Katharine at Morgan Lehman Gallery 10 avenue, 317, b/w 28 & 29 street Ryan Humphrey at White Box W 26 street, 525

"Sabrina (Sabrina Tilikevich) is having a one-night-only opening event showing her most recent work.  She is known for her "direct eye and disturbing perspective." She has been inspired by such artists as Basquiat, Dali, and Malevich.  Most of the mediums she uses are acrylic and experimental bases. She plans for this opening to reflect her style, and is bringing the street fairs of New York City to a Brookyn Gallery.  Live music and refreshment will be served. Saturday, August 19th, from 7 p.m.-11:30 p.m. in the BAG gallery. For more information, you can contact Sabrina at sabrina626x@gmail.com.

The picture I took of my large acrylic sketch/painting is "My Segmented Life" and is about 4 feet x 2.5 feet - my 1.3 mega-pixel camara is not able to get much better than this- I did the work in about 4 hours.   It's a self portait but I decided not to focus too much on detail.

I have been thinking of merging my web analytics work with painting (or maybe it's a bad idea - I don't know).  My idea was to take traffic segmentation to pages of a web site as it shown in packages like ClickTracks and do the same thing in my painting - except the segmentation is the parts of my life (I did not represent all the parts of my life - I just painted in a couple of segments as an after thought).

Was thinking of this idea for a couple of weeks - right after the artist Olan drew a map of me, describing my life (while we were talking about life) - decided to see if I could paint my life as visitor segmentation map - yet still hold it together as a painting (and avoid being too illustrative).

I don't take any of these works that seriously, but I do find that I'm liking my work more, the less I try to "finish" it.  I used to spend so much effort trying to finish paintings and lately I don't have time - it has to work the first time - I don't know what my mood will be next time I come in to paint on something - don't want to mix moods - would rather just do the painting in one sitting if I can.

So, incase you can't make it out, I painted the words "web analytics" in red in the lower left, "work" in the mid, upper left, "blogging" in the mid-upper right and "Seo" in the bottom right.

In his most well-known works, Scottish artist Douglas Gordon (b. 1966) addresses the familiarity and popularity of moving pictures by manipulating, reframing, and superimposing them to alter viewers’ perceptions. His works provoke feelings of anxiety, recognition, and amnesia with respect to the circumstances of the reception of media today. This retrospective of Gordon’s work presents thirteen significant works by the artist, including 24 Hour Psycho (1993), Between Darkness and Light (After William Blake) (1997), and Play Dead; Real Time (2003). By forcing new encounters with the familiar and confrontations with the willfully forgotten, Gordon exposes the distance between our dimmed, distorted memories and, perhaps, the truth—emphatically demonstrating that what he sculpts is not only media but time itself.

This exhibition celebrates the 400th anniversary of the birth of Rembrandt Harmensz. van Rijn (1606–1669). Selected from the Museum's world-class collection, these 58 graphic works by the great 17th-century Dutch master and his pupils illustrate the range of Rembrandt's creative genius—his spontaneity, originality, and innovative approach to traditional media.

Girodet: Romantic Rebel May 24, 2006–August 27, 2006 Special Exhibition Galleries, 2nd floor  

This is the first American retrospective devoted to A. L. Girodet-Trioson (1767–1824), a favored but rebellious pupil of Jacques-Louis David. Girodet’s idiosyncratic style fuses David’s Neoclassical ideal with his own prescient Romantic vision. A selection of approximately 100 paintings and works on paper reflects his originality and the diversity of his works, from mythological subjects to portraits and representations of Napoleon’s military triumphs.  

"Although H.D.R. photos are often compared to paintings, they are an attempt by software makers to allow photography to more accurately mimic human vision. Dynamic range measures how great a difference between light and dark can be captured by a digital camera or film. Relative to the human eye, all photography has a limited dynamic range, and digital photography suffers even more than film. It is this limitation that leads to landscape photos where a dramatic sky appears as a washed-out smudge. A classic example of the problem is trying to photograph a room’s interior while still capturing the view outside its windows. In that case, photographers are usually forced to choose either the room or its view as their subject.

"The concept of H.D.R. photography is fairly simple. It starts with a photographer harvesting every bit of difference in brightness by taking several different photos of the same scene, with large exposure differences between them. Software then sorts through the resulting images, which range from underexposed views that are nearly black to washed-out overexposures, to calculate the full dynamic range of the view. Using that vast amount of data, it then constructs a single, high dynamic range photo.

At least that’s the theory. While the actual practice can be highly automated, it is slightly more complicated.

Computer scientists from Bath and Boston have developed electronic artwork that changes to match the mood of the person who is looking at it.

Using images collected through a web cam, special software recognises eight key facial features that characterise the emotional state of the person viewing the artwork.

It then adapts the colours and brush strokes of the digital artwork to suit the changing mood of the viewer.

For example, when the viewer is angry the colours are dark and appear to have been applied to the canvas with more violent brush strokes.

If their expression changes to happy, the artwork adapts so that the colours are vibrant and more subtly applied.

The project forms part of on-going research looking to develop a range of advanced artwork tools for use in the computer graphics industry.

This has already resulted in software which produces highly-detailed artistic versions of photographs, and allows designers to create animations directly from digital footage.

“The programme analyses the image for eight facial expressions, such as the position and shape of the mouth, the openness of the eyes, and the angle of the brows, to work out the emotional state of the viewer,” said Dr John Collomosse from the Department of Computer Science at the University of Bath.

“It does all of this in real time, meaning that as the viewer’s emotions change the artwork responds accordingly.

“This results in a digital canvas that smoothly varies its colours and style, and provides a novel interactive artistic experience.

“This kind of empathic painting only needs a desk top computer and a webcam to work, so once you have the programme and have calibrated it for the individual viewer, you are ready to start creating personalised art based on your mood.

“The empathic painting is really an experiment into the feasibility of using high level control parameters, such as emotional state, to replace the many low-level tools that users currently have at their disposal to affect the output of artistic rendering.”

The empathic painting project was carried out with Maria Shugrina and Margrit Betke from the University of Boston.

The images used in the project were created by the researchers using advanced artistic rendering techniques which give the computer-generated artwork the appearance of having been painted onto canvas.

More information on the empathic painting project, including a video demonstration, is available on the project website (see related links section).

The research was recently presented at the fourth International Symposium on Non-Photorealistic Animation and Rendering (NPAR) conference in Annecy as part of the International Animation Festival.

INNERSCAPES Paintings by Rachel Madden July 13 – September 3, 2006 Opening reception: Thursday, July 27, 5:30 PM- 7:30 PM NY Studio Gallery is pleased to present paintings by Rachel Madden.These intimate, mesmerizing oil on canvas landscapes relay an intrinsically meditative quality springing from the human condition of hope amid despair. 

Hopefully this picture is not too large (in pixel size) or else I'll need to resize it.

Kinda similar, in some respects to Bonnard's work and does not have a title and is 24 x 30 inches.   Had I arrived earlier - this would have been the show to see.

I have a problem with making it over to the West Side - its' really out of the way for me.  The galleries that have taken over Chelsea are mixed in with moving companies and the remains of the 3rd Avenue EL.  I have mixed feelings about having so many galleries that far west.  On the good side - you can hit several openings at one time; on the bad side - it's really an effort to go there in the first place.

I wish the galleries would do something extra to encourage more people to come over to Chelsea - like provide a free meal, or a free something - I don't know - I just think that sticking all the galleries in Chelsea does not quite feel right or natural - but maybe that's just me.  I liked all this stuff down in Soho much better. 

And By the way, Park Slope and Brooklyn is up and coming and maybe thats' the place to be.  Forget about Chelsea, go and build all these galleries in Park Slope.

Jarrett Gregory - July 27th featuring Lutz Bacher Six Feet Under is a theme-driven annual summer series featuring six proposals by six curators. As in previous years, the purpose of the series is to offer each curator and artist a weeklong opportunity to tackle White Box's unique architecture and its six feet below ground exhibition space. The exhibitions are viewed through White Box's sidewalk-level large window, lobby and in [VideoBox], a division of White Box located in an adjacent outdoor window. This last and final edition brings to an end the six-year long series with a topic that specifically addresses the impact and scope of the Chelsea Arts District real estate development. Six young and emerging curators are invited to select six galleries, each of which will then suggest an artist to work with. The artists will present and install a work that reflects upon the realities and relationships of Chelsea's artists' studios and galleries versus the rampant real estate speculation that has resulted in forever-escalating costs affecting the entire arts industry. Perhaps the real question is whether or not there is complicity between all the forces at play and why some artists and galleries end up losing and others win, which in turn will affect, in unknown ways, the community we have forged. Organized by Juan Puntes

LEMURplex is a new performance/gallery/teaching space in Brooklyn, located between the vibrant neighborhoods of Park Slope, Carroll Gardens, Gowanus and Red Hook. LEMURplex will teach and showcase the best in art and technology. LEMURplex is the home and workshop of LEMUR: League of Electronic Musical Urban Robots. Founded in 2000, LEMUR is a group of artists and technologists who create robotic musical instruments. LEMUR's work is shown throughout the world in performances and installations. For information on LEMUR, go to lemurbots.org.

This summer BAP will be hosting the first in a series of programs entitled the “BAPLab” taking place on July 22nd 2006. Showcasing well known artists side by side with emerging artists, the Lab’s purpose is to expose both audience and artists alike to the vast spectrum of digital culture. Located at 3rd Ward, in the outer edges of Bushwick, (that's why I probably won't make it over there) the Lab is an experimental event where artists are encouraged to explore new paths and investigate new ideas through a curated program of electronic music, video, sound installations and interactive works. Part exhibition, part creative R&D program, the BAPLab is a festival of ideas.  An environment where artists can explore new approaches to creative expression. I liked listening to Pathways To Pluto - by r. john valeo - perhaps it's because I'm a Scorpio that I'd like Pluto music.  But then there's Red Wine Reduction by Handshake or Sex Deluxe by Hakan Lidbo - you can hear all of the work by going to the website.

Giant Robot New York, approaching store (left) and Gallery (right - in Red).

Inside of the GRNY Gallery - it's small and narrow - found some interesting art there tonight.

Jack Long Painting - I liked his work.

I don't know who did this drawing but - looked interesting so I took a picture of it - it's clearly Jolie and child.

Don't know who did this Tribble Garbage Can art - but it was worth taking a picture. At first I thought the Tribbles were for sale - then I realized I should not touch the art.

And here's me, just before getting a haircut.  As soon as I walked out of GRNY I got a haircut next door, then went back in again.  I'm wondering if the cute lady who hosted the show got confused because my hair was different.

I can't say a whole lot about the GRNY show, it was OK, gave me an excuse to roam the East Village tonight, have a bite at Dojo's (a resturant I used to eat at a lot when I lived in the East Village many years ago) and also go into PS 132 and see the last night of Project Iris Havana in NYC - a group exhibition of photographs of Cuba.  It was nice, there was a musician playing and plenty of wine and rum.

I finished up the evening by passing by Fobbidden Planet, a store that has a lot of comic book art and looking for illustrations of people I have come to learn about recently.  Saw what I needed to see, then spent a while reading Dr. Strange, Volume I - from Marvel Comics  - the old Steve Ditko issues - that was great.  And then I went home.